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Honoré Victorin Daumier French, 1808 1879

Honoré Victorin Daumier French, 1808 1879 — Art History Study Pack  ·  375 works

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honoré victorin daumier french, 1808-1879 is represented in the NGA dataset with 377 cataloged works.
"- I wonder why this beast is following me all the time... I'll happily be paying 6 sous to jump on a bus," plate 1 from Émotions De Chasse "- My God! Madame Bombec, what happened to you? - Don't mention it, my dear, it's horrible. The world is going from bad to worse, I would rather be janitor at the botanical garden! You know that Bézuchet from the fifth floor, the one that always insists that her good-for-nothing daughter who is fat around the hips has become..... I only replied: Ah, well! - And that's the person who… - Of course, even a blind man can see that!,” plate 30 from Types Parisiens "- Since he is now part of the family, he must also have his portrait taken", plate 269 from Actualités "- Tomorrow we will study Saturn. I want you to pay special attention to this great planet.... which in all likelihood you will never in your life have the opportunity to see!," plate 18 from Professeurs Et Moutards "- You are not having your bottle of beer with us this evening... I can tell you are having a private dinner party today, you scoundrel...," plate 81 from Les Bons Bourgeois "Fire!", plate 35 from Types Parisiens "It fits you like a glove!," plate 34 from Types Parisiens "Oh! It is as if we were there: the tall one opens her corset and the little one is looking for a flea!," plate 27 from Types Parisiens "So, you want to meddle with the press!," plate 319 (He is reading a letter) “A date, could it be from the cute Mme Giraud?? Yes, but it could also come from her husband who wants to pinch me…,” plate 8 from Coquetterie - Taken by her operetta part, Madame de St. Chalumeau is shouting so loud that she does not notice the bellowing of her child, plate 13 from Les Comédiens De Société 10 O'clock in the Morning. “Monsieur Coquelet having accidentally met Miss Palissandre in the Botanical Garden, to whom he had the good fortune to offer a fairy rose the first of May 1804, had obtained a first date. After having gone to great expense buying a new pair of gloves at 29 Sous, he throws a glance at the mirror before going out to try his good fortune,” plate 4 from La Journé Du Célibataire A Boat-Manoeuvre. The Captain yelling in his trumpet: “- Gabier! There is a squall building up, get ready!..... Clew up all the sails!... That's good:.... very good! - Why didn't you say that to me calmly instead of poking this huge instrument into my ear! Now I am so deaf, I can't see clearly anymore!...,” plate 9 from Les Canotiers Parisiens A Confession Of Faith. “Yes Sir, I bared my political life in pure sincerity before my country. I was convinced that my true love for our institutions would make me worthy of representing my fellow citizens. I was wrong, Monsieur, it seems the nation wasn't ready for this yet,” plate 23 from Les Baigneurs A Delicate Task, plate 37 from Revue Caricaturale A Difficult Navigation. “- The boat doesn't move! Pull Dumouchel, pull.... why the devil don't you pull! - But I am doing nothing else than that for the last three hours!.... and this is called a pleasure trip! I'd rather sell my prunes in rue de la Verrerie.... that's less tiring!,” plate 6 from Les Canotiers Parisiens A Dinner at Véry's. “So what! I am having dinner by myself today... alright! But my wife gave me one Louis d'or and I still have... 60 centimes left,” plate 11 from Les Beaux Jours De La Vie A Fair Reward Presented in 1800 by the Un-Prudish Savages of North America to Louis-Philippe of Orléans, surgeon and expatriate, but still a Frenchman. (I salute you, gracious Black Lady, the Lord is with you.) A Namaquan Ave Maria, plate 466 A Family Scene, plate 37 from Croquis D'été A Last Toast! “Gentlemen, let's not go back on board without a final toast in honour of the two things which, most of all, bring charm to our lives... let's drink to the ladies and cold veal!,” plate 18 from Les Canotiers Parisiens A Light Squall (Un leger grain), plate 8 from The Parisian Boaters (Les canotiers Parisiens) A Man Saved Against His Will. “- But I am telling you that I know how to swim and I could have pulled myself out of the water without the help of this gentleman! - That makes no difference.... the law is quite clear... you must pay 25 Francs to your rescuer.... for example, if you had been dead, you would only have had to pay him 15 Francs,” plate 7 from Les Canotiers Parisiens A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier A Naval Combat. “- So, you insulted my flag!.... just you wait, just wait till I'll sink you with a broad side!..... or even better I'll splash you with water from left and right and behind and....” plate 20 from Les Canotiers Parisiens A Neighbour Complaining about the Watering of his Lawn, plate ten from Les Bons Bourgeois A New Way to Float Down the River of Life. - Radiguet you rascal, to hell with you, your boat and your new invention.... it is your fault that the entire outing went down the drain. - Come, come now.... no reason to scream hell. I am just angry about my boot-maker... since my shoes are being filled with water coming from the holes in the pockets of my pants., plate 3 from Les Canotiers Parisiens A Plucked Pierrot, plate 9 from Tout Ce Qu'on Voudra A Practical Joke. "Driver! Driver! Do you still have two seats in the rabbit section??,” plate 24 from Les Baigneurs A Present for an Artist. The Chinese adore music, but they are also passionately fond of musicians. Their infatuation of this attitude is carried to extremes which are not easily understood in our civilized regions. Thus it is quite normal to see Chinese harnessed like horses to a cab and drive their idol around town. An when a pianist has improvised variations more or less brilliant of the "air of moonlight", "Ah!... you will say... Mama" or "King Dagobert", they find nothing better to bestow on him than a sword of honour which is accepted with a coolness equally laughable, plate 23 from Voyage En Chine A Reception. “Gentlemen..... let's drink to the health of the French sailors in general and to the new teammate Greluchon in particular!.... and while waiting for his baptism by fire, we'll give him in the meantime one with water,” plate 10 from Les Canotiers Parisiens A Return of Youth. “Yell as much as you like, you little devil you.... my wife isn't home.... tear out my hair to your heart's content!,” plate 50 from Les beaux Jours de la vie A Revolt On Board. “- Ah! you want to be your own captain!... - Ah! you are treating me like an idiot... hey... I hope the Seine washes away that insult!,” plate 13 from Les Canotiers Parisiens A Rival of Mr. Hume's. “- Oh Adelaide, what an experience.... I just made the shadow of Sesostris appear in front of me! - And what did Sesostris say to you? - He spoke to me in French.. and called me a mug!,” plate 384 from Actualités A Scientist Trying to Befriend His Son with a Great Kangaroo from Central America, plate 3 from La Société D'acclimatation A Suggestion by the Charivari to Mr. Léon Faucher for Avoiding Telegraphic Blunders in the Future, plate 122 from Actualités A True Art Lover, plate 66 from Les Bons Bourgeois A Unusual Battle Between El Cid and the Emperor of Morocco, plate 117 from Actualités A Victim of His Own Politeness, plate 7 from Croquis Musicaux A Visit to the Baths. Queuing in front of the changing rooms - or the steam bath before the cold bath, plate 20 from Croquis D'été A Visit to the Salon A Visit to the Salon. Obviously all the sculptors are a naughty bunch, plate 1 from Tout Ce Qu'on Voudra A Young Man Who is the Pride and Hope of the Badinguet Family, plate 16 from Les Bons Bourgeois A Young Man to Whom Nothing is Sacred, plate 8 from Professeurs Et Moutards A dancer who claims to have preserved the great tradition of VESTRI, plate 12 from Croquis Dramatiques A friend is a crocodile produced by civilization, plate 6 from Les Amis A humanist woman of letters abandoning herself to the cerebral philosophic reflections on the subject of man!, plate 15 from Les Bas-Bleus A large mortar with a short range, plate 488 A passenger having paid his ticket to NEW YORK on the LEVIATHAN, waiting for the ship finally being put into the water, plate 479 from Actualités Abuse of article 214 of the civil law. “My lady wife, you let me want for everything, you only allow me a miserable pension of three thousand francs, you throw me out of your door like a beggar, and, what is more, you want to drive me away from Paris, exile me, deport me!... No! No! I won't leave France! I won't! I won't!!... Listen, I owe my friend Bertrand 10'000 Fr., it's a gambler's debt, a debt of honor, I owe my cook 525 Fr. and ten francs for my chambers, a total of 10'535 Fr. Let me have a few thousand francs more to take my mind off my domestic worries and, on my word of honor, I won't pester you any longer,” plate 50 from Caricaturana An Awkward Situation, plate 52 from Les Bons Bourgeois An Encounter in Open Water. “- Hello... down there... Captain.., what's new in Paris? - Nothing new really... still no one goes to the Gaieté or the Ambigu. - Don't you have anything else to tell me? - Oh yes,... I forgot... I hope you like it... shut up!,” plate 11 from Les Canotiers Parisiens An Exaggerated Rejuvenation. “Just two or three sessions with me, Monsieur, and anyone who still claims to find a grey hair on you, is a malicious person.” As a matter of fact, since the end of the second session, Monsieur's head looks as shiny as that of a newborn baby, plate 52 from Les Beaux Jours De La Vie An Excusable Error. Chickens thinking they have found the cage where they spent their early childhood, plate 21 from La Crinolomanie An Oasis in the Middle of the Plain of St. Denis, plate 5 from Tout Ce Qu'on Voudra An Unpleasant Encounter. “Bernardel, Bernardel! Here comes the steamer... we will sink!,” plate 16 from Les Canotiers Parisiens Another Great Man. “I have it in my hand, my dear... here it is in writing.... this document confirms that my invention is a well-pumped and infinitely more clysterized machine than anything invented thus far... all Frenchmen must accept that,” plate 36 from Les Beaux Jours De La Vie Another way to make use of the new petticoats that have lately become fashionable, plate 294 from Actualités Apelles and Campaste. Aware that Apelles was wasting away with love Alexander gave him Campeste and above the first art deal ever now was struck girlfriend against sculpture, oh what luck! (From Art and the Antique, a poetic essay by M. Cavé), plate 36(37) from Histoire Ancienne Aquatic fun borrowed from the old Greeks, plate 20 from Croquis D'été At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition At Varenne, Saint-Maur. “There! My country house", plate 418 from Souvenirs d’artistes At the Champs-Elysées. It has never been quite clear whether the music makes the beer go down, or the beer that makes you swallow the music, plate 3 from Croquis Musicaux At the Fireworks Display. A father is a draft horse, provided by nature, plate 33 from Moeurs Conjugales and plate 14 in Actualités At the Odeon Theater. “- The new production of TARTUFFE seems to be very good, but I am furious that there is no performance tonight… there have been restrictions, I presume?… - But no, Monsieur… - Well, I have been warned that it would end with the apotheosis of Béranger!,” plate 456 from Actualités Auguste-Hilarion, Comte de Kératry Black and white, plate 23 from Émotions Parisiennes Catholic society of baptism established for all the drunkards of Paris. (Article 1) From Rouen to Bercy the Seine will be transformed into the River Jordan. "In the name of the great society Mélange, Macaire & Co. I baptise you 'old Macon', grand cru of the year of the comet, and the public will stand in line for it," plate 48 from Revue Caricaturale Ch. De Lam...., plate 156 from Célébrités de la Caricature Chinese Talking Politics. Thanks to antiquity and the stability of the Constitution of China, this country is extremely unified... it counts only little more than 63 political parties. Quite often one finds Chinese citizens discussing vehemently on public places, using arguments they had prior seen in their favourite journal. Quite often the journal itself will replace the argument, being used as such, plate 20 from Voyage En Chine Citizen Thiers trying on a new costume, plate 114 from Actualités Clean Young High School Students, They Even Try Selling Off their Latin Dictionary, plate 24 from Professeurs et Moutards (Professors and Rascals) Come Here Little Chick, Chick..... Chick... Chick, Come Little Turkeys, plate 442 Country Amusement. “- Monsieur did not want to wait for his nephew; and Madame thought it might soon start raining, but he didn't really bother. - What an old miser! - Don't you worry, Mother Poirier, he'll pay dearly for that... more than the market price! - And right she is isn't she!,” plate 59 from Moeurs Conjugales Crinolines are suddenly getting to be suspicious, plate 419 from Actualités D'Arg...., plate 188 from Célébrités de la Caricature DUP..., plate 171 from Célébrités de la Caricature Damn Boots! That Will Teach Me to Take Smaller Steps...” plate 6 from Coquetterie Departure for Spain. “He will mount! he will not mount! he will mount! and no, he will not mount!!!,” plate 498 Diogenes and Alcibiades at the Odeon. “- Ah... it's modern....what a man!,” plate 121 from Actualités Disadvantage of Marrying a Woman with a So-Called Artistic Talent, plate 77 from Les Bons Bourgeois Don't You Meddle With It!, plate 20 Early morning visit of a creditor concerning the boots, plate 4 from Émotions Parisiennes El Cid also takes to the field to fight against the Moors, plate 116 from Actualités Embarcation of a Lady. “Get in without fear Miss Josephine....You don't have to be afraid from neither the current nor the boatmen... they are all Frrrrrench.... we actually wanted to salute you with 101 canon shots, but we didn't get the authorization from the Government!...,” plate 15 from Les Canotiers Parisiens Emotions From the Countryside. “- Have to see how the wine grows… haven't never seen it before…,” plate 436 from Actualités Entrance to the public baths at Deligny, plate 3 from Croquis D'été Even the Planets are Watching with Interest the Arrival of the Famous Comet, plate 9 from La Cométe De 1857 Ever since Mr. Babinet had announced that the sun might disappear from one moment to the next, the Parisians are taking all necessary precautions, even at mid-day, plate 385 from Actualités Family Scene Father Molé bringing New Years gifts to little Thiers, plate 62 from Actualités Followers of Mr. Cobden, exercising their peaceful functions, plate 5 from Souvenirs Du Congres De La Paix Former Dandies from the time of the Directory, plate 7 from Tout Ce Qu'on Voudra Friendship With a Great Chemist is Not Always a Godsend… “I am so sure of my findings that I will now poison my best friend, Mr. Coquardeau, and I will retrieve arsenic in his eyeglasses,” plate 39 from Émotions Parisiennes General Mortier, the evening before the battle of Waterloo, plate 456 Giving the public the delights of Carpentras, plate 16 from Croquis Musicaux Guiz.... Herbal Tea. “- Here you are, Monsieur, I thought I'd bring along the entire pack of hay so you can decide yourself about the strength of your tea,” plate 416 from Actualités Hercules Tamed By Love. This mischievous God in his triumphant ways subjects all, kings, shepherds, heroes and gays, Alcide interrupts his dreaded exploits and binds him while Omphale overjoys. (Gallant poetry by Monsieur Sauzet), plate 25 from Histoire Ancienne Holiday in the Country. “- Life in the country really isn't all that entertaining, as they all say. - And to think that spring has only just begun,” plate 14 from Ces Bons Parisiens Horticulturists of Nanterre tiptoeing at midnight towards the cactus grandiflorus in order to surprise it in its blossoming, plate 323 from Actualités How Useful for an Opera Singer to Have a Family, plate 14 from Croquis Dramatiques How to Convince a Young Man to Finally Learn to Pay his Respects to his Parents, plate 26 from Professeurs et Moutards (Professors and Rascals) Husband: “My dear, how about a first kiss on my chin?” The wife (aside): “To think that I am married to this face!,” plate 21 from Moeurs Conjugalesa If the Hunter has Cold Hands... the hare doesn't have cold feet, plate 22 from Émotions De Chasse Impressions From the Vintage. “- What! You are treading bare-foot? - So what… you wouldn't want us to do it in our dancing shoes!,” plate 2 from Croquis D'automne In Bercy. “We are doing everything to avoid that the river Seine overflows... and there are still people who are questioning our good intentions,” plate 321 from Actualités In Tangiers. “- Sublime Majesty... the Spanish are coming... in order to frighten them off I took the liberty to fully open your umbrella as a sign of your greatness! - Leave me alone with my umbrella, Belboul.... I would rather like to have an umbrella protecting me from their bullets,” plate 115 from Actualités In front of Meissonnier's paintings, plate 3 from Le Public Du Salon In the bell section, plate 27 from L'exposition Universelle Inside a Butcher's Shop in Paris. “Come on my dear..... I know it is tough to sell our beef as cheap as that..... but that's no reason to weep like a calf!,” plate 75 from Actualités Insurrection against husbands is proclaimed as being the first and holiest duty in life!, plate 1 from Les Femmes Socialistes It’s strange: nothing is picking up at the stock exchange, not even the chestnut trees!, plate 520 from Actualités Landscape painters at work, plate 309 from Souvenirs d’artistes Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier Louis-Philippe, Last King if the French 1848. Design for a medal to be manufactured by the National Mint Madame Cabassol going for a romantic stroll in the botanical gardens together with the youngest friend of her husband's. Sudden encounter with the latter not far from a stag, plate 4 from Les Amis Malbroug s'en va-t-en Guerre... Man Overboard! “- Harpoon him more firmly!.... we can't get him otherwise! And you, hold his legs up in the air, that's very important.... There is nothing in the world that makes you catch a cold faster than by getting your feet wet,” plate 14 from Les Canotiers Parisiens Marius At Carthage. Soldier, say to the senate that in my noble poverty I have taken for a chair a ruin And if I were in Sylla I would not be sitting here. (Pun attributed to M. Cousin), plate 35 from Histoire Ancienne Marriage of "L'époque" and "Le Constitutionnel". Bilboquet: “- Honourable couple, I hereby unite you and bless you. Go and grow in format and may your almanacs multiply!,” plate 125 from Actualités Masks of 1831, plate 143 from La Caricature Meanwhile They Keep on Insisting that She Has Never Been Better, plate 183 from Actualités Miss Etienne-Mona-Lisa-Cunégonde-Silly Goose of the Constitutionnel, indignate, choking and over-ornate at the performance of Anthony in which the mischievous Dumas had the indecency of scoffing at the noble family Silly Goose of the Constitutionnel..., plate 385 Monsieur Arthur: “- Oh Pamela! I am burning with love for you!” The husband herbalist: “- A mallow... of the family of Malvaceae... a sedative... I don't believe my friend Arthur has this specimen in the herbarium he asked me to build for him,” plate 2 from Croquades Monsieur Babinet decides to personally shut down the sun in order for his predictions to be fulfilled, plate 386 from Actualités Mr. Arlépaire.., plate 280 from Célébrités de la Caricature Mr. Barthe, plate 294 from Célébrités de la Caricature Mr. Benjamin Dudessert, plate 287 from Célébrités de la Caricature Mr. D'argo .., plate 292 from Célébrités de la Caricature Mr. De Rign, plate 333 from Célébrités de la Caricature Mr. Dupin in His Little Shoes. Once Mr. Dupin noticed that one started a heated discussion about the reform of the election laws, he considered it the right moment to show himself at Clamecy, plate 123 from Actualités Mr. Fulchir.., plate 273 from Célébrités de la Caricature Mr. Joliv...., plate 346 from Célébrités de la Caricature Mr. Pot De Naz.., plate 270 from Célébrités de la Caricature Mr. Prudhomme: “- Obnoxious waves.... don't you know whom you are carrying in this moment?... oh audacious... know I shall, like Xerxes, whip you terribly. Mme Prudhomme: (shivering of fear) “- Pray, my dear friend, do not offend the sea any longer... you might wake its fury and it might devour us completely!,” plate 1 from Impressions Nautiques Mr. Prudhomme: “There you are again, my son... another innocent victim of the murderous lead.... poor little duck... pray, you never shall become a hunter, my son!” Young Adolph: “But Daddy, I'd rather like to be a hunter than a dead duck!,” plate 13 from Émotions De Chasse Mr. Prune, plate 288 from Célébrités de la Caricature Mr. Sébast ...., plate 281 from Célébrités de la Caricature Mr. Vieux-Niais, plate 278 from Célébrités de la Caricature Mr. Étien...., plate 283 from Célébrités de la Caricature New Entertainment at the Parisian Evening Parties. The spirit of Mr. Hume shaving the beard of Monsieur de St. Potard and undoing the hair of Madame Coffignon, plate 8 from Ces Bons Parisiens New Year's Day. The Chinese, following an old and respectable tradition invented by a confectioner, never fail to begin the year by offering to all their acquaintances chestnuts and other small presents. They kiss each other with pursed lips, but would rather tear each other apart. On this memorable day in Beijing alone 300'000 kilos of sweets and 200'000 kilos of gingerbread will be devoured. No wonder that on January 2nd all the little Chinese have a colic. But who cares.... next year they'll be again filled up with the same colic enhancing stuff always under the pretext of "traditional duty", plate 25 from Voyage En Chine Oedipe. “- When my sword cut into his bleeding heart - You are trembling Madame - It was then that the world was falling apart,” plate ten from Physionomies tragiques Oh Blast! ... the grapes really aren't good this year!, plate 24 from Pastorales On the Champs-Elysées. Tasting of the industrial products of different brewers, plate 18 from L'exposition Universelle One of the Disadvantages of Living in the Basement. “Look, here are some more that grew last night...,” plate 15 from Croquis Parisiens Open air exhibition of provincials coming to Paris to see the palace of industry, plate 31 from L'Exposition Universelle Paid By the Minute. “- Driver, you are hardly moving! - Driver, you are not moving at all!,” plate 447 from Actualités Parisians already taking their precautions to avoid being roasted by the comet, plate 410 from Actualités Parisians looking forward to some fun. Queuing up for two hours in front of any theater in town, plate 1 from Les Bons Parisiens Parisians who will never be placed under surveillance of the secret police, plate 12 from Tout Ce Qu'on Voudra Physiognomy of the Stock Exchange. The despair of the baissier and the triumph of the haussier - or crying and laughing, plate 440 from Actualités Porcelain figure from China (taken from the private collection of Mr. Charles Philipon), plate 416 Proposal for improvement for the theatres in Paris, which will not fail to have its effect during the dog days, plate 4 from Croquis d’Été Quite embarrassing not to remember where one has hidden the wolf traps, plate 44 from Pastorales Reading the newspaper in the family circle Relaxation during the dog days, plate 33 from Les Bons Bourgeois Result of the Demolishing of Buildings in Paris. “- After all, this is where I used to live.... and I can't even find my wife anymore,” plate 55 from Actualités Robert Macaire, dentist. “- Damnit Doctor, you pulled out two good teeth and left the two bad ones. - (Robert Macaire aside) Devil!!! … (loud) Of course.... And for a good reason: there will be enough time to pull out the bad ones. The good ones surely would have caused you pain in due time. A dental plate however will not hurt you and is very fashionable right now. Everybody is wearing it, plate 57 from Caricaturana Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelle Run-Off Elections. “- Will she invite me for a second waltz?,” plate 114 from Actualités Sense of Hearing. “- Wake up Nini!.... I have been calling her for more than an hour, and she always replies: yes Adolphe. But neither the child's name nor mine is Adolphe!,” plate 41 from Types Parisiens Sight, plate 39 from Types Parisiens Sketches From Le Havre. The well dressed gentleman: “- I am leaving for California.” The poorly dressed gentleman: “- That's where I just came from,” plate 239 from Actualités Smell, plate 38 from Types Parisiens Some artists are taking advantage of this year's permission to exhibit more than three paintings, plate 400 from Actualités Sou..., plate 172 from Célébrités de la Caricature Study of Reverence for the Quadrille of the Lancers, plate 380 from Actualités Subscribers Tyring to Cope with Their Paper, plate 115 from Actualités Temptation, plate 453 The Advantage of Sharing the Fresh Air on an Italian Terrace Together with a Great Number of Insects, plate 42 from Pastorales The Amateur Guitarist. Defying everyone's yawns, As he sings his puny verse, He would sing a parlor-song, On the ruins of the universe...,” plate 4 from Monomanes The Aztecs before the scientists, plate 211 from Actualités The Bluestocking's Husband. “Monsieur, my wife has been inspired since this morning: it is impossible to see her. As you can see, I have to give my full attention to the fruit of our most recent collaboration!,” plate 46 from Moeurs Conjugales The Collector of Cigar Stubs. “When will these buggers finally have finished smoking! They're bailiff's clerks; they smoke until the ashes are left. No way to squeeze a centime out of them,” plate 4 from Bohémiens De Paris The Comedian of the Group, plate 13 from Tout Ce Qu'on Voudra The Cotton Gown Falls, Man Remains, and the Calf Fades (J.B. Rousseau), plate 10 from Coquetterie The Descent of the Courtille in 1855, plate 165 from Actualités The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857 The Dormitory of a Distinguished Boarding School, plate 14 from Professeurs et Moutards (Professors and Rascals) The Drunkard The Embroiderer. An example of the errors, nature sometimes makes in labeling the sexes. Just as one sees the would-be women who wear pants, some kind of a moustache, who play a cornet or the bass-viol, or who compose humanitarian novels, in the same way one finds men who play the harp, hemstitch neckerchiefs, do embroidering with their hands, and, who in a case of emergency know how to do a little cooking, plate 2 from Monomanes The Evening of the National Holiday. It never fails... you go out to see the fireworks, and all you get is waterworks!, plate 20 from Les Beaux Jours De La Vie The Friends of Peace - Result of a Speech By Coquerel. On leaving the ward of Saint Cécilia, a member of the peace congress decided to start general disarmament, plate 7 from Actualités The Good Grandmother, plate 55 The Grape Gatherer, from Les Bons Bourgeois The Grenelle Wells. The director Mr. Mulot and his son finally reaching the end of their work, crossing their arms and putting their hands into their pockets and congratulating themselves that posterity will not be able to reproach them of not having produced clean water, plate 46 from Caricatures Du Jour The Gust of Wind. “- Oh blast! I've lost my hat! - Don't worry.... since it is waterpoof.... you won't have a problem reclaiming it at Rouen!,” plate 17 from Les Canotiers Parisiens The Honours of the Pantheon, plate 433 The Inconvenience of Having His Hair Curled. “Oh blast.... look here, watch out... you are burning me.... I am meeting someone, and I want you to make me look good....... but in order to declare my burning passion, I don't need to smell scorched!,” plate 31 from Les Beaux Jours De La Vie The Influence of the Peace Congress. “Oh you scoundrels, you are fighting again... you still don't know that man should live in peace and be master of himself,” plate 8 from Actualités The Interior of a Family on January 2 - or the Danger of Consuming Immoderately Non-Hygienic Sweets, plate 62 from Actualités The Lesson of the Professor, plate five from Les Comédiens de Société The Loose Head, plate 427 The Mountebanks. “- Oh Maître Bilboquet, we have had it... these clowns will steal our show! Don't you worry, Gringaillet, they're no competition, they are just comedians!,” from Les Saltimbanques The New Blockhouses. “- No more rent to pay, Monsieur Vautour... and we are no longer afraid of the janitor..... in our chalets we are all Swiss,” plate 332 from Actualités The New Fashion. Which is the man, which is the woman?... make your guess if you can and choose if you dare, plate 270 from Actualités The New Neapolitan Buffoon. Receiving the congratulations of the DEVIL instead of being carried off by him, plate 229 from Actualités The New Paris. How fortunate for those in a hurry that the avenues have been widened!!!, plate 301 from Souvenirs d’artistes The Novice Sailor. “Devil... rowing is much more difficult than I thought! And to really enjoy myself I would rather stick peas.,” plate 19 from Les Canotiers Parisiens The Opening Night! “What! Even my porter offers me flowers!... Bless my soul, this comedy will cost me a fortune... I begin to regret that it hasn't been hissed off the stage altogether,” plate twelve from Les beaux jours de la vie The Pamela Hat. “You are perfectly right Madame to adopt this ravishing form of a new hat...... especially from the side it matches beautifully your physiognomy.....!,”plate 76 from Les Beaux Jours De La Vie The Past, the Present, the Future, plate 349 The Reappearance of the Tritons of the Sea, plate 412 from Actualités The Recruiting Board. “Isn't it a glorious sight: these noble young Frenchmen full of ardour, strength and elegance ready to defend their honour under the flags of Mars,” plate 35 from Caricatures Du Jour The Rendez-Vous. “- Madame Eudoxie Blancminet? - That's me, Monsieur... what can I do for you?,” plate 44 from Les Beaux Jours De La Vie The Repose of France, plate 417 The Restaurant at the Exhibition. “- No clients at all… aren't these people hungry? - I guess that the hungry ones are eating the snacks they were offered,” plate 3 from Le Salon De 1857 The Return of the Oyster Season. “- I could eat twelve dozens of them… just imagine that there are people who don't like oysters… - They just have no self respect…,” plate 53 from Les Beaux Jours De La Vie The Shirt Maker. “Sir, I have tailored here for you the best that is presently available..... with a shirt of my making one can present oneself in no matter what Salon and one will always be the best dressed man of the party,” plate 67 from Les Beaux Jours De La Vie The Side Show (La Parade) The Spectators The Taste. “Wow! I am not surprised any more why this fellow is so spirited... and he calls me an old beast! Let me have one of these every morning, and I will be full of spirit too,” plate 40 from Types Parisiens The Terrible Director. “- Indeed! You are telling me that you missed today's rehearsal because you had to set leeches onto your mother? - Yes sir. - But, when you first came here three months ago, you told me that you were an orphan. This is the first time in my long career at the theater that I have met a person who sets leeches on the body of a dead person,” plate 5 from Les Moments Difficiles De La Vie The Three Connoisseurs The Three Judges The Touch, plate 42 from Types Parisiens The Tuileries Gardens. “- No smoking here, Sir! - You mean in the garden?,” plate 10 from Le Chapitre Des Interprétations The Turnstile. A new machine invented by the enemy of crinoline petticoats, plate 15 from L'exposition Universelle The Waiter in Black Suits. Funeral of the tip box, plate 2 from Croquis Parisiens The Wells of Grenelle. “And these scoundrels of chemists are claiming that it is good for children to bathe in the wells of Grenelle! Here is Dodolphe who has turned more green than an apple.... one hardly knows whether he is a lizard or a toad,” plate 37 from Moeurs Conjugales The Worries of a Wine Grower. “- We escaped the frost..... all we now have to worry about is the sun, the rain, the vine-mildew and all the rest...,” plate 397 from Actualités The danger of wearing hoopskirts during a sudden spring storm, plate 26 from La Crinolomanie The day of the great parade, plate 6 from Les Papas The defense compliments the talent of the prosecution, while the Attorney General admires the eloquence of the defense. The judge applauds both of them and everybody is satisfied, except he accused, plate 16 from Les Gens De Justice The disadvantage of having servants who have previously served at Mr. Duprez', plate 65 from Tout Ce Qu'on Voudra The disadvantage of shooting at young partridges with the new explosive bullets of Devisme, plate 17 from Émotions De Chasse The hunted hunter, plate 4 from La Chasse The husband wants him to look at his hot-bed, the friend only dreams of seeing his wife, plate 3 from Les Amisa The pupils of the Institute Pascareau are trying their new school uniform which makes them look a little like the great Napoleon and a lot like little newspaper boys, plate 25 from Professeurs Et Moutards The source of the Seine is the Cote d'Or, and it empties into the Channel. On its way it traverses Paris where the inhabitants escape the summer's heat and try to find freshness and purity in this river, plate 3 from Les Baigneurs The usefulness of the crinoline when cheating the customs, plate 414 from Actualités They succeeded in acclimatizing the Indian potato to the French climate, but it is still a problem to acclimatize the French to the Indian potato!, plate 1 from La Société D'acclimatation Thiers. Citizen Thiers Tries on the New Tail-Coat which Babin has Just Sent Him, plate 4 from Les Représentans Représentés This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears,” This is What the Royal Printer is Sending Us. “- What! I was told I would get some light documentation about the question in question. - That's right, monsieur, we'll bring you the rest right away,” plate 13 from Revue Caricaturale This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears.,” plate 13 from Revue Caricaturale Three Gossips Too Many Cooks Spoil the Broth, plate 129 from Actualités Travel across the attentive population, plate 413 Two Grand Dukes Leaving for Sebastopol, plate 166 from Actualités Under the shade in the countryside, plate 11 from Croquis D'été Very High and Mighty Legitimate Brats. Peoples, defend yourselves, tear yourselves to pieces, sacrifice yourselves for these royals, you belong to them, imbeciles, plate 19 Very humble, very obedient, very submissive, and most of all, very voracious subjects, plate 136 View Taken in a Studio a Few Ways before the Opening of the Exhibition, plate 3 from L'exposition Universelle View Taken of the Streets of Paris after the Performance of the Famous Moralistic Comedy "La Bourse,” plate 330 from Actualités View of the Grand Hall, plate 1 from Souvenirdu Grand Festival des Orphéonistes View of the Seine near Asnières during the dog days, plate 2 from Croquis D'été View of the grand hall. Map, height and view from front of the conductor. Grand alliance between telegraph and music, plate 1 from Souvenir Du Grand Festival Des Orphéonistes Which proves again that already since high school man supports himself on the shoulders of his kin in order to advance in life, plate 30 from Professeurs Et Moutards Youthful Memories. “- You see our letters have not yet been erased... oh Sophie, it was here that I gained your heart. - Hold your tongue now, Théophile.... if someone should hear us!,” plate 49 from Married Life “- Ah, Théophile, what ghastly things I am reading about you. According to the book by Mr. Desbarolles, I can tell that you have in your palm the lines of a libertinage!… - Oh, well…,” plate 1 from Ces Bons Parisiens “- And to think that Prudhon did not want us to attend the socialist banquets.... the poor man has never loved..... he totally ignores that it is the woman's presence which beautifies existence,” plate 184 from Actualités “- And your bourgeois - is he for freedom of the butcher's trade?,” plate 464 from Actualités “- As you can see, Monsieur, I have enforced in my school perfectly good discipline. You cannot imagine to what extent I succeeded implanting in these young scholars a deep sentiment of respect towards their teacher,” plate 23 from Professeurs Et Moutards “- Baron, I have the honor of introducing you to Mr. Mérouel, one of our biggest bankers… - Baron, I have the honor of introducing you to Mr. Cascaret, one of our biggest shareholders,” plate 31 from Croquis D'été “- Beware my friend of the little baron... the more you dress him the less secured you will be,” plate 49 from Tout Ce Qu'on Voudra “- Brrrr! I am furious that I came here to hunt in the St. Denis-Plain. It's just too cold!… - One of those days when you would love to catch a bear. His fur would be more than welcome right now!,” plate 3 from Croquis De Chasse “- But I am telling you, they are friends.... they are just expressing themselves to each other,” plate 9 from Les Amis “- But I keep telling you that I cannot move my feet in these boots! - Don't worry, it'll come, it'll come...,” plate 8 from Tout Ce Qu'on Voudra “- Citizen, you owe me another five sous for your luggage, and I am even generous because if I wanted to I could count your wife as a second piece of luggage,” plate 457 from Actualités “- Coachman, are you booked? - No, citizen. - Well then: 'you'd rather accept being advised than hired out?,'” plate 49 from Émotions Parisiennes “- Come, come, Mr. Pomard... keep your spirits up... only two more leagues and we can rest... - What a piece of luck, we didn't bag anything... I wouldn't even have the strength to carry a partridge,” plate 21 from Émotions De Chasse “- Dire pourtant que mes dahlias continuent encore cette année à être du ponceau le plus vif . . . . malgré tous mes soins, je ne pourrai donc jamais parvenir à leur donner la nuance Boue de Paris !...,” plate 6 from Tout Ce Qu'on Voudra “- Don't worry, Eleonore... it's nothing, it's just a little wind announcing the arrival of spring,” plate 34 from Croquis Parisiens “- Driver, driver, you cannot reject me, you have to save my life... bring me back to the races alive! - But come on, Spaniard… be reasonable… you don't have to fear the rain, since you are wearing a coat!…,” plate 2 from Le Carnaval De 1858 “- Eh! my Didine, have we danced enough? - Oh, don't mention it any more, I am completely worn out - Then take off your stockings and get to bed! - Good grief, no.. really, I'm just too tired!,” plate 56 from Moeurs Conjugales “- Enough, enough, it's much too tight!! - But not at all, Monsieur, this fabric suits you like a glove!”, plate 5 from Coquetterie “- Finally we obtained the division of property between husband and wife... - about time, there was no more money left to divide,” plate 3 from Les Avocats Et Les Plaideurs “- Hard to imagine that one day I might have to trade my crown against a simple hat,” plate 249 from Actualités “- Hello, neighbour, are you like me? I start to believe we would do well returning to Paris,” plate 1 from La Campagne En Hiver “- Here is the public minister who will say some very unpleasant things to you.... so try to cry a little from one eye at least.... it usually does some good!...,” plate 21 from Les Gens De Justice “- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris... - Why didn't you have mine done while you were there... get lost, you egotist!,” plate 28 from Les Bons Bourgeois “- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société “- How do you know that I am a widower? After twenty years of forced labour, not marriage, I am slowly starting to pull myself together again, and there you are, proposing me a second marriage! Ragoulet, would you please stop holding my hand!,” plate 10 from Vulgarités “- I actually thought a crocodile soup would taste better than that,” plate 7 from La Sopciété D'acclimatation “- I am glad that we are not scientists, otherwise Monsieur would also invite us to taste this camel hump he ordered from Algeria… I'd rather enjoy a meal of veal hump!,” plate 8 from La Sopciété D'acclimatation “- I am not afraid for me, but if I think of poor Azor who will perish on the 13th of June... it simply breaks my heart,” plate 8 from La Cométe De 1857 “- I am sorry that I did not recognize you right away. I could not distinguish you from all the other roses!,” plate 55 from Tout Ce Qu'on Voudra “- I bought this ground at 1 franc per square meter, and I'll sell it again at 9 francs. - To whom? - The name does not matter as long as I make 8 francs on the square meter... after all, it's not excessive, a square meter on the Boulevard Montmartre costs 600 francs! - Yes, but this section here is uninhabited. - What do you mean, there are more than 20'000 rabbits living here,” plate 1 from Les Spéculateurs “- I never laughed so much as at the funeral of Bourdin's daughter.......” (Henri Monnier), plate 303 from Souvenirs d’artistes “- I really don't see why we shouldn't be nominated members of the surveillance council one of these days..... after all it isn't that difficult to look dignified... how about a pose like this?,” plate 2 from Croquis Parisiens “- I was told to go to the cold batha to lose weight. - You don't say, I was just told the opposite. - Maybe they are good for everything this year! - True for everything, except cleanliness," plate 39 from Croquis D'été “- I would have bet on it… instead of taking him to see Séraphin you take him to a drama.... it's bad enough for adults already, poor little thing!... - Don't worry Madame, this is the way children are enjoying themselves,” plate 34 from Moeurs Conjugales “- I would have so much loved to make him a butcher too... now I am forced to make him a lawyer,” plate 467 from Actualités “- I'd regret if this mode gets to be out of fashion one day... these ladies are doing half of my job!,” plate 438 from Actualités “- I'll go public with my business.... this is the right moment... I form a company with a capital of 3 Million Francs..... for the production of artifical plums!.... - I can already see you coming, you will ask me for the kernels,” plate 1 from Les Faiseurs D'affaires “- I'll never understand, how these exercises are supposed to ameliorate the condition of a horse..... the only thing that really counts is that the horseman feels good,” plate 1 from Croquis Équestres “- I'm never calm when I see you go out like this... I am always afraid, Monsieur Moussard, that you may be infidel,” plate 67 from Les Bons Bourgeois “- If you only knew how pretty you are!... Pretend you are playing! - stop it.. DO - You don't love me!...SO - I'll' always be yours. ... MI,” plate 6 from Les Musiciens De Paris “- In my opinion: as long as there are Indians populating India... - But what do you want to replace them with?… - With Auvergnats… they settle everywhere!,” plate 451 from Actualités “- Inspite of all their assertions that their guns are only loaded with small shots, it is nonetheless annoying to be aimed at the head like this for three consecutive hours... I tremble at the thought that they might dream of an encounter with a rabbit...,” plate 13 from Émotions De Chasse “- Isn't he cute like that, Dodore... with a little bit of cleaning up, he is just not the same child any more!...,” plate 37 from Les Bons Bourgeois “- It really shouldn't be allowed to return from Bercy in a state like this.... an established man like you.... I am so unhappy, my God! - What's wrong?...after all, I like the water.... am I not allowed to like the water anymore?,” plate 4 from Les Canotiers Parisiens “- It seems that the sea serpent has reappeared in the Indian Ocean!... - Oh, my God... is it possible!... - Of course it's possible if I tell you that it has been printed like that in the Constitutionnel!...,” plate 20 from Les Bons Bourgeois “- It's just because he's your friend, and because he has been introduced to me by you that I will let him subscribe to the last 20 shares of my colossal newspaper the EUROPEAN.... it will be a gold mine, and one day, he will thank you properly for it,” plate 7 from Les Amis “- It's nippy, Mr. Galimard, it's nippy!... - Allow me to say that at 8 degrees the rivers and the noses are frozen...,” plate 39 from Tout Ce Qu'on Voudra “- Just 15 cents for a full bath.... what a deal!,” plate 12 from Croquis Parisiens “- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse “- Madeleine, how could you ever accept a piece of meat like this one? - Madame, the butcher told me that the meat commerce will be free, therefore he took the liberty of giving me this piece,” plate 463 from Actualités “- May the devil get the inventor of all these New Year's presents!” Reflection of a sensitive, generous but tormented Parisian father, plate 476 from Actualités “- Mister butcher, I wish you a happy and healthy New Year… - What? This is going to be a nice one, this 1858… every grocer around the corner will be able to sell my mutton!…,” plate 481 from Actualités “- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier “- My dear friend, you really don't look very well this morning. I am not speaking to you as a doctor, but as a friend. I must insist in treating you.... better than I would treat myself. I am going to apply 30 leeches to your belly and if by tomorrow you have not improved, I'll apply another sixty,” plate 8 from Les Amis “- My graft of a cherry slip on an apricot tree really didn't take.... strange, ... after all, I followed exactly the instructions in the 'Manual of Useful Knowledge,'” plate 7 from Pastorales “- Now I understand why this chap was so quiet all the time..... instead of reading quietly in his Greek dictionary, he was indulging in a novel...!!,” plate 22 from Professeurs and Moutards “- Oh blast! .... it's again my own dog that I shot..... that's the third one in two years.... I'm really not very lucky at hunting!,” plate 6 from Croquis D'automne par Daumier “- Oh, Madame Chaboulard, I wonder what will happen in the twelve months to come... the New Year starts on a Friday! … - I don't care, I am not superstitious… I only believe in the number 13 and in spiders!,” plate 477 from Actualités “- Oh, here you are..... what do you have there?..... - Let's not talk about it.... we are having guests, and I just did my shopping,” plate 6 from Types Parisiens “- Oh, my friend... I am afraid of these people there. - And rightly so... they are quite vicious, they beat their women and make them have black children!,” plate 101 from Actualités “- Open up..... it's me.... the veal-stew!,” plate 17 from Tout Ce Qu'on Voudra “- Our boat let go the anchor and has drifted away.... we're stuck on this lonely island like Robinson Crusoe... and without anything to eat and no parrot... - That's true.... and I really don't know what to eat, once I have devoured you, poor Cabassol!,” plate 5 from Les Canotiers Parisiens “- Please no exaggerations in this article which goes to all the newspapers. Write only that our pupil Greluchot has received fourteen prizes and that there is no doubt that the Institute Bilboquet is the finest in all of Paris!,” plate 27 from Professeurs Et Moutards “- Say then, Madme. Giboulard … don't you agree that it is not very pleasant for women of our gender, to come down like this everyday, cleaning the gutters of St. Honoré … - That's true, Madame Chaffarou, but we can also praise ourselves of being the only ones to embellish Paris!,” plate 75 from Caricatures Du Jour “- Sir, I would like to subscribe for the earth quake at Batignolles..... here are two Francs.... but put in properly my name and address in your newspaper, Rigolard - Philanthropist, stationer at rue St. Honoré 345, offering clocks and statues by Dantan, Bohemian glass, English riding sticks, German chemical matches and generally everything that does not really concern this matter,” plate 6 from Les Philantropes Du Jour “- Sir, you who are so good, can't you get me small position?.... I am able to furnish you the best references on my honesty.... - You have always remained honest?... But in that case, my worthy man, why the devil have you come to me? You ought to know that I concentrate all my business and all my charities on this highly interesting class of freed convicts! Why don't you go and steal something or at least kill a bit... and once you are out of Toulon-prison, come and see me... I'll be delighted to offer you a helping hand!,” plate 19 from Les Philantropes Du Jour “- Sire! Lisbon has been captured. - aaaah!!... and I dreamt that I had fought courageously!,” plate 304 “- So we have stolen the balloon of Mr. Green?,” plate 31 from Tout Ce Qu'on Voudra “- Still more Venuses this year... always Venuses!... as if there were any women built like that!,” plate 2 from Croquis Pris Au Salon par Daumier “- Taxi Monsieur? Taxi? - I don't even have enough to walk,” plate 8 from Émotions De Parisiens “- Tell me, mayor, what are communists? - You know, Pierre, communists are people who want to have everything in common with every Frenchman: the money, the work, and the land. - Well, in my opinion there is one thing they seem to be lacking: common sense,” plate 42 from Tout Ce Qu'on Voudra “- That's quite alright... isn't asphalt a marvellous invention?,” plate 1 from Paris L'hiver “- Three months ago, the Count sat model like that.... nowadays there is no more similarity..... everything seems to be wrong,” plate 40 from Tout Ce Qu'on Voudra “- Times are difficult; this year we must learn to be more modest... - Don't tell me, my dear Ducorneau.... as far as I am concerned, every time I go to the theatre I now deny myself the company of my wife....,” plate 2 from Tout Ce Qu'on Voudra “- We really look like Papa, don't we... little Cherub!,” plate 14 from Les Papas “- Well, are you finally finished?... after all it's tiring to relax for such a long time,” plate 1 from Les Artistes A La Campagne “- Well, fancy that! I thought that we had just discovered a deserted island or at least a country inhabited by cannibals. - No, Sir.... and the proof is that, if you want, I am going to make you eat an excellent fricassee of game in a white wine sauce. - A fricassee of game ....oh, then it's different..... we are with the Chatophages. (note:cat-eaters),” plate 2 from Les Canotiers Parisiens “- Well, if you want to liberate the butchers' commerce, why are you against my weighing a few bones with the meat?… you are really strange, same as ever!,” plate 472 from Actualités “- What a fortunate encounter! It's my dear Stanislaus whom I haven't seen since we were in the sixth class together at Landernau.... in these times we used to share everything.... Things should be the same again, could you lend me 20 or 25 Francs?,” plate 2 from Les Amis “- What a shame that I don't speak Chinese... I would love to say something real nice to her and something rather nasty to her husband,” plate 4 from En Chine “- What do you mean, there are soon going to be air trains? - But of course, Monsieur... you see, it will then be very easy to establish a connection between Dover and Calais... but of course, the project is still suspended in air,” plate 14 from The Railroad “- Whatever became of you, Mr. Brown? - I became an unlicensed broker at the Stock Exchange...,” plate 29 from Tout Ce Qu'on Voudra “- Would you please come back immediately... I do not allow my tenants to receive visitors once I have cleaned the staircase,” plate 1 from Messieurs Les Concierges “- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier “- Yes alright, but the poor boy's belly is hurting,” plate 13 from Les Papas “- Yes, my dear Badoulard... I will open a department store even more philanthropic and greater than anything that existed up to now.... it will carry the complete set of articles at half price... someone can come in as naked as a new born baby and leave fully dressed, including cane, umbrella and cigarette lighter! - But then you will ruin all the small little shops in the neighborhood! - What do I care, as long as its all done in the name of humanity!, plate 27 from Les Philantropes Du Jour “- You are not wearing a Talma yet? - No, I remain loyal to the overcoat, it's more flattering to my waistline,” plate 1 from Les Bons Parisiens “- You must come to have dinner, my wife will eat in town.. it is just us two men! - Ah, the Devil! I have a terrible headache (aside) and his wife is waiting for me!,” plate 7 from Vulgarités “- You see, my friend Durand.... there are only two important components of happiness for a man: water and wine... but they must never be mixed, otherwise they lose their charm. - Quite right, Cabassol.... let's drink another glass of wine in honour of water!,” plate 12 from Les Canotiers Parisiens “- Your suit fits.... I'll borrow it from you... only, please close the door, I can feel a draft on my back. - Oh blast, the door is shut,..... but you just opened the only suit I have,” plate 5 from Les Amis “-What a shame that I am not allowed go hunting,” plate 180 from Actualitiés “A protest on New Year's Day! What luck! ...........,” plate 42 from Croquis Parisiens “All is lost - save the cashbox” “Brigand of a may-bug... it's you who devours all my property. You shall perish through my hand!,” plate 32 from Pastorales “Damn country! I only shoot sparrows.... and just females... and this ingenious guard insisted the place is full of rabbits,” plate 5 from La Chasse “Damn! They are happier than their master.... these bitches of boots... they drink!,” plate 2 from Vulgarités “Eleven degrees centigrade! Look at how it makes you look! And this is called the year of grace!,” plate 1 from Vulgarités “Everything is Paid for? And We Didn't Insult Anyone… Bye,” plate 31 from Types Parisiens “God! How I loved that fellow there!,” plate 16 from Caricatures Politiques “Ha! Dammmmmnit wife... how much funnn we had when we were eighteen.... no men no women..... just us people from Auvergne,” plate 5 from Vulgarités “Heave-ho!..Heave-ho! Heave-ho!,” plate 179 “Hello, Angel, always pretty...,” plate 3 from Coquetterie “I am living a little high up... but at least I am enjoying a beautiful view,” plate 8 from Les Bons Bourgeois “I don't give a damn about your Miss Sand who prevents women from mending pants and darning socks! ... We must re-establish divorce or suppress those authors!,” plate 6 from Moeurs Conjugales “I don't want to go into such a deep water...... there are surely big fish in there!,” plate 1 from Enfantillages “I say to myself: would anybody imagine that we are coming from the Rue des Lombards?... We really don't look like confectioners at all,” plate 2 from Coquetry “I'm guarding city hall” “Indeed, I don't know what they looked like at Austerlitz, but they could hardly have looked any better,” plate 7 from Coquetterie “It is war! ...Everyone for himself!,” plate 460 “It's important for a man to know how to swim. He is not doing so badly for a start. You could think it's a fish, at least while he is attached to the cord. But he'll learn it… he is still young!,” plate 5 from Les Baigneurs “Just you wait, I'm going to show you who is the teacher here...,” plate 11 from Professeurs Et Moutards “Monsieur, Monsieur, here's your handkerchief. Madame has put some Eau de Cologne on it and she said you should ask at the Guard whether you might get a foot warmer,” plate 47 from Moeurs Conjugales “My sister was saying yesterday, she thinks you are just too ugly!,” plate 37 from Croquis D 'expressions “Oh blast! I don't seem to be able to tie a knot!” plate 4 from Coquetterie “Regular little drunk, he is!... he swallows it down like milk! Poor little darling... he is just like his father!,” plate 42 from Moeurs Conjugales “Sir . . . Sir . . . Siiir . . . Christ, it’s annoying to have the runs when the supervisor is supervising!,” plate 13 from Professors and Rascals “So this is what's called following the stream of life..... to be compelled to march lockstep with such a fool!,” plate 52 from Moeurs Conjugales “There goes my wife!! Oh, the wretch, while I'm having a shave she's making a cuckold of me!,” plate 22 from Moeurs Conjugales “There you are, my dear.... and now I bet you'll be going after other girls....,” plate 1 from Coquetterie “Thy hand cometh to slay Britannicus, thy brother. I foresee thy blows will soon hit thy mother,” plate 7 from Physionomies Tragico-Classiques “Well...as the saying goes, like a genuine string of pearls, .... only some of them have become unthreaded, that's all!,” plate 9 from Coquetterie “What idiots! You paint a religious picture for them and they laugh.... they don't even have a devotion to art!...,” plate 4 from Croquis Pris Au Salon par Daumier “Yes, it is Leonidas...... No Question, it is Leonidas!” (The happy father deems it appropriate to be moved by recognizing Leonidas), plate 100 from Les Beaux Jours De La Vie “You Sniff the Merchandise… Before Buying It,” plate 32 from Types Parisiens “You remember now that young Cabassol is far too good in translation that I would allow anyone in this class to molest him... he is under my immediate protection! At the final exams it is he who will hold up the honour of Bilboquet High school,” plate 32 from Professeurs Et Moutards “You tramp! I would like to see you drown in your beer! Leaving me alone like that with my three children, he gives me twelve sous, and when he comes back in the evening, he asks for his change!,” plate 48 from Moeurs Conjugales
"- I wonder why this beast is following me all the time... I'll happily be paying 6 sous to jump on a bus," plate 1 from Émotions De Chasse

"- I wonder why this beast is following me all the time... I'll happily be paying 6 sous to jump on a bus," plate 1 from Émotions De Chasse

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>"- I wonder why this beast is following me all the time... I'll happily be paying 6 sous to jump on a bus," plate 1 from Émotions De Chasse</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/7ad4fbd2-f999-cfc1-78e6-a3ae71932568/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>"- I wonder why this beast is following me all the time... I'll happily be paying 6 sous to jump on a bus," plate 1 from Émotions De Chasse</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/7ad4fbd2-f999-cfc1-78e6-a3ae71932568/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>"- I wonder why this beast is following me all the time... I'll happily be paying 6 sous to jump on a bus," plate 1 from Émotions De Chasse</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/7ad4fbd2-f999-cfc1-78e6-a3ae71932568/full/full/0/default.jpg.
SUMMARY. "- I wonder why this beast is following me all the time... I'll happily be paying 6 sous to jump on a bus," plate 1 from Émotions De Chasse
CAPTION.
"- My God! Madame Bombec, what happened to you? - Don't mention it, my dear, it's horrible. The world is going from bad to worse, I would rather be janitor at the botanical garden! You know that Bézuchet from the fifth floor, the one that always insists that her good-for-nothing daughter who is fat around the hips has become..... I only replied: Ah, well! - And that's the person who… - Of course, even a blind man can see that!,” plate 30 from Types Parisiens

"- My God! Madame Bombec, what happened to you? - Don't mention it, my dear, it's horrible. The world is going from bad to worse, I would rather be janitor at the botanical garden! You know that Bézuchet from the fifth floor, the one that always insists that her good-for-nothing daughter who is fat around the hips has become..... I only replied: Ah, well! - And that's the person who… - Of course, even a blind man can see that!,” plate 30 from Types Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>"- My God! Madame Bombec, what happened to you? - Don't mention it, my dear, it's horrible. The world is going from bad to worse, I would rather be janitor at the botanical garden! You know that Bézuchet from the fifth floor, the one that always insists that her good-for-nothing daughter who is fat around the hips has become..... I only replied: Ah, well! - And that's the person who… - Of course, even a blind man can see that!,” plate 30 from Types Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/2b955a2a-b7ca-e71e-f48a-41190795e78c/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>"- My God! Madame Bombec, what happened to you? - Don't mention it, my dear, it's horrible. The world is going from bad to worse, I would rather be janitor at the botanical garden! You know that Bézuchet from the fifth floor, the one that always insists that her good-for-nothing daughter who is fat around the hips has become..... I only replied: Ah, well! - And that's the person who… - Of course, even a blind man can see that!,” plate 30 from Types Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/2b955a2a-b7ca-e71e-f48a-41190795e78c/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>"- My God! Madame Bombec, what happened to you? - Don't mention it, my dear, it's horrible. The world is going from bad to worse, I would rather be janitor at the botanical garden! You know that Bézuchet from the fifth floor, the one that always insists that her good-for-nothing daughter who is fat around the hips has become..... I only replied: Ah, well! - And that's the person who… - Of course, even a blind man can see that!,” plate 30 from Types Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/2b955a2a-b7ca-e71e-f48a-41190795e78c/full/full/0/default.jpg.
SUMMARY. "- My God! Madame Bombec, what happened to you? - Don't mention it, my dear, it's horrible. The world is going from bad to worse, I would rather be janitor at the botanical garden! You know that Bézuchet from the fifth floor, the one that always insists that her good-for-nothing daughter who is fat around the hips has become..... I only replied: Ah, well! - And that's the person who… - Of course, even a blind man can see that!,” plate 30 from Types Parisiens
CAPTION.
"- Since he is now part of the family, he must also have his portrait taken", plate 269 from Actualités

"- Since he is now part of the family, he must also have his portrait taken", plate 269 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>"- Since he is now part of the family, he must also have his portrait taken", plate 269 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/09034ead-d012-bf5f-577e-83977dfbaca5/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>"- Since he is now part of the family, he must also have his portrait taken", plate 269 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/09034ead-d012-bf5f-577e-83977dfbaca5/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>"- Since he is now part of the family, he must also have his portrait taken", plate 269 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/09034ead-d012-bf5f-577e-83977dfbaca5/full/full/0/default.jpg.
SUMMARY. "- Since he is now part of the family, he must also have his portrait taken", plate 269 from Actualités
CAPTION.
"- Tomorrow we will study Saturn. I want you to pay special attention to this great planet.... which in all likelihood you will never in your life have the opportunity to see!," plate 18 from Professeurs Et Moutards

"- Tomorrow we will study Saturn. I want you to pay special attention to this great planet.... which in all likelihood you will never in your life have the opportunity to see!," plate 18 from Professeurs Et Moutards

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>"- Tomorrow we will study Saturn. I want you to pay special attention to this great planet.... which in all likelihood you will never in your life have the opportunity to see!," plate 18 from Professeurs Et Moutards</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/5728b05c-0242-db7b-3d02-3a7a1ccbe048/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>"- Tomorrow we will study Saturn. I want you to pay special attention to this great planet.... which in all likelihood you will never in your life have the opportunity to see!," plate 18 from Professeurs Et Moutards</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/5728b05c-0242-db7b-3d02-3a7a1ccbe048/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>"- Tomorrow we will study Saturn. I want you to pay special attention to this great planet.... which in all likelihood you will never in your life have the opportunity to see!," plate 18 from Professeurs Et Moutards</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/5728b05c-0242-db7b-3d02-3a7a1ccbe048/full/full/0/default.jpg.
SUMMARY. "- Tomorrow we will study Saturn. I want you to pay special attention to this great planet.... which in all likelihood you will never in your life have the opportunity to see!," plate 18 from Professeurs Et Moutards
CAPTION.
"- You are not having your bottle of beer with us this evening... I can tell you are having a private dinner party today, you scoundrel...," plate 81 from Les Bons Bourgeois

"- You are not having your bottle of beer with us this evening... I can tell you are having a private dinner party today, you scoundrel...," plate 81 from Les Bons Bourgeois

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>"- You are not having your bottle of beer with us this evening... I can tell you are having a private dinner party today, you scoundrel...," plate 81 from Les Bons Bourgeois</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/8fc76845-c4d8-14a6-b013-20e1042db226/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>"- You are not having your bottle of beer with us this evening... I can tell you are having a private dinner party today, you scoundrel...," plate 81 from Les Bons Bourgeois</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/8fc76845-c4d8-14a6-b013-20e1042db226/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>"- You are not having your bottle of beer with us this evening... I can tell you are having a private dinner party today, you scoundrel...," plate 81 from Les Bons Bourgeois</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/8fc76845-c4d8-14a6-b013-20e1042db226/full/full/0/default.jpg.
SUMMARY. "- You are not having your bottle of beer with us this evening... I can tell you are having a private dinner party today, you scoundrel...," plate 81 from Les Bons Bourgeois
CAPTION.
"Fire!", plate 35 from Types Parisiens

"Fire!", plate 35 from Types Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>"Fire!", plate 35 from Types Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/b3af1961-f127-2a88-ef03-c2b03866956d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>"Fire!", plate 35 from Types Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/b3af1961-f127-2a88-ef03-c2b03866956d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>"Fire!", plate 35 from Types Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/b3af1961-f127-2a88-ef03-c2b03866956d/full/full/0/default.jpg.
SUMMARY. "Fire!", plate 35 from Types Parisiens
CAPTION.
"It fits you like a glove!," plate 34 from Types Parisiens

"It fits you like a glove!," plate 34 from Types Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>"It fits you like a glove!," plate 34 from Types Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/12513687-16a3-cdf0-f2c2-ba726dbe65d0/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>"It fits you like a glove!," plate 34 from Types Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/12513687-16a3-cdf0-f2c2-ba726dbe65d0/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>"It fits you like a glove!," plate 34 from Types Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/12513687-16a3-cdf0-f2c2-ba726dbe65d0/full/full/0/default.jpg.
SUMMARY. "It fits you like a glove!," plate 34 from Types Parisiens
CAPTION.
"Oh! It is as if we were there: the tall one opens her corset and the little one is looking for a flea!," plate 27 from Types Parisiens

"Oh! It is as if we were there: the tall one opens her corset and the little one is looking for a flea!," plate 27 from Types Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>"Oh! It is as if we were there: the tall one opens her corset and the little one is looking for a flea!," plate 27 from Types Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a7c7d8dd-6ee6-1a9c-0704-982aaf6a8f88/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>"Oh! It is as if we were there: the tall one opens her corset and the little one is looking for a flea!," plate 27 from Types Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a7c7d8dd-6ee6-1a9c-0704-982aaf6a8f88/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>"Oh! It is as if we were there: the tall one opens her corset and the little one is looking for a flea!," plate 27 from Types Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a7c7d8dd-6ee6-1a9c-0704-982aaf6a8f88/full/full/0/default.jpg.
SUMMARY. "Oh! It is as if we were there: the tall one opens her corset and the little one is looking for a flea!," plate 27 from Types Parisiens
CAPTION.
"So, you want to meddle with the press!," plate 319

"So, you want to meddle with the press!," plate 319

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>"So, you want to meddle with the press!," plate 319</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ff059664-fd41-7d0b-fbd3-bf91fd6766dc/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>"So, you want to meddle with the press!," plate 319</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/ff059664-fd41-7d0b-fbd3-bf91fd6766dc/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>"So, you want to meddle with the press!," plate 319</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/ff059664-fd41-7d0b-fbd3-bf91fd6766dc/full/full/0/default.jpg.
SUMMARY. "So, you want to meddle with the press!," plate 319
CAPTION.
(He is reading a letter) “A date, could it be from the cute Mme Giraud?? Yes, but it could also come from her husband who wants to pinch me…,” plate 8 from Coquetterie

(He is reading a letter) “A date, could it be from the cute Mme Giraud?? Yes, but it could also come from her husband who wants to pinch me…,” plate 8 from Coquetterie

Lithograph in black on off-white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>(He is reading a letter) “A date, could it be from the cute Mme Giraud?? Yes, but it could also come from her husband who wants to pinch me…,” plate 8 from Coquetterie</i> [Lithograph in black on off-white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ed6ddcb4-5d19-4ad7-6055-088decd3078c/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>(He is reading a letter) “A date, could it be from the cute Mme Giraud?? Yes, but it could also come from her husband who wants to pinch me…,” plate 8 from Coquetterie</i>." n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/ed6ddcb4-5d19-4ad7-6055-088decd3078c/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>(He is reading a letter) “A date, could it be from the cute Mme Giraud?? Yes, but it could also come from her husband who wants to pinch me…,” plate 8 from Coquetterie</i>," n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/ed6ddcb4-5d19-4ad7-6055-088decd3078c/full/full/0/default.jpg.
SUMMARY. (He is reading a letter) “A date, could it be from the cute Mme Giraud?? Yes, but it could also come from her husband who wants to pinch me…,” plate 8 from Coquetterie
CAPTION.
- Taken by her operetta part, Madame de St. Chalumeau is shouting so loud that she does not notice the bellowing of her child, plate 13 from Les Comédiens De Société

- Taken by her operetta part, Madame de St. Chalumeau is shouting so loud that she does not notice the bellowing of her child, plate 13 from Les Comédiens De Société

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>- Taken by her operetta part, Madame de St. Chalumeau is shouting so loud that she does not notice the bellowing of her child, plate 13 from Les Comédiens De Société</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a57738e7-9842-7ce1-e95f-4dcc377ea689/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>- Taken by her operetta part, Madame de St. Chalumeau is shouting so loud that she does not notice the bellowing of her child, plate 13 from Les Comédiens De Société</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a57738e7-9842-7ce1-e95f-4dcc377ea689/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>- Taken by her operetta part, Madame de St. Chalumeau is shouting so loud that she does not notice the bellowing of her child, plate 13 from Les Comédiens De Société</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a57738e7-9842-7ce1-e95f-4dcc377ea689/full/full/0/default.jpg.
SUMMARY. - Taken by her operetta part, Madame de St. Chalumeau is shouting so loud that she does not notice the bellowing of her child, plate 13 from Les Comédiens De Société
CAPTION.
10 O'clock in the Morning. “Monsieur Coquelet having accidentally met Miss Palissandre in the Botanical Garden, to whom he had the good fortune to offer a fairy rose the first of May 1804, had obtained a first date. After having gone to great expense buying a new pair of gloves at 29 Sous, he throws a glance at the mirror before going out to try his good fortune,” plate 4 from La Journé Du Célibataire

10 O'clock in the Morning. “Monsieur Coquelet having accidentally met Miss Palissandre in the Botanical Garden, to whom he had the good fortune to offer a fairy rose the first of May 1804, had obtained a first date. After having gone to great expense buying a new pair of gloves at 29 Sous, he throws a glance at the mirror before going out to try his good fortune,” plate 4 from La Journé Du Célibataire

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>10 O'clock in the Morning. “Monsieur Coquelet having accidentally met Miss Palissandre in the Botanical Garden, to whom he had the good fortune to offer a fairy rose the first of May 1804, had obtained a first date. After having gone to great expense buying a new pair of gloves at 29 Sous, he throws a glance at the mirror before going out to try his good fortune,” plate 4 from La Journé Du Célibataire</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/e920097a-dfa9-a243-f58c-4ae70b8cfeae/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>10 O'clock in the Morning. “Monsieur Coquelet having accidentally met Miss Palissandre in the Botanical Garden, to whom he had the good fortune to offer a fairy rose the first of May 1804, had obtained a first date. After having gone to great expense buying a new pair of gloves at 29 Sous, he throws a glance at the mirror before going out to try his good fortune,” plate 4 from La Journé Du Célibataire</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/e920097a-dfa9-a243-f58c-4ae70b8cfeae/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>10 O'clock in the Morning. “Monsieur Coquelet having accidentally met Miss Palissandre in the Botanical Garden, to whom he had the good fortune to offer a fairy rose the first of May 1804, had obtained a first date. After having gone to great expense buying a new pair of gloves at 29 Sous, he throws a glance at the mirror before going out to try his good fortune,” plate 4 from La Journé Du Célibataire</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/e920097a-dfa9-a243-f58c-4ae70b8cfeae/full/full/0/default.jpg.
SUMMARY. 10 O'clock in the Morning. “Monsieur Coquelet having accidentally met Miss Palissandre in the Botanical Garden, to whom he had the good fortune to offer a fairy rose the first of May 1804, had obtained a first date. After having gone to great expense buying a new pair of gloves at 29 Sous, he throws a glance at the mirror before going out to try his good fortune,” plate 4 from La Journé Du Célibataire
CAPTION.
A Boat-Manoeuvre. The Captain yelling in his trumpet: “- Gabier! There is a squall building up, get ready!..... Clew up all the sails!... That's good:.... very good! - Why didn't you say that to me calmly instead of poking this huge instrument into my ear! Now I am so deaf, I can't see clearly anymore!...,” plate 9 from Les Canotiers Parisiens

A Boat-Manoeuvre. The Captain yelling in his trumpet: “- Gabier! There is a squall building up, get ready!..... Clew up all the sails!... That's good:.... very good! - Why didn't you say that to me calmly instead of poking this huge instrument into my ear! Now I am so deaf, I can't see clearly anymore!...,” plate 9 from Les Canotiers Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Boat-Manoeuvre. The Captain yelling in his trumpet: “- Gabier! There is a squall building up, get ready!..... Clew up all the sails!... That's good:.... very good! - Why didn't you say that to me calmly instead of poking this huge instrument into my ear! Now I am so deaf, I can't see clearly anymore!...,” plate 9 from Les Canotiers Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f7dc2457-fc30-0c39-6097-f3eb713897c9/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Boat-Manoeuvre. The Captain yelling in his trumpet: “- Gabier! There is a squall building up, get ready!..... Clew up all the sails!... That's good:.... very good! - Why didn't you say that to me calmly instead of poking this huge instrument into my ear! Now I am so deaf, I can't see clearly anymore!...,” plate 9 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/f7dc2457-fc30-0c39-6097-f3eb713897c9/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Boat-Manoeuvre. The Captain yelling in his trumpet: “- Gabier! There is a squall building up, get ready!..... Clew up all the sails!... That's good:.... very good! - Why didn't you say that to me calmly instead of poking this huge instrument into my ear! Now I am so deaf, I can't see clearly anymore!...,” plate 9 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/f7dc2457-fc30-0c39-6097-f3eb713897c9/full/full/0/default.jpg.
SUMMARY. A Boat-Manoeuvre. The Captain yelling in his trumpet: “- Gabier! There is a squall building up, get ready!..... Clew up all the sails!... That's good:.... very good! - Why didn't you say that to me calmly instead of poking this huge instrument into my ear! Now I am so deaf, I can't see clearly anymore!...,” plate 9 from Les Canotiers Parisiens
CAPTION.
A Confession Of Faith. “Yes Sir, I bared my political life in pure sincerity before my country. I was convinced that my true love for our institutions would make me worthy of representing my fellow citizens. I was wrong, Monsieur, it seems the nation wasn't ready for this yet,” plate 23 from Les Baigneurs

A Confession Of Faith. “Yes Sir, I bared my political life in pure sincerity before my country. I was convinced that my true love for our institutions would make me worthy of representing my fellow citizens. I was wrong, Monsieur, it seems the nation wasn't ready for this yet,” plate 23 from Les Baigneurs

Lithograph in black, with scraping on stone on white wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Confession Of Faith. “Yes Sir, I bared my political life in pure sincerity before my country. I was convinced that my true love for our institutions would make me worthy of representing my fellow citizens. I was wrong, Monsieur, it seems the nation wasn't ready for this yet,” plate 23 from Les Baigneurs</i> [Lithograph in black, with scraping on stone on white wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/4b651f28-2dd6-94cd-4e55-18be1d4e944a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Confession Of Faith. “Yes Sir, I bared my political life in pure sincerity before my country. I was convinced that my true love for our institutions would make me worthy of representing my fellow citizens. I was wrong, Monsieur, it seems the nation wasn't ready for this yet,” plate 23 from Les Baigneurs</i>." n.d.. Lithograph in black, with scraping on stone on white wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/4b651f28-2dd6-94cd-4e55-18be1d4e944a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Confession Of Faith. “Yes Sir, I bared my political life in pure sincerity before my country. I was convinced that my true love for our institutions would make me worthy of representing my fellow citizens. I was wrong, Monsieur, it seems the nation wasn't ready for this yet,” plate 23 from Les Baigneurs</i>," n.d.. Lithograph in black, with scraping on stone on white wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/4b651f28-2dd6-94cd-4e55-18be1d4e944a/full/full/0/default.jpg.
SUMMARY. A Confession Of Faith. “Yes Sir, I bared my political life in pure sincerity before my country. I was convinced that my true love for our institutions would make me worthy of representing my fellow citizens. I was wrong, Monsieur, it seems the nation wasn't ready for this yet,” plate 23 from Les Baigneurs
CAPTION.
A Delicate Task, plate 37 from Revue Caricaturale

A Delicate Task, plate 37 from Revue Caricaturale

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Delicate Task, plate 37 from Revue Caricaturale</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/444711f5-f689-5570-57a3-97bb236fb935/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Delicate Task, plate 37 from Revue Caricaturale</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/444711f5-f689-5570-57a3-97bb236fb935/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Delicate Task, plate 37 from Revue Caricaturale</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/444711f5-f689-5570-57a3-97bb236fb935/full/full/0/default.jpg.
SUMMARY. A Delicate Task, plate 37 from Revue Caricaturale
CAPTION.
A Difficult Navigation. “- The boat doesn't move! Pull Dumouchel, pull.... why the devil don't you pull! - But I am doing nothing else than that for the last three hours!.... and this is called a pleasure trip! I'd rather sell my prunes in rue de la Verrerie.... that's less tiring!,” plate 6 from Les Canotiers Parisiens

A Difficult Navigation. “- The boat doesn't move! Pull Dumouchel, pull.... why the devil don't you pull! - But I am doing nothing else than that for the last three hours!.... and this is called a pleasure trip! I'd rather sell my prunes in rue de la Verrerie.... that's less tiring!,” plate 6 from Les Canotiers Parisiens

Lithograph in black on buff wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Difficult Navigation. “- The boat doesn't move! Pull Dumouchel, pull.... why the devil don't you pull! - But I am doing nothing else than that for the last three hours!.... and this is called a pleasure trip! I'd rather sell my prunes in rue de la Verrerie.... that's less tiring!,” plate 6 from Les Canotiers Parisiens</i> [Lithograph in black on buff wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/4a4d0842-f73b-af80-a738-38df5c5cf798/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Difficult Navigation. “- The boat doesn't move! Pull Dumouchel, pull.... why the devil don't you pull! - But I am doing nothing else than that for the last three hours!.... and this is called a pleasure trip! I'd rather sell my prunes in rue de la Verrerie.... that's less tiring!,” plate 6 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on buff wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/4a4d0842-f73b-af80-a738-38df5c5cf798/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Difficult Navigation. “- The boat doesn't move! Pull Dumouchel, pull.... why the devil don't you pull! - But I am doing nothing else than that for the last three hours!.... and this is called a pleasure trip! I'd rather sell my prunes in rue de la Verrerie.... that's less tiring!,” plate 6 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on buff wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/4a4d0842-f73b-af80-a738-38df5c5cf798/full/full/0/default.jpg.
SUMMARY. A Difficult Navigation. “- The boat doesn't move! Pull Dumouchel, pull.... why the devil don't you pull! - But I am doing nothing else than that for the last three hours!.... and this is called a pleasure trip! I'd rather sell my prunes in rue de la Verrerie.... that's less tiring!,” plate 6 from Les Canotiers Parisiens
CAPTION.
A Dinner at Véry's. “So what! I am having dinner by myself today... alright! But my wife gave me one Louis d'or and I still have... 60 centimes left,” plate 11 from Les Beaux Jours De La Vie

A Dinner at Véry's. “So what! I am having dinner by myself today... alright! But my wife gave me one Louis d'or and I still have... 60 centimes left,” plate 11 from Les Beaux Jours De La Vie

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Dinner at Véry's. “So what! I am having dinner by myself today... alright! But my wife gave me one Louis d'or and I still have... 60 centimes left,” plate 11 from Les Beaux Jours De La Vie</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/fb406833-4fdc-c41b-50d8-ab5cfc2313d2/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Dinner at Véry's. “So what! I am having dinner by myself today... alright! But my wife gave me one Louis d'or and I still have... 60 centimes left,” plate 11 from Les Beaux Jours De La Vie</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/fb406833-4fdc-c41b-50d8-ab5cfc2313d2/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Dinner at Véry's. “So what! I am having dinner by myself today... alright! But my wife gave me one Louis d'or and I still have... 60 centimes left,” plate 11 from Les Beaux Jours De La Vie</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/fb406833-4fdc-c41b-50d8-ab5cfc2313d2/full/full/0/default.jpg.
SUMMARY. A Dinner at Véry's. “So what! I am having dinner by myself today... alright! But my wife gave me one Louis d'or and I still have... 60 centimes left,” plate 11 from Les Beaux Jours De La Vie
CAPTION.
A Fair Reward Presented in 1800 by the Un-Prudish Savages of North America to Louis-Philippe of Orléans, surgeon and expatriate, but still a Frenchman. (I salute you, gracious Black Lady, the Lord is with you.) A Namaquan Ave Maria, plate 466

A Fair Reward Presented in 1800 by the Un-Prudish Savages of North America to Louis-Philippe of Orléans, surgeon and expatriate, but still a Frenchman. (I salute you, gracious Black Lady, the Lord is with you.) A Namaquan Ave Maria, plate 466

Lithograph in black on off-white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Fair Reward Presented in 1800 by the Un-Prudish Savages of North America to Louis-Philippe of Orléans, surgeon and expatriate, but still a Frenchman. (I salute you, gracious Black Lady, the Lord is with you.) A Namaquan Ave Maria, plate 466</i> [Lithograph in black on off-white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/af794dbc-a2c7-f190-a08a-28ca21085719/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Fair Reward Presented in 1800 by the Un-Prudish Savages of North America to Louis-Philippe of Orléans, surgeon and expatriate, but still a Frenchman. (I salute you, gracious Black Lady, the Lord is with you.) A Namaquan Ave Maria, plate 466</i>." n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/af794dbc-a2c7-f190-a08a-28ca21085719/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Fair Reward Presented in 1800 by the Un-Prudish Savages of North America to Louis-Philippe of Orléans, surgeon and expatriate, but still a Frenchman. (I salute you, gracious Black Lady, the Lord is with you.) A Namaquan Ave Maria, plate 466</i>," n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/af794dbc-a2c7-f190-a08a-28ca21085719/full/full/0/default.jpg.
SUMMARY. A Fair Reward Presented in 1800 by the Un-Prudish Savages of North America to Louis-Philippe of Orléans, surgeon and expatriate, but still a Frenchman. (I salute you, gracious Black Lady, the Lord is with you.) A Namaquan Ave Maria, plate 466
CAPTION.
A Family Scene, plate 37 from Croquis D'été

A Family Scene, plate 37 from Croquis D'été

Lithograph in black on off-white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Family Scene, plate 37 from Croquis D'été</i> [Lithograph in black on off-white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/e4f1dad5-3c22-ad43-9a0a-247a734d7931/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Family Scene, plate 37 from Croquis D'été</i>." n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/e4f1dad5-3c22-ad43-9a0a-247a734d7931/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Family Scene, plate 37 from Croquis D'été</i>," n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/e4f1dad5-3c22-ad43-9a0a-247a734d7931/full/full/0/default.jpg.
SUMMARY. A Family Scene, plate 37 from Croquis D'été
CAPTION.
A Last Toast! “Gentlemen, let's not go back on board without a final toast in honour of the two things which, most of all, bring charm to our lives... let's drink to the ladies and cold veal!,” plate 18 from Les Canotiers Parisiens

A Last Toast! “Gentlemen, let's not go back on board without a final toast in honour of the two things which, most of all, bring charm to our lives... let's drink to the ladies and cold veal!,” plate 18 from Les Canotiers Parisiens

Lithograph in black on tan wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Last Toast! “Gentlemen, let's not go back on board without a final toast in honour of the two things which, most of all, bring charm to our lives... let's drink to the ladies and cold veal!,” plate 18 from Les Canotiers Parisiens</i> [Lithograph in black on tan wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/b65c1a8d-17cc-d345-192e-d32cd3efc4e1/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Last Toast! “Gentlemen, let's not go back on board without a final toast in honour of the two things which, most of all, bring charm to our lives... let's drink to the ladies and cold veal!,” plate 18 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on tan wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/b65c1a8d-17cc-d345-192e-d32cd3efc4e1/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Last Toast! “Gentlemen, let's not go back on board without a final toast in honour of the two things which, most of all, bring charm to our lives... let's drink to the ladies and cold veal!,” plate 18 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on tan wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/b65c1a8d-17cc-d345-192e-d32cd3efc4e1/full/full/0/default.jpg.
SUMMARY. A Last Toast! “Gentlemen, let's not go back on board without a final toast in honour of the two things which, most of all, bring charm to our lives... let's drink to the ladies and cold veal!,” plate 18 from Les Canotiers Parisiens
CAPTION.
A Light Squall (Un leger grain), plate 8 from The Parisian Boaters (Les canotiers Parisiens)

A Light Squall (Un leger grain), plate 8 from The Parisian Boaters (Les canotiers Parisiens)

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Light Squall (Un leger grain), plate 8 from The Parisian Boaters (Les canotiers Parisiens)</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/88cb2672-29c9-0eef-9add-7130dca8f9b8/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Light Squall (Un leger grain), plate 8 from The Parisian Boaters (Les canotiers Parisiens)</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/88cb2672-29c9-0eef-9add-7130dca8f9b8/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Light Squall (Un leger grain), plate 8 from The Parisian Boaters (Les canotiers Parisiens)</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/88cb2672-29c9-0eef-9add-7130dca8f9b8/full/full/0/default.jpg.
SUMMARY. A Light Squall (Un leger grain), plate 8 from The Parisian Boaters (Les canotiers Parisiens)
CAPTION.
A Man Saved Against His Will. “- But I am telling you that I know how to swim and I could have pulled myself out of the water without the help of this gentleman! - That makes no difference.... the law is quite clear... you must pay 25 Francs to your rescuer.... for example, if you had been dead, you would only have had to pay him 15 Francs,” plate 7 from Les Canotiers Parisiens

A Man Saved Against His Will. “- But I am telling you that I know how to swim and I could have pulled myself out of the water without the help of this gentleman! - That makes no difference.... the law is quite clear... you must pay 25 Francs to your rescuer.... for example, if you had been dead, you would only have had to pay him 15 Francs,” plate 7 from Les Canotiers Parisiens

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Man Saved Against His Will. “- But I am telling you that I know how to swim and I could have pulled myself out of the water without the help of this gentleman! - That makes no difference.... the law is quite clear... you must pay 25 Francs to your rescuer.... for example, if you had been dead, you would only have had to pay him 15 Francs,” plate 7 from Les Canotiers Parisiens</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/5dc91f4f-2e98-1692-58a5-b1275f0351ed/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Man Saved Against His Will. “- But I am telling you that I know how to swim and I could have pulled myself out of the water without the help of this gentleman! - That makes no difference.... the law is quite clear... you must pay 25 Francs to your rescuer.... for example, if you had been dead, you would only have had to pay him 15 Francs,” plate 7 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/5dc91f4f-2e98-1692-58a5-b1275f0351ed/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Man Saved Against His Will. “- But I am telling you that I know how to swim and I could have pulled myself out of the water without the help of this gentleman! - That makes no difference.... the law is quite clear... you must pay 25 Francs to your rescuer.... for example, if you had been dead, you would only have had to pay him 15 Francs,” plate 7 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/5dc91f4f-2e98-1692-58a5-b1275f0351ed/full/full/0/default.jpg.
SUMMARY. A Man Saved Against His Will. “- But I am telling you that I know how to swim and I could have pulled myself out of the water without the help of this gentleman! - That makes no difference.... the law is quite clear... you must pay 25 Francs to your rescuer.... for example, if you had been dead, you would only have had to pay him 15 Francs,” plate 7 from Les Canotiers Parisiens
CAPTION.
A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier

A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/1d36e4b8-e326-65c3-d615-4a71239d61a1/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/1d36e4b8-e326-65c3-d615-4a71239d61a1/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/1d36e4b8-e326-65c3-d615-4a71239d61a1/full/full/0/default.jpg.
SUMMARY. A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier
CAPTION.
A Naval Combat. “- So, you insulted my flag!.... just you wait, just wait till I'll sink you with a broad side!..... or even better I'll splash you with water from left and right and behind and....” plate 20 from Les Canotiers Parisiens

A Naval Combat. “- So, you insulted my flag!.... just you wait, just wait till I'll sink you with a broad side!..... or even better I'll splash you with water from left and right and behind and....” plate 20 from Les Canotiers Parisiens

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Naval Combat. “- So, you insulted my flag!.... just you wait, just wait till I'll sink you with a broad side!..... or even better I'll splash you with water from left and right and behind and....” plate 20 from Les Canotiers Parisiens</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/edc92efc-3d74-0dae-db52-fc3b819bb8e9/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Naval Combat. “- So, you insulted my flag!.... just you wait, just wait till I'll sink you with a broad side!..... or even better I'll splash you with water from left and right and behind and....” plate 20 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/edc92efc-3d74-0dae-db52-fc3b819bb8e9/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Naval Combat. “- So, you insulted my flag!.... just you wait, just wait till I'll sink you with a broad side!..... or even better I'll splash you with water from left and right and behind and....” plate 20 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/edc92efc-3d74-0dae-db52-fc3b819bb8e9/full/full/0/default.jpg.
SUMMARY. A Naval Combat. “- So, you insulted my flag!.... just you wait, just wait till I'll sink you with a broad side!..... or even better I'll splash you with water from left and right and behind and....” plate 20 from Les Canotiers Parisiens
CAPTION.
A Neighbour Complaining about the Watering of his Lawn, plate ten from Les Bons Bourgeois

A Neighbour Complaining about the Watering of his Lawn, plate ten from Les Bons Bourgeois

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Neighbour Complaining about the Watering of his Lawn, plate ten from Les Bons Bourgeois</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/2bed8d4b-99e4-2674-af06-750512499c61/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Neighbour Complaining about the Watering of his Lawn, plate ten from Les Bons Bourgeois</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/2bed8d4b-99e4-2674-af06-750512499c61/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Neighbour Complaining about the Watering of his Lawn, plate ten from Les Bons Bourgeois</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/2bed8d4b-99e4-2674-af06-750512499c61/full/full/0/default.jpg.
SUMMARY. A Neighbour Complaining about the Watering of his Lawn, plate ten from Les Bons Bourgeois
CAPTION.
A New Way to Float Down the River of Life. - Radiguet you rascal, to hell with you, your boat and your new invention.... it is your fault that the entire outing went down the drain. - Come, come now.... no reason to scream hell. I am just angry about my boot-maker... since my shoes are being filled with water coming from the holes in the pockets of my pants., plate 3 from Les Canotiers Parisiens

A New Way to Float Down the River of Life. - Radiguet you rascal, to hell with you, your boat and your new invention.... it is your fault that the entire outing went down the drain. - Come, come now.... no reason to scream hell. I am just angry about my boot-maker... since my shoes are being filled with water coming from the holes in the pockets of my pants., plate 3 from Les Canotiers Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A New Way to Float Down the River of Life. - Radiguet you rascal, to hell with you, your boat and your new invention.... it is your fault that the entire outing went down the drain. - Come, come now.... no reason to scream hell. I am just angry about my boot-maker... since my shoes are being filled with water coming from the holes in the pockets of my pants., plate 3 from Les Canotiers Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a3dfd1e7-6f1d-cece-d863-56f47e0a77d5/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A New Way to Float Down the River of Life. - Radiguet you rascal, to hell with you, your boat and your new invention.... it is your fault that the entire outing went down the drain. - Come, come now.... no reason to scream hell. I am just angry about my boot-maker... since my shoes are being filled with water coming from the holes in the pockets of my pants., plate 3 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a3dfd1e7-6f1d-cece-d863-56f47e0a77d5/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A New Way to Float Down the River of Life. - Radiguet you rascal, to hell with you, your boat and your new invention.... it is your fault that the entire outing went down the drain. - Come, come now.... no reason to scream hell. I am just angry about my boot-maker... since my shoes are being filled with water coming from the holes in the pockets of my pants., plate 3 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a3dfd1e7-6f1d-cece-d863-56f47e0a77d5/full/full/0/default.jpg.
SUMMARY. A New Way to Float Down the River of Life. - Radiguet you rascal, to hell with you, your boat and your new invention.... it is your fault that the entire outing went down the drain. - Come, come now.... no reason to scream hell. I am just angry about my boot-maker... since my shoes are being filled with water coming from the holes in the pockets of my pants., plate 3 from Les Canotiers Parisiens
CAPTION.
A Plucked Pierrot, plate 9 from Tout Ce Qu'on Voudra

A Plucked Pierrot, plate 9 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Plucked Pierrot, plate 9 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/91fd58d3-fdde-83a4-fb68-c8197c1c1287/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Plucked Pierrot, plate 9 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/91fd58d3-fdde-83a4-fb68-c8197c1c1287/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Plucked Pierrot, plate 9 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/91fd58d3-fdde-83a4-fb68-c8197c1c1287/full/full/0/default.jpg.
SUMMARY. A Plucked Pierrot, plate 9 from Tout Ce Qu'on Voudra
CAPTION.
A Practical Joke. "Driver! Driver! Do you still have two seats in the rabbit section??,” plate 24 from Les Baigneurs

A Practical Joke. "Driver! Driver! Do you still have two seats in the rabbit section??,” plate 24 from Les Baigneurs

Lithograph in black, with scraping on stone on white wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Practical Joke. "Driver! Driver! Do you still have two seats in the rabbit section??,” plate 24 from Les Baigneurs</i> [Lithograph in black, with scraping on stone on white wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/6874b514-e47f-6b1a-5ec8-d499a904ea25/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Practical Joke. "Driver! Driver! Do you still have two seats in the rabbit section??,” plate 24 from Les Baigneurs</i>." n.d.. Lithograph in black, with scraping on stone on white wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/6874b514-e47f-6b1a-5ec8-d499a904ea25/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Practical Joke. "Driver! Driver! Do you still have two seats in the rabbit section??,” plate 24 from Les Baigneurs</i>," n.d.. Lithograph in black, with scraping on stone on white wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/6874b514-e47f-6b1a-5ec8-d499a904ea25/full/full/0/default.jpg.
SUMMARY. A Practical Joke. "Driver! Driver! Do you still have two seats in the rabbit section??,” plate 24 from Les Baigneurs
CAPTION.
A Present for an Artist. The Chinese adore music, but they are also passionately fond of musicians. Their infatuation of this attitude is carried to extremes which are not easily understood in our civilized regions. Thus it is quite normal to see Chinese harnessed like horses to a cab and drive their idol around town. An when a pianist has improvised variations more or less brilliant of the "air of moonlight", "Ah!... you will say... Mama" or "King Dagobert", they find nothing better to bestow on him than a sword of honour which is accepted with a coolness equally laughable, plate 23 from Voyage En Chine

A Present for an Artist. The Chinese adore music, but they are also passionately fond of musicians. Their infatuation of this attitude is carried to extremes which are not easily understood in our civilized regions. Thus it is quite normal to see Chinese harnessed like horses to a cab and drive their idol around town. An when a pianist has improvised variations more or less brilliant of the "air of moonlight", "Ah!... you will say... Mama" or "King Dagobert", they find nothing better to bestow on him than a sword of honour which is accepted with a coolness equally laughable, plate 23 from Voyage En Chine

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Present for an Artist. The Chinese adore music, but they are also passionately fond of musicians. Their infatuation of this attitude is carried to extremes which are not easily understood in our civilized regions. Thus it is quite normal to see Chinese harnessed like horses to a cab and drive their idol around town. An when a pianist has improvised variations more or less brilliant of the "air of moonlight", "Ah!... you will say... Mama" or "King Dagobert", they find nothing better to bestow on him than a sword of honour which is accepted with a coolness equally laughable, plate 23 from Voyage En Chine</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/0644e672-79d4-0343-63be-2c579949aab8/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Present for an Artist. The Chinese adore music, but they are also passionately fond of musicians. Their infatuation of this attitude is carried to extremes which are not easily understood in our civilized regions. Thus it is quite normal to see Chinese harnessed like horses to a cab and drive their idol around town. An when a pianist has improvised variations more or less brilliant of the "air of moonlight", "Ah!... you will say... Mama" or "King Dagobert", they find nothing better to bestow on him than a sword of honour which is accepted with a coolness equally laughable, plate 23 from Voyage En Chine</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/0644e672-79d4-0343-63be-2c579949aab8/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Present for an Artist. The Chinese adore music, but they are also passionately fond of musicians. Their infatuation of this attitude is carried to extremes which are not easily understood in our civilized regions. Thus it is quite normal to see Chinese harnessed like horses to a cab and drive their idol around town. An when a pianist has improvised variations more or less brilliant of the "air of moonlight", "Ah!... you will say... Mama" or "King Dagobert", they find nothing better to bestow on him than a sword of honour which is accepted with a coolness equally laughable, plate 23 from Voyage En Chine</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/0644e672-79d4-0343-63be-2c579949aab8/full/full/0/default.jpg.
SUMMARY. A Present for an Artist. The Chinese adore music, but they are also passionately fond of musicians. Their infatuation of this attitude is carried to extremes which are not easily understood in our civilized regions. Thus it is quite normal to see Chinese harnessed like horses to a cab and drive their idol around town. An when a pianist has improvised variations more or less brilliant of the "air of moonlight", "Ah!... you will say... Mama" or "King Dagobert", they find nothing better to bestow on him than a sword of honour which is accepted with a coolness equally laughable, plate 23 from Voyage En Chine
CAPTION.
A Reception. “Gentlemen..... let's drink to the health of the French sailors in general and to the new teammate Greluchon in particular!.... and while waiting for his baptism by fire, we'll give him in the meantime one with water,” plate 10 from Les Canotiers Parisiens

A Reception. “Gentlemen..... let's drink to the health of the French sailors in general and to the new teammate Greluchon in particular!.... and while waiting for his baptism by fire, we'll give him in the meantime one with water,” plate 10 from Les Canotiers Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Reception. “Gentlemen..... let's drink to the health of the French sailors in general and to the new teammate Greluchon in particular!.... and while waiting for his baptism by fire, we'll give him in the meantime one with water,” plate 10 from Les Canotiers Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/72dbc6d9-ba0c-177e-4776-ffca10003d15/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Reception. “Gentlemen..... let's drink to the health of the French sailors in general and to the new teammate Greluchon in particular!.... and while waiting for his baptism by fire, we'll give him in the meantime one with water,” plate 10 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/72dbc6d9-ba0c-177e-4776-ffca10003d15/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Reception. “Gentlemen..... let's drink to the health of the French sailors in general and to the new teammate Greluchon in particular!.... and while waiting for his baptism by fire, we'll give him in the meantime one with water,” plate 10 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/72dbc6d9-ba0c-177e-4776-ffca10003d15/full/full/0/default.jpg.
SUMMARY. A Reception. “Gentlemen..... let's drink to the health of the French sailors in general and to the new teammate Greluchon in particular!.... and while waiting for his baptism by fire, we'll give him in the meantime one with water,” plate 10 from Les Canotiers Parisiens
CAPTION.
A Return of Youth. “Yell as much as you like, you little devil you.... my wife isn't home.... tear out my hair to your heart's content!,” plate 50 from Les beaux Jours de la vie

A Return of Youth. “Yell as much as you like, you little devil you.... my wife isn't home.... tear out my hair to your heart's content!,” plate 50 from Les beaux Jours de la vie

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Return of Youth. “Yell as much as you like, you little devil you.... my wife isn't home.... tear out my hair to your heart's content!,” plate 50 from Les beaux Jours de la vie</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d3f65091-beec-4418-9dd5-0ae507057664/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Return of Youth. “Yell as much as you like, you little devil you.... my wife isn't home.... tear out my hair to your heart's content!,” plate 50 from Les beaux Jours de la vie</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/d3f65091-beec-4418-9dd5-0ae507057664/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Return of Youth. “Yell as much as you like, you little devil you.... my wife isn't home.... tear out my hair to your heart's content!,” plate 50 from Les beaux Jours de la vie</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/d3f65091-beec-4418-9dd5-0ae507057664/full/full/0/default.jpg.
SUMMARY. A Return of Youth. “Yell as much as you like, you little devil you.... my wife isn't home.... tear out my hair to your heart's content!,” plate 50 from Les beaux Jours de la vie
CAPTION.
A Revolt On Board. “- Ah! you want to be your own captain!... - Ah! you are treating me like an idiot... hey... I hope the Seine washes away that insult!,” plate 13 from Les Canotiers Parisiens

A Revolt On Board. “- Ah! you want to be your own captain!... - Ah! you are treating me like an idiot... hey... I hope the Seine washes away that insult!,” plate 13 from Les Canotiers Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Revolt On Board. “- Ah! you want to be your own captain!... - Ah! you are treating me like an idiot... hey... I hope the Seine washes away that insult!,” plate 13 from Les Canotiers Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/0f4c25ae-106f-1679-8b09-1238742ed69a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Revolt On Board. “- Ah! you want to be your own captain!... - Ah! you are treating me like an idiot... hey... I hope the Seine washes away that insult!,” plate 13 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/0f4c25ae-106f-1679-8b09-1238742ed69a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Revolt On Board. “- Ah! you want to be your own captain!... - Ah! you are treating me like an idiot... hey... I hope the Seine washes away that insult!,” plate 13 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/0f4c25ae-106f-1679-8b09-1238742ed69a/full/full/0/default.jpg.
SUMMARY. A Revolt On Board. “- Ah! you want to be your own captain!... - Ah! you are treating me like an idiot... hey... I hope the Seine washes away that insult!,” plate 13 from Les Canotiers Parisiens
CAPTION.
A Rival of Mr. Hume's. “- Oh Adelaide, what an experience.... I just made the shadow of Sesostris appear in front of me! - And what did Sesostris say to you? - He spoke to me in French.. and called me a mug!,” plate 384 from Actualités

A Rival of Mr. Hume's. “- Oh Adelaide, what an experience.... I just made the shadow of Sesostris appear in front of me! - And what did Sesostris say to you? - He spoke to me in French.. and called me a mug!,” plate 384 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Rival of Mr. Hume's. “- Oh Adelaide, what an experience.... I just made the shadow of Sesostris appear in front of me! - And what did Sesostris say to you? - He spoke to me in French.. and called me a mug!,” plate 384 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/652712dc-eb1a-9c07-0bf8-dc1ef749e872/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Rival of Mr. Hume's. “- Oh Adelaide, what an experience.... I just made the shadow of Sesostris appear in front of me! - And what did Sesostris say to you? - He spoke to me in French.. and called me a mug!,” plate 384 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/652712dc-eb1a-9c07-0bf8-dc1ef749e872/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Rival of Mr. Hume's. “- Oh Adelaide, what an experience.... I just made the shadow of Sesostris appear in front of me! - And what did Sesostris say to you? - He spoke to me in French.. and called me a mug!,” plate 384 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/652712dc-eb1a-9c07-0bf8-dc1ef749e872/full/full/0/default.jpg.
SUMMARY. A Rival of Mr. Hume's. “- Oh Adelaide, what an experience.... I just made the shadow of Sesostris appear in front of me! - And what did Sesostris say to you? - He spoke to me in French.. and called me a mug!,” plate 384 from Actualités
CAPTION.
A Scientist Trying to Befriend His Son with a Great Kangaroo from Central America, plate 3 from La Société D'acclimatation

A Scientist Trying to Befriend His Son with a Great Kangaroo from Central America, plate 3 from La Société D'acclimatation

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Scientist Trying to Befriend His Son with a Great Kangaroo from Central America, plate 3 from La Société D'acclimatation</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/b918529b-c365-cb39-4418-21f7e74f4526/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Scientist Trying to Befriend His Son with a Great Kangaroo from Central America, plate 3 from La Société D'acclimatation</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/b918529b-c365-cb39-4418-21f7e74f4526/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Scientist Trying to Befriend His Son with a Great Kangaroo from Central America, plate 3 from La Société D'acclimatation</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/b918529b-c365-cb39-4418-21f7e74f4526/full/full/0/default.jpg.
SUMMARY. A Scientist Trying to Befriend His Son with a Great Kangaroo from Central America, plate 3 from La Société D'acclimatation
CAPTION.
A Suggestion by the Charivari to Mr. Léon Faucher for Avoiding Telegraphic Blunders in the Future, plate 122 from Actualités

A Suggestion by the Charivari to Mr. Léon Faucher for Avoiding Telegraphic Blunders in the Future, plate 122 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Suggestion by the Charivari to Mr. Léon Faucher for Avoiding Telegraphic Blunders in the Future, plate 122 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/0672ad62-372c-3bd1-5e80-091b4f0121d4/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Suggestion by the Charivari to Mr. Léon Faucher for Avoiding Telegraphic Blunders in the Future, plate 122 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/0672ad62-372c-3bd1-5e80-091b4f0121d4/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Suggestion by the Charivari to Mr. Léon Faucher for Avoiding Telegraphic Blunders in the Future, plate 122 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/0672ad62-372c-3bd1-5e80-091b4f0121d4/full/full/0/default.jpg.
SUMMARY. A Suggestion by the Charivari to Mr. Léon Faucher for Avoiding Telegraphic Blunders in the Future, plate 122 from Actualités
CAPTION.
A True Art Lover, plate 66 from Les Bons Bourgeois

A True Art Lover, plate 66 from Les Bons Bourgeois

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A True Art Lover, plate 66 from Les Bons Bourgeois</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ebcce2be-6ad9-e03a-0e06-f0c6c5b4653a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A True Art Lover, plate 66 from Les Bons Bourgeois</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/ebcce2be-6ad9-e03a-0e06-f0c6c5b4653a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A True Art Lover, plate 66 from Les Bons Bourgeois</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/ebcce2be-6ad9-e03a-0e06-f0c6c5b4653a/full/full/0/default.jpg.
SUMMARY. A True Art Lover, plate 66 from Les Bons Bourgeois
CAPTION.
A Unusual Battle Between El Cid and the Emperor of Morocco, plate 117 from Actualités

A Unusual Battle Between El Cid and the Emperor of Morocco, plate 117 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Unusual Battle Between El Cid and the Emperor of Morocco, plate 117 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/5b61d595-2515-ef4d-b0c3-febe2cb9b14c/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Unusual Battle Between El Cid and the Emperor of Morocco, plate 117 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/5b61d595-2515-ef4d-b0c3-febe2cb9b14c/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Unusual Battle Between El Cid and the Emperor of Morocco, plate 117 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/5b61d595-2515-ef4d-b0c3-febe2cb9b14c/full/full/0/default.jpg.
SUMMARY. A Unusual Battle Between El Cid and the Emperor of Morocco, plate 117 from Actualités
CAPTION.
A Victim of His Own Politeness, plate 7 from Croquis Musicaux

A Victim of His Own Politeness, plate 7 from Croquis Musicaux

Lithograph in black, with hand-coloring on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Victim of His Own Politeness, plate 7 from Croquis Musicaux</i> [Lithograph in black, with hand-coloring on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/8e69bd1c-80ca-2a74-7459-501c24d1c075/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Victim of His Own Politeness, plate 7 from Croquis Musicaux</i>." n.d.. Lithograph in black, with hand-coloring on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/8e69bd1c-80ca-2a74-7459-501c24d1c075/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Victim of His Own Politeness, plate 7 from Croquis Musicaux</i>," n.d.. Lithograph in black, with hand-coloring on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/8e69bd1c-80ca-2a74-7459-501c24d1c075/full/full/0/default.jpg.
SUMMARY. A Victim of His Own Politeness, plate 7 from Croquis Musicaux
CAPTION.
A Visit to the Baths. Queuing in front of the changing rooms - or the steam bath before the cold bath, plate 20 from Croquis D'été

A Visit to the Baths. Queuing in front of the changing rooms - or the steam bath before the cold bath, plate 20 from Croquis D'été

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Visit to the Baths. Queuing in front of the changing rooms - or the steam bath before the cold bath, plate 20 from Croquis D'été</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/756f9fa2-f16d-94c7-8569-4e907da83a49/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Visit to the Baths. Queuing in front of the changing rooms - or the steam bath before the cold bath, plate 20 from Croquis D'été</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/756f9fa2-f16d-94c7-8569-4e907da83a49/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Visit to the Baths. Queuing in front of the changing rooms - or the steam bath before the cold bath, plate 20 from Croquis D'été</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/756f9fa2-f16d-94c7-8569-4e907da83a49/full/full/0/default.jpg.
SUMMARY. A Visit to the Baths. Queuing in front of the changing rooms - or the steam bath before the cold bath, plate 20 from Croquis D'été
CAPTION.
A Visit to the Salon

A Visit to the Salon

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Visit to the Salon</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/0af51818-5531-2074-ce2e-5523c6a91ce5/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Visit to the Salon</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/0af51818-5531-2074-ce2e-5523c6a91ce5/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Visit to the Salon</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/0af51818-5531-2074-ce2e-5523c6a91ce5/full/full/0/default.jpg.
SUMMARY. A Visit to the Salon
CAPTION.
A Visit to the Salon. Obviously all the sculptors are a naughty bunch, plate 1 from Tout Ce Qu'on Voudra

A Visit to the Salon. Obviously all the sculptors are a naughty bunch, plate 1 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Visit to the Salon. Obviously all the sculptors are a naughty bunch, plate 1 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/50341183-6c84-3cf5-55d2-a90201264c0f/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Visit to the Salon. Obviously all the sculptors are a naughty bunch, plate 1 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/50341183-6c84-3cf5-55d2-a90201264c0f/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Visit to the Salon. Obviously all the sculptors are a naughty bunch, plate 1 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/50341183-6c84-3cf5-55d2-a90201264c0f/full/full/0/default.jpg.
SUMMARY. A Visit to the Salon. Obviously all the sculptors are a naughty bunch, plate 1 from Tout Ce Qu'on Voudra
CAPTION.
A Young Man Who is the Pride and Hope of the Badinguet Family, plate 16 from Les Bons Bourgeois

A Young Man Who is the Pride and Hope of the Badinguet Family, plate 16 from Les Bons Bourgeois

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Young Man Who is the Pride and Hope of the Badinguet Family, plate 16 from Les Bons Bourgeois</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/bf93a907-c4df-125c-cd6b-f0bf2e107f8a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Young Man Who is the Pride and Hope of the Badinguet Family, plate 16 from Les Bons Bourgeois</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/bf93a907-c4df-125c-cd6b-f0bf2e107f8a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Young Man Who is the Pride and Hope of the Badinguet Family, plate 16 from Les Bons Bourgeois</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/bf93a907-c4df-125c-cd6b-f0bf2e107f8a/full/full/0/default.jpg.
SUMMARY. A Young Man Who is the Pride and Hope of the Badinguet Family, plate 16 from Les Bons Bourgeois
CAPTION.
A Young Man to Whom Nothing is Sacred, plate 8 from Professeurs Et Moutards

A Young Man to Whom Nothing is Sacred, plate 8 from Professeurs Et Moutards

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A Young Man to Whom Nothing is Sacred, plate 8 from Professeurs Et Moutards</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d89e8262-4907-029d-c92c-596b41ef0f20/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Young Man to Whom Nothing is Sacred, plate 8 from Professeurs Et Moutards</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/d89e8262-4907-029d-c92c-596b41ef0f20/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A Young Man to Whom Nothing is Sacred, plate 8 from Professeurs Et Moutards</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/d89e8262-4907-029d-c92c-596b41ef0f20/full/full/0/default.jpg.
SUMMARY. A Young Man to Whom Nothing is Sacred, plate 8 from Professeurs Et Moutards
CAPTION.
A dancer who claims to have preserved the great tradition of VESTRI, plate 12 from Croquis Dramatiques

A dancer who claims to have preserved the great tradition of VESTRI, plate 12 from Croquis Dramatiques

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A dancer who claims to have preserved the great tradition of VESTRI, plate 12 from Croquis Dramatiques</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a6227ead-a2a1-2b39-6a26-fc6b73f60580/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A dancer who claims to have preserved the great tradition of VESTRI, plate 12 from Croquis Dramatiques</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a6227ead-a2a1-2b39-6a26-fc6b73f60580/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A dancer who claims to have preserved the great tradition of VESTRI, plate 12 from Croquis Dramatiques</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a6227ead-a2a1-2b39-6a26-fc6b73f60580/full/full/0/default.jpg.
SUMMARY. A dancer who claims to have preserved the great tradition of VESTRI, plate 12 from Croquis Dramatiques
CAPTION.
A friend is a crocodile produced by civilization, plate 6 from Les Amis

A friend is a crocodile produced by civilization, plate 6 from Les Amis

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A friend is a crocodile produced by civilization, plate 6 from Les Amis</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/bbebd33d-1d51-7758-b094-a869fdcc607f/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A friend is a crocodile produced by civilization, plate 6 from Les Amis</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/bbebd33d-1d51-7758-b094-a869fdcc607f/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A friend is a crocodile produced by civilization, plate 6 from Les Amis</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/bbebd33d-1d51-7758-b094-a869fdcc607f/full/full/0/default.jpg.
SUMMARY. A friend is a crocodile produced by civilization, plate 6 from Les Amis
CAPTION.
A humanist woman of letters abandoning herself to the cerebral philosophic reflections on the subject of man!, plate 15 from Les Bas-Bleus

A humanist woman of letters abandoning herself to the cerebral philosophic reflections on the subject of man!, plate 15 from Les Bas-Bleus

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A humanist woman of letters abandoning herself to the cerebral philosophic reflections on the subject of man!, plate 15 from Les Bas-Bleus</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/5cf65a33-7097-6e39-1132-4b0379bd835a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A humanist woman of letters abandoning herself to the cerebral philosophic reflections on the subject of man!, plate 15 from Les Bas-Bleus</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/5cf65a33-7097-6e39-1132-4b0379bd835a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A humanist woman of letters abandoning herself to the cerebral philosophic reflections on the subject of man!, plate 15 from Les Bas-Bleus</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/5cf65a33-7097-6e39-1132-4b0379bd835a/full/full/0/default.jpg.
SUMMARY. A humanist woman of letters abandoning herself to the cerebral philosophic reflections on the subject of man!, plate 15 from Les Bas-Bleus
CAPTION.
A large mortar with a short range, plate 488

A large mortar with a short range, plate 488

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A large mortar with a short range, plate 488</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/b6579586-3c8f-9f71-a364-70b8508c0dd2/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A large mortar with a short range, plate 488</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/b6579586-3c8f-9f71-a364-70b8508c0dd2/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A large mortar with a short range, plate 488</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/b6579586-3c8f-9f71-a364-70b8508c0dd2/full/full/0/default.jpg.
SUMMARY. A large mortar with a short range, plate 488
CAPTION.
A passenger having paid his ticket to NEW YORK on the LEVIATHAN, waiting for the ship finally being put into the water, plate 479 from Actualités

A passenger having paid his ticket to NEW YORK on the LEVIATHAN, waiting for the ship finally being put into the water, plate 479 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>A passenger having paid his ticket to NEW YORK on the LEVIATHAN, waiting for the ship finally being put into the water, plate 479 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f9d6ee50-49cc-43f0-8517-97ffc7c8ad1d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>A passenger having paid his ticket to NEW YORK on the LEVIATHAN, waiting for the ship finally being put into the water, plate 479 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/f9d6ee50-49cc-43f0-8517-97ffc7c8ad1d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>A passenger having paid his ticket to NEW YORK on the LEVIATHAN, waiting for the ship finally being put into the water, plate 479 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/f9d6ee50-49cc-43f0-8517-97ffc7c8ad1d/full/full/0/default.jpg.
SUMMARY. A passenger having paid his ticket to NEW YORK on the LEVIATHAN, waiting for the ship finally being put into the water, plate 479 from Actualités
CAPTION.
Abuse of article 214 of the civil law. “My lady wife, you let me want for everything, you only allow me a miserable pension of three thousand francs, you throw me out of your door like a beggar, and, what is more, you want to drive me away from Paris, exile me, deport me!... No! No! I won't leave France! I won't! I won't!!... Listen, I owe my friend Bertrand 10'000 Fr., it's a gambler's debt, a debt of honor, I owe my cook 525 Fr. and ten francs for my chambers, a total of 10'535 Fr. Let me have a few thousand francs more to take my mind off my domestic worries and, on my word of honor, I won't pester you any longer,” plate 50 from Caricaturana

Abuse of article 214 of the civil law. “My lady wife, you let me want for everything, you only allow me a miserable pension of three thousand francs, you throw me out of your door like a beggar, and, what is more, you want to drive me away from Paris, exile me, deport me!... No! No! I won't leave France! I won't! I won't!!... Listen, I owe my friend Bertrand 10'000 Fr., it's a gambler's debt, a debt of honor, I owe my cook 525 Fr. and ten francs for my chambers, a total of 10'535 Fr. Let me have a few thousand francs more to take my mind off my domestic worries and, on my word of honor, I won't pester you any longer,” plate 50 from Caricaturana

Lithograph on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Abuse of article 214 of the civil law. “My lady wife, you let me want for everything, you only allow me a miserable pension of three thousand francs, you throw me out of your door like a beggar, and, what is more, you want to drive me away from Paris, exile me, deport me!... No! No! I won't leave France! I won't! I won't!!... Listen, I owe my friend Bertrand 10'000 Fr., it's a gambler's debt, a debt of honor, I owe my cook 525 Fr. and ten francs for my chambers, a total of 10'535 Fr. Let me have a few thousand francs more to take my mind off my domestic worries and, on my word of honor, I won't pester you any longer,” plate 50 from Caricaturana</i> [Lithograph on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ebc4cdf0-123f-b274-365a-ac204e41b211/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Abuse of article 214 of the civil law. “My lady wife, you let me want for everything, you only allow me a miserable pension of three thousand francs, you throw me out of your door like a beggar, and, what is more, you want to drive me away from Paris, exile me, deport me!... No! No! I won't leave France! I won't! I won't!!... Listen, I owe my friend Bertrand 10'000 Fr., it's a gambler's debt, a debt of honor, I owe my cook 525 Fr. and ten francs for my chambers, a total of 10'535 Fr. Let me have a few thousand francs more to take my mind off my domestic worries and, on my word of honor, I won't pester you any longer,” plate 50 from Caricaturana</i>." n.d.. Lithograph on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/ebc4cdf0-123f-b274-365a-ac204e41b211/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Abuse of article 214 of the civil law. “My lady wife, you let me want for everything, you only allow me a miserable pension of three thousand francs, you throw me out of your door like a beggar, and, what is more, you want to drive me away from Paris, exile me, deport me!... No! No! I won't leave France! I won't! I won't!!... Listen, I owe my friend Bertrand 10'000 Fr., it's a gambler's debt, a debt of honor, I owe my cook 525 Fr. and ten francs for my chambers, a total of 10'535 Fr. Let me have a few thousand francs more to take my mind off my domestic worries and, on my word of honor, I won't pester you any longer,” plate 50 from Caricaturana</i>," n.d.. Lithograph on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/ebc4cdf0-123f-b274-365a-ac204e41b211/full/full/0/default.jpg.
SUMMARY. Abuse of article 214 of the civil law. “My lady wife, you let me want for everything, you only allow me a miserable pension of three thousand francs, you throw me out of your door like a beggar, and, what is more, you want to drive me away from Paris, exile me, deport me!... No! No! I won't leave France! I won't! I won't!!... Listen, I owe my friend Bertrand 10'000 Fr., it's a gambler's debt, a debt of honor, I owe my cook 525 Fr. and ten francs for my chambers, a total of 10'535 Fr. Let me have a few thousand francs more to take my mind off my domestic worries and, on my word of honor, I won't pester you any longer,” plate 50 from Caricaturana
CAPTION.
An Awkward Situation, plate 52 from Les Bons Bourgeois

An Awkward Situation, plate 52 from Les Bons Bourgeois

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>An Awkward Situation, plate 52 from Les Bons Bourgeois</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/3c13d4d3-7d10-c339-edcb-c51762fa4cf9/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>An Awkward Situation, plate 52 from Les Bons Bourgeois</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/3c13d4d3-7d10-c339-edcb-c51762fa4cf9/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>An Awkward Situation, plate 52 from Les Bons Bourgeois</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/3c13d4d3-7d10-c339-edcb-c51762fa4cf9/full/full/0/default.jpg.
SUMMARY. An Awkward Situation, plate 52 from Les Bons Bourgeois
CAPTION.
An Encounter in Open Water. “- Hello... down there... Captain.., what's new in Paris? - Nothing new really... still no one goes to the Gaieté or the Ambigu. - Don't you have anything else to tell me? - Oh yes,... I forgot... I hope you like it... shut up!,” plate 11 from Les Canotiers Parisiens

An Encounter in Open Water. “- Hello... down there... Captain.., what's new in Paris? - Nothing new really... still no one goes to the Gaieté or the Ambigu. - Don't you have anything else to tell me? - Oh yes,... I forgot... I hope you like it... shut up!,” plate 11 from Les Canotiers Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>An Encounter in Open Water. “- Hello... down there... Captain.., what's new in Paris? - Nothing new really... still no one goes to the Gaieté or the Ambigu. - Don't you have anything else to tell me? - Oh yes,... I forgot... I hope you like it... shut up!,” plate 11 from Les Canotiers Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/6b0d2b19-055e-829a-a236-92037161f256/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>An Encounter in Open Water. “- Hello... down there... Captain.., what's new in Paris? - Nothing new really... still no one goes to the Gaieté or the Ambigu. - Don't you have anything else to tell me? - Oh yes,... I forgot... I hope you like it... shut up!,” plate 11 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/6b0d2b19-055e-829a-a236-92037161f256/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>An Encounter in Open Water. “- Hello... down there... Captain.., what's new in Paris? - Nothing new really... still no one goes to the Gaieté or the Ambigu. - Don't you have anything else to tell me? - Oh yes,... I forgot... I hope you like it... shut up!,” plate 11 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/6b0d2b19-055e-829a-a236-92037161f256/full/full/0/default.jpg.
SUMMARY. An Encounter in Open Water. “- Hello... down there... Captain.., what's new in Paris? - Nothing new really... still no one goes to the Gaieté or the Ambigu. - Don't you have anything else to tell me? - Oh yes,... I forgot... I hope you like it... shut up!,” plate 11 from Les Canotiers Parisiens
CAPTION.
An Exaggerated Rejuvenation. “Just two or three sessions with me, Monsieur, and anyone who still claims to find a grey hair on you, is a malicious person.” As a matter of fact, since the end of the second session, Monsieur's head looks as shiny as that of a newborn baby, plate 52 from Les Beaux Jours De La Vie

An Exaggerated Rejuvenation. “Just two or three sessions with me, Monsieur, and anyone who still claims to find a grey hair on you, is a malicious person.” As a matter of fact, since the end of the second session, Monsieur's head looks as shiny as that of a newborn baby, plate 52 from Les Beaux Jours De La Vie

Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded) · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>An Exaggerated Rejuvenation. “Just two or three sessions with me, Monsieur, and anyone who still claims to find a grey hair on you, is a malicious person.” As a matter of fact, since the end of the second session, Monsieur's head looks as shiny as that of a newborn baby, plate 52 from Les Beaux Jours De La Vie</i> [Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded)]. Art Institute of Chicago. https://www.artic.edu/iiif/2/54c794bc-3276-5c8d-9f45-4cb586c57b81/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>An Exaggerated Rejuvenation. “Just two or three sessions with me, Monsieur, and anyone who still claims to find a grey hair on you, is a malicious person.” As a matter of fact, since the end of the second session, Monsieur's head looks as shiny as that of a newborn baby, plate 52 from Les Beaux Jours De La Vie</i>." n.d.. Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded). Art Institute of Chicago, https://www.artic.edu/iiif/2/54c794bc-3276-5c8d-9f45-4cb586c57b81/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>An Exaggerated Rejuvenation. “Just two or three sessions with me, Monsieur, and anyone who still claims to find a grey hair on you, is a malicious person.” As a matter of fact, since the end of the second session, Monsieur's head looks as shiny as that of a newborn baby, plate 52 from Les Beaux Jours De La Vie</i>," n.d.. Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded). Art Institute of Chicago. https://www.artic.edu/iiif/2/54c794bc-3276-5c8d-9f45-4cb586c57b81/full/full/0/default.jpg.
SUMMARY. An Exaggerated Rejuvenation. “Just two or three sessions with me, Monsieur, and anyone who still claims to find a grey hair on you, is a malicious person.” As a matter of fact, since the end of the second session, Monsieur's head looks as shiny as that of a newborn baby, plate 52 from Les Beaux Jours De La Vie
CAPTION.
An Excusable Error. Chickens thinking they have found the cage where they spent their early childhood, plate 21 from La Crinolomanie

An Excusable Error. Chickens thinking they have found the cage where they spent their early childhood, plate 21 from La Crinolomanie

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>An Excusable Error. Chickens thinking they have found the cage where they spent their early childhood, plate 21 from La Crinolomanie</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/90a7f742-f9cf-7869-a57a-0b9501a46f18/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>An Excusable Error. Chickens thinking they have found the cage where they spent their early childhood, plate 21 from La Crinolomanie</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/90a7f742-f9cf-7869-a57a-0b9501a46f18/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>An Excusable Error. Chickens thinking they have found the cage where they spent their early childhood, plate 21 from La Crinolomanie</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/90a7f742-f9cf-7869-a57a-0b9501a46f18/full/full/0/default.jpg.
SUMMARY. An Excusable Error. Chickens thinking they have found the cage where they spent their early childhood, plate 21 from La Crinolomanie
CAPTION.
An Oasis in the Middle of the Plain of St. Denis, plate 5 from Tout Ce Qu'on Voudra

An Oasis in the Middle of the Plain of St. Denis, plate 5 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>An Oasis in the Middle of the Plain of St. Denis, plate 5 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/4fcd367e-6ec7-a40c-6ba4-89f54e909d0d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>An Oasis in the Middle of the Plain of St. Denis, plate 5 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/4fcd367e-6ec7-a40c-6ba4-89f54e909d0d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>An Oasis in the Middle of the Plain of St. Denis, plate 5 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/4fcd367e-6ec7-a40c-6ba4-89f54e909d0d/full/full/0/default.jpg.
SUMMARY. An Oasis in the Middle of the Plain of St. Denis, plate 5 from Tout Ce Qu'on Voudra
CAPTION.
An Unpleasant Encounter. “Bernardel, Bernardel! Here comes the steamer... we will sink!,” plate 16 from Les Canotiers Parisiens

An Unpleasant Encounter. “Bernardel, Bernardel! Here comes the steamer... we will sink!,” plate 16 from Les Canotiers Parisiens

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>An Unpleasant Encounter. “Bernardel, Bernardel! Here comes the steamer... we will sink!,” plate 16 from Les Canotiers Parisiens</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/85b3d0fc-8381-2b9d-2ab8-439b45bb257f/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>An Unpleasant Encounter. “Bernardel, Bernardel! Here comes the steamer... we will sink!,” plate 16 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/85b3d0fc-8381-2b9d-2ab8-439b45bb257f/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>An Unpleasant Encounter. “Bernardel, Bernardel! Here comes the steamer... we will sink!,” plate 16 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/85b3d0fc-8381-2b9d-2ab8-439b45bb257f/full/full/0/default.jpg.
SUMMARY. An Unpleasant Encounter. “Bernardel, Bernardel! Here comes the steamer... we will sink!,” plate 16 from Les Canotiers Parisiens
CAPTION.
Another Great Man. “I have it in my hand, my dear... here it is in writing.... this document confirms that my invention is a well-pumped and infinitely more clysterized machine than anything invented thus far... all Frenchmen must accept that,” plate 36 from Les Beaux Jours De La Vie

Another Great Man. “I have it in my hand, my dear... here it is in writing.... this document confirms that my invention is a well-pumped and infinitely more clysterized machine than anything invented thus far... all Frenchmen must accept that,” plate 36 from Les Beaux Jours De La Vie

Lithograph in black on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Another Great Man. “I have it in my hand, my dear... here it is in writing.... this document confirms that my invention is a well-pumped and infinitely more clysterized machine than anything invented thus far... all Frenchmen must accept that,” plate 36 from Les Beaux Jours De La Vie</i> [Lithograph in black on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d879a254-1e77-0123-877d-3471922d2c7c/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Another Great Man. “I have it in my hand, my dear... here it is in writing.... this document confirms that my invention is a well-pumped and infinitely more clysterized machine than anything invented thus far... all Frenchmen must accept that,” plate 36 from Les Beaux Jours De La Vie</i>." n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/d879a254-1e77-0123-877d-3471922d2c7c/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Another Great Man. “I have it in my hand, my dear... here it is in writing.... this document confirms that my invention is a well-pumped and infinitely more clysterized machine than anything invented thus far... all Frenchmen must accept that,” plate 36 from Les Beaux Jours De La Vie</i>," n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/d879a254-1e77-0123-877d-3471922d2c7c/full/full/0/default.jpg.
SUMMARY. Another Great Man. “I have it in my hand, my dear... here it is in writing.... this document confirms that my invention is a well-pumped and infinitely more clysterized machine than anything invented thus far... all Frenchmen must accept that,” plate 36 from Les Beaux Jours De La Vie
CAPTION.
Another way to make use of the new petticoats that have lately become fashionable, plate 294 from Actualités

Another way to make use of the new petticoats that have lately become fashionable, plate 294 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Another way to make use of the new petticoats that have lately become fashionable, plate 294 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/642156d7-7356-79d7-8514-6323bd38b5f5/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Another way to make use of the new petticoats that have lately become fashionable, plate 294 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/642156d7-7356-79d7-8514-6323bd38b5f5/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Another way to make use of the new petticoats that have lately become fashionable, plate 294 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/642156d7-7356-79d7-8514-6323bd38b5f5/full/full/0/default.jpg.
SUMMARY. Another way to make use of the new petticoats that have lately become fashionable, plate 294 from Actualités
CAPTION.
Apelles and Campaste. Aware that Apelles was wasting away with love Alexander gave him Campeste and above the first art deal ever now was struck girlfriend against sculpture, oh what luck! (From Art and the Antique, a poetic essay by M. Cavé), plate 36(37) from Histoire Ancienne

Apelles and Campaste. Aware that Apelles was wasting away with love Alexander gave him Campeste and above the first art deal ever now was struck girlfriend against sculpture, oh what luck! (From Art and the Antique, a poetic essay by M. Cavé), plate 36(37) from Histoire Ancienne

Lithograph in black, with scraping on stone on cream wove paper, with text added in another hand and letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Apelles and Campaste. Aware that Apelles was wasting away with love Alexander gave him Campeste and above the first art deal ever now was struck girlfriend against sculpture, oh what luck! (From Art and the Antique, a poetic essay by M. Cavé), plate 36(37) from Histoire Ancienne</i> [Lithograph in black, with scraping on stone on cream wove paper, with text added in another hand and letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/8a2cd286-3de8-8aeb-23b8-97ede299ede8/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Apelles and Campaste. Aware that Apelles was wasting away with love Alexander gave him Campeste and above the first art deal ever now was struck girlfriend against sculpture, oh what luck! (From Art and the Antique, a poetic essay by M. Cavé), plate 36(37) from Histoire Ancienne</i>." n.d.. Lithograph in black, with scraping on stone on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/8a2cd286-3de8-8aeb-23b8-97ede299ede8/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Apelles and Campaste. Aware that Apelles was wasting away with love Alexander gave him Campeste and above the first art deal ever now was struck girlfriend against sculpture, oh what luck! (From Art and the Antique, a poetic essay by M. Cavé), plate 36(37) from Histoire Ancienne</i>," n.d.. Lithograph in black, with scraping on stone on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/8a2cd286-3de8-8aeb-23b8-97ede299ede8/full/full/0/default.jpg.
SUMMARY. Apelles and Campaste. Aware that Apelles was wasting away with love Alexander gave him Campeste and above the first art deal ever now was struck girlfriend against sculpture, oh what luck! (From Art and the Antique, a poetic essay by M. Cavé), plate 36(37) from Histoire Ancienne
CAPTION.
Aquatic fun borrowed from the old Greeks, plate 20 from Croquis D'été

Aquatic fun borrowed from the old Greeks, plate 20 from Croquis D'été

Lithograph in black on off-white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Aquatic fun borrowed from the old Greeks, plate 20 from Croquis D'été</i> [Lithograph in black on off-white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ba2eddb9-b301-b503-56dc-fac1f9395edc/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Aquatic fun borrowed from the old Greeks, plate 20 from Croquis D'été</i>." n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/ba2eddb9-b301-b503-56dc-fac1f9395edc/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Aquatic fun borrowed from the old Greeks, plate 20 from Croquis D'été</i>," n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/ba2eddb9-b301-b503-56dc-fac1f9395edc/full/full/0/default.jpg.
SUMMARY. Aquatic fun borrowed from the old Greeks, plate 20 from Croquis D'été
CAPTION.
At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition

At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/8d04e79d-4b43-8997-6ef4-ef54d74fc852/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/8d04e79d-4b43-8997-6ef4-ef54d74fc852/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/8d04e79d-4b43-8997-6ef4-ef54d74fc852/full/full/0/default.jpg.
SUMMARY. At The Bar. Meeting point for the true lovers of French sculpture and Bavarian beer, plate 5 from Croquis pris à l'exposition
CAPTION.
At Varenne, Saint-Maur. “There! My country house", plate 418 from Souvenirs d’artistes

At Varenne, Saint-Maur. “There! My country house", plate 418 from Souvenirs d’artistes

Lithograph in black on ivory China paper, laid down on white wove paper (chine collé) · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>At Varenne, Saint-Maur. “There! My country house", plate 418 from Souvenirs d’artistes</i> [Lithograph in black on ivory China paper, laid down on white wove paper (chine collé)]. Art Institute of Chicago. https://www.artic.edu/iiif/2/742cdb37-63e4-c76d-3b62-13a53ba951f7/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>At Varenne, Saint-Maur. “There! My country house", plate 418 from Souvenirs d’artistes</i>." n.d.. Lithograph in black on ivory China paper, laid down on white wove paper (chine collé). Art Institute of Chicago, https://www.artic.edu/iiif/2/742cdb37-63e4-c76d-3b62-13a53ba951f7/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>At Varenne, Saint-Maur. “There! My country house", plate 418 from Souvenirs d’artistes</i>," n.d.. Lithograph in black on ivory China paper, laid down on white wove paper (chine collé). Art Institute of Chicago. https://www.artic.edu/iiif/2/742cdb37-63e4-c76d-3b62-13a53ba951f7/full/full/0/default.jpg.
SUMMARY. At Varenne, Saint-Maur. “There! My country house", plate 418 from Souvenirs d’artistes
CAPTION.
At the Champs-Elysées. It has never been quite clear whether the music makes the beer go down, or the beer that makes you swallow the music, plate 3 from Croquis Musicaux

At the Champs-Elysées. It has never been quite clear whether the music makes the beer go down, or the beer that makes you swallow the music, plate 3 from Croquis Musicaux

Lithograph in black on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>At the Champs-Elysées. It has never been quite clear whether the music makes the beer go down, or the beer that makes you swallow the music, plate 3 from Croquis Musicaux</i> [Lithograph in black on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a40751dd-458a-060d-0ec6-bac641612457/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>At the Champs-Elysées. It has never been quite clear whether the music makes the beer go down, or the beer that makes you swallow the music, plate 3 from Croquis Musicaux</i>." n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/a40751dd-458a-060d-0ec6-bac641612457/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>At the Champs-Elysées. It has never been quite clear whether the music makes the beer go down, or the beer that makes you swallow the music, plate 3 from Croquis Musicaux</i>," n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/a40751dd-458a-060d-0ec6-bac641612457/full/full/0/default.jpg.
SUMMARY. At the Champs-Elysées. It has never been quite clear whether the music makes the beer go down, or the beer that makes you swallow the music, plate 3 from Croquis Musicaux
CAPTION.
At the Fireworks Display. A father is a draft horse, provided by nature, plate 33 from Moeurs Conjugales and plate 14 in Actualités

At the Fireworks Display. A father is a draft horse, provided by nature, plate 33 from Moeurs Conjugales and plate 14 in Actualités

Lithograph in black on ivory wove paper, with letterpress verso, mounted on blue wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>At the Fireworks Display. A father is a draft horse, provided by nature, plate 33 from Moeurs Conjugales and plate 14 in Actualités</i> [Lithograph in black on ivory wove paper, with letterpress verso, mounted on blue wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/8dfdb424-0995-f3b2-d243-cea7cb1bfc45/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>At the Fireworks Display. A father is a draft horse, provided by nature, plate 33 from Moeurs Conjugales and plate 14 in Actualités</i>." n.d.. Lithograph in black on ivory wove paper, with letterpress verso, mounted on blue wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/8dfdb424-0995-f3b2-d243-cea7cb1bfc45/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>At the Fireworks Display. A father is a draft horse, provided by nature, plate 33 from Moeurs Conjugales and plate 14 in Actualités</i>," n.d.. Lithograph in black on ivory wove paper, with letterpress verso, mounted on blue wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/8dfdb424-0995-f3b2-d243-cea7cb1bfc45/full/full/0/default.jpg.
SUMMARY. At the Fireworks Display. A father is a draft horse, provided by nature, plate 33 from Moeurs Conjugales and plate 14 in Actualités
CAPTION.
At the Odeon Theater. “- The new production of TARTUFFE seems to be very good, but I am furious that there is no performance tonight… there have been restrictions, I presume?… - But no, Monsieur… - Well, I have been warned that it would end with the apotheosis of Béranger!,” plate 456 from Actualités

At the Odeon Theater. “- The new production of TARTUFFE seems to be very good, but I am furious that there is no performance tonight… there have been restrictions, I presume?… - But no, Monsieur… - Well, I have been warned that it would end with the apotheosis of Béranger!,” plate 456 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>At the Odeon Theater. “- The new production of TARTUFFE seems to be very good, but I am furious that there is no performance tonight… there have been restrictions, I presume?… - But no, Monsieur… - Well, I have been warned that it would end with the apotheosis of Béranger!,” plate 456 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/86028244-7a11-221a-e76f-3d8962110039/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>At the Odeon Theater. “- The new production of TARTUFFE seems to be very good, but I am furious that there is no performance tonight… there have been restrictions, I presume?… - But no, Monsieur… - Well, I have been warned that it would end with the apotheosis of Béranger!,” plate 456 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/86028244-7a11-221a-e76f-3d8962110039/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>At the Odeon Theater. “- The new production of TARTUFFE seems to be very good, but I am furious that there is no performance tonight… there have been restrictions, I presume?… - But no, Monsieur… - Well, I have been warned that it would end with the apotheosis of Béranger!,” plate 456 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/86028244-7a11-221a-e76f-3d8962110039/full/full/0/default.jpg.
SUMMARY. At the Odeon Theater. “- The new production of TARTUFFE seems to be very good, but I am furious that there is no performance tonight… there have been restrictions, I presume?… - But no, Monsieur… - Well, I have been warned that it would end with the apotheosis of Béranger!,” plate 456 from Actualités
CAPTION.
Auguste-Hilarion, Comte de Kératry

Auguste-Hilarion, Comte de Kératry

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Auguste-Hilarion, Comte de Kératry</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/9209606c-2a8e-479c-d75b-f26fecc4ba57/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Auguste-Hilarion, Comte de Kératry</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/9209606c-2a8e-479c-d75b-f26fecc4ba57/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Auguste-Hilarion, Comte de Kératry</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/9209606c-2a8e-479c-d75b-f26fecc4ba57/full/full/0/default.jpg.
SUMMARY. Auguste-Hilarion, Comte de Kératry
CAPTION.
Black and white, plate 23 from Émotions Parisiennes

Black and white, plate 23 from Émotions Parisiennes

Lithograph in black on off-white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Black and white, plate 23 from Émotions Parisiennes</i> [Lithograph in black on off-white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/acd29120-6b35-6e8c-328f-f07c12d54599/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Black and white, plate 23 from Émotions Parisiennes</i>." n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/acd29120-6b35-6e8c-328f-f07c12d54599/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Black and white, plate 23 from Émotions Parisiennes</i>," n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/acd29120-6b35-6e8c-328f-f07c12d54599/full/full/0/default.jpg.
SUMMARY. Black and white, plate 23 from Émotions Parisiennes
CAPTION.
Catholic society of baptism established for all the drunkards of Paris. (Article 1) From Rouen to Bercy the Seine will be transformed into the River Jordan. "In the name of the great society Mélange, Macaire & Co. I baptise you 'old Macon', grand cru of the year of the comet, and the public will stand in line for it," plate 48 from Revue Caricaturale

Catholic society of baptism established for all the drunkards of Paris. (Article 1) From Rouen to Bercy the Seine will be transformed into the River Jordan. "In the name of the great society Mélange, Macaire & Co. I baptise you 'old Macon', grand cru of the year of the comet, and the public will stand in line for it," plate 48 from Revue Caricaturale

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Catholic society of baptism established for all the drunkards of Paris. (Article 1) From Rouen to Bercy the Seine will be transformed into the River Jordan. "In the name of the great society Mélange, Macaire & Co. I baptise you 'old Macon', grand cru of the year of the comet, and the public will stand in line for it," plate 48 from Revue Caricaturale</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/80c495c5-75d9-c62a-42cf-c72e2cb30f49/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Catholic society of baptism established for all the drunkards of Paris. (Article 1) From Rouen to Bercy the Seine will be transformed into the River Jordan. "In the name of the great society Mélange, Macaire & Co. I baptise you 'old Macon', grand cru of the year of the comet, and the public will stand in line for it," plate 48 from Revue Caricaturale</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/80c495c5-75d9-c62a-42cf-c72e2cb30f49/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Catholic society of baptism established for all the drunkards of Paris. (Article 1) From Rouen to Bercy the Seine will be transformed into the River Jordan. "In the name of the great society Mélange, Macaire & Co. I baptise you 'old Macon', grand cru of the year of the comet, and the public will stand in line for it," plate 48 from Revue Caricaturale</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/80c495c5-75d9-c62a-42cf-c72e2cb30f49/full/full/0/default.jpg.
SUMMARY. Catholic society of baptism established for all the drunkards of Paris. (Article 1) From Rouen to Bercy the Seine will be transformed into the River Jordan. "In the name of the great society Mélange, Macaire & Co. I baptise you 'old Macon', grand cru of the year of the comet, and the public will stand in line for it," plate 48 from Revue Caricaturale
CAPTION.
Ch. De Lam...., plate 156 from Célébrités de la Caricature

Ch. De Lam...., plate 156 from Célébrités de la Caricature

Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow) · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Ch. De Lam...., plate 156 from Célébrités de la Caricature</i> [Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow)]. Art Institute of Chicago. https://www.artic.edu/iiif/2/199d2ffa-e013-e19c-3e17-cb962edac254/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Ch. De Lam...., plate 156 from Célébrités de la Caricature</i>." n.d.. Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow). Art Institute of Chicago, https://www.artic.edu/iiif/2/199d2ffa-e013-e19c-3e17-cb962edac254/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Ch. De Lam...., plate 156 from Célébrités de la Caricature</i>," n.d.. Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow). Art Institute of Chicago. https://www.artic.edu/iiif/2/199d2ffa-e013-e19c-3e17-cb962edac254/full/full/0/default.jpg.
SUMMARY. Ch. De Lam...., plate 156 from Célébrités de la Caricature
CAPTION.
Chinese Talking Politics. Thanks to antiquity and the stability of the Constitution of China, this country is extremely unified... it counts only little more than 63 political parties. Quite often one finds Chinese citizens discussing vehemently on public places, using arguments they had prior seen in their favourite journal. Quite often the journal itself will replace the argument, being used as such, plate 20 from Voyage En Chine

Chinese Talking Politics. Thanks to antiquity and the stability of the Constitution of China, this country is extremely unified... it counts only little more than 63 political parties. Quite often one finds Chinese citizens discussing vehemently on public places, using arguments they had prior seen in their favourite journal. Quite often the journal itself will replace the argument, being used as such, plate 20 from Voyage En Chine

Lithograph, with scraping on stone on cream wove paper, with text below and letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Chinese Talking Politics. Thanks to antiquity and the stability of the Constitution of China, this country is extremely unified... it counts only little more than 63 political parties. Quite often one finds Chinese citizens discussing vehemently on public places, using arguments they had prior seen in their favourite journal. Quite often the journal itself will replace the argument, being used as such, plate 20 from Voyage En Chine</i> [Lithograph, with scraping on stone on cream wove paper, with text below and letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/3c8ad986-b6e7-8653-e360-9e2ba50f3890/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Chinese Talking Politics. Thanks to antiquity and the stability of the Constitution of China, this country is extremely unified... it counts only little more than 63 political parties. Quite often one finds Chinese citizens discussing vehemently on public places, using arguments they had prior seen in their favourite journal. Quite often the journal itself will replace the argument, being used as such, plate 20 from Voyage En Chine</i>." n.d.. Lithograph, with scraping on stone on cream wove paper, with text below and letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/3c8ad986-b6e7-8653-e360-9e2ba50f3890/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Chinese Talking Politics. Thanks to antiquity and the stability of the Constitution of China, this country is extremely unified... it counts only little more than 63 political parties. Quite often one finds Chinese citizens discussing vehemently on public places, using arguments they had prior seen in their favourite journal. Quite often the journal itself will replace the argument, being used as such, plate 20 from Voyage En Chine</i>," n.d.. Lithograph, with scraping on stone on cream wove paper, with text below and letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/3c8ad986-b6e7-8653-e360-9e2ba50f3890/full/full/0/default.jpg.
SUMMARY. Chinese Talking Politics. Thanks to antiquity and the stability of the Constitution of China, this country is extremely unified... it counts only little more than 63 political parties. Quite often one finds Chinese citizens discussing vehemently on public places, using arguments they had prior seen in their favourite journal. Quite often the journal itself will replace the argument, being used as such, plate 20 from Voyage En Chine
CAPTION.
Citizen Thiers trying on a new costume, plate 114 from Actualités

Citizen Thiers trying on a new costume, plate 114 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Citizen Thiers trying on a new costume, plate 114 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/53bf3bed-999d-070e-0766-62c9b6087e2d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Citizen Thiers trying on a new costume, plate 114 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/53bf3bed-999d-070e-0766-62c9b6087e2d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Citizen Thiers trying on a new costume, plate 114 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/53bf3bed-999d-070e-0766-62c9b6087e2d/full/full/0/default.jpg.
SUMMARY. Citizen Thiers trying on a new costume, plate 114 from Actualités
CAPTION.
Clean Young High School Students, They Even Try Selling Off their Latin Dictionary, plate 24 from Professeurs et Moutards (Professors and Rascals)

Clean Young High School Students, They Even Try Selling Off their Latin Dictionary, plate 24 from Professeurs et Moutards (Professors and Rascals)

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Clean Young High School Students, They Even Try Selling Off their Latin Dictionary, plate 24 from Professeurs et Moutards (Professors and Rascals)</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/445ae565-4682-5b31-c9b7-3414a828649a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Clean Young High School Students, They Even Try Selling Off their Latin Dictionary, plate 24 from Professeurs et Moutards (Professors and Rascals)</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/445ae565-4682-5b31-c9b7-3414a828649a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Clean Young High School Students, They Even Try Selling Off their Latin Dictionary, plate 24 from Professeurs et Moutards (Professors and Rascals)</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/445ae565-4682-5b31-c9b7-3414a828649a/full/full/0/default.jpg.
SUMMARY. Clean Young High School Students, They Even Try Selling Off their Latin Dictionary, plate 24 from Professeurs et Moutards (Professors and Rascals)
CAPTION.
Come Here Little Chick, Chick..... Chick... Chick, Come Little Turkeys, plate 442

Come Here Little Chick, Chick..... Chick... Chick, Come Little Turkeys, plate 442

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Come Here Little Chick, Chick..... Chick... Chick, Come Little Turkeys, plate 442</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/940341dc-61c1-2b95-e51b-27b7bdc9b66b/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Come Here Little Chick, Chick..... Chick... Chick, Come Little Turkeys, plate 442</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/940341dc-61c1-2b95-e51b-27b7bdc9b66b/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Come Here Little Chick, Chick..... Chick... Chick, Come Little Turkeys, plate 442</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/940341dc-61c1-2b95-e51b-27b7bdc9b66b/full/full/0/default.jpg.
SUMMARY. Come Here Little Chick, Chick..... Chick... Chick, Come Little Turkeys, plate 442
CAPTION.
Country Amusement. “- Monsieur did not want to wait for his nephew; and Madame thought it might soon start raining, but he didn't really bother. - What an old miser! - Don't you worry, Mother Poirier, he'll pay dearly for that... more than the market price! - And right she is isn't she!,” plate 59 from Moeurs Conjugales

Country Amusement. “- Monsieur did not want to wait for his nephew; and Madame thought it might soon start raining, but he didn't really bother. - What an old miser! - Don't you worry, Mother Poirier, he'll pay dearly for that... more than the market price! - And right she is isn't she!,” plate 59 from Moeurs Conjugales

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Country Amusement. “- Monsieur did not want to wait for his nephew; and Madame thought it might soon start raining, but he didn't really bother. - What an old miser! - Don't you worry, Mother Poirier, he'll pay dearly for that... more than the market price! - And right she is isn't she!,” plate 59 from Moeurs Conjugales</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/adf92ceb-1127-8aec-ce1f-fad2020a3e79/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Country Amusement. “- Monsieur did not want to wait for his nephew; and Madame thought it might soon start raining, but he didn't really bother. - What an old miser! - Don't you worry, Mother Poirier, he'll pay dearly for that... more than the market price! - And right she is isn't she!,” plate 59 from Moeurs Conjugales</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/adf92ceb-1127-8aec-ce1f-fad2020a3e79/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Country Amusement. “- Monsieur did not want to wait for his nephew; and Madame thought it might soon start raining, but he didn't really bother. - What an old miser! - Don't you worry, Mother Poirier, he'll pay dearly for that... more than the market price! - And right she is isn't she!,” plate 59 from Moeurs Conjugales</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/adf92ceb-1127-8aec-ce1f-fad2020a3e79/full/full/0/default.jpg.
SUMMARY. Country Amusement. “- Monsieur did not want to wait for his nephew; and Madame thought it might soon start raining, but he didn't really bother. - What an old miser! - Don't you worry, Mother Poirier, he'll pay dearly for that... more than the market price! - And right she is isn't she!,” plate 59 from Moeurs Conjugales
CAPTION.
Crinolines are suddenly getting to be suspicious, plate 419 from Actualités

Crinolines are suddenly getting to be suspicious, plate 419 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Crinolines are suddenly getting to be suspicious, plate 419 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f6e2ea38-a756-868b-0627-aa92d7b5e648/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Crinolines are suddenly getting to be suspicious, plate 419 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/f6e2ea38-a756-868b-0627-aa92d7b5e648/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Crinolines are suddenly getting to be suspicious, plate 419 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/f6e2ea38-a756-868b-0627-aa92d7b5e648/full/full/0/default.jpg.
SUMMARY. Crinolines are suddenly getting to be suspicious, plate 419 from Actualités
CAPTION.
D'Arg...., plate 188 from Célébrités de la Caricature

D'Arg...., plate 188 from Célébrités de la Caricature

Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow) · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>D'Arg...., plate 188 from Célébrités de la Caricature</i> [Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow)]. Art Institute of Chicago. https://www.artic.edu/iiif/2/4cb1fdd9-1af1-6f11-7352-4add1d6b5bc0/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>D'Arg...., plate 188 from Célébrités de la Caricature</i>." n.d.. Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow). Art Institute of Chicago, https://www.artic.edu/iiif/2/4cb1fdd9-1af1-6f11-7352-4add1d6b5bc0/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>D'Arg...., plate 188 from Célébrités de la Caricature</i>," n.d.. Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow). Art Institute of Chicago. https://www.artic.edu/iiif/2/4cb1fdd9-1af1-6f11-7352-4add1d6b5bc0/full/full/0/default.jpg.
SUMMARY. D'Arg...., plate 188 from Célébrités de la Caricature
CAPTION.
DUP..., plate 171 from Célébrités de la Caricature

DUP..., plate 171 from Célébrités de la Caricature

Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow) · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>DUP..., plate 171 from Célébrités de la Caricature</i> [Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow)]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ff472730-911e-9222-f886-8c472191ce6d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>DUP..., plate 171 from Célébrités de la Caricature</i>." n.d.. Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow). Art Institute of Chicago, https://www.artic.edu/iiif/2/ff472730-911e-9222-f886-8c472191ce6d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>DUP..., plate 171 from Célébrités de la Caricature</i>," n.d.. Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow). Art Institute of Chicago. https://www.artic.edu/iiif/2/ff472730-911e-9222-f886-8c472191ce6d/full/full/0/default.jpg.
SUMMARY. DUP..., plate 171 from Célébrités de la Caricature
CAPTION.
Damn Boots! That Will Teach Me to Take Smaller Steps...” plate 6 from Coquetterie

Damn Boots! That Will Teach Me to Take Smaller Steps...” plate 6 from Coquetterie

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Damn Boots! That Will Teach Me to Take Smaller Steps...” plate 6 from Coquetterie</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/01e43088-71a7-6f3d-acbd-1d2d3a0c88c7/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Damn Boots! That Will Teach Me to Take Smaller Steps...” plate 6 from Coquetterie</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/01e43088-71a7-6f3d-acbd-1d2d3a0c88c7/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Damn Boots! That Will Teach Me to Take Smaller Steps...” plate 6 from Coquetterie</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/01e43088-71a7-6f3d-acbd-1d2d3a0c88c7/full/full/0/default.jpg.
SUMMARY. Damn Boots! That Will Teach Me to Take Smaller Steps...” plate 6 from Coquetterie
CAPTION.
Departure for Spain. “He will mount! he will not mount! he will mount! and no, he will not mount!!!,” plate 498

Departure for Spain. “He will mount! he will not mount! he will mount! and no, he will not mount!!!,” plate 498

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Departure for Spain. “He will mount! he will not mount! he will mount! and no, he will not mount!!!,” plate 498</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/c9e94d73-25a2-939b-1a16-3f4bb8ee9d4e/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Departure for Spain. “He will mount! he will not mount! he will mount! and no, he will not mount!!!,” plate 498</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/c9e94d73-25a2-939b-1a16-3f4bb8ee9d4e/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Departure for Spain. “He will mount! he will not mount! he will mount! and no, he will not mount!!!,” plate 498</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/c9e94d73-25a2-939b-1a16-3f4bb8ee9d4e/full/full/0/default.jpg.
SUMMARY. Departure for Spain. “He will mount! he will not mount! he will mount! and no, he will not mount!!!,” plate 498
CAPTION.
Diogenes and Alcibiades at the Odeon. “- Ah... it's modern....what a man!,” plate 121 from Actualités

Diogenes and Alcibiades at the Odeon. “- Ah... it's modern....what a man!,” plate 121 from Actualités

Lithograph in black, with scraping on stone on cream wove paper, with text added in another hand and letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Diogenes and Alcibiades at the Odeon. “- Ah... it's modern....what a man!,” plate 121 from Actualités</i> [Lithograph in black, with scraping on stone on cream wove paper, with text added in another hand and letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/be074ca0-f0b9-1b2e-b840-45bea97d1f16/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Diogenes and Alcibiades at the Odeon. “- Ah... it's modern....what a man!,” plate 121 from Actualités</i>." n.d.. Lithograph in black, with scraping on stone on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/be074ca0-f0b9-1b2e-b840-45bea97d1f16/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Diogenes and Alcibiades at the Odeon. “- Ah... it's modern....what a man!,” plate 121 from Actualités</i>," n.d.. Lithograph in black, with scraping on stone on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/be074ca0-f0b9-1b2e-b840-45bea97d1f16/full/full/0/default.jpg.
SUMMARY. Diogenes and Alcibiades at the Odeon. “- Ah... it's modern....what a man!,” plate 121 from Actualités
CAPTION.
Disadvantage of Marrying a Woman with a So-Called Artistic Talent, plate 77 from Les Bons Bourgeois

Disadvantage of Marrying a Woman with a So-Called Artistic Talent, plate 77 from Les Bons Bourgeois

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Disadvantage of Marrying a Woman with a So-Called Artistic Talent, plate 77 from Les Bons Bourgeois</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/4412157a-2523-836d-404c-ceebc1f729ea/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Disadvantage of Marrying a Woman with a So-Called Artistic Talent, plate 77 from Les Bons Bourgeois</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/4412157a-2523-836d-404c-ceebc1f729ea/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Disadvantage of Marrying a Woman with a So-Called Artistic Talent, plate 77 from Les Bons Bourgeois</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/4412157a-2523-836d-404c-ceebc1f729ea/full/full/0/default.jpg.
SUMMARY. Disadvantage of Marrying a Woman with a So-Called Artistic Talent, plate 77 from Les Bons Bourgeois
CAPTION.
Don't You Meddle With It!, plate 20

Don't You Meddle With It!, plate 20

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Don't You Meddle With It!, plate 20</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/4f4393c0-830a-d732-4d16-4d613ffd976c/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Don't You Meddle With It!, plate 20</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/4f4393c0-830a-d732-4d16-4d613ffd976c/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Don't You Meddle With It!, plate 20</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/4f4393c0-830a-d732-4d16-4d613ffd976c/full/full/0/default.jpg.
SUMMARY. Don't You Meddle With It!, plate 20
CAPTION.
Early morning visit of a creditor concerning the boots, plate 4 from Émotions Parisiennes

Early morning visit of a creditor concerning the boots, plate 4 from Émotions Parisiennes

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Early morning visit of a creditor concerning the boots, plate 4 from Émotions Parisiennes</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/c0a22d67-184f-1ced-143d-636de6af177e/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Early morning visit of a creditor concerning the boots, plate 4 from Émotions Parisiennes</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/c0a22d67-184f-1ced-143d-636de6af177e/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Early morning visit of a creditor concerning the boots, plate 4 from Émotions Parisiennes</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/c0a22d67-184f-1ced-143d-636de6af177e/full/full/0/default.jpg.
SUMMARY. Early morning visit of a creditor concerning the boots, plate 4 from Émotions Parisiennes
CAPTION.
El Cid also takes to the field to fight against the Moors, plate 116 from Actualités

El Cid also takes to the field to fight against the Moors, plate 116 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>El Cid also takes to the field to fight against the Moors, plate 116 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/e441283a-6c99-3e67-89b2-c13af6bbaf3b/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>El Cid also takes to the field to fight against the Moors, plate 116 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/e441283a-6c99-3e67-89b2-c13af6bbaf3b/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>El Cid also takes to the field to fight against the Moors, plate 116 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/e441283a-6c99-3e67-89b2-c13af6bbaf3b/full/full/0/default.jpg.
SUMMARY. El Cid also takes to the field to fight against the Moors, plate 116 from Actualités
CAPTION.
Embarcation of a Lady. “Get in without fear Miss Josephine....You don't have to be afraid from neither the current nor the boatmen... they are all Frrrrrench.... we actually wanted to salute you with 101 canon shots, but we didn't get the authorization from the Government!...,” plate 15 from Les Canotiers Parisiens

Embarcation of a Lady. “Get in without fear Miss Josephine....You don't have to be afraid from neither the current nor the boatmen... they are all Frrrrrench.... we actually wanted to salute you with 101 canon shots, but we didn't get the authorization from the Government!...,” plate 15 from Les Canotiers Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Embarcation of a Lady. “Get in without fear Miss Josephine....You don't have to be afraid from neither the current nor the boatmen... they are all Frrrrrench.... we actually wanted to salute you with 101 canon shots, but we didn't get the authorization from the Government!...,” plate 15 from Les Canotiers Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/aefff39e-05f0-1bb0-b9ef-93f6d67b8f25/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Embarcation of a Lady. “Get in without fear Miss Josephine....You don't have to be afraid from neither the current nor the boatmen... they are all Frrrrrench.... we actually wanted to salute you with 101 canon shots, but we didn't get the authorization from the Government!...,” plate 15 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/aefff39e-05f0-1bb0-b9ef-93f6d67b8f25/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Embarcation of a Lady. “Get in without fear Miss Josephine....You don't have to be afraid from neither the current nor the boatmen... they are all Frrrrrench.... we actually wanted to salute you with 101 canon shots, but we didn't get the authorization from the Government!...,” plate 15 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/aefff39e-05f0-1bb0-b9ef-93f6d67b8f25/full/full/0/default.jpg.
SUMMARY. Embarcation of a Lady. “Get in without fear Miss Josephine....You don't have to be afraid from neither the current nor the boatmen... they are all Frrrrrench.... we actually wanted to salute you with 101 canon shots, but we didn't get the authorization from the Government!...,” plate 15 from Les Canotiers Parisiens
CAPTION.
Emotions From the Countryside. “- Have to see how the wine grows… haven't never seen it before…,” plate 436 from Actualités

Emotions From the Countryside. “- Have to see how the wine grows… haven't never seen it before…,” plate 436 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Emotions From the Countryside. “- Have to see how the wine grows… haven't never seen it before…,” plate 436 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/3851af3d-434d-f553-254e-dcca93932d9e/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Emotions From the Countryside. “- Have to see how the wine grows… haven't never seen it before…,” plate 436 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/3851af3d-434d-f553-254e-dcca93932d9e/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Emotions From the Countryside. “- Have to see how the wine grows… haven't never seen it before…,” plate 436 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/3851af3d-434d-f553-254e-dcca93932d9e/full/full/0/default.jpg.
SUMMARY. Emotions From the Countryside. “- Have to see how the wine grows… haven't never seen it before…,” plate 436 from Actualités
CAPTION.
Entrance to the public baths at Deligny, plate 3 from Croquis D'été

Entrance to the public baths at Deligny, plate 3 from Croquis D'été

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Entrance to the public baths at Deligny, plate 3 from Croquis D'été</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/39f8f822-18c3-f364-b13c-65305eb7ad23/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Entrance to the public baths at Deligny, plate 3 from Croquis D'été</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/39f8f822-18c3-f364-b13c-65305eb7ad23/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Entrance to the public baths at Deligny, plate 3 from Croquis D'été</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/39f8f822-18c3-f364-b13c-65305eb7ad23/full/full/0/default.jpg.
SUMMARY. Entrance to the public baths at Deligny, plate 3 from Croquis D'été
CAPTION.
Even the Planets are Watching with Interest the Arrival of the Famous Comet, plate 9 from La Cométe De 1857

Even the Planets are Watching with Interest the Arrival of the Famous Comet, plate 9 from La Cométe De 1857

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Even the Planets are Watching with Interest the Arrival of the Famous Comet, plate 9 from La Cométe De 1857</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/67de1257-a5b2-d44b-b403-bd3299e078b4/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Even the Planets are Watching with Interest the Arrival of the Famous Comet, plate 9 from La Cométe De 1857</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/67de1257-a5b2-d44b-b403-bd3299e078b4/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Even the Planets are Watching with Interest the Arrival of the Famous Comet, plate 9 from La Cométe De 1857</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/67de1257-a5b2-d44b-b403-bd3299e078b4/full/full/0/default.jpg.
SUMMARY. Even the Planets are Watching with Interest the Arrival of the Famous Comet, plate 9 from La Cométe De 1857
CAPTION.
Ever since Mr. Babinet had announced that the sun might disappear from one moment to the next, the Parisians are taking all necessary precautions, even at mid-day, plate 385 from Actualités

Ever since Mr. Babinet had announced that the sun might disappear from one moment to the next, the Parisians are taking all necessary precautions, even at mid-day, plate 385 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Ever since Mr. Babinet had announced that the sun might disappear from one moment to the next, the Parisians are taking all necessary precautions, even at mid-day, plate 385 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/c138f26b-1d31-51b0-fb75-bcca33d56bc0/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Ever since Mr. Babinet had announced that the sun might disappear from one moment to the next, the Parisians are taking all necessary precautions, even at mid-day, plate 385 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/c138f26b-1d31-51b0-fb75-bcca33d56bc0/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Ever since Mr. Babinet had announced that the sun might disappear from one moment to the next, the Parisians are taking all necessary precautions, even at mid-day, plate 385 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/c138f26b-1d31-51b0-fb75-bcca33d56bc0/full/full/0/default.jpg.
SUMMARY. Ever since Mr. Babinet had announced that the sun might disappear from one moment to the next, the Parisians are taking all necessary precautions, even at mid-day, plate 385 from Actualités
CAPTION.
Family Scene

Family Scene

Pen and black ink, brush and gray wash, on ivory wove paper (discolored to cream) · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Family Scene</i> [Pen and black ink, brush and gray wash, on ivory wove paper (discolored to cream)]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f75706ab-c919-144f-46f9-e979f139eb90/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Family Scene</i>." n.d.. Pen and black ink, brush and gray wash, on ivory wove paper (discolored to cream). Art Institute of Chicago, https://www.artic.edu/iiif/2/f75706ab-c919-144f-46f9-e979f139eb90/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Family Scene</i>," n.d.. Pen and black ink, brush and gray wash, on ivory wove paper (discolored to cream). Art Institute of Chicago. https://www.artic.edu/iiif/2/f75706ab-c919-144f-46f9-e979f139eb90/full/full/0/default.jpg.
SUMMARY. Family Scene
CAPTION.
Father Molé bringing New Years gifts to little Thiers, plate 62 from Actualités

Father Molé bringing New Years gifts to little Thiers, plate 62 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Father Molé bringing New Years gifts to little Thiers, plate 62 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/277e7f90-ba59-fa04-276d-58de485a4105/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Father Molé bringing New Years gifts to little Thiers, plate 62 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/277e7f90-ba59-fa04-276d-58de485a4105/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Father Molé bringing New Years gifts to little Thiers, plate 62 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/277e7f90-ba59-fa04-276d-58de485a4105/full/full/0/default.jpg.
SUMMARY. Father Molé bringing New Years gifts to little Thiers, plate 62 from Actualités
CAPTION.
Followers of Mr. Cobden, exercising their peaceful functions, plate 5 from Souvenirs Du Congres De La Paix

Followers of Mr. Cobden, exercising their peaceful functions, plate 5 from Souvenirs Du Congres De La Paix

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Followers of Mr. Cobden, exercising their peaceful functions, plate 5 from Souvenirs Du Congres De La Paix</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/423b8de0-a0da-d104-90ba-c1799b2f4218/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Followers of Mr. Cobden, exercising their peaceful functions, plate 5 from Souvenirs Du Congres De La Paix</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/423b8de0-a0da-d104-90ba-c1799b2f4218/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Followers of Mr. Cobden, exercising their peaceful functions, plate 5 from Souvenirs Du Congres De La Paix</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/423b8de0-a0da-d104-90ba-c1799b2f4218/full/full/0/default.jpg.
SUMMARY. Followers of Mr. Cobden, exercising their peaceful functions, plate 5 from Souvenirs Du Congres De La Paix
CAPTION.
Former Dandies from the time of the Directory, plate 7 from Tout Ce Qu'on Voudra

Former Dandies from the time of the Directory, plate 7 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Former Dandies from the time of the Directory, plate 7 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/097a6921-c408-e8f1-9361-49b6e1ffa544/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Former Dandies from the time of the Directory, plate 7 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/097a6921-c408-e8f1-9361-49b6e1ffa544/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Former Dandies from the time of the Directory, plate 7 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/097a6921-c408-e8f1-9361-49b6e1ffa544/full/full/0/default.jpg.
SUMMARY. Former Dandies from the time of the Directory, plate 7 from Tout Ce Qu'on Voudra
CAPTION.
Friendship With a Great Chemist is Not Always a Godsend… “I am so sure of my findings that I will now poison my best friend, Mr. Coquardeau, and I will retrieve arsenic in his eyeglasses,” plate 39 from Émotions Parisiennes

Friendship With a Great Chemist is Not Always a Godsend… “I am so sure of my findings that I will now poison my best friend, Mr. Coquardeau, and I will retrieve arsenic in his eyeglasses,” plate 39 from Émotions Parisiennes

Lithograph in black on white wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Friendship With a Great Chemist is Not Always a Godsend… “I am so sure of my findings that I will now poison my best friend, Mr. Coquardeau, and I will retrieve arsenic in his eyeglasses,” plate 39 from Émotions Parisiennes</i> [Lithograph in black on white wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/7d1f99f7-93f1-292f-ff8f-ffb552454ad2/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Friendship With a Great Chemist is Not Always a Godsend… “I am so sure of my findings that I will now poison my best friend, Mr. Coquardeau, and I will retrieve arsenic in his eyeglasses,” plate 39 from Émotions Parisiennes</i>." n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/7d1f99f7-93f1-292f-ff8f-ffb552454ad2/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Friendship With a Great Chemist is Not Always a Godsend… “I am so sure of my findings that I will now poison my best friend, Mr. Coquardeau, and I will retrieve arsenic in his eyeglasses,” plate 39 from Émotions Parisiennes</i>," n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/7d1f99f7-93f1-292f-ff8f-ffb552454ad2/full/full/0/default.jpg.
SUMMARY. Friendship With a Great Chemist is Not Always a Godsend… “I am so sure of my findings that I will now poison my best friend, Mr. Coquardeau, and I will retrieve arsenic in his eyeglasses,” plate 39 from Émotions Parisiennes
CAPTION.
General Mortier, the evening before the battle of Waterloo, plate 456

General Mortier, the evening before the battle of Waterloo, plate 456

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>General Mortier, the evening before the battle of Waterloo, plate 456</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/3966e3dd-b74d-b19a-33d4-40603608b7ab/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>General Mortier, the evening before the battle of Waterloo, plate 456</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/3966e3dd-b74d-b19a-33d4-40603608b7ab/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>General Mortier, the evening before the battle of Waterloo, plate 456</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/3966e3dd-b74d-b19a-33d4-40603608b7ab/full/full/0/default.jpg.
SUMMARY. General Mortier, the evening before the battle of Waterloo, plate 456
CAPTION.
Giving the public the delights of Carpentras, plate 16 from Croquis Musicaux

Giving the public the delights of Carpentras, plate 16 from Croquis Musicaux

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Giving the public the delights of Carpentras, plate 16 from Croquis Musicaux</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/95cf015e-1ae9-637a-bf01-ede2536df29b/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Giving the public the delights of Carpentras, plate 16 from Croquis Musicaux</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/95cf015e-1ae9-637a-bf01-ede2536df29b/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Giving the public the delights of Carpentras, plate 16 from Croquis Musicaux</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/95cf015e-1ae9-637a-bf01-ede2536df29b/full/full/0/default.jpg.
SUMMARY. Giving the public the delights of Carpentras, plate 16 from Croquis Musicaux
CAPTION.
Guiz....

Guiz....

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Guiz....</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/255be8d8-1646-12ec-1703-58701cbea0e2/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Guiz....</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/255be8d8-1646-12ec-1703-58701cbea0e2/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Guiz....</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/255be8d8-1646-12ec-1703-58701cbea0e2/full/full/0/default.jpg.
SUMMARY. Guiz....
CAPTION.
Herbal Tea. “- Here you are, Monsieur, I thought I'd bring along the entire pack of hay so you can decide yourself about the strength of your tea,” plate 416 from Actualités

Herbal Tea. “- Here you are, Monsieur, I thought I'd bring along the entire pack of hay so you can decide yourself about the strength of your tea,” plate 416 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Herbal Tea. “- Here you are, Monsieur, I thought I'd bring along the entire pack of hay so you can decide yourself about the strength of your tea,” plate 416 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/55ed4738-5e01-b5e8-132e-26fa83d8c727/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Herbal Tea. “- Here you are, Monsieur, I thought I'd bring along the entire pack of hay so you can decide yourself about the strength of your tea,” plate 416 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/55ed4738-5e01-b5e8-132e-26fa83d8c727/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Herbal Tea. “- Here you are, Monsieur, I thought I'd bring along the entire pack of hay so you can decide yourself about the strength of your tea,” plate 416 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/55ed4738-5e01-b5e8-132e-26fa83d8c727/full/full/0/default.jpg.
SUMMARY. Herbal Tea. “- Here you are, Monsieur, I thought I'd bring along the entire pack of hay so you can decide yourself about the strength of your tea,” plate 416 from Actualités
CAPTION.
Hercules Tamed By Love. This mischievous God in his triumphant ways subjects all, kings, shepherds, heroes and gays, Alcide interrupts his dreaded exploits and binds him while Omphale overjoys. (Gallant poetry by Monsieur Sauzet), plate 25 from Histoire Ancienne

Hercules Tamed By Love. This mischievous God in his triumphant ways subjects all, kings, shepherds, heroes and gays, Alcide interrupts his dreaded exploits and binds him while Omphale overjoys. (Gallant poetry by Monsieur Sauzet), plate 25 from Histoire Ancienne

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Hercules Tamed By Love. This mischievous God in his triumphant ways subjects all, kings, shepherds, heroes and gays, Alcide interrupts his dreaded exploits and binds him while Omphale overjoys. (Gallant poetry by Monsieur Sauzet), plate 25 from Histoire Ancienne</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/b83806f8-f6c3-1cea-7d98-815f5059bd84/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Hercules Tamed By Love. This mischievous God in his triumphant ways subjects all, kings, shepherds, heroes and gays, Alcide interrupts his dreaded exploits and binds him while Omphale overjoys. (Gallant poetry by Monsieur Sauzet), plate 25 from Histoire Ancienne</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/b83806f8-f6c3-1cea-7d98-815f5059bd84/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Hercules Tamed By Love. This mischievous God in his triumphant ways subjects all, kings, shepherds, heroes and gays, Alcide interrupts his dreaded exploits and binds him while Omphale overjoys. (Gallant poetry by Monsieur Sauzet), plate 25 from Histoire Ancienne</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/b83806f8-f6c3-1cea-7d98-815f5059bd84/full/full/0/default.jpg.
SUMMARY. Hercules Tamed By Love. This mischievous God in his triumphant ways subjects all, kings, shepherds, heroes and gays, Alcide interrupts his dreaded exploits and binds him while Omphale overjoys. (Gallant poetry by Monsieur Sauzet), plate 25 from Histoire Ancienne
CAPTION.
Holiday in the Country. “- Life in the country really isn't all that entertaining, as they all say. - And to think that spring has only just begun,” plate 14 from Ces Bons Parisiens

Holiday in the Country. “- Life in the country really isn't all that entertaining, as they all say. - And to think that spring has only just begun,” plate 14 from Ces Bons Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Holiday in the Country. “- Life in the country really isn't all that entertaining, as they all say. - And to think that spring has only just begun,” plate 14 from Ces Bons Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/82de20ec-4419-03e7-ac83-61d954aee460/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Holiday in the Country. “- Life in the country really isn't all that entertaining, as they all say. - And to think that spring has only just begun,” plate 14 from Ces Bons Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/82de20ec-4419-03e7-ac83-61d954aee460/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Holiday in the Country. “- Life in the country really isn't all that entertaining, as they all say. - And to think that spring has only just begun,” plate 14 from Ces Bons Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/82de20ec-4419-03e7-ac83-61d954aee460/full/full/0/default.jpg.
SUMMARY. Holiday in the Country. “- Life in the country really isn't all that entertaining, as they all say. - And to think that spring has only just begun,” plate 14 from Ces Bons Parisiens
CAPTION.
Horticulturists of Nanterre tiptoeing at midnight towards the cactus grandiflorus in order to surprise it in its blossoming, plate 323 from Actualités

Horticulturists of Nanterre tiptoeing at midnight towards the cactus grandiflorus in order to surprise it in its blossoming, plate 323 from Actualités

Lithograph on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Horticulturists of Nanterre tiptoeing at midnight towards the cactus grandiflorus in order to surprise it in its blossoming, plate 323 from Actualités</i> [Lithograph on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/37151c19-705c-db90-45e5-f2364db29e7a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Horticulturists of Nanterre tiptoeing at midnight towards the cactus grandiflorus in order to surprise it in its blossoming, plate 323 from Actualités</i>." n.d.. Lithograph on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/37151c19-705c-db90-45e5-f2364db29e7a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Horticulturists of Nanterre tiptoeing at midnight towards the cactus grandiflorus in order to surprise it in its blossoming, plate 323 from Actualités</i>," n.d.. Lithograph on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/37151c19-705c-db90-45e5-f2364db29e7a/full/full/0/default.jpg.
SUMMARY. Horticulturists of Nanterre tiptoeing at midnight towards the cactus grandiflorus in order to surprise it in its blossoming, plate 323 from Actualités
CAPTION.
How Useful for an Opera Singer to Have a Family, plate 14 from Croquis Dramatiques

How Useful for an Opera Singer to Have a Family, plate 14 from Croquis Dramatiques

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>How Useful for an Opera Singer to Have a Family, plate 14 from Croquis Dramatiques</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/fcbce180-212d-d752-99a7-e1970ecdd7ac/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>How Useful for an Opera Singer to Have a Family, plate 14 from Croquis Dramatiques</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/fcbce180-212d-d752-99a7-e1970ecdd7ac/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>How Useful for an Opera Singer to Have a Family, plate 14 from Croquis Dramatiques</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/fcbce180-212d-d752-99a7-e1970ecdd7ac/full/full/0/default.jpg.
SUMMARY. How Useful for an Opera Singer to Have a Family, plate 14 from Croquis Dramatiques
CAPTION.
How to Convince a Young Man to Finally Learn to Pay his Respects to his Parents, plate 26 from Professeurs et Moutards (Professors and Rascals)

How to Convince a Young Man to Finally Learn to Pay his Respects to his Parents, plate 26 from Professeurs et Moutards (Professors and Rascals)

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>How to Convince a Young Man to Finally Learn to Pay his Respects to his Parents, plate 26 from Professeurs et Moutards (Professors and Rascals)</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/5e071256-a01b-b22b-269e-5ef6ac125a9d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>How to Convince a Young Man to Finally Learn to Pay his Respects to his Parents, plate 26 from Professeurs et Moutards (Professors and Rascals)</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/5e071256-a01b-b22b-269e-5ef6ac125a9d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>How to Convince a Young Man to Finally Learn to Pay his Respects to his Parents, plate 26 from Professeurs et Moutards (Professors and Rascals)</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/5e071256-a01b-b22b-269e-5ef6ac125a9d/full/full/0/default.jpg.
SUMMARY. How to Convince a Young Man to Finally Learn to Pay his Respects to his Parents, plate 26 from Professeurs et Moutards (Professors and Rascals)
CAPTION.
Husband: “My dear, how about a first kiss on my chin?” The wife (aside): “To think that I am married to this face!,” plate 21 from Moeurs Conjugalesa

Husband: “My dear, how about a first kiss on my chin?” The wife (aside): “To think that I am married to this face!,” plate 21 from Moeurs Conjugalesa

Lithograph in black on cream wove paper, with text added in another hand and letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Husband: “My dear, how about a first kiss on my chin?” The wife (aside): “To think that I am married to this face!,” plate 21 from Moeurs Conjugalesa</i> [Lithograph in black on cream wove paper, with text added in another hand and letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ccb8b602-5c2a-0ef3-8f7b-e6b9ed31fb02/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Husband: “My dear, how about a first kiss on my chin?” The wife (aside): “To think that I am married to this face!,” plate 21 from Moeurs Conjugalesa</i>." n.d.. Lithograph in black on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/ccb8b602-5c2a-0ef3-8f7b-e6b9ed31fb02/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Husband: “My dear, how about a first kiss on my chin?” The wife (aside): “To think that I am married to this face!,” plate 21 from Moeurs Conjugalesa</i>," n.d.. Lithograph in black on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/ccb8b602-5c2a-0ef3-8f7b-e6b9ed31fb02/full/full/0/default.jpg.
SUMMARY. Husband: “My dear, how about a first kiss on my chin?” The wife (aside): “To think that I am married to this face!,” plate 21 from Moeurs Conjugalesa
CAPTION.
If the Hunter has Cold Hands... the hare doesn't have cold feet, plate 22 from Émotions De Chasse

If the Hunter has Cold Hands... the hare doesn't have cold feet, plate 22 from Émotions De Chasse

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>If the Hunter has Cold Hands... the hare doesn't have cold feet, plate 22 from Émotions De Chasse</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/14c2b8a1-6bfb-6753-7924-d2ece8616ba6/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>If the Hunter has Cold Hands... the hare doesn't have cold feet, plate 22 from Émotions De Chasse</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/14c2b8a1-6bfb-6753-7924-d2ece8616ba6/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>If the Hunter has Cold Hands... the hare doesn't have cold feet, plate 22 from Émotions De Chasse</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/14c2b8a1-6bfb-6753-7924-d2ece8616ba6/full/full/0/default.jpg.
SUMMARY. If the Hunter has Cold Hands... the hare doesn't have cold feet, plate 22 from Émotions De Chasse
CAPTION.
Impressions From the Vintage. “- What! You are treading bare-foot? - So what… you wouldn't want us to do it in our dancing shoes!,” plate 2 from Croquis D'automne

Impressions From the Vintage. “- What! You are treading bare-foot? - So what… you wouldn't want us to do it in our dancing shoes!,” plate 2 from Croquis D'automne

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Impressions From the Vintage. “- What! You are treading bare-foot? - So what… you wouldn't want us to do it in our dancing shoes!,” plate 2 from Croquis D'automne</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/eaddf767-09ef-735a-9e85-2316661b199d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Impressions From the Vintage. “- What! You are treading bare-foot? - So what… you wouldn't want us to do it in our dancing shoes!,” plate 2 from Croquis D'automne</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/eaddf767-09ef-735a-9e85-2316661b199d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Impressions From the Vintage. “- What! You are treading bare-foot? - So what… you wouldn't want us to do it in our dancing shoes!,” plate 2 from Croquis D'automne</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/eaddf767-09ef-735a-9e85-2316661b199d/full/full/0/default.jpg.
SUMMARY. Impressions From the Vintage. “- What! You are treading bare-foot? - So what… you wouldn't want us to do it in our dancing shoes!,” plate 2 from Croquis D'automne
CAPTION.
In Bercy. “We are doing everything to avoid that the river Seine overflows... and there are still people who are questioning our good intentions,” plate 321 from Actualités

In Bercy. “We are doing everything to avoid that the river Seine overflows... and there are still people who are questioning our good intentions,” plate 321 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>In Bercy. “We are doing everything to avoid that the river Seine overflows... and there are still people who are questioning our good intentions,” plate 321 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f3ad0e87-f3bb-22a9-4824-7f39e215fe79/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>In Bercy. “We are doing everything to avoid that the river Seine overflows... and there are still people who are questioning our good intentions,” plate 321 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/f3ad0e87-f3bb-22a9-4824-7f39e215fe79/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>In Bercy. “We are doing everything to avoid that the river Seine overflows... and there are still people who are questioning our good intentions,” plate 321 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/f3ad0e87-f3bb-22a9-4824-7f39e215fe79/full/full/0/default.jpg.
SUMMARY. In Bercy. “We are doing everything to avoid that the river Seine overflows... and there are still people who are questioning our good intentions,” plate 321 from Actualités
CAPTION.
In Tangiers. “- Sublime Majesty... the Spanish are coming... in order to frighten them off I took the liberty to fully open your umbrella as a sign of your greatness! - Leave me alone with my umbrella, Belboul.... I would rather like to have an umbrella protecting me from their bullets,” plate 115 from Actualités

In Tangiers. “- Sublime Majesty... the Spanish are coming... in order to frighten them off I took the liberty to fully open your umbrella as a sign of your greatness! - Leave me alone with my umbrella, Belboul.... I would rather like to have an umbrella protecting me from their bullets,” plate 115 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>In Tangiers. “- Sublime Majesty... the Spanish are coming... in order to frighten them off I took the liberty to fully open your umbrella as a sign of your greatness! - Leave me alone with my umbrella, Belboul.... I would rather like to have an umbrella protecting me from their bullets,” plate 115 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/8366d57a-504a-0040-92a7-e0b6c2e4be46/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>In Tangiers. “- Sublime Majesty... the Spanish are coming... in order to frighten them off I took the liberty to fully open your umbrella as a sign of your greatness! - Leave me alone with my umbrella, Belboul.... I would rather like to have an umbrella protecting me from their bullets,” plate 115 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/8366d57a-504a-0040-92a7-e0b6c2e4be46/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>In Tangiers. “- Sublime Majesty... the Spanish are coming... in order to frighten them off I took the liberty to fully open your umbrella as a sign of your greatness! - Leave me alone with my umbrella, Belboul.... I would rather like to have an umbrella protecting me from their bullets,” plate 115 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/8366d57a-504a-0040-92a7-e0b6c2e4be46/full/full/0/default.jpg.
SUMMARY. In Tangiers. “- Sublime Majesty... the Spanish are coming... in order to frighten them off I took the liberty to fully open your umbrella as a sign of your greatness! - Leave me alone with my umbrella, Belboul.... I would rather like to have an umbrella protecting me from their bullets,” plate 115 from Actualités
CAPTION.
In front of Meissonnier's paintings, plate 3 from Le Public Du Salon

In front of Meissonnier's paintings, plate 3 from Le Public Du Salon

Lithograph in black on white wove paper, with letterpress on recto and verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>In front of Meissonnier's paintings, plate 3 from Le Public Du Salon</i> [Lithograph in black on white wove paper, with letterpress on recto and verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/3236dd3f-f42b-3b83-1230-c1fe86e43d2d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>In front of Meissonnier's paintings, plate 3 from Le Public Du Salon</i>." n.d.. Lithograph in black on white wove paper, with letterpress on recto and verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/3236dd3f-f42b-3b83-1230-c1fe86e43d2d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>In front of Meissonnier's paintings, plate 3 from Le Public Du Salon</i>," n.d.. Lithograph in black on white wove paper, with letterpress on recto and verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/3236dd3f-f42b-3b83-1230-c1fe86e43d2d/full/full/0/default.jpg.
SUMMARY. In front of Meissonnier's paintings, plate 3 from Le Public Du Salon
CAPTION.
In the bell section, plate 27 from L'exposition Universelle

In the bell section, plate 27 from L'exposition Universelle

Lithograph in black on buff wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>In the bell section, plate 27 from L'exposition Universelle</i> [Lithograph in black on buff wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/97cc23d2-5a2a-6fbb-fdff-8041ee4978da/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>In the bell section, plate 27 from L'exposition Universelle</i>." n.d.. Lithograph in black on buff wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/97cc23d2-5a2a-6fbb-fdff-8041ee4978da/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>In the bell section, plate 27 from L'exposition Universelle</i>," n.d.. Lithograph in black on buff wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/97cc23d2-5a2a-6fbb-fdff-8041ee4978da/full/full/0/default.jpg.
SUMMARY. In the bell section, plate 27 from L'exposition Universelle
CAPTION.
Inside a Butcher's Shop in Paris. “Come on my dear..... I know it is tough to sell our beef as cheap as that..... but that's no reason to weep like a calf!,” plate 75 from Actualités

Inside a Butcher's Shop in Paris. “Come on my dear..... I know it is tough to sell our beef as cheap as that..... but that's no reason to weep like a calf!,” plate 75 from Actualités

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Inside a Butcher's Shop in Paris. “Come on my dear..... I know it is tough to sell our beef as cheap as that..... but that's no reason to weep like a calf!,” plate 75 from Actualités</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/7096653b-d9e4-d829-efc2-22e032314fba/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Inside a Butcher's Shop in Paris. “Come on my dear..... I know it is tough to sell our beef as cheap as that..... but that's no reason to weep like a calf!,” plate 75 from Actualités</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/7096653b-d9e4-d829-efc2-22e032314fba/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Inside a Butcher's Shop in Paris. “Come on my dear..... I know it is tough to sell our beef as cheap as that..... but that's no reason to weep like a calf!,” plate 75 from Actualités</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/7096653b-d9e4-d829-efc2-22e032314fba/full/full/0/default.jpg.
SUMMARY. Inside a Butcher's Shop in Paris. “Come on my dear..... I know it is tough to sell our beef as cheap as that..... but that's no reason to weep like a calf!,” plate 75 from Actualités
CAPTION.
Insurrection against husbands is proclaimed as being the first and holiest duty in life!, plate 1 from Les Femmes Socialistes

Insurrection against husbands is proclaimed as being the first and holiest duty in life!, plate 1 from Les Femmes Socialistes

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Insurrection against husbands is proclaimed as being the first and holiest duty in life!, plate 1 from Les Femmes Socialistes</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/cd23e99c-2cb6-2793-4a61-369cd8c21148/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Insurrection against husbands is proclaimed as being the first and holiest duty in life!, plate 1 from Les Femmes Socialistes</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/cd23e99c-2cb6-2793-4a61-369cd8c21148/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Insurrection against husbands is proclaimed as being the first and holiest duty in life!, plate 1 from Les Femmes Socialistes</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/cd23e99c-2cb6-2793-4a61-369cd8c21148/full/full/0/default.jpg.
SUMMARY. Insurrection against husbands is proclaimed as being the first and holiest duty in life!, plate 1 from Les Femmes Socialistes
CAPTION.
It’s strange: nothing is picking up at the stock exchange, not even the chestnut trees!, plate 520 from Actualités

It’s strange: nothing is picking up at the stock exchange, not even the chestnut trees!, plate 520 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>It’s strange: nothing is picking up at the stock exchange, not even the chestnut trees!, plate 520 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a7efad25-ba42-7e15-3f52-e72547fa1582/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>It’s strange: nothing is picking up at the stock exchange, not even the chestnut trees!, plate 520 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a7efad25-ba42-7e15-3f52-e72547fa1582/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>It’s strange: nothing is picking up at the stock exchange, not even the chestnut trees!, plate 520 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a7efad25-ba42-7e15-3f52-e72547fa1582/full/full/0/default.jpg.
SUMMARY. It’s strange: nothing is picking up at the stock exchange, not even the chestnut trees!, plate 520 from Actualités
CAPTION.
Landscape painters at work, plate 309 from Souvenirs d’artistes

Landscape painters at work, plate 309 from Souvenirs d’artistes

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Landscape painters at work, plate 309 from Souvenirs d’artistes</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/213bf0ad-8ec9-7d6f-eee7-2095f8561763/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Landscape painters at work, plate 309 from Souvenirs d’artistes</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/213bf0ad-8ec9-7d6f-eee7-2095f8561763/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Landscape painters at work, plate 309 from Souvenirs d’artistes</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/213bf0ad-8ec9-7d6f-eee7-2095f8561763/full/full/0/default.jpg.
SUMMARY. Landscape painters at work, plate 309 from Souvenirs d’artistes
CAPTION.
Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier

Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/6340a3e1-6ef1-1ef8-b7ee-06313d0128f0/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/6340a3e1-6ef1-1ef8-b7ee-06313d0128f0/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/6340a3e1-6ef1-1ef8-b7ee-06313d0128f0/full/full/0/default.jpg.
SUMMARY. Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier
CAPTION.
Louis-Philippe, Last King if the French 1848. Design for a medal to be manufactured by the National Mint

Louis-Philippe, Last King if the French 1848. Design for a medal to be manufactured by the National Mint

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Louis-Philippe, Last King if the French 1848. Design for a medal to be manufactured by the National Mint</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f3eecf49-fde8-ea20-4234-01fe1466bffc/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Louis-Philippe, Last King if the French 1848. Design for a medal to be manufactured by the National Mint</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/f3eecf49-fde8-ea20-4234-01fe1466bffc/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Louis-Philippe, Last King if the French 1848. Design for a medal to be manufactured by the National Mint</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/f3eecf49-fde8-ea20-4234-01fe1466bffc/full/full/0/default.jpg.
SUMMARY. Louis-Philippe, Last King if the French 1848. Design for a medal to be manufactured by the National Mint
CAPTION.
Madame Cabassol going for a romantic stroll in the botanical gardens together with the youngest friend of her husband's. Sudden encounter with the latter not far from a stag, plate 4 from Les Amis

Madame Cabassol going for a romantic stroll in the botanical gardens together with the youngest friend of her husband's. Sudden encounter with the latter not far from a stag, plate 4 from Les Amis

Lithograph on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Madame Cabassol going for a romantic stroll in the botanical gardens together with the youngest friend of her husband's. Sudden encounter with the latter not far from a stag, plate 4 from Les Amis</i> [Lithograph on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/de626ce9-1728-47ea-f6b8-320ebcaebdd0/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Madame Cabassol going for a romantic stroll in the botanical gardens together with the youngest friend of her husband's. Sudden encounter with the latter not far from a stag, plate 4 from Les Amis</i>." n.d.. Lithograph on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/de626ce9-1728-47ea-f6b8-320ebcaebdd0/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Madame Cabassol going for a romantic stroll in the botanical gardens together with the youngest friend of her husband's. Sudden encounter with the latter not far from a stag, plate 4 from Les Amis</i>," n.d.. Lithograph on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/de626ce9-1728-47ea-f6b8-320ebcaebdd0/full/full/0/default.jpg.
SUMMARY. Madame Cabassol going for a romantic stroll in the botanical gardens together with the youngest friend of her husband's. Sudden encounter with the latter not far from a stag, plate 4 from Les Amis
CAPTION.
Malbroug s'en va-t-en Guerre...

Malbroug s'en va-t-en Guerre...

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Malbroug s'en va-t-en Guerre...</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/94e3b312-2ce8-ff8c-3336-31eea707b7f5/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Malbroug s'en va-t-en Guerre...</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/94e3b312-2ce8-ff8c-3336-31eea707b7f5/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Malbroug s'en va-t-en Guerre...</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/94e3b312-2ce8-ff8c-3336-31eea707b7f5/full/full/0/default.jpg.
SUMMARY. Malbroug s'en va-t-en Guerre...
CAPTION.
Man Overboard! “- Harpoon him more firmly!.... we can't get him otherwise! And you, hold his legs up in the air, that's very important.... There is nothing in the world that makes you catch a cold faster than by getting your feet wet,” plate 14 from Les Canotiers Parisiens

Man Overboard! “- Harpoon him more firmly!.... we can't get him otherwise! And you, hold his legs up in the air, that's very important.... There is nothing in the world that makes you catch a cold faster than by getting your feet wet,” plate 14 from Les Canotiers Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Man Overboard! “- Harpoon him more firmly!.... we can't get him otherwise! And you, hold his legs up in the air, that's very important.... There is nothing in the world that makes you catch a cold faster than by getting your feet wet,” plate 14 from Les Canotiers Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/7e24c50e-4792-4f23-8751-2ef624f03439/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Man Overboard! “- Harpoon him more firmly!.... we can't get him otherwise! And you, hold his legs up in the air, that's very important.... There is nothing in the world that makes you catch a cold faster than by getting your feet wet,” plate 14 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/7e24c50e-4792-4f23-8751-2ef624f03439/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Man Overboard! “- Harpoon him more firmly!.... we can't get him otherwise! And you, hold his legs up in the air, that's very important.... There is nothing in the world that makes you catch a cold faster than by getting your feet wet,” plate 14 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/7e24c50e-4792-4f23-8751-2ef624f03439/full/full/0/default.jpg.
SUMMARY. Man Overboard! “- Harpoon him more firmly!.... we can't get him otherwise! And you, hold his legs up in the air, that's very important.... There is nothing in the world that makes you catch a cold faster than by getting your feet wet,” plate 14 from Les Canotiers Parisiens
CAPTION.
Marius At Carthage. Soldier, say to the senate that in my noble poverty I have taken for a chair a ruin And if I were in Sylla I would not be sitting here. (Pun attributed to M. Cousin), plate 35 from Histoire Ancienne

Marius At Carthage. Soldier, say to the senate that in my noble poverty I have taken for a chair a ruin And if I were in Sylla I would not be sitting here. (Pun attributed to M. Cousin), plate 35 from Histoire Ancienne

Lithograph in black on cream wove paper, with text added in another hand and letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Marius At Carthage. Soldier, say to the senate that in my noble poverty I have taken for a chair a ruin And if I were in Sylla I would not be sitting here. (Pun attributed to M. Cousin), plate 35 from Histoire Ancienne</i> [Lithograph in black on cream wove paper, with text added in another hand and letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/bd8e0b17-f1a4-0487-59cc-6443b045d32e/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Marius At Carthage. Soldier, say to the senate that in my noble poverty I have taken for a chair a ruin And if I were in Sylla I would not be sitting here. (Pun attributed to M. Cousin), plate 35 from Histoire Ancienne</i>." n.d.. Lithograph in black on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/bd8e0b17-f1a4-0487-59cc-6443b045d32e/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Marius At Carthage. Soldier, say to the senate that in my noble poverty I have taken for a chair a ruin And if I were in Sylla I would not be sitting here. (Pun attributed to M. Cousin), plate 35 from Histoire Ancienne</i>," n.d.. Lithograph in black on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/bd8e0b17-f1a4-0487-59cc-6443b045d32e/full/full/0/default.jpg.
SUMMARY. Marius At Carthage. Soldier, say to the senate that in my noble poverty I have taken for a chair a ruin And if I were in Sylla I would not be sitting here. (Pun attributed to M. Cousin), plate 35 from Histoire Ancienne
CAPTION.
Marriage of "L'époque" and "Le Constitutionnel". Bilboquet: “- Honourable couple, I hereby unite you and bless you. Go and grow in format and may your almanacs multiply!,” plate 125 from Actualités

Marriage of "L'époque" and "Le Constitutionnel". Bilboquet: “- Honourable couple, I hereby unite you and bless you. Go and grow in format and may your almanacs multiply!,” plate 125 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Marriage of "L'époque" and "Le Constitutionnel". Bilboquet: “- Honourable couple, I hereby unite you and bless you. Go and grow in format and may your almanacs multiply!,” plate 125 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/47ae83ff-ff69-0e21-00ed-52a7dc5685d1/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Marriage of "L'époque" and "Le Constitutionnel". Bilboquet: “- Honourable couple, I hereby unite you and bless you. Go and grow in format and may your almanacs multiply!,” plate 125 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/47ae83ff-ff69-0e21-00ed-52a7dc5685d1/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Marriage of "L'époque" and "Le Constitutionnel". Bilboquet: “- Honourable couple, I hereby unite you and bless you. Go and grow in format and may your almanacs multiply!,” plate 125 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/47ae83ff-ff69-0e21-00ed-52a7dc5685d1/full/full/0/default.jpg.
SUMMARY. Marriage of "L'époque" and "Le Constitutionnel". Bilboquet: “- Honourable couple, I hereby unite you and bless you. Go and grow in format and may your almanacs multiply!,” plate 125 from Actualités
CAPTION.
Masks of 1831, plate 143 from La Caricature

Masks of 1831, plate 143 from La Caricature

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Masks of 1831, plate 143 from La Caricature</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/dbb3c0d6-28e9-9f59-5583-a2277de0dbb4/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Masks of 1831, plate 143 from La Caricature</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/dbb3c0d6-28e9-9f59-5583-a2277de0dbb4/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Masks of 1831, plate 143 from La Caricature</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/dbb3c0d6-28e9-9f59-5583-a2277de0dbb4/full/full/0/default.jpg.
SUMMARY. Masks of 1831, plate 143 from La Caricature
CAPTION.
Meanwhile They Keep on Insisting that She Has Never Been Better, plate 183 from Actualités

Meanwhile They Keep on Insisting that She Has Never Been Better, plate 183 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Meanwhile They Keep on Insisting that She Has Never Been Better, plate 183 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a6a08721-d1f0-28d7-855d-5734688194ba/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Meanwhile They Keep on Insisting that She Has Never Been Better, plate 183 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a6a08721-d1f0-28d7-855d-5734688194ba/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Meanwhile They Keep on Insisting that She Has Never Been Better, plate 183 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a6a08721-d1f0-28d7-855d-5734688194ba/full/full/0/default.jpg.
SUMMARY. Meanwhile They Keep on Insisting that She Has Never Been Better, plate 183 from Actualités
CAPTION.
Miss Etienne-Mona-Lisa-Cunégonde-Silly Goose of the Constitutionnel, indignate, choking and over-ornate at the performance of Anthony in which the mischievous Dumas had the indecency of scoffing at the noble family Silly Goose of the Constitutionnel..., plate 385

Miss Etienne-Mona-Lisa-Cunégonde-Silly Goose of the Constitutionnel, indignate, choking and over-ornate at the performance of Anthony in which the mischievous Dumas had the indecency of scoffing at the noble family Silly Goose of the Constitutionnel..., plate 385

Lithograph in black on cream wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Miss Etienne-Mona-Lisa-Cunégonde-Silly Goose of the Constitutionnel, indignate, choking and over-ornate at the performance of Anthony in which the mischievous Dumas had the indecency of scoffing at the noble family Silly Goose of the Constitutionnel..., plate 385</i> [Lithograph in black on cream wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/83e1688e-b8ea-c3ba-a2f5-0f419c040921/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Miss Etienne-Mona-Lisa-Cunégonde-Silly Goose of the Constitutionnel, indignate, choking and over-ornate at the performance of Anthony in which the mischievous Dumas had the indecency of scoffing at the noble family Silly Goose of the Constitutionnel..., plate 385</i>." n.d.. Lithograph in black on cream wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/83e1688e-b8ea-c3ba-a2f5-0f419c040921/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Miss Etienne-Mona-Lisa-Cunégonde-Silly Goose of the Constitutionnel, indignate, choking and over-ornate at the performance of Anthony in which the mischievous Dumas had the indecency of scoffing at the noble family Silly Goose of the Constitutionnel..., plate 385</i>," n.d.. Lithograph in black on cream wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/83e1688e-b8ea-c3ba-a2f5-0f419c040921/full/full/0/default.jpg.
SUMMARY. Miss Etienne-Mona-Lisa-Cunégonde-Silly Goose of the Constitutionnel, indignate, choking and over-ornate at the performance of Anthony in which the mischievous Dumas had the indecency of scoffing at the noble family Silly Goose of the Constitutionnel..., plate 385
CAPTION.
Monsieur Arthur: “- Oh Pamela! I am burning with love for you!” The husband herbalist: “- A mallow... of the family of Malvaceae... a sedative... I don't believe my friend Arthur has this specimen in the herbarium he asked me to build for him,” plate 2 from Croquades

Monsieur Arthur: “- Oh Pamela! I am burning with love for you!” The husband herbalist: “- A mallow... of the family of Malvaceae... a sedative... I don't believe my friend Arthur has this specimen in the herbarium he asked me to build for him,” plate 2 from Croquades

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Monsieur Arthur: “- Oh Pamela! I am burning with love for you!” The husband herbalist: “- A mallow... of the family of Malvaceae... a sedative... I don't believe my friend Arthur has this specimen in the herbarium he asked me to build for him,” plate 2 from Croquades</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/dec7a459-3704-0aa2-08b0-4c8fdd4325eb/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Monsieur Arthur: “- Oh Pamela! I am burning with love for you!” The husband herbalist: “- A mallow... of the family of Malvaceae... a sedative... I don't believe my friend Arthur has this specimen in the herbarium he asked me to build for him,” plate 2 from Croquades</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/dec7a459-3704-0aa2-08b0-4c8fdd4325eb/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Monsieur Arthur: “- Oh Pamela! I am burning with love for you!” The husband herbalist: “- A mallow... of the family of Malvaceae... a sedative... I don't believe my friend Arthur has this specimen in the herbarium he asked me to build for him,” plate 2 from Croquades</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/dec7a459-3704-0aa2-08b0-4c8fdd4325eb/full/full/0/default.jpg.
SUMMARY. Monsieur Arthur: “- Oh Pamela! I am burning with love for you!” The husband herbalist: “- A mallow... of the family of Malvaceae... a sedative... I don't believe my friend Arthur has this specimen in the herbarium he asked me to build for him,” plate 2 from Croquades
CAPTION.
Monsieur Babinet decides to personally shut down the sun in order for his predictions to be fulfilled, plate 386 from Actualités

Monsieur Babinet decides to personally shut down the sun in order for his predictions to be fulfilled, plate 386 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Monsieur Babinet decides to personally shut down the sun in order for his predictions to be fulfilled, plate 386 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/e4e68df6-bb49-dd2b-a618-2d737745d1f0/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Monsieur Babinet decides to personally shut down the sun in order for his predictions to be fulfilled, plate 386 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/e4e68df6-bb49-dd2b-a618-2d737745d1f0/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Monsieur Babinet decides to personally shut down the sun in order for his predictions to be fulfilled, plate 386 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/e4e68df6-bb49-dd2b-a618-2d737745d1f0/full/full/0/default.jpg.
SUMMARY. Monsieur Babinet decides to personally shut down the sun in order for his predictions to be fulfilled, plate 386 from Actualités
CAPTION.
Mr. Arlépaire.., plate 280 from Célébrités de la Caricature

Mr. Arlépaire.., plate 280 from Célébrités de la Caricature

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. Arlépaire.., plate 280 from Célébrités de la Caricature</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/5676efb4-09df-20d4-c593-77b26c5ae542/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Arlépaire.., plate 280 from Célébrités de la Caricature</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/5676efb4-09df-20d4-c593-77b26c5ae542/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Arlépaire.., plate 280 from Célébrités de la Caricature</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/5676efb4-09df-20d4-c593-77b26c5ae542/full/full/0/default.jpg.
SUMMARY. Mr. Arlépaire.., plate 280 from Célébrités de la Caricature
CAPTION.
Mr. Barthe, plate 294 from Célébrités de la Caricature

Mr. Barthe, plate 294 from Célébrités de la Caricature

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. Barthe, plate 294 from Célébrités de la Caricature</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/9921b237-eac3-ebb3-cca6-0f285a172e4b/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Barthe, plate 294 from Célébrités de la Caricature</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/9921b237-eac3-ebb3-cca6-0f285a172e4b/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Barthe, plate 294 from Célébrités de la Caricature</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/9921b237-eac3-ebb3-cca6-0f285a172e4b/full/full/0/default.jpg.
SUMMARY. Mr. Barthe, plate 294 from Célébrités de la Caricature
CAPTION.
Mr. Benjamin Dudessert, plate 287 from Célébrités de la Caricature

Mr. Benjamin Dudessert, plate 287 from Célébrités de la Caricature

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. Benjamin Dudessert, plate 287 from Célébrités de la Caricature</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/0c1b789c-0ddf-50f7-3680-2848641499ad/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Benjamin Dudessert, plate 287 from Célébrités de la Caricature</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/0c1b789c-0ddf-50f7-3680-2848641499ad/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Benjamin Dudessert, plate 287 from Célébrités de la Caricature</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/0c1b789c-0ddf-50f7-3680-2848641499ad/full/full/0/default.jpg.
SUMMARY. Mr. Benjamin Dudessert, plate 287 from Célébrités de la Caricature
CAPTION.
Mr. D'argo .., plate 292 from Célébrités de la Caricature

Mr. D'argo .., plate 292 from Célébrités de la Caricature

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. D'argo .., plate 292 from Célébrités de la Caricature</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/e6c61738-b5ab-5bab-d2ec-830b888d2d1f/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. D'argo .., plate 292 from Célébrités de la Caricature</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/e6c61738-b5ab-5bab-d2ec-830b888d2d1f/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. D'argo .., plate 292 from Célébrités de la Caricature</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/e6c61738-b5ab-5bab-d2ec-830b888d2d1f/full/full/0/default.jpg.
SUMMARY. Mr. D'argo .., plate 292 from Célébrités de la Caricature
CAPTION.
Mr. De Rign, plate 333 from Célébrités de la Caricature

Mr. De Rign, plate 333 from Célébrités de la Caricature

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. De Rign, plate 333 from Célébrités de la Caricature</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/c2d0d9ff-d611-799b-55f0-a196ab1a912d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. De Rign, plate 333 from Célébrités de la Caricature</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/c2d0d9ff-d611-799b-55f0-a196ab1a912d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. De Rign, plate 333 from Célébrités de la Caricature</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/c2d0d9ff-d611-799b-55f0-a196ab1a912d/full/full/0/default.jpg.
SUMMARY. Mr. De Rign, plate 333 from Célébrités de la Caricature
CAPTION.
Mr. Dupin in His Little Shoes. Once Mr. Dupin noticed that one started a heated discussion about the reform of the election laws, he considered it the right moment to show himself at Clamecy, plate 123 from Actualités

Mr. Dupin in His Little Shoes. Once Mr. Dupin noticed that one started a heated discussion about the reform of the election laws, he considered it the right moment to show himself at Clamecy, plate 123 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. Dupin in His Little Shoes. Once Mr. Dupin noticed that one started a heated discussion about the reform of the election laws, he considered it the right moment to show himself at Clamecy, plate 123 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/b88f6bc8-9200-be21-cdd0-c5076a431d51/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Dupin in His Little Shoes. Once Mr. Dupin noticed that one started a heated discussion about the reform of the election laws, he considered it the right moment to show himself at Clamecy, plate 123 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/b88f6bc8-9200-be21-cdd0-c5076a431d51/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Dupin in His Little Shoes. Once Mr. Dupin noticed that one started a heated discussion about the reform of the election laws, he considered it the right moment to show himself at Clamecy, plate 123 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/b88f6bc8-9200-be21-cdd0-c5076a431d51/full/full/0/default.jpg.
SUMMARY. Mr. Dupin in His Little Shoes. Once Mr. Dupin noticed that one started a heated discussion about the reform of the election laws, he considered it the right moment to show himself at Clamecy, plate 123 from Actualités
CAPTION.
Mr. Fulchir.., plate 273 from Célébrités de la Caricature

Mr. Fulchir.., plate 273 from Célébrités de la Caricature

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. Fulchir.., plate 273 from Célébrités de la Caricature</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/00cf8d62-ecac-2053-6557-832c2c3295ad/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Fulchir.., plate 273 from Célébrités de la Caricature</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/00cf8d62-ecac-2053-6557-832c2c3295ad/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Fulchir.., plate 273 from Célébrités de la Caricature</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/00cf8d62-ecac-2053-6557-832c2c3295ad/full/full/0/default.jpg.
SUMMARY. Mr. Fulchir.., plate 273 from Célébrités de la Caricature
CAPTION.
Mr. Joliv...., plate 346 from Célébrités de la Caricature

Mr. Joliv...., plate 346 from Célébrités de la Caricature

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. Joliv...., plate 346 from Célébrités de la Caricature</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/22c6495c-ce6d-9e17-507e-f0bb079d7e42/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Joliv...., plate 346 from Célébrités de la Caricature</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/22c6495c-ce6d-9e17-507e-f0bb079d7e42/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Joliv...., plate 346 from Célébrités de la Caricature</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/22c6495c-ce6d-9e17-507e-f0bb079d7e42/full/full/0/default.jpg.
SUMMARY. Mr. Joliv...., plate 346 from Célébrités de la Caricature
CAPTION.
Mr. Pot De Naz.., plate 270 from Célébrités de la Caricature

Mr. Pot De Naz.., plate 270 from Célébrités de la Caricature

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. Pot De Naz.., plate 270 from Célébrités de la Caricature</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/7e2dbff0-cb54-fc58-32ee-8b1dea4cc50b/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Pot De Naz.., plate 270 from Célébrités de la Caricature</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/7e2dbff0-cb54-fc58-32ee-8b1dea4cc50b/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Pot De Naz.., plate 270 from Célébrités de la Caricature</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/7e2dbff0-cb54-fc58-32ee-8b1dea4cc50b/full/full/0/default.jpg.
SUMMARY. Mr. Pot De Naz.., plate 270 from Célébrités de la Caricature
CAPTION.
Mr. Prudhomme: “- Obnoxious waves.... don't you know whom you are carrying in this moment?... oh audacious... know I shall, like Xerxes, whip you terribly. Mme Prudhomme: (shivering of fear) “- Pray, my dear friend, do not offend the sea any longer... you might wake its fury and it might devour us completely!,” plate 1 from Impressions Nautiques

Mr. Prudhomme: “- Obnoxious waves.... don't you know whom you are carrying in this moment?... oh audacious... know I shall, like Xerxes, whip you terribly. Mme Prudhomme: (shivering of fear) “- Pray, my dear friend, do not offend the sea any longer... you might wake its fury and it might devour us completely!,” plate 1 from Impressions Nautiques

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. Prudhomme: “- Obnoxious waves.... don't you know whom you are carrying in this moment?... oh audacious... know I shall, like Xerxes, whip you terribly. Mme Prudhomme: (shivering of fear) “- Pray, my dear friend, do not offend the sea any longer... you might wake its fury and it might devour us completely!,” plate 1 from Impressions Nautiques</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/bb74da40-a743-577b-a19c-8673fa50a1f8/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Prudhomme: “- Obnoxious waves.... don't you know whom you are carrying in this moment?... oh audacious... know I shall, like Xerxes, whip you terribly. Mme Prudhomme: (shivering of fear) “- Pray, my dear friend, do not offend the sea any longer... you might wake its fury and it might devour us completely!,” plate 1 from Impressions Nautiques</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/bb74da40-a743-577b-a19c-8673fa50a1f8/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Prudhomme: “- Obnoxious waves.... don't you know whom you are carrying in this moment?... oh audacious... know I shall, like Xerxes, whip you terribly. Mme Prudhomme: (shivering of fear) “- Pray, my dear friend, do not offend the sea any longer... you might wake its fury and it might devour us completely!,” plate 1 from Impressions Nautiques</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/bb74da40-a743-577b-a19c-8673fa50a1f8/full/full/0/default.jpg.
SUMMARY. Mr. Prudhomme: “- Obnoxious waves.... don't you know whom you are carrying in this moment?... oh audacious... know I shall, like Xerxes, whip you terribly. Mme Prudhomme: (shivering of fear) “- Pray, my dear friend, do not offend the sea any longer... you might wake its fury and it might devour us completely!,” plate 1 from Impressions Nautiques
CAPTION.
Mr. Prudhomme: “There you are again, my son... another innocent victim of the murderous lead.... poor little duck... pray, you never shall become a hunter, my son!” Young Adolph: “But Daddy, I'd rather like to be a hunter than a dead duck!,” plate 13 from Émotions De Chasse

Mr. Prudhomme: “There you are again, my son... another innocent victim of the murderous lead.... poor little duck... pray, you never shall become a hunter, my son!” Young Adolph: “But Daddy, I'd rather like to be a hunter than a dead duck!,” plate 13 from Émotions De Chasse

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. Prudhomme: “There you are again, my son... another innocent victim of the murderous lead.... poor little duck... pray, you never shall become a hunter, my son!” Young Adolph: “But Daddy, I'd rather like to be a hunter than a dead duck!,” plate 13 from Émotions De Chasse</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/372173f5-2300-1f48-30d6-b3a43240ee73/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Prudhomme: “There you are again, my son... another innocent victim of the murderous lead.... poor little duck... pray, you never shall become a hunter, my son!” Young Adolph: “But Daddy, I'd rather like to be a hunter than a dead duck!,” plate 13 from Émotions De Chasse</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/372173f5-2300-1f48-30d6-b3a43240ee73/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Prudhomme: “There you are again, my son... another innocent victim of the murderous lead.... poor little duck... pray, you never shall become a hunter, my son!” Young Adolph: “But Daddy, I'd rather like to be a hunter than a dead duck!,” plate 13 from Émotions De Chasse</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/372173f5-2300-1f48-30d6-b3a43240ee73/full/full/0/default.jpg.
SUMMARY. Mr. Prudhomme: “There you are again, my son... another innocent victim of the murderous lead.... poor little duck... pray, you never shall become a hunter, my son!” Young Adolph: “But Daddy, I'd rather like to be a hunter than a dead duck!,” plate 13 from Émotions De Chasse
CAPTION.
Mr. Prune, plate 288 from Célébrités de la Caricature

Mr. Prune, plate 288 from Célébrités de la Caricature

Lithograph in black on cream wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. Prune, plate 288 from Célébrités de la Caricature</i> [Lithograph in black on cream wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d6de897a-0d4e-e72e-de7d-600983c02e55/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Prune, plate 288 from Célébrités de la Caricature</i>." n.d.. Lithograph in black on cream wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/d6de897a-0d4e-e72e-de7d-600983c02e55/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Prune, plate 288 from Célébrités de la Caricature</i>," n.d.. Lithograph in black on cream wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/d6de897a-0d4e-e72e-de7d-600983c02e55/full/full/0/default.jpg.
SUMMARY. Mr. Prune, plate 288 from Célébrités de la Caricature
CAPTION.
Mr. Sébast ...., plate 281 from Célébrités de la Caricature

Mr. Sébast ...., plate 281 from Célébrités de la Caricature

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. Sébast ...., plate 281 from Célébrités de la Caricature</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/9ff69c28-2947-d836-db25-10dedd7ca8e0/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Sébast ...., plate 281 from Célébrités de la Caricature</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/9ff69c28-2947-d836-db25-10dedd7ca8e0/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Sébast ...., plate 281 from Célébrités de la Caricature</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/9ff69c28-2947-d836-db25-10dedd7ca8e0/full/full/0/default.jpg.
SUMMARY. Mr. Sébast ...., plate 281 from Célébrités de la Caricature
CAPTION.
Mr. Vieux-Niais, plate 278 from Célébrités de la Caricature

Mr. Vieux-Niais, plate 278 from Célébrités de la Caricature

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. Vieux-Niais, plate 278 from Célébrités de la Caricature</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/2f63c155-9a80-08ad-5869-a5598faf10d8/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Vieux-Niais, plate 278 from Célébrités de la Caricature</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/2f63c155-9a80-08ad-5869-a5598faf10d8/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Vieux-Niais, plate 278 from Célébrités de la Caricature</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/2f63c155-9a80-08ad-5869-a5598faf10d8/full/full/0/default.jpg.
SUMMARY. Mr. Vieux-Niais, plate 278 from Célébrités de la Caricature
CAPTION.
Mr. Étien...., plate 283 from Célébrités de la Caricature

Mr. Étien...., plate 283 from Célébrités de la Caricature

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Mr. Étien...., plate 283 from Célébrités de la Caricature</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f6374f79-e5f0-f59d-39a5-db2f3fcbaeca/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Étien...., plate 283 from Célébrités de la Caricature</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/f6374f79-e5f0-f59d-39a5-db2f3fcbaeca/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Mr. Étien...., plate 283 from Célébrités de la Caricature</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/f6374f79-e5f0-f59d-39a5-db2f3fcbaeca/full/full/0/default.jpg.
SUMMARY. Mr. Étien...., plate 283 from Célébrités de la Caricature
CAPTION.
New Entertainment at the Parisian Evening Parties. The spirit of Mr. Hume shaving the beard of Monsieur de St. Potard and undoing the hair of Madame Coffignon, plate 8 from Ces Bons Parisiens

New Entertainment at the Parisian Evening Parties. The spirit of Mr. Hume shaving the beard of Monsieur de St. Potard and undoing the hair of Madame Coffignon, plate 8 from Ces Bons Parisiens

Lithograph in black on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>New Entertainment at the Parisian Evening Parties. The spirit of Mr. Hume shaving the beard of Monsieur de St. Potard and undoing the hair of Madame Coffignon, plate 8 from Ces Bons Parisiens</i> [Lithograph in black on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/26f843e1-185d-7e8a-f7f5-8057258a5a79/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>New Entertainment at the Parisian Evening Parties. The spirit of Mr. Hume shaving the beard of Monsieur de St. Potard and undoing the hair of Madame Coffignon, plate 8 from Ces Bons Parisiens</i>." n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/26f843e1-185d-7e8a-f7f5-8057258a5a79/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>New Entertainment at the Parisian Evening Parties. The spirit of Mr. Hume shaving the beard of Monsieur de St. Potard and undoing the hair of Madame Coffignon, plate 8 from Ces Bons Parisiens</i>," n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/26f843e1-185d-7e8a-f7f5-8057258a5a79/full/full/0/default.jpg.
SUMMARY. New Entertainment at the Parisian Evening Parties. The spirit of Mr. Hume shaving the beard of Monsieur de St. Potard and undoing the hair of Madame Coffignon, plate 8 from Ces Bons Parisiens
CAPTION.
New Year's Day. The Chinese, following an old and respectable tradition invented by a confectioner, never fail to begin the year by offering to all their acquaintances chestnuts and other small presents. They kiss each other with pursed lips, but would rather tear each other apart. On this memorable day in Beijing alone 300'000 kilos of sweets and 200'000 kilos of gingerbread will be devoured. No wonder that on January 2nd all the little Chinese have a colic. But who cares.... next year they'll be again filled up with the same colic enhancing stuff always under the pretext of "traditional duty", plate 25 from Voyage En Chine

New Year's Day. The Chinese, following an old and respectable tradition invented by a confectioner, never fail to begin the year by offering to all their acquaintances chestnuts and other small presents. They kiss each other with pursed lips, but would rather tear each other apart. On this memorable day in Beijing alone 300'000 kilos of sweets and 200'000 kilos of gingerbread will be devoured. No wonder that on January 2nd all the little Chinese have a colic. But who cares.... next year they'll be again filled up with the same colic enhancing stuff always under the pretext of "traditional duty", plate 25 from Voyage En Chine

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>New Year's Day. The Chinese, following an old and respectable tradition invented by a confectioner, never fail to begin the year by offering to all their acquaintances chestnuts and other small presents. They kiss each other with pursed lips, but would rather tear each other apart. On this memorable day in Beijing alone 300'000 kilos of sweets and 200'000 kilos of gingerbread will be devoured. No wonder that on January 2nd all the little Chinese have a colic. But who cares.... next year they'll be again filled up with the same colic enhancing stuff always under the pretext of "traditional duty", plate 25 from Voyage En Chine</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/75e29bac-e927-d647-dd95-ef88336567a2/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>New Year's Day. The Chinese, following an old and respectable tradition invented by a confectioner, never fail to begin the year by offering to all their acquaintances chestnuts and other small presents. They kiss each other with pursed lips, but would rather tear each other apart. On this memorable day in Beijing alone 300'000 kilos of sweets and 200'000 kilos of gingerbread will be devoured. No wonder that on January 2nd all the little Chinese have a colic. But who cares.... next year they'll be again filled up with the same colic enhancing stuff always under the pretext of "traditional duty", plate 25 from Voyage En Chine</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/75e29bac-e927-d647-dd95-ef88336567a2/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>New Year's Day. The Chinese, following an old and respectable tradition invented by a confectioner, never fail to begin the year by offering to all their acquaintances chestnuts and other small presents. They kiss each other with pursed lips, but would rather tear each other apart. On this memorable day in Beijing alone 300'000 kilos of sweets and 200'000 kilos of gingerbread will be devoured. No wonder that on January 2nd all the little Chinese have a colic. But who cares.... next year they'll be again filled up with the same colic enhancing stuff always under the pretext of "traditional duty", plate 25 from Voyage En Chine</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/75e29bac-e927-d647-dd95-ef88336567a2/full/full/0/default.jpg.
SUMMARY. New Year's Day. The Chinese, following an old and respectable tradition invented by a confectioner, never fail to begin the year by offering to all their acquaintances chestnuts and other small presents. They kiss each other with pursed lips, but would rather tear each other apart. On this memorable day in Beijing alone 300'000 kilos of sweets and 200'000 kilos of gingerbread will be devoured. No wonder that on January 2nd all the little Chinese have a colic. But who cares.... next year they'll be again filled up with the same colic enhancing stuff always under the pretext of "traditional duty", plate 25 from Voyage En Chine
CAPTION.
Oedipe. “- When my sword cut into his bleeding heart - You are trembling Madame - It was then that the world was falling apart,” plate ten from Physionomies tragiques

Oedipe. “- When my sword cut into his bleeding heart - You are trembling Madame - It was then that the world was falling apart,” plate ten from Physionomies tragiques

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Oedipe. “- When my sword cut into his bleeding heart - You are trembling Madame - It was then that the world was falling apart,” plate ten from Physionomies tragiques</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/78a8639d-6224-c2c7-f6bb-f8206466fd65/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Oedipe. “- When my sword cut into his bleeding heart - You are trembling Madame - It was then that the world was falling apart,” plate ten from Physionomies tragiques</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/78a8639d-6224-c2c7-f6bb-f8206466fd65/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Oedipe. “- When my sword cut into his bleeding heart - You are trembling Madame - It was then that the world was falling apart,” plate ten from Physionomies tragiques</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/78a8639d-6224-c2c7-f6bb-f8206466fd65/full/full/0/default.jpg.
SUMMARY. Oedipe. “- When my sword cut into his bleeding heart - You are trembling Madame - It was then that the world was falling apart,” plate ten from Physionomies tragiques
CAPTION.
Oh Blast! ... the grapes really aren't good this year!, plate 24 from Pastorales

Oh Blast! ... the grapes really aren't good this year!, plate 24 from Pastorales

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Oh Blast! ... the grapes really aren't good this year!, plate 24 from Pastorales</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/e7b54b5a-097f-37db-8d69-74cc691c6260/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Oh Blast! ... the grapes really aren't good this year!, plate 24 from Pastorales</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/e7b54b5a-097f-37db-8d69-74cc691c6260/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Oh Blast! ... the grapes really aren't good this year!, plate 24 from Pastorales</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/e7b54b5a-097f-37db-8d69-74cc691c6260/full/full/0/default.jpg.
SUMMARY. Oh Blast! ... the grapes really aren't good this year!, plate 24 from Pastorales
CAPTION.
On the Champs-Elysées. Tasting of the industrial products of different brewers, plate 18 from L'exposition Universelle

On the Champs-Elysées. Tasting of the industrial products of different brewers, plate 18 from L'exposition Universelle

Lithograph on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>On the Champs-Elysées. Tasting of the industrial products of different brewers, plate 18 from L'exposition Universelle</i> [Lithograph on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/47a5bb4c-0c10-4f43-c527-d7ca2b493122/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>On the Champs-Elysées. Tasting of the industrial products of different brewers, plate 18 from L'exposition Universelle</i>." n.d.. Lithograph on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/47a5bb4c-0c10-4f43-c527-d7ca2b493122/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>On the Champs-Elysées. Tasting of the industrial products of different brewers, plate 18 from L'exposition Universelle</i>," n.d.. Lithograph on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/47a5bb4c-0c10-4f43-c527-d7ca2b493122/full/full/0/default.jpg.
SUMMARY. On the Champs-Elysées. Tasting of the industrial products of different brewers, plate 18 from L'exposition Universelle
CAPTION.
One of the Disadvantages of Living in the Basement. “Look, here are some more that grew last night...,” plate 15 from Croquis Parisiens

One of the Disadvantages of Living in the Basement. “Look, here are some more that grew last night...,” plate 15 from Croquis Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>One of the Disadvantages of Living in the Basement. “Look, here are some more that grew last night...,” plate 15 from Croquis Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/7d0aae9e-bc5a-13dd-006a-a4e1554ef7a6/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>One of the Disadvantages of Living in the Basement. “Look, here are some more that grew last night...,” plate 15 from Croquis Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/7d0aae9e-bc5a-13dd-006a-a4e1554ef7a6/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>One of the Disadvantages of Living in the Basement. “Look, here are some more that grew last night...,” plate 15 from Croquis Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/7d0aae9e-bc5a-13dd-006a-a4e1554ef7a6/full/full/0/default.jpg.
SUMMARY. One of the Disadvantages of Living in the Basement. “Look, here are some more that grew last night...,” plate 15 from Croquis Parisiens
CAPTION.
Open air exhibition of provincials coming to Paris to see the palace of industry, plate 31 from L'Exposition Universelle

Open air exhibition of provincials coming to Paris to see the palace of industry, plate 31 from L'Exposition Universelle

Lithograph in black on buff wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Open air exhibition of provincials coming to Paris to see the palace of industry, plate 31 from L'Exposition Universelle</i> [Lithograph in black on buff wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/5b78f63d-f186-b64d-1032-b289d2b0f7c8/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Open air exhibition of provincials coming to Paris to see the palace of industry, plate 31 from L'Exposition Universelle</i>." n.d.. Lithograph in black on buff wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/5b78f63d-f186-b64d-1032-b289d2b0f7c8/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Open air exhibition of provincials coming to Paris to see the palace of industry, plate 31 from L'Exposition Universelle</i>," n.d.. Lithograph in black on buff wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/5b78f63d-f186-b64d-1032-b289d2b0f7c8/full/full/0/default.jpg.
SUMMARY. Open air exhibition of provincials coming to Paris to see the palace of industry, plate 31 from L'Exposition Universelle
CAPTION.
Paid By the Minute. “- Driver, you are hardly moving! - Driver, you are not moving at all!,” plate 447 from Actualités

Paid By the Minute. “- Driver, you are hardly moving! - Driver, you are not moving at all!,” plate 447 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Paid By the Minute. “- Driver, you are hardly moving! - Driver, you are not moving at all!,” plate 447 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a89ad135-ea24-bc64-0555-1f092e18417b/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Paid By the Minute. “- Driver, you are hardly moving! - Driver, you are not moving at all!,” plate 447 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a89ad135-ea24-bc64-0555-1f092e18417b/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Paid By the Minute. “- Driver, you are hardly moving! - Driver, you are not moving at all!,” plate 447 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a89ad135-ea24-bc64-0555-1f092e18417b/full/full/0/default.jpg.
SUMMARY. Paid By the Minute. “- Driver, you are hardly moving! - Driver, you are not moving at all!,” plate 447 from Actualités
CAPTION.
Parisians already taking their precautions to avoid being roasted by the comet, plate 410 from Actualités

Parisians already taking their precautions to avoid being roasted by the comet, plate 410 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Parisians already taking their precautions to avoid being roasted by the comet, plate 410 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/896a536e-c237-a282-d493-54d8937b4011/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Parisians already taking their precautions to avoid being roasted by the comet, plate 410 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/896a536e-c237-a282-d493-54d8937b4011/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Parisians already taking their precautions to avoid being roasted by the comet, plate 410 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/896a536e-c237-a282-d493-54d8937b4011/full/full/0/default.jpg.
SUMMARY. Parisians already taking their precautions to avoid being roasted by the comet, plate 410 from Actualités
CAPTION.
Parisians looking forward to some fun. Queuing up for two hours in front of any theater in town, plate 1 from Les Bons Parisiens

Parisians looking forward to some fun. Queuing up for two hours in front of any theater in town, plate 1 from Les Bons Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Parisians looking forward to some fun. Queuing up for two hours in front of any theater in town, plate 1 from Les Bons Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/c9b67757-a708-c018-8395-9ecdb23343be/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Parisians looking forward to some fun. Queuing up for two hours in front of any theater in town, plate 1 from Les Bons Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/c9b67757-a708-c018-8395-9ecdb23343be/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Parisians looking forward to some fun. Queuing up for two hours in front of any theater in town, plate 1 from Les Bons Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/c9b67757-a708-c018-8395-9ecdb23343be/full/full/0/default.jpg.
SUMMARY. Parisians looking forward to some fun. Queuing up for two hours in front of any theater in town, plate 1 from Les Bons Parisiens
CAPTION.
Parisians who will never be placed under surveillance of the secret police, plate 12 from Tout Ce Qu'on Voudra

Parisians who will never be placed under surveillance of the secret police, plate 12 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Parisians who will never be placed under surveillance of the secret police, plate 12 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/0aa7651f-1b2f-b53b-c3c9-d6c6a792962e/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Parisians who will never be placed under surveillance of the secret police, plate 12 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/0aa7651f-1b2f-b53b-c3c9-d6c6a792962e/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Parisians who will never be placed under surveillance of the secret police, plate 12 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/0aa7651f-1b2f-b53b-c3c9-d6c6a792962e/full/full/0/default.jpg.
SUMMARY. Parisians who will never be placed under surveillance of the secret police, plate 12 from Tout Ce Qu'on Voudra
CAPTION.
Physiognomy of the Stock Exchange. The despair of the baissier and the triumph of the haussier - or crying and laughing, plate 440 from Actualités

Physiognomy of the Stock Exchange. The despair of the baissier and the triumph of the haussier - or crying and laughing, plate 440 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Physiognomy of the Stock Exchange. The despair of the baissier and the triumph of the haussier - or crying and laughing, plate 440 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/603f0f45-f07e-4406-977f-9284f8bd5e53/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Physiognomy of the Stock Exchange. The despair of the baissier and the triumph of the haussier - or crying and laughing, plate 440 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/603f0f45-f07e-4406-977f-9284f8bd5e53/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Physiognomy of the Stock Exchange. The despair of the baissier and the triumph of the haussier - or crying and laughing, plate 440 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/603f0f45-f07e-4406-977f-9284f8bd5e53/full/full/0/default.jpg.
SUMMARY. Physiognomy of the Stock Exchange. The despair of the baissier and the triumph of the haussier - or crying and laughing, plate 440 from Actualités
CAPTION.
Porcelain figure from China (taken from the private collection of Mr. Charles Philipon), plate 416

Porcelain figure from China (taken from the private collection of Mr. Charles Philipon), plate 416

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Porcelain figure from China (taken from the private collection of Mr. Charles Philipon), plate 416</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/1e385221-f6d4-a30b-bfb1-afdec4bfaea7/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Porcelain figure from China (taken from the private collection of Mr. Charles Philipon), plate 416</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/1e385221-f6d4-a30b-bfb1-afdec4bfaea7/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Porcelain figure from China (taken from the private collection of Mr. Charles Philipon), plate 416</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/1e385221-f6d4-a30b-bfb1-afdec4bfaea7/full/full/0/default.jpg.
SUMMARY. Porcelain figure from China (taken from the private collection of Mr. Charles Philipon), plate 416
CAPTION.
Proposal for improvement for the theatres in Paris, which will not fail to have its effect during the dog days, plate 4 from Croquis d’Été

Proposal for improvement for the theatres in Paris, which will not fail to have its effect during the dog days, plate 4 from Croquis d’Été

Lithograph in black on ivory wove paper, with letter press, verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Proposal for improvement for the theatres in Paris, which will not fail to have its effect during the dog days, plate 4 from Croquis d’Été</i> [Lithograph in black on ivory wove paper, with letter press, verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/54488f4b-5ee8-fed3-56c9-86c571318e79/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Proposal for improvement for the theatres in Paris, which will not fail to have its effect during the dog days, plate 4 from Croquis d’Été</i>." n.d.. Lithograph in black on ivory wove paper, with letter press, verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/54488f4b-5ee8-fed3-56c9-86c571318e79/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Proposal for improvement for the theatres in Paris, which will not fail to have its effect during the dog days, plate 4 from Croquis d’Été</i>," n.d.. Lithograph in black on ivory wove paper, with letter press, verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/54488f4b-5ee8-fed3-56c9-86c571318e79/full/full/0/default.jpg.
SUMMARY. Proposal for improvement for the theatres in Paris, which will not fail to have its effect during the dog days, plate 4 from Croquis d’Été
CAPTION.
Quite embarrassing not to remember where one has hidden the wolf traps, plate 44 from Pastorales

Quite embarrassing not to remember where one has hidden the wolf traps, plate 44 from Pastorales

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Quite embarrassing not to remember where one has hidden the wolf traps, plate 44 from Pastorales</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d707a2a4-e548-bf69-ed9b-2bb9bf01c3c2/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Quite embarrassing not to remember where one has hidden the wolf traps, plate 44 from Pastorales</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/d707a2a4-e548-bf69-ed9b-2bb9bf01c3c2/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Quite embarrassing not to remember where one has hidden the wolf traps, plate 44 from Pastorales</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/d707a2a4-e548-bf69-ed9b-2bb9bf01c3c2/full/full/0/default.jpg.
SUMMARY. Quite embarrassing not to remember where one has hidden the wolf traps, plate 44 from Pastorales
CAPTION.
Reading the newspaper in the family circle

Reading the newspaper in the family circle

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Reading the newspaper in the family circle</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/6345c968-7390-071d-887b-0ec85e7da9ae/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Reading the newspaper in the family circle</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/6345c968-7390-071d-887b-0ec85e7da9ae/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Reading the newspaper in the family circle</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/6345c968-7390-071d-887b-0ec85e7da9ae/full/full/0/default.jpg.
SUMMARY. Reading the newspaper in the family circle
CAPTION.
Relaxation during the dog days, plate 33 from Les Bons Bourgeois

Relaxation during the dog days, plate 33 from Les Bons Bourgeois

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Relaxation during the dog days, plate 33 from Les Bons Bourgeois</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d1af9c8f-0145-dde4-3695-22ca4996db59/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Relaxation during the dog days, plate 33 from Les Bons Bourgeois</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/d1af9c8f-0145-dde4-3695-22ca4996db59/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Relaxation during the dog days, plate 33 from Les Bons Bourgeois</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/d1af9c8f-0145-dde4-3695-22ca4996db59/full/full/0/default.jpg.
SUMMARY. Relaxation during the dog days, plate 33 from Les Bons Bourgeois
CAPTION.
Result of the Demolishing of Buildings in Paris. “- After all, this is where I used to live.... and I can't even find my wife anymore,” plate 55 from Actualités

Result of the Demolishing of Buildings in Paris. “- After all, this is where I used to live.... and I can't even find my wife anymore,” plate 55 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Result of the Demolishing of Buildings in Paris. “- After all, this is where I used to live.... and I can't even find my wife anymore,” plate 55 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a9ebb153-2ca6-0d8e-bc0e-d8504d10b89b/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Result of the Demolishing of Buildings in Paris. “- After all, this is where I used to live.... and I can't even find my wife anymore,” plate 55 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a9ebb153-2ca6-0d8e-bc0e-d8504d10b89b/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Result of the Demolishing of Buildings in Paris. “- After all, this is where I used to live.... and I can't even find my wife anymore,” plate 55 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a9ebb153-2ca6-0d8e-bc0e-d8504d10b89b/full/full/0/default.jpg.
SUMMARY. Result of the Demolishing of Buildings in Paris. “- After all, this is where I used to live.... and I can't even find my wife anymore,” plate 55 from Actualités
CAPTION.
Robert Macaire, dentist. “- Damnit Doctor, you pulled out two good teeth and left the two bad ones. - (Robert Macaire aside) Devil!!! … (loud) Of course.... And for a good reason: there will be enough time to pull out the bad ones. The good ones surely would have caused you pain in due time. A dental plate however will not hurt you and is very fashionable right now. Everybody is wearing it, plate 57 from Caricaturana

Robert Macaire, dentist. “- Damnit Doctor, you pulled out two good teeth and left the two bad ones. - (Robert Macaire aside) Devil!!! … (loud) Of course.... And for a good reason: there will be enough time to pull out the bad ones. The good ones surely would have caused you pain in due time. A dental plate however will not hurt you and is very fashionable right now. Everybody is wearing it, plate 57 from Caricaturana

Lithograph with hand-coloring on paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Robert Macaire, dentist. “- Damnit Doctor, you pulled out two good teeth and left the two bad ones. - (Robert Macaire aside) Devil!!! … (loud) Of course.... And for a good reason: there will be enough time to pull out the bad ones. The good ones surely would have caused you pain in due time. A dental plate however will not hurt you and is very fashionable right now. Everybody is wearing it, plate 57 from Caricaturana</i> [Lithograph with hand-coloring on paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/955c4d3b-3ba2-b9e7-cbba-acd9f003798d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Robert Macaire, dentist. “- Damnit Doctor, you pulled out two good teeth and left the two bad ones. - (Robert Macaire aside) Devil!!! … (loud) Of course.... And for a good reason: there will be enough time to pull out the bad ones. The good ones surely would have caused you pain in due time. A dental plate however will not hurt you and is very fashionable right now. Everybody is wearing it, plate 57 from Caricaturana</i>." n.d.. Lithograph with hand-coloring on paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/955c4d3b-3ba2-b9e7-cbba-acd9f003798d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Robert Macaire, dentist. “- Damnit Doctor, you pulled out two good teeth and left the two bad ones. - (Robert Macaire aside) Devil!!! … (loud) Of course.... And for a good reason: there will be enough time to pull out the bad ones. The good ones surely would have caused you pain in due time. A dental plate however will not hurt you and is very fashionable right now. Everybody is wearing it, plate 57 from Caricaturana</i>," n.d.. Lithograph with hand-coloring on paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/955c4d3b-3ba2-b9e7-cbba-acd9f003798d/full/full/0/default.jpg.
SUMMARY. Robert Macaire, dentist. “- Damnit Doctor, you pulled out two good teeth and left the two bad ones. - (Robert Macaire aside) Devil!!! … (loud) Of course.... And for a good reason: there will be enough time to pull out the bad ones. The good ones surely would have caused you pain in due time. A dental plate however will not hurt you and is very fashionable right now. Everybody is wearing it, plate 57 from Caricaturana
CAPTION.
Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelle

Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelle

Lithograph in black on grayish-ivory China paper laid down on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelle</i> [Lithograph in black on grayish-ivory China paper laid down on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/c0789ae9-ff23-ee4f-f7f4-83778b308e33/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelle</i>." n.d.. Lithograph in black on grayish-ivory China paper laid down on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/c0789ae9-ff23-ee4f-f7f4-83778b308e33/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelle</i>," n.d.. Lithograph in black on grayish-ivory China paper laid down on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/c0789ae9-ff23-ee4f-f7f4-83778b308e33/full/full/0/default.jpg.
SUMMARY. Rue Transnonain, on April 15, 1834, October 2, 1834, plate 24 from L’Association mensuelle
CAPTION.
Run-Off Elections. “- Will she invite me for a second waltz?,” plate 114 from Actualités

Run-Off Elections. “- Will she invite me for a second waltz?,” plate 114 from Actualités

Lithograph in black on buff wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Run-Off Elections. “- Will she invite me for a second waltz?,” plate 114 from Actualités</i> [Lithograph in black on buff wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/cebffa62-d461-d209-7086-4738b7313949/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Run-Off Elections. “- Will she invite me for a second waltz?,” plate 114 from Actualités</i>." n.d.. Lithograph in black on buff wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/cebffa62-d461-d209-7086-4738b7313949/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Run-Off Elections. “- Will she invite me for a second waltz?,” plate 114 from Actualités</i>," n.d.. Lithograph in black on buff wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/cebffa62-d461-d209-7086-4738b7313949/full/full/0/default.jpg.
SUMMARY. Run-Off Elections. “- Will she invite me for a second waltz?,” plate 114 from Actualités
CAPTION.
Sense of Hearing. “- Wake up Nini!.... I have been calling her for more than an hour, and she always replies: yes Adolphe. But neither the child's name nor mine is Adolphe!,” plate 41 from Types Parisiens

Sense of Hearing. “- Wake up Nini!.... I have been calling her for more than an hour, and she always replies: yes Adolphe. But neither the child's name nor mine is Adolphe!,” plate 41 from Types Parisiens

Lithograph in black on white wove paper, laid down on tan wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Sense of Hearing. “- Wake up Nini!.... I have been calling her for more than an hour, and she always replies: yes Adolphe. But neither the child's name nor mine is Adolphe!,” plate 41 from Types Parisiens</i> [Lithograph in black on white wove paper, laid down on tan wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d22dd62e-becc-8359-14f8-a3818d8a8a22/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Sense of Hearing. “- Wake up Nini!.... I have been calling her for more than an hour, and she always replies: yes Adolphe. But neither the child's name nor mine is Adolphe!,” plate 41 from Types Parisiens</i>." n.d.. Lithograph in black on white wove paper, laid down on tan wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/d22dd62e-becc-8359-14f8-a3818d8a8a22/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Sense of Hearing. “- Wake up Nini!.... I have been calling her for more than an hour, and she always replies: yes Adolphe. But neither the child's name nor mine is Adolphe!,” plate 41 from Types Parisiens</i>," n.d.. Lithograph in black on white wove paper, laid down on tan wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/d22dd62e-becc-8359-14f8-a3818d8a8a22/full/full/0/default.jpg.
SUMMARY. Sense of Hearing. “- Wake up Nini!.... I have been calling her for more than an hour, and she always replies: yes Adolphe. But neither the child's name nor mine is Adolphe!,” plate 41 from Types Parisiens
CAPTION.
Sight, plate 39 from Types Parisiens

Sight, plate 39 from Types Parisiens

Lithograph in black on white wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Sight, plate 39 from Types Parisiens</i> [Lithograph in black on white wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/40694d77-c9d7-d861-e201-4228e99316e7/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Sight, plate 39 from Types Parisiens</i>." n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/40694d77-c9d7-d861-e201-4228e99316e7/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Sight, plate 39 from Types Parisiens</i>," n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/40694d77-c9d7-d861-e201-4228e99316e7/full/full/0/default.jpg.
SUMMARY. Sight, plate 39 from Types Parisiens
CAPTION.
Sketches From Le Havre. The well dressed gentleman: “- I am leaving for California.” The poorly dressed gentleman: “- That's where I just came from,” plate 239 from Actualités

Sketches From Le Havre. The well dressed gentleman: “- I am leaving for California.” The poorly dressed gentleman: “- That's where I just came from,” plate 239 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Sketches From Le Havre. The well dressed gentleman: “- I am leaving for California.” The poorly dressed gentleman: “- That's where I just came from,” plate 239 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/71f5dade-fa71-ce00-8b68-e75895feab86/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Sketches From Le Havre. The well dressed gentleman: “- I am leaving for California.” The poorly dressed gentleman: “- That's where I just came from,” plate 239 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/71f5dade-fa71-ce00-8b68-e75895feab86/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Sketches From Le Havre. The well dressed gentleman: “- I am leaving for California.” The poorly dressed gentleman: “- That's where I just came from,” plate 239 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/71f5dade-fa71-ce00-8b68-e75895feab86/full/full/0/default.jpg.
SUMMARY. Sketches From Le Havre. The well dressed gentleman: “- I am leaving for California.” The poorly dressed gentleman: “- That's where I just came from,” plate 239 from Actualités
CAPTION.
Smell, plate 38 from Types Parisiens

Smell, plate 38 from Types Parisiens

Lithograph in black on white wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Smell, plate 38 from Types Parisiens</i> [Lithograph in black on white wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/c294fc39-aaba-ba27-b99c-beddf1fd6e24/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Smell, plate 38 from Types Parisiens</i>." n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/c294fc39-aaba-ba27-b99c-beddf1fd6e24/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Smell, plate 38 from Types Parisiens</i>," n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/c294fc39-aaba-ba27-b99c-beddf1fd6e24/full/full/0/default.jpg.
SUMMARY. Smell, plate 38 from Types Parisiens
CAPTION.
Some artists are taking advantage of this year's permission to exhibit more than three paintings, plate 400 from Actualités

Some artists are taking advantage of this year's permission to exhibit more than three paintings, plate 400 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Some artists are taking advantage of this year's permission to exhibit more than three paintings, plate 400 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/8d403d21-8405-2d46-8fa6-4c2a6f0f1337/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Some artists are taking advantage of this year's permission to exhibit more than three paintings, plate 400 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/8d403d21-8405-2d46-8fa6-4c2a6f0f1337/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Some artists are taking advantage of this year's permission to exhibit more than three paintings, plate 400 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/8d403d21-8405-2d46-8fa6-4c2a6f0f1337/full/full/0/default.jpg.
SUMMARY. Some artists are taking advantage of this year's permission to exhibit more than three paintings, plate 400 from Actualités
CAPTION.
Sou..., plate 172 from Célébrités de la Caricature

Sou..., plate 172 from Célébrités de la Caricature

Lithograph in black, with hand-coloring on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Sou..., plate 172 from Célébrités de la Caricature</i> [Lithograph in black, with hand-coloring on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/28cf2c25-3958-bb84-bdb2-dff94fb9e45c/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Sou..., plate 172 from Célébrités de la Caricature</i>." n.d.. Lithograph in black, with hand-coloring on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/28cf2c25-3958-bb84-bdb2-dff94fb9e45c/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Sou..., plate 172 from Célébrités de la Caricature</i>," n.d.. Lithograph in black, with hand-coloring on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/28cf2c25-3958-bb84-bdb2-dff94fb9e45c/full/full/0/default.jpg.
SUMMARY. Sou..., plate 172 from Célébrités de la Caricature
CAPTION.
Study of Reverence for the Quadrille of the Lancers, plate 380 from Actualités

Study of Reverence for the Quadrille of the Lancers, plate 380 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Study of Reverence for the Quadrille of the Lancers, plate 380 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/bef91636-3993-0582-8b07-96ac4eeeab7e/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Study of Reverence for the Quadrille of the Lancers, plate 380 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/bef91636-3993-0582-8b07-96ac4eeeab7e/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Study of Reverence for the Quadrille of the Lancers, plate 380 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/bef91636-3993-0582-8b07-96ac4eeeab7e/full/full/0/default.jpg.
SUMMARY. Study of Reverence for the Quadrille of the Lancers, plate 380 from Actualités
CAPTION.
Subscribers Tyring to Cope with Their Paper, plate 115 from Actualités

Subscribers Tyring to Cope with Their Paper, plate 115 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Subscribers Tyring to Cope with Their Paper, plate 115 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a31df073-ddc0-8c15-ae85-3a8961b5f37a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Subscribers Tyring to Cope with Their Paper, plate 115 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a31df073-ddc0-8c15-ae85-3a8961b5f37a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Subscribers Tyring to Cope with Their Paper, plate 115 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a31df073-ddc0-8c15-ae85-3a8961b5f37a/full/full/0/default.jpg.
SUMMARY. Subscribers Tyring to Cope with Their Paper, plate 115 from Actualités
CAPTION.
Temptation, plate 453

Temptation, plate 453

Lithograph in black on off-white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Temptation, plate 453</i> [Lithograph in black on off-white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/c4d4d146-b152-6c81-dd50-aff0dd69ad03/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Temptation, plate 453</i>." n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/c4d4d146-b152-6c81-dd50-aff0dd69ad03/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Temptation, plate 453</i>," n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/c4d4d146-b152-6c81-dd50-aff0dd69ad03/full/full/0/default.jpg.
SUMMARY. Temptation, plate 453
CAPTION.
The Advantage of Sharing the Fresh Air on an Italian Terrace Together with a Great Number of Insects, plate 42 from Pastorales

The Advantage of Sharing the Fresh Air on an Italian Terrace Together with a Great Number of Insects, plate 42 from Pastorales

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Advantage of Sharing the Fresh Air on an Italian Terrace Together with a Great Number of Insects, plate 42 from Pastorales</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/26a2cbb8-10e9-ad29-0cf5-bb3e75f72ebe/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Advantage of Sharing the Fresh Air on an Italian Terrace Together with a Great Number of Insects, plate 42 from Pastorales</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/26a2cbb8-10e9-ad29-0cf5-bb3e75f72ebe/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Advantage of Sharing the Fresh Air on an Italian Terrace Together with a Great Number of Insects, plate 42 from Pastorales</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/26a2cbb8-10e9-ad29-0cf5-bb3e75f72ebe/full/full/0/default.jpg.
SUMMARY. The Advantage of Sharing the Fresh Air on an Italian Terrace Together with a Great Number of Insects, plate 42 from Pastorales
CAPTION.
The Amateur Guitarist. Defying everyone's yawns, As he sings his puny verse, He would sing a parlor-song, On the ruins of the universe...,” plate 4 from Monomanes

The Amateur Guitarist. Defying everyone's yawns, As he sings his puny verse, He would sing a parlor-song, On the ruins of the universe...,” plate 4 from Monomanes

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Amateur Guitarist. Defying everyone's yawns, As he sings his puny verse, He would sing a parlor-song, On the ruins of the universe...,” plate 4 from Monomanes</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f107820c-c40a-c3ed-8dd4-d65dff7c4ea7/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Amateur Guitarist. Defying everyone's yawns, As he sings his puny verse, He would sing a parlor-song, On the ruins of the universe...,” plate 4 from Monomanes</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/f107820c-c40a-c3ed-8dd4-d65dff7c4ea7/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Amateur Guitarist. Defying everyone's yawns, As he sings his puny verse, He would sing a parlor-song, On the ruins of the universe...,” plate 4 from Monomanes</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/f107820c-c40a-c3ed-8dd4-d65dff7c4ea7/full/full/0/default.jpg.
SUMMARY. The Amateur Guitarist. Defying everyone's yawns, As he sings his puny verse, He would sing a parlor-song, On the ruins of the universe...,” plate 4 from Monomanes
CAPTION.
The Aztecs before the scientists, plate 211 from Actualités

The Aztecs before the scientists, plate 211 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Aztecs before the scientists, plate 211 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/b08262a1-f6ae-0345-60d4-517ad80486bc/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Aztecs before the scientists, plate 211 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/b08262a1-f6ae-0345-60d4-517ad80486bc/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Aztecs before the scientists, plate 211 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/b08262a1-f6ae-0345-60d4-517ad80486bc/full/full/0/default.jpg.
SUMMARY. The Aztecs before the scientists, plate 211 from Actualités
CAPTION.
The Bluestocking's Husband. “Monsieur, my wife has been inspired since this morning: it is impossible to see her. As you can see, I have to give my full attention to the fruit of our most recent collaboration!,” plate 46 from Moeurs Conjugales

The Bluestocking's Husband. “Monsieur, my wife has been inspired since this morning: it is impossible to see her. As you can see, I have to give my full attention to the fruit of our most recent collaboration!,” plate 46 from Moeurs Conjugales

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Bluestocking's Husband. “Monsieur, my wife has been inspired since this morning: it is impossible to see her. As you can see, I have to give my full attention to the fruit of our most recent collaboration!,” plate 46 from Moeurs Conjugales</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/026401b6-6c40-250e-d007-23581828f887/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Bluestocking's Husband. “Monsieur, my wife has been inspired since this morning: it is impossible to see her. As you can see, I have to give my full attention to the fruit of our most recent collaboration!,” plate 46 from Moeurs Conjugales</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/026401b6-6c40-250e-d007-23581828f887/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Bluestocking's Husband. “Monsieur, my wife has been inspired since this morning: it is impossible to see her. As you can see, I have to give my full attention to the fruit of our most recent collaboration!,” plate 46 from Moeurs Conjugales</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/026401b6-6c40-250e-d007-23581828f887/full/full/0/default.jpg.
SUMMARY. The Bluestocking's Husband. “Monsieur, my wife has been inspired since this morning: it is impossible to see her. As you can see, I have to give my full attention to the fruit of our most recent collaboration!,” plate 46 from Moeurs Conjugales
CAPTION.
The Collector of Cigar Stubs. “When will these buggers finally have finished smoking! They're bailiff's clerks; they smoke until the ashes are left. No way to squeeze a centime out of them,” plate 4 from Bohémiens De Paris

The Collector of Cigar Stubs. “When will these buggers finally have finished smoking! They're bailiff's clerks; they smoke until the ashes are left. No way to squeeze a centime out of them,” plate 4 from Bohémiens De Paris

Lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Collector of Cigar Stubs. “When will these buggers finally have finished smoking! They're bailiff's clerks; they smoke until the ashes are left. No way to squeeze a centime out of them,” plate 4 from Bohémiens De Paris</i> [Lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/16e55a79-74d1-db8b-62ff-12ba71c1ad51/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Collector of Cigar Stubs. “When will these buggers finally have finished smoking! They're bailiff's clerks; they smoke until the ashes are left. No way to squeeze a centime out of them,” plate 4 from Bohémiens De Paris</i>." n.d.. Lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/16e55a79-74d1-db8b-62ff-12ba71c1ad51/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Collector of Cigar Stubs. “When will these buggers finally have finished smoking! They're bailiff's clerks; they smoke until the ashes are left. No way to squeeze a centime out of them,” plate 4 from Bohémiens De Paris</i>," n.d.. Lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/16e55a79-74d1-db8b-62ff-12ba71c1ad51/full/full/0/default.jpg.
SUMMARY. The Collector of Cigar Stubs. “When will these buggers finally have finished smoking! They're bailiff's clerks; they smoke until the ashes are left. No way to squeeze a centime out of them,” plate 4 from Bohémiens De Paris
CAPTION.
The Comedian of the Group, plate 13 from Tout Ce Qu'on Voudra

The Comedian of the Group, plate 13 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Comedian of the Group, plate 13 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/90a0055a-71db-c07a-ae9d-564f3180a2cb/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Comedian of the Group, plate 13 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/90a0055a-71db-c07a-ae9d-564f3180a2cb/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Comedian of the Group, plate 13 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/90a0055a-71db-c07a-ae9d-564f3180a2cb/full/full/0/default.jpg.
SUMMARY. The Comedian of the Group, plate 13 from Tout Ce Qu'on Voudra
CAPTION.
The Cotton Gown Falls, Man Remains, and the Calf Fades (J.B. Rousseau), plate 10 from Coquetterie

The Cotton Gown Falls, Man Remains, and the Calf Fades (J.B. Rousseau), plate 10 from Coquetterie

Lithograph in black on off-white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Cotton Gown Falls, Man Remains, and the Calf Fades (J.B. Rousseau), plate 10 from Coquetterie</i> [Lithograph in black on off-white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/cfc4dbc2-ef08-6e5f-6e8e-4177b21c83dc/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Cotton Gown Falls, Man Remains, and the Calf Fades (J.B. Rousseau), plate 10 from Coquetterie</i>." n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/cfc4dbc2-ef08-6e5f-6e8e-4177b21c83dc/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Cotton Gown Falls, Man Remains, and the Calf Fades (J.B. Rousseau), plate 10 from Coquetterie</i>," n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/cfc4dbc2-ef08-6e5f-6e8e-4177b21c83dc/full/full/0/default.jpg.
SUMMARY. The Cotton Gown Falls, Man Remains, and the Calf Fades (J.B. Rousseau), plate 10 from Coquetterie
CAPTION.
The Descent of the Courtille in 1855, plate 165 from Actualités

The Descent of the Courtille in 1855, plate 165 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Descent of the Courtille in 1855, plate 165 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/6214bcb0-1f49-f484-2412-96c718d45b4a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Descent of the Courtille in 1855, plate 165 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/6214bcb0-1f49-f484-2412-96c718d45b4a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Descent of the Courtille in 1855, plate 165 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/6214bcb0-1f49-f484-2412-96c718d45b4a/full/full/0/default.jpg.
SUMMARY. The Descent of the Courtille in 1855, plate 165 from Actualités
CAPTION.
The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857

The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857

Lithograph in black on buff wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857</i> [Lithograph in black on buff wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/bb57c2bf-859e-bf2c-0723-708a93711622/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857</i>." n.d.. Lithograph in black on buff wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/bb57c2bf-859e-bf2c-0723-708a93711622/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857</i>," n.d.. Lithograph in black on buff wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/bb57c2bf-859e-bf2c-0723-708a93711622/full/full/0/default.jpg.
SUMMARY. The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857
CAPTION.
The Dormitory of a Distinguished Boarding School, plate 14 from Professeurs et Moutards (Professors and Rascals)

The Dormitory of a Distinguished Boarding School, plate 14 from Professeurs et Moutards (Professors and Rascals)

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Dormitory of a Distinguished Boarding School, plate 14 from Professeurs et Moutards (Professors and Rascals)</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/8dbf5d30-ec18-504f-d149-4f6523840967/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Dormitory of a Distinguished Boarding School, plate 14 from Professeurs et Moutards (Professors and Rascals)</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/8dbf5d30-ec18-504f-d149-4f6523840967/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Dormitory of a Distinguished Boarding School, plate 14 from Professeurs et Moutards (Professors and Rascals)</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/8dbf5d30-ec18-504f-d149-4f6523840967/full/full/0/default.jpg.
SUMMARY. The Dormitory of a Distinguished Boarding School, plate 14 from Professeurs et Moutards (Professors and Rascals)
CAPTION.
The Drunkard

The Drunkard

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Drunkard</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/fe9ee7c6-5904-5afe-8514-04d47488511f/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Drunkard</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/fe9ee7c6-5904-5afe-8514-04d47488511f/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Drunkard</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/fe9ee7c6-5904-5afe-8514-04d47488511f/full/full/0/default.jpg.
SUMMARY. The Drunkard
CAPTION.
The Embroiderer. An example of the errors, nature sometimes makes in labeling the sexes. Just as one sees the would-be women who wear pants, some kind of a moustache, who play a cornet or the bass-viol, or who compose humanitarian novels, in the same way one finds men who play the harp, hemstitch neckerchiefs, do embroidering with their hands, and, who in a case of emergency know how to do a little cooking, plate 2 from Monomanes

The Embroiderer. An example of the errors, nature sometimes makes in labeling the sexes. Just as one sees the would-be women who wear pants, some kind of a moustache, who play a cornet or the bass-viol, or who compose humanitarian novels, in the same way one finds men who play the harp, hemstitch neckerchiefs, do embroidering with their hands, and, who in a case of emergency know how to do a little cooking, plate 2 from Monomanes

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Embroiderer. An example of the errors, nature sometimes makes in labeling the sexes. Just as one sees the would-be women who wear pants, some kind of a moustache, who play a cornet or the bass-viol, or who compose humanitarian novels, in the same way one finds men who play the harp, hemstitch neckerchiefs, do embroidering with their hands, and, who in a case of emergency know how to do a little cooking, plate 2 from Monomanes</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a0d34833-2ae0-d78b-268f-6dd849829378/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Embroiderer. An example of the errors, nature sometimes makes in labeling the sexes. Just as one sees the would-be women who wear pants, some kind of a moustache, who play a cornet or the bass-viol, or who compose humanitarian novels, in the same way one finds men who play the harp, hemstitch neckerchiefs, do embroidering with their hands, and, who in a case of emergency know how to do a little cooking, plate 2 from Monomanes</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a0d34833-2ae0-d78b-268f-6dd849829378/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Embroiderer. An example of the errors, nature sometimes makes in labeling the sexes. Just as one sees the would-be women who wear pants, some kind of a moustache, who play a cornet or the bass-viol, or who compose humanitarian novels, in the same way one finds men who play the harp, hemstitch neckerchiefs, do embroidering with their hands, and, who in a case of emergency know how to do a little cooking, plate 2 from Monomanes</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a0d34833-2ae0-d78b-268f-6dd849829378/full/full/0/default.jpg.
SUMMARY. The Embroiderer. An example of the errors, nature sometimes makes in labeling the sexes. Just as one sees the would-be women who wear pants, some kind of a moustache, who play a cornet or the bass-viol, or who compose humanitarian novels, in the same way one finds men who play the harp, hemstitch neckerchiefs, do embroidering with their hands, and, who in a case of emergency know how to do a little cooking, plate 2 from Monomanes
CAPTION.
The Evening of the National Holiday. It never fails... you go out to see the fireworks, and all you get is waterworks!, plate 20 from Les Beaux Jours De La Vie

The Evening of the National Holiday. It never fails... you go out to see the fireworks, and all you get is waterworks!, plate 20 from Les Beaux Jours De La Vie

Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded) · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Evening of the National Holiday. It never fails... you go out to see the fireworks, and all you get is waterworks!, plate 20 from Les Beaux Jours De La Vie</i> [Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded)]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a0cd8799-a5d3-8db9-a006-d38f94cd2c82/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Evening of the National Holiday. It never fails... you go out to see the fireworks, and all you get is waterworks!, plate 20 from Les Beaux Jours De La Vie</i>." n.d.. Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded). Art Institute of Chicago, https://www.artic.edu/iiif/2/a0cd8799-a5d3-8db9-a006-d38f94cd2c82/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Evening of the National Holiday. It never fails... you go out to see the fireworks, and all you get is waterworks!, plate 20 from Les Beaux Jours De La Vie</i>," n.d.. Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded). Art Institute of Chicago. https://www.artic.edu/iiif/2/a0cd8799-a5d3-8db9-a006-d38f94cd2c82/full/full/0/default.jpg.
SUMMARY. The Evening of the National Holiday. It never fails... you go out to see the fireworks, and all you get is waterworks!, plate 20 from Les Beaux Jours De La Vie
CAPTION.
The Friends of Peace - Result of a Speech By Coquerel. On leaving the ward of Saint Cécilia, a member of the peace congress decided to start general disarmament, plate 7 from Actualités

The Friends of Peace - Result of a Speech By Coquerel. On leaving the ward of Saint Cécilia, a member of the peace congress decided to start general disarmament, plate 7 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Friends of Peace - Result of a Speech By Coquerel. On leaving the ward of Saint Cécilia, a member of the peace congress decided to start general disarmament, plate 7 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/21743e2e-e9d4-a645-df86-742684a8703d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Friends of Peace - Result of a Speech By Coquerel. On leaving the ward of Saint Cécilia, a member of the peace congress decided to start general disarmament, plate 7 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/21743e2e-e9d4-a645-df86-742684a8703d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Friends of Peace - Result of a Speech By Coquerel. On leaving the ward of Saint Cécilia, a member of the peace congress decided to start general disarmament, plate 7 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/21743e2e-e9d4-a645-df86-742684a8703d/full/full/0/default.jpg.
SUMMARY. The Friends of Peace - Result of a Speech By Coquerel. On leaving the ward of Saint Cécilia, a member of the peace congress decided to start general disarmament, plate 7 from Actualités
CAPTION.
The Good Grandmother, plate 55

The Good Grandmother, plate 55

Lithograph on cream wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Good Grandmother, plate 55</i> [Lithograph on cream wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/cafcab64-950a-1957-13a7-9931187f58eb/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Good Grandmother, plate 55</i>." n.d.. Lithograph on cream wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/cafcab64-950a-1957-13a7-9931187f58eb/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Good Grandmother, plate 55</i>," n.d.. Lithograph on cream wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/cafcab64-950a-1957-13a7-9931187f58eb/full/full/0/default.jpg.
SUMMARY. The Good Grandmother, plate 55
CAPTION.
The Grape Gatherer, from Les Bons Bourgeois

The Grape Gatherer, from Les Bons Bourgeois

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Grape Gatherer, from Les Bons Bourgeois</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/fddf3149-af74-f118-96f5-457668dc74fc/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Grape Gatherer, from Les Bons Bourgeois</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/fddf3149-af74-f118-96f5-457668dc74fc/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Grape Gatherer, from Les Bons Bourgeois</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/fddf3149-af74-f118-96f5-457668dc74fc/full/full/0/default.jpg.
SUMMARY. The Grape Gatherer, from Les Bons Bourgeois
CAPTION.
The Grenelle Wells. The director Mr. Mulot and his son finally reaching the end of their work, crossing their arms and putting their hands into their pockets and congratulating themselves that posterity will not be able to reproach them of not having produced clean water, plate 46 from Caricatures Du Jour

The Grenelle Wells. The director Mr. Mulot and his son finally reaching the end of their work, crossing their arms and putting their hands into their pockets and congratulating themselves that posterity will not be able to reproach them of not having produced clean water, plate 46 from Caricatures Du Jour

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Grenelle Wells. The director Mr. Mulot and his son finally reaching the end of their work, crossing their arms and putting their hands into their pockets and congratulating themselves that posterity will not be able to reproach them of not having produced clean water, plate 46 from Caricatures Du Jour</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/48d01e5b-06d5-e067-d93e-25cb9c30f4bf/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Grenelle Wells. The director Mr. Mulot and his son finally reaching the end of their work, crossing their arms and putting their hands into their pockets and congratulating themselves that posterity will not be able to reproach them of not having produced clean water, plate 46 from Caricatures Du Jour</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/48d01e5b-06d5-e067-d93e-25cb9c30f4bf/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Grenelle Wells. The director Mr. Mulot and his son finally reaching the end of their work, crossing their arms and putting their hands into their pockets and congratulating themselves that posterity will not be able to reproach them of not having produced clean water, plate 46 from Caricatures Du Jour</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/48d01e5b-06d5-e067-d93e-25cb9c30f4bf/full/full/0/default.jpg.
SUMMARY. The Grenelle Wells. The director Mr. Mulot and his son finally reaching the end of their work, crossing their arms and putting their hands into their pockets and congratulating themselves that posterity will not be able to reproach them of not having produced clean water, plate 46 from Caricatures Du Jour
CAPTION.
The Gust of Wind. “- Oh blast! I've lost my hat! - Don't worry.... since it is waterpoof.... you won't have a problem reclaiming it at Rouen!,” plate 17 from Les Canotiers Parisiens

The Gust of Wind. “- Oh blast! I've lost my hat! - Don't worry.... since it is waterpoof.... you won't have a problem reclaiming it at Rouen!,” plate 17 from Les Canotiers Parisiens

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Gust of Wind. “- Oh blast! I've lost my hat! - Don't worry.... since it is waterpoof.... you won't have a problem reclaiming it at Rouen!,” plate 17 from Les Canotiers Parisiens</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/786f6931-5351-dedb-7ba9-8670db472240/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Gust of Wind. “- Oh blast! I've lost my hat! - Don't worry.... since it is waterpoof.... you won't have a problem reclaiming it at Rouen!,” plate 17 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/786f6931-5351-dedb-7ba9-8670db472240/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Gust of Wind. “- Oh blast! I've lost my hat! - Don't worry.... since it is waterpoof.... you won't have a problem reclaiming it at Rouen!,” plate 17 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/786f6931-5351-dedb-7ba9-8670db472240/full/full/0/default.jpg.
SUMMARY. The Gust of Wind. “- Oh blast! I've lost my hat! - Don't worry.... since it is waterpoof.... you won't have a problem reclaiming it at Rouen!,” plate 17 from Les Canotiers Parisiens
CAPTION.
The Honours of the Pantheon, plate 433

The Honours of the Pantheon, plate 433

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Honours of the Pantheon, plate 433</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/66c2a55f-2769-ea6e-2e6a-d0b6d3e56b28/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Honours of the Pantheon, plate 433</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/66c2a55f-2769-ea6e-2e6a-d0b6d3e56b28/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Honours of the Pantheon, plate 433</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/66c2a55f-2769-ea6e-2e6a-d0b6d3e56b28/full/full/0/default.jpg.
SUMMARY. The Honours of the Pantheon, plate 433
CAPTION.
The Inconvenience of Having His Hair Curled. “Oh blast.... look here, watch out... you are burning me.... I am meeting someone, and I want you to make me look good....... but in order to declare my burning passion, I don't need to smell scorched!,” plate 31 from Les Beaux Jours De La Vie

The Inconvenience of Having His Hair Curled. “Oh blast.... look here, watch out... you are burning me.... I am meeting someone, and I want you to make me look good....... but in order to declare my burning passion, I don't need to smell scorched!,” plate 31 from Les Beaux Jours De La Vie

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Inconvenience of Having His Hair Curled. “Oh blast.... look here, watch out... you are burning me.... I am meeting someone, and I want you to make me look good....... but in order to declare my burning passion, I don't need to smell scorched!,” plate 31 from Les Beaux Jours De La Vie</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/5ae7983f-63d3-b73d-0c98-f376630c992a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Inconvenience of Having His Hair Curled. “Oh blast.... look here, watch out... you are burning me.... I am meeting someone, and I want you to make me look good....... but in order to declare my burning passion, I don't need to smell scorched!,” plate 31 from Les Beaux Jours De La Vie</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/5ae7983f-63d3-b73d-0c98-f376630c992a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Inconvenience of Having His Hair Curled. “Oh blast.... look here, watch out... you are burning me.... I am meeting someone, and I want you to make me look good....... but in order to declare my burning passion, I don't need to smell scorched!,” plate 31 from Les Beaux Jours De La Vie</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/5ae7983f-63d3-b73d-0c98-f376630c992a/full/full/0/default.jpg.
SUMMARY. The Inconvenience of Having His Hair Curled. “Oh blast.... look here, watch out... you are burning me.... I am meeting someone, and I want you to make me look good....... but in order to declare my burning passion, I don't need to smell scorched!,” plate 31 from Les Beaux Jours De La Vie
CAPTION.
The Influence of the Peace Congress. “Oh you scoundrels, you are fighting again... you still don't know that man should live in peace and be master of himself,” plate 8 from Actualités

The Influence of the Peace Congress. “Oh you scoundrels, you are fighting again... you still don't know that man should live in peace and be master of himself,” plate 8 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Influence of the Peace Congress. “Oh you scoundrels, you are fighting again... you still don't know that man should live in peace and be master of himself,” plate 8 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/e8a0bc2d-15f8-9bd0-8331-875919459ddf/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Influence of the Peace Congress. “Oh you scoundrels, you are fighting again... you still don't know that man should live in peace and be master of himself,” plate 8 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/e8a0bc2d-15f8-9bd0-8331-875919459ddf/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Influence of the Peace Congress. “Oh you scoundrels, you are fighting again... you still don't know that man should live in peace and be master of himself,” plate 8 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/e8a0bc2d-15f8-9bd0-8331-875919459ddf/full/full/0/default.jpg.
SUMMARY. The Influence of the Peace Congress. “Oh you scoundrels, you are fighting again... you still don't know that man should live in peace and be master of himself,” plate 8 from Actualités
CAPTION.
The Interior of a Family on January 2 - or the Danger of Consuming Immoderately Non-Hygienic Sweets, plate 62 from Actualités

The Interior of a Family on January 2 - or the Danger of Consuming Immoderately Non-Hygienic Sweets, plate 62 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Interior of a Family on January 2 - or the Danger of Consuming Immoderately Non-Hygienic Sweets, plate 62 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d1b7ce21-c2d2-0ae4-8946-04f982e7af2a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Interior of a Family on January 2 - or the Danger of Consuming Immoderately Non-Hygienic Sweets, plate 62 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/d1b7ce21-c2d2-0ae4-8946-04f982e7af2a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Interior of a Family on January 2 - or the Danger of Consuming Immoderately Non-Hygienic Sweets, plate 62 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/d1b7ce21-c2d2-0ae4-8946-04f982e7af2a/full/full/0/default.jpg.
SUMMARY. The Interior of a Family on January 2 - or the Danger of Consuming Immoderately Non-Hygienic Sweets, plate 62 from Actualités
CAPTION.
The Lesson of the Professor, plate five from Les Comédiens de Société

The Lesson of the Professor, plate five from Les Comédiens de Société

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Lesson of the Professor, plate five from Les Comédiens de Société</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/634ed4ed-93de-4617-1745-1b024c716487/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Lesson of the Professor, plate five from Les Comédiens de Société</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/634ed4ed-93de-4617-1745-1b024c716487/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Lesson of the Professor, plate five from Les Comédiens de Société</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/634ed4ed-93de-4617-1745-1b024c716487/full/full/0/default.jpg.
SUMMARY. The Lesson of the Professor, plate five from Les Comédiens de Société
CAPTION.
The Loose Head, plate 427

The Loose Head, plate 427

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Loose Head, plate 427</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/aa802b1b-4da3-debc-f374-979bda18a91f/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Loose Head, plate 427</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/aa802b1b-4da3-debc-f374-979bda18a91f/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Loose Head, plate 427</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/aa802b1b-4da3-debc-f374-979bda18a91f/full/full/0/default.jpg.
SUMMARY. The Loose Head, plate 427
CAPTION.
The Mountebanks. “- Oh Maître Bilboquet, we have had it... these clowns will steal our show! Don't you worry, Gringaillet, they're no competition, they are just comedians!,” from Les Saltimbanques

The Mountebanks. “- Oh Maître Bilboquet, we have had it... these clowns will steal our show! Don't you worry, Gringaillet, they're no competition, they are just comedians!,” from Les Saltimbanques

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Mountebanks. “- Oh Maître Bilboquet, we have had it... these clowns will steal our show! Don't you worry, Gringaillet, they're no competition, they are just comedians!,” from Les Saltimbanques</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/0a3bfa17-5638-95cc-33a0-4e825a598c2b/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Mountebanks. “- Oh Maître Bilboquet, we have had it... these clowns will steal our show! Don't you worry, Gringaillet, they're no competition, they are just comedians!,” from Les Saltimbanques</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/0a3bfa17-5638-95cc-33a0-4e825a598c2b/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Mountebanks. “- Oh Maître Bilboquet, we have had it... these clowns will steal our show! Don't you worry, Gringaillet, they're no competition, they are just comedians!,” from Les Saltimbanques</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/0a3bfa17-5638-95cc-33a0-4e825a598c2b/full/full/0/default.jpg.
SUMMARY. The Mountebanks. “- Oh Maître Bilboquet, we have had it... these clowns will steal our show! Don't you worry, Gringaillet, they're no competition, they are just comedians!,” from Les Saltimbanques
CAPTION.
The New Blockhouses. “- No more rent to pay, Monsieur Vautour... and we are no longer afraid of the janitor..... in our chalets we are all Swiss,” plate 332 from Actualités

The New Blockhouses. “- No more rent to pay, Monsieur Vautour... and we are no longer afraid of the janitor..... in our chalets we are all Swiss,” plate 332 from Actualités

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The New Blockhouses. “- No more rent to pay, Monsieur Vautour... and we are no longer afraid of the janitor..... in our chalets we are all Swiss,” plate 332 from Actualités</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/17b792fa-2743-366e-308d-3e919392dd50/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The New Blockhouses. “- No more rent to pay, Monsieur Vautour... and we are no longer afraid of the janitor..... in our chalets we are all Swiss,” plate 332 from Actualités</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/17b792fa-2743-366e-308d-3e919392dd50/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The New Blockhouses. “- No more rent to pay, Monsieur Vautour... and we are no longer afraid of the janitor..... in our chalets we are all Swiss,” plate 332 from Actualités</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/17b792fa-2743-366e-308d-3e919392dd50/full/full/0/default.jpg.
SUMMARY. The New Blockhouses. “- No more rent to pay, Monsieur Vautour... and we are no longer afraid of the janitor..... in our chalets we are all Swiss,” plate 332 from Actualités
CAPTION.
The New Fashion. Which is the man, which is the woman?... make your guess if you can and choose if you dare, plate 270 from Actualités

The New Fashion. Which is the man, which is the woman?... make your guess if you can and choose if you dare, plate 270 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The New Fashion. Which is the man, which is the woman?... make your guess if you can and choose if you dare, plate 270 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/de2214de-1778-f7b8-f984-7f3ad3c1f23d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The New Fashion. Which is the man, which is the woman?... make your guess if you can and choose if you dare, plate 270 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/de2214de-1778-f7b8-f984-7f3ad3c1f23d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The New Fashion. Which is the man, which is the woman?... make your guess if you can and choose if you dare, plate 270 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/de2214de-1778-f7b8-f984-7f3ad3c1f23d/full/full/0/default.jpg.
SUMMARY. The New Fashion. Which is the man, which is the woman?... make your guess if you can and choose if you dare, plate 270 from Actualités
CAPTION.
The New Neapolitan Buffoon. Receiving the congratulations of the DEVIL instead of being carried off by him, plate 229 from Actualités

The New Neapolitan Buffoon. Receiving the congratulations of the DEVIL instead of being carried off by him, plate 229 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The New Neapolitan Buffoon. Receiving the congratulations of the DEVIL instead of being carried off by him, plate 229 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/73135108-7610-e3fa-dd2d-d2f3a22d88da/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The New Neapolitan Buffoon. Receiving the congratulations of the DEVIL instead of being carried off by him, plate 229 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/73135108-7610-e3fa-dd2d-d2f3a22d88da/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The New Neapolitan Buffoon. Receiving the congratulations of the DEVIL instead of being carried off by him, plate 229 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/73135108-7610-e3fa-dd2d-d2f3a22d88da/full/full/0/default.jpg.
SUMMARY. The New Neapolitan Buffoon. Receiving the congratulations of the DEVIL instead of being carried off by him, plate 229 from Actualités
CAPTION.
The New Paris. How fortunate for those in a hurry that the avenues have been widened!!!, plate 301 from Souvenirs d’artistes

The New Paris. How fortunate for those in a hurry that the avenues have been widened!!!, plate 301 from Souvenirs d’artistes

Lithograph in black on ivory China paper, laid down on white wove paper (chine collé) · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The New Paris. How fortunate for those in a hurry that the avenues have been widened!!!, plate 301 from Souvenirs d’artistes</i> [Lithograph in black on ivory China paper, laid down on white wove paper (chine collé)]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a7164dd6-7f2f-f7d9-53ca-f8d16393b53d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The New Paris. How fortunate for those in a hurry that the avenues have been widened!!!, plate 301 from Souvenirs d’artistes</i>." n.d.. Lithograph in black on ivory China paper, laid down on white wove paper (chine collé). Art Institute of Chicago, https://www.artic.edu/iiif/2/a7164dd6-7f2f-f7d9-53ca-f8d16393b53d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The New Paris. How fortunate for those in a hurry that the avenues have been widened!!!, plate 301 from Souvenirs d’artistes</i>," n.d.. Lithograph in black on ivory China paper, laid down on white wove paper (chine collé). Art Institute of Chicago. https://www.artic.edu/iiif/2/a7164dd6-7f2f-f7d9-53ca-f8d16393b53d/full/full/0/default.jpg.
SUMMARY. The New Paris. How fortunate for those in a hurry that the avenues have been widened!!!, plate 301 from Souvenirs d’artistes
CAPTION.
The Novice Sailor. “Devil... rowing is much more difficult than I thought! And to really enjoy myself I would rather stick peas.,” plate 19 from Les Canotiers Parisiens

The Novice Sailor. “Devil... rowing is much more difficult than I thought! And to really enjoy myself I would rather stick peas.,” plate 19 from Les Canotiers Parisiens

Lithograph in black on tan wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Novice Sailor. “Devil... rowing is much more difficult than I thought! And to really enjoy myself I would rather stick peas.,” plate 19 from Les Canotiers Parisiens</i> [Lithograph in black on tan wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d6cf20c5-9843-5913-8a2d-ce110c6053aa/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Novice Sailor. “Devil... rowing is much more difficult than I thought! And to really enjoy myself I would rather stick peas.,” plate 19 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on tan wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/d6cf20c5-9843-5913-8a2d-ce110c6053aa/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Novice Sailor. “Devil... rowing is much more difficult than I thought! And to really enjoy myself I would rather stick peas.,” plate 19 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on tan wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/d6cf20c5-9843-5913-8a2d-ce110c6053aa/full/full/0/default.jpg.
SUMMARY. The Novice Sailor. “Devil... rowing is much more difficult than I thought! And to really enjoy myself I would rather stick peas.,” plate 19 from Les Canotiers Parisiens
CAPTION.
The Opening Night! “What! Even my porter offers me flowers!... Bless my soul, this comedy will cost me a fortune... I begin to regret that it hasn't been hissed off the stage altogether,” plate twelve from Les beaux jours de la vie

The Opening Night! “What! Even my porter offers me flowers!... Bless my soul, this comedy will cost me a fortune... I begin to regret that it hasn't been hissed off the stage altogether,” plate twelve from Les beaux jours de la vie

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Opening Night! “What! Even my porter offers me flowers!... Bless my soul, this comedy will cost me a fortune... I begin to regret that it hasn't been hissed off the stage altogether,” plate twelve from Les beaux jours de la vie</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ddf8dc1a-32e8-4fd2-990e-6202724977be/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Opening Night! “What! Even my porter offers me flowers!... Bless my soul, this comedy will cost me a fortune... I begin to regret that it hasn't been hissed off the stage altogether,” plate twelve from Les beaux jours de la vie</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/ddf8dc1a-32e8-4fd2-990e-6202724977be/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Opening Night! “What! Even my porter offers me flowers!... Bless my soul, this comedy will cost me a fortune... I begin to regret that it hasn't been hissed off the stage altogether,” plate twelve from Les beaux jours de la vie</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/ddf8dc1a-32e8-4fd2-990e-6202724977be/full/full/0/default.jpg.
SUMMARY. The Opening Night! “What! Even my porter offers me flowers!... Bless my soul, this comedy will cost me a fortune... I begin to regret that it hasn't been hissed off the stage altogether,” plate twelve from Les beaux jours de la vie
CAPTION.
The Pamela Hat. “You are perfectly right Madame to adopt this ravishing form of a new hat...... especially from the side it matches beautifully your physiognomy.....!,”plate 76 from Les Beaux Jours De La Vie

The Pamela Hat. “You are perfectly right Madame to adopt this ravishing form of a new hat...... especially from the side it matches beautifully your physiognomy.....!,”plate 76 from Les Beaux Jours De La Vie

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Pamela Hat. “You are perfectly right Madame to adopt this ravishing form of a new hat...... especially from the side it matches beautifully your physiognomy.....!,”plate 76 from Les Beaux Jours De La Vie</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/793f9a9d-e718-cfa6-a676-4223d42f1c64/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Pamela Hat. “You are perfectly right Madame to adopt this ravishing form of a new hat...... especially from the side it matches beautifully your physiognomy.....!,”plate 76 from Les Beaux Jours De La Vie</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/793f9a9d-e718-cfa6-a676-4223d42f1c64/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Pamela Hat. “You are perfectly right Madame to adopt this ravishing form of a new hat...... especially from the side it matches beautifully your physiognomy.....!,”plate 76 from Les Beaux Jours De La Vie</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/793f9a9d-e718-cfa6-a676-4223d42f1c64/full/full/0/default.jpg.
SUMMARY. The Pamela Hat. “You are perfectly right Madame to adopt this ravishing form of a new hat...... especially from the side it matches beautifully your physiognomy.....!,”plate 76 from Les Beaux Jours De La Vie
CAPTION.
The Past, the Present, the Future, plate 349

The Past, the Present, the Future, plate 349

Lithograph in black on off-white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Past, the Present, the Future, plate 349</i> [Lithograph in black on off-white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/3e057098-5669-7319-23ad-c17d8a27d853/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Past, the Present, the Future, plate 349</i>." n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/3e057098-5669-7319-23ad-c17d8a27d853/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Past, the Present, the Future, plate 349</i>," n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/3e057098-5669-7319-23ad-c17d8a27d853/full/full/0/default.jpg.
SUMMARY. The Past, the Present, the Future, plate 349
CAPTION.
The Reappearance of the Tritons of the Sea, plate 412 from Actualités

The Reappearance of the Tritons of the Sea, plate 412 from Actualités

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Reappearance of the Tritons of the Sea, plate 412 from Actualités</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/53e51b86-0948-84a2-ac9e-29924a86e8e9/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Reappearance of the Tritons of the Sea, plate 412 from Actualités</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/53e51b86-0948-84a2-ac9e-29924a86e8e9/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Reappearance of the Tritons of the Sea, plate 412 from Actualités</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/53e51b86-0948-84a2-ac9e-29924a86e8e9/full/full/0/default.jpg.
SUMMARY. The Reappearance of the Tritons of the Sea, plate 412 from Actualités
CAPTION.
The Recruiting Board. “Isn't it a glorious sight: these noble young Frenchmen full of ardour, strength and elegance ready to defend their honour under the flags of Mars,” plate 35 from Caricatures Du Jour

The Recruiting Board. “Isn't it a glorious sight: these noble young Frenchmen full of ardour, strength and elegance ready to defend their honour under the flags of Mars,” plate 35 from Caricatures Du Jour

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Recruiting Board. “Isn't it a glorious sight: these noble young Frenchmen full of ardour, strength and elegance ready to defend their honour under the flags of Mars,” plate 35 from Caricatures Du Jour</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/dfca47d9-ade9-5dad-b250-77d7b8875a6d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Recruiting Board. “Isn't it a glorious sight: these noble young Frenchmen full of ardour, strength and elegance ready to defend their honour under the flags of Mars,” plate 35 from Caricatures Du Jour</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/dfca47d9-ade9-5dad-b250-77d7b8875a6d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Recruiting Board. “Isn't it a glorious sight: these noble young Frenchmen full of ardour, strength and elegance ready to defend their honour under the flags of Mars,” plate 35 from Caricatures Du Jour</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/dfca47d9-ade9-5dad-b250-77d7b8875a6d/full/full/0/default.jpg.
SUMMARY. The Recruiting Board. “Isn't it a glorious sight: these noble young Frenchmen full of ardour, strength and elegance ready to defend their honour under the flags of Mars,” plate 35 from Caricatures Du Jour
CAPTION.
The Rendez-Vous. “- Madame Eudoxie Blancminet? - That's me, Monsieur... what can I do for you?,” plate 44 from Les Beaux Jours De La Vie

The Rendez-Vous. “- Madame Eudoxie Blancminet? - That's me, Monsieur... what can I do for you?,” plate 44 from Les Beaux Jours De La Vie

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Rendez-Vous. “- Madame Eudoxie Blancminet? - That's me, Monsieur... what can I do for you?,” plate 44 from Les Beaux Jours De La Vie</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d5adee06-2a33-ea03-ecdf-78ae6f178d50/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Rendez-Vous. “- Madame Eudoxie Blancminet? - That's me, Monsieur... what can I do for you?,” plate 44 from Les Beaux Jours De La Vie</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/d5adee06-2a33-ea03-ecdf-78ae6f178d50/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Rendez-Vous. “- Madame Eudoxie Blancminet? - That's me, Monsieur... what can I do for you?,” plate 44 from Les Beaux Jours De La Vie</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/d5adee06-2a33-ea03-ecdf-78ae6f178d50/full/full/0/default.jpg.
SUMMARY. The Rendez-Vous. “- Madame Eudoxie Blancminet? - That's me, Monsieur... what can I do for you?,” plate 44 from Les Beaux Jours De La Vie
CAPTION.
The Repose of France, plate 417

The Repose of France, plate 417

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Repose of France, plate 417</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/c7152cb3-8881-5db4-d17a-e0f4a7ce2b44/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Repose of France, plate 417</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/c7152cb3-8881-5db4-d17a-e0f4a7ce2b44/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Repose of France, plate 417</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/c7152cb3-8881-5db4-d17a-e0f4a7ce2b44/full/full/0/default.jpg.
SUMMARY. The Repose of France, plate 417
CAPTION.
The Restaurant at the Exhibition. “- No clients at all… aren't these people hungry? - I guess that the hungry ones are eating the snacks they were offered,” plate 3 from Le Salon De 1857

The Restaurant at the Exhibition. “- No clients at all… aren't these people hungry? - I guess that the hungry ones are eating the snacks they were offered,” plate 3 from Le Salon De 1857

Lithograph in black on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Restaurant at the Exhibition. “- No clients at all… aren't these people hungry? - I guess that the hungry ones are eating the snacks they were offered,” plate 3 from Le Salon De 1857</i> [Lithograph in black on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ea4ac470-17cc-a8f6-d0d0-79fb211f034d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Restaurant at the Exhibition. “- No clients at all… aren't these people hungry? - I guess that the hungry ones are eating the snacks they were offered,” plate 3 from Le Salon De 1857</i>." n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/ea4ac470-17cc-a8f6-d0d0-79fb211f034d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Restaurant at the Exhibition. “- No clients at all… aren't these people hungry? - I guess that the hungry ones are eating the snacks they were offered,” plate 3 from Le Salon De 1857</i>," n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/ea4ac470-17cc-a8f6-d0d0-79fb211f034d/full/full/0/default.jpg.
SUMMARY. The Restaurant at the Exhibition. “- No clients at all… aren't these people hungry? - I guess that the hungry ones are eating the snacks they were offered,” plate 3 from Le Salon De 1857
CAPTION.
The Return of the Oyster Season. “- I could eat twelve dozens of them… just imagine that there are people who don't like oysters… - They just have no self respect…,” plate 53 from Les Beaux Jours De La Vie

The Return of the Oyster Season. “- I could eat twelve dozens of them… just imagine that there are people who don't like oysters… - They just have no self respect…,” plate 53 from Les Beaux Jours De La Vie

Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages, but has separated), with text added in another hand and letterpress verso (and recto when unfolded) · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Return of the Oyster Season. “- I could eat twelve dozens of them… just imagine that there are people who don't like oysters… - They just have no self respect…,” plate 53 from Les Beaux Jours De La Vie</i> [Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages, but has separated), with text added in another hand and letterpress verso (and recto when unfolded)]. Art Institute of Chicago. https://www.artic.edu/iiif/2/bd073d04-7059-b037-9ec4-e950d77ca08d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Return of the Oyster Season. “- I could eat twelve dozens of them… just imagine that there are people who don't like oysters… - They just have no self respect…,” plate 53 from Les Beaux Jours De La Vie</i>." n.d.. Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages, but has separated), with text added in another hand and letterpress verso (and recto when unfolded). Art Institute of Chicago, https://www.artic.edu/iiif/2/bd073d04-7059-b037-9ec4-e950d77ca08d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Return of the Oyster Season. “- I could eat twelve dozens of them… just imagine that there are people who don't like oysters… - They just have no self respect…,” plate 53 from Les Beaux Jours De La Vie</i>," n.d.. Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages, but has separated), with text added in another hand and letterpress verso (and recto when unfolded). Art Institute of Chicago. https://www.artic.edu/iiif/2/bd073d04-7059-b037-9ec4-e950d77ca08d/full/full/0/default.jpg.
SUMMARY. The Return of the Oyster Season. “- I could eat twelve dozens of them… just imagine that there are people who don't like oysters… - They just have no self respect…,” plate 53 from Les Beaux Jours De La Vie
CAPTION.
The Shirt Maker. “Sir, I have tailored here for you the best that is presently available..... with a shirt of my making one can present oneself in no matter what Salon and one will always be the best dressed man of the party,” plate 67 from Les Beaux Jours De La Vie

The Shirt Maker. “Sir, I have tailored here for you the best that is presently available..... with a shirt of my making one can present oneself in no matter what Salon and one will always be the best dressed man of the party,” plate 67 from Les Beaux Jours De La Vie

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Shirt Maker. “Sir, I have tailored here for you the best that is presently available..... with a shirt of my making one can present oneself in no matter what Salon and one will always be the best dressed man of the party,” plate 67 from Les Beaux Jours De La Vie</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/0ece7f11-d5cc-0f26-1188-689e08f41c64/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Shirt Maker. “Sir, I have tailored here for you the best that is presently available..... with a shirt of my making one can present oneself in no matter what Salon and one will always be the best dressed man of the party,” plate 67 from Les Beaux Jours De La Vie</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/0ece7f11-d5cc-0f26-1188-689e08f41c64/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Shirt Maker. “Sir, I have tailored here for you the best that is presently available..... with a shirt of my making one can present oneself in no matter what Salon and one will always be the best dressed man of the party,” plate 67 from Les Beaux Jours De La Vie</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/0ece7f11-d5cc-0f26-1188-689e08f41c64/full/full/0/default.jpg.
SUMMARY. The Shirt Maker. “Sir, I have tailored here for you the best that is presently available..... with a shirt of my making one can present oneself in no matter what Salon and one will always be the best dressed man of the party,” plate 67 from Les Beaux Jours De La Vie
CAPTION.
The Side Show (La Parade)

The Side Show (La Parade)

Pen and black ink and brush and gray wash, with charcoal, on ivory laid paper (discolored to cream) · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Side Show (La Parade)</i> [Pen and black ink and brush and gray wash, with charcoal, on ivory laid paper (discolored to cream)]. Art Institute of Chicago. https://www.artic.edu/iiif/2/142a8624-ac1f-31d0-ccc8-7f0839df1610/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Side Show (La Parade)</i>." n.d.. Pen and black ink and brush and gray wash, with charcoal, on ivory laid paper (discolored to cream). Art Institute of Chicago, https://www.artic.edu/iiif/2/142a8624-ac1f-31d0-ccc8-7f0839df1610/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Side Show (La Parade)</i>," n.d.. Pen and black ink and brush and gray wash, with charcoal, on ivory laid paper (discolored to cream). Art Institute of Chicago. https://www.artic.edu/iiif/2/142a8624-ac1f-31d0-ccc8-7f0839df1610/full/full/0/default.jpg.
SUMMARY. The Side Show (La Parade)
CAPTION.
The Spectators

The Spectators

Charcoal on off-white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Spectators</i> [Charcoal on off-white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/9e70197e-4eda-b904-98c5-5742bab84fdb/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Spectators</i>." n.d.. Charcoal on off-white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/9e70197e-4eda-b904-98c5-5742bab84fdb/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Spectators</i>," n.d.. Charcoal on off-white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/9e70197e-4eda-b904-98c5-5742bab84fdb/full/full/0/default.jpg.
SUMMARY. The Spectators
CAPTION.
The Taste. “Wow! I am not surprised any more why this fellow is so spirited... and he calls me an old beast! Let me have one of these every morning, and I will be full of spirit too,” plate 40 from Types Parisiens

The Taste. “Wow! I am not surprised any more why this fellow is so spirited... and he calls me an old beast! Let me have one of these every morning, and I will be full of spirit too,” plate 40 from Types Parisiens

Lithograph in black on white wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Taste. “Wow! I am not surprised any more why this fellow is so spirited... and he calls me an old beast! Let me have one of these every morning, and I will be full of spirit too,” plate 40 from Types Parisiens</i> [Lithograph in black on white wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/02e73512-4e53-2e5e-16a3-293069692d0d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Taste. “Wow! I am not surprised any more why this fellow is so spirited... and he calls me an old beast! Let me have one of these every morning, and I will be full of spirit too,” plate 40 from Types Parisiens</i>." n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/02e73512-4e53-2e5e-16a3-293069692d0d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Taste. “Wow! I am not surprised any more why this fellow is so spirited... and he calls me an old beast! Let me have one of these every morning, and I will be full of spirit too,” plate 40 from Types Parisiens</i>," n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/02e73512-4e53-2e5e-16a3-293069692d0d/full/full/0/default.jpg.
SUMMARY. The Taste. “Wow! I am not surprised any more why this fellow is so spirited... and he calls me an old beast! Let me have one of these every morning, and I will be full of spirit too,” plate 40 from Types Parisiens
CAPTION.
The Terrible Director. “- Indeed! You are telling me that you missed today's rehearsal because you had to set leeches onto your mother? - Yes sir. - But, when you first came here three months ago, you told me that you were an orphan. This is the first time in my long career at the theater that I have met a person who sets leeches on the body of a dead person,” plate 5 from Les Moments Difficiles De La Vie

The Terrible Director. “- Indeed! You are telling me that you missed today's rehearsal because you had to set leeches onto your mother? - Yes sir. - But, when you first came here three months ago, you told me that you were an orphan. This is the first time in my long career at the theater that I have met a person who sets leeches on the body of a dead person,” plate 5 from Les Moments Difficiles De La Vie

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Terrible Director. “- Indeed! You are telling me that you missed today's rehearsal because you had to set leeches onto your mother? - Yes sir. - But, when you first came here three months ago, you told me that you were an orphan. This is the first time in my long career at the theater that I have met a person who sets leeches on the body of a dead person,” plate 5 from Les Moments Difficiles De La Vie</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/2764d3c9-06cf-fb0e-5737-fdf12d9d6f8d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Terrible Director. “- Indeed! You are telling me that you missed today's rehearsal because you had to set leeches onto your mother? - Yes sir. - But, when you first came here three months ago, you told me that you were an orphan. This is the first time in my long career at the theater that I have met a person who sets leeches on the body of a dead person,” plate 5 from Les Moments Difficiles De La Vie</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/2764d3c9-06cf-fb0e-5737-fdf12d9d6f8d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Terrible Director. “- Indeed! You are telling me that you missed today's rehearsal because you had to set leeches onto your mother? - Yes sir. - But, when you first came here three months ago, you told me that you were an orphan. This is the first time in my long career at the theater that I have met a person who sets leeches on the body of a dead person,” plate 5 from Les Moments Difficiles De La Vie</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/2764d3c9-06cf-fb0e-5737-fdf12d9d6f8d/full/full/0/default.jpg.
SUMMARY. The Terrible Director. “- Indeed! You are telling me that you missed today's rehearsal because you had to set leeches onto your mother? - Yes sir. - But, when you first came here three months ago, you told me that you were an orphan. This is the first time in my long career at the theater that I have met a person who sets leeches on the body of a dead person,” plate 5 from Les Moments Difficiles De La Vie
CAPTION.
The Three Connoisseurs

The Three Connoisseurs

Pen and black ink, with brush and black and gray wash, over traces of charcoal, on ivory wove paper (discolored to cream) · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Three Connoisseurs</i> [Pen and black ink, with brush and black and gray wash, over traces of charcoal, on ivory wove paper (discolored to cream)]. Art Institute of Chicago. https://www.artic.edu/iiif/2/266ae4d7-6daa-492d-5c16-df02ce40a869/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Three Connoisseurs</i>." n.d.. Pen and black ink, with brush and black and gray wash, over traces of charcoal, on ivory wove paper (discolored to cream). Art Institute of Chicago, https://www.artic.edu/iiif/2/266ae4d7-6daa-492d-5c16-df02ce40a869/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Three Connoisseurs</i>," n.d.. Pen and black ink, with brush and black and gray wash, over traces of charcoal, on ivory wove paper (discolored to cream). Art Institute of Chicago. https://www.artic.edu/iiif/2/266ae4d7-6daa-492d-5c16-df02ce40a869/full/full/0/default.jpg.
SUMMARY. The Three Connoisseurs
CAPTION.
The Three Judges

The Three Judges

Watercolor and brush and black gouache, with charcoal, heightened with gray gouache, over touches of graphite, on ivory laid paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Three Judges</i> [Watercolor and brush and black gouache, with charcoal, heightened with gray gouache, over touches of graphite, on ivory laid paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/77c344fa-4d19-8f61-776c-2e811a830810/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Three Judges</i>." n.d.. Watercolor and brush and black gouache, with charcoal, heightened with gray gouache, over touches of graphite, on ivory laid paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/77c344fa-4d19-8f61-776c-2e811a830810/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Three Judges</i>," n.d.. Watercolor and brush and black gouache, with charcoal, heightened with gray gouache, over touches of graphite, on ivory laid paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/77c344fa-4d19-8f61-776c-2e811a830810/full/full/0/default.jpg.
SUMMARY. The Three Judges
CAPTION.
The Touch, plate 42 from Types Parisiens

The Touch, plate 42 from Types Parisiens

Lithograph in black on white wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Touch, plate 42 from Types Parisiens</i> [Lithograph in black on white wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/3a4a5d8f-28be-413e-78c0-309d22a9818f/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Touch, plate 42 from Types Parisiens</i>." n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/3a4a5d8f-28be-413e-78c0-309d22a9818f/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Touch, plate 42 from Types Parisiens</i>," n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/3a4a5d8f-28be-413e-78c0-309d22a9818f/full/full/0/default.jpg.
SUMMARY. The Touch, plate 42 from Types Parisiens
CAPTION.
The Tuileries Gardens. “- No smoking here, Sir! - You mean in the garden?,” plate 10 from Le Chapitre Des Interprétations

The Tuileries Gardens. “- No smoking here, Sir! - You mean in the garden?,” plate 10 from Le Chapitre Des Interprétations

Lithograph in black on buff wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Tuileries Gardens. “- No smoking here, Sir! - You mean in the garden?,” plate 10 from Le Chapitre Des Interprétations</i> [Lithograph in black on buff wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/65d637bd-0929-7714-41fd-d0701f4947ce/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Tuileries Gardens. “- No smoking here, Sir! - You mean in the garden?,” plate 10 from Le Chapitre Des Interprétations</i>." n.d.. Lithograph in black on buff wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/65d637bd-0929-7714-41fd-d0701f4947ce/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Tuileries Gardens. “- No smoking here, Sir! - You mean in the garden?,” plate 10 from Le Chapitre Des Interprétations</i>," n.d.. Lithograph in black on buff wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/65d637bd-0929-7714-41fd-d0701f4947ce/full/full/0/default.jpg.
SUMMARY. The Tuileries Gardens. “- No smoking here, Sir! - You mean in the garden?,” plate 10 from Le Chapitre Des Interprétations
CAPTION.
The Turnstile. A new machine invented by the enemy of crinoline petticoats, plate 15 from L'exposition Universelle

The Turnstile. A new machine invented by the enemy of crinoline petticoats, plate 15 from L'exposition Universelle

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Turnstile. A new machine invented by the enemy of crinoline petticoats, plate 15 from L'exposition Universelle</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/bd3e26de-0645-35c8-13a6-9a1517ef7fdc/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Turnstile. A new machine invented by the enemy of crinoline petticoats, plate 15 from L'exposition Universelle</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/bd3e26de-0645-35c8-13a6-9a1517ef7fdc/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Turnstile. A new machine invented by the enemy of crinoline petticoats, plate 15 from L'exposition Universelle</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/bd3e26de-0645-35c8-13a6-9a1517ef7fdc/full/full/0/default.jpg.
SUMMARY. The Turnstile. A new machine invented by the enemy of crinoline petticoats, plate 15 from L'exposition Universelle
CAPTION.
The Waiter in Black Suits. Funeral of the tip box, plate 2 from Croquis Parisiens

The Waiter in Black Suits. Funeral of the tip box, plate 2 from Croquis Parisiens

Lithograph in black on cream wove paper, with text added in another hand and letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Waiter in Black Suits. Funeral of the tip box, plate 2 from Croquis Parisiens</i> [Lithograph in black on cream wove paper, with text added in another hand and letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/8a539b83-ccf4-6275-c714-30f7bea212ff/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Waiter in Black Suits. Funeral of the tip box, plate 2 from Croquis Parisiens</i>." n.d.. Lithograph in black on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/8a539b83-ccf4-6275-c714-30f7bea212ff/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Waiter in Black Suits. Funeral of the tip box, plate 2 from Croquis Parisiens</i>," n.d.. Lithograph in black on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/8a539b83-ccf4-6275-c714-30f7bea212ff/full/full/0/default.jpg.
SUMMARY. The Waiter in Black Suits. Funeral of the tip box, plate 2 from Croquis Parisiens
CAPTION.
The Wells of Grenelle. “And these scoundrels of chemists are claiming that it is good for children to bathe in the wells of Grenelle! Here is Dodolphe who has turned more green than an apple.... one hardly knows whether he is a lizard or a toad,” plate 37 from Moeurs Conjugales

The Wells of Grenelle. “And these scoundrels of chemists are claiming that it is good for children to bathe in the wells of Grenelle! Here is Dodolphe who has turned more green than an apple.... one hardly knows whether he is a lizard or a toad,” plate 37 from Moeurs Conjugales

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Wells of Grenelle. “And these scoundrels of chemists are claiming that it is good for children to bathe in the wells of Grenelle! Here is Dodolphe who has turned more green than an apple.... one hardly knows whether he is a lizard or a toad,” plate 37 from Moeurs Conjugales</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d684607f-4fd8-975f-452b-8b1aa349c8d0/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Wells of Grenelle. “And these scoundrels of chemists are claiming that it is good for children to bathe in the wells of Grenelle! Here is Dodolphe who has turned more green than an apple.... one hardly knows whether he is a lizard or a toad,” plate 37 from Moeurs Conjugales</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/d684607f-4fd8-975f-452b-8b1aa349c8d0/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Wells of Grenelle. “And these scoundrels of chemists are claiming that it is good for children to bathe in the wells of Grenelle! Here is Dodolphe who has turned more green than an apple.... one hardly knows whether he is a lizard or a toad,” plate 37 from Moeurs Conjugales</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/d684607f-4fd8-975f-452b-8b1aa349c8d0/full/full/0/default.jpg.
SUMMARY. The Wells of Grenelle. “And these scoundrels of chemists are claiming that it is good for children to bathe in the wells of Grenelle! Here is Dodolphe who has turned more green than an apple.... one hardly knows whether he is a lizard or a toad,” plate 37 from Moeurs Conjugales
CAPTION.
The Worries of a Wine Grower. “- We escaped the frost..... all we now have to worry about is the sun, the rain, the vine-mildew and all the rest...,” plate 397 from Actualités

The Worries of a Wine Grower. “- We escaped the frost..... all we now have to worry about is the sun, the rain, the vine-mildew and all the rest...,” plate 397 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The Worries of a Wine Grower. “- We escaped the frost..... all we now have to worry about is the sun, the rain, the vine-mildew and all the rest...,” plate 397 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a7b0ee2e-90e4-aa1a-52a2-4e571aa9be8f/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Worries of a Wine Grower. “- We escaped the frost..... all we now have to worry about is the sun, the rain, the vine-mildew and all the rest...,” plate 397 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a7b0ee2e-90e4-aa1a-52a2-4e571aa9be8f/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The Worries of a Wine Grower. “- We escaped the frost..... all we now have to worry about is the sun, the rain, the vine-mildew and all the rest...,” plate 397 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a7b0ee2e-90e4-aa1a-52a2-4e571aa9be8f/full/full/0/default.jpg.
SUMMARY. The Worries of a Wine Grower. “- We escaped the frost..... all we now have to worry about is the sun, the rain, the vine-mildew and all the rest...,” plate 397 from Actualités
CAPTION.
The danger of wearing hoopskirts during a sudden spring storm, plate 26 from La Crinolomanie

The danger of wearing hoopskirts during a sudden spring storm, plate 26 from La Crinolomanie

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The danger of wearing hoopskirts during a sudden spring storm, plate 26 from La Crinolomanie</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/e5e0b65f-d864-7641-4340-7c4ede3c1414/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The danger of wearing hoopskirts during a sudden spring storm, plate 26 from La Crinolomanie</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/e5e0b65f-d864-7641-4340-7c4ede3c1414/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The danger of wearing hoopskirts during a sudden spring storm, plate 26 from La Crinolomanie</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/e5e0b65f-d864-7641-4340-7c4ede3c1414/full/full/0/default.jpg.
SUMMARY. The danger of wearing hoopskirts during a sudden spring storm, plate 26 from La Crinolomanie
CAPTION.
The day of the great parade, plate 6 from Les Papas

The day of the great parade, plate 6 from Les Papas

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The day of the great parade, plate 6 from Les Papas</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/eccc1658-2270-694c-adc6-497251ca77d4/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The day of the great parade, plate 6 from Les Papas</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/eccc1658-2270-694c-adc6-497251ca77d4/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The day of the great parade, plate 6 from Les Papas</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/eccc1658-2270-694c-adc6-497251ca77d4/full/full/0/default.jpg.
SUMMARY. The day of the great parade, plate 6 from Les Papas
CAPTION.
The defense compliments the talent of the prosecution, while the Attorney General admires the eloquence of the defense. The judge applauds both of them and everybody is satisfied, except he accused, plate 16 from Les Gens De Justice

The defense compliments the talent of the prosecution, while the Attorney General admires the eloquence of the defense. The judge applauds both of them and everybody is satisfied, except he accused, plate 16 from Les Gens De Justice

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The defense compliments the talent of the prosecution, while the Attorney General admires the eloquence of the defense. The judge applauds both of them and everybody is satisfied, except he accused, plate 16 from Les Gens De Justice</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/b44aad19-6f3e-03d3-d2c1-e5493ec76857/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The defense compliments the talent of the prosecution, while the Attorney General admires the eloquence of the defense. The judge applauds both of them and everybody is satisfied, except he accused, plate 16 from Les Gens De Justice</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/b44aad19-6f3e-03d3-d2c1-e5493ec76857/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The defense compliments the talent of the prosecution, while the Attorney General admires the eloquence of the defense. The judge applauds both of them and everybody is satisfied, except he accused, plate 16 from Les Gens De Justice</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/b44aad19-6f3e-03d3-d2c1-e5493ec76857/full/full/0/default.jpg.
SUMMARY. The defense compliments the talent of the prosecution, while the Attorney General admires the eloquence of the defense. The judge applauds both of them and everybody is satisfied, except he accused, plate 16 from Les Gens De Justice
CAPTION.
The disadvantage of having servants who have previously served at Mr. Duprez', plate 65 from Tout Ce Qu'on Voudra

The disadvantage of having servants who have previously served at Mr. Duprez', plate 65 from Tout Ce Qu'on Voudra

Lithograph, with hand-coloring on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The disadvantage of having servants who have previously served at Mr. Duprez', plate 65 from Tout Ce Qu'on Voudra</i> [Lithograph, with hand-coloring on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/79c86af2-0bc5-dbee-93a1-f2ad75f020cc/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The disadvantage of having servants who have previously served at Mr. Duprez', plate 65 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph, with hand-coloring on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/79c86af2-0bc5-dbee-93a1-f2ad75f020cc/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The disadvantage of having servants who have previously served at Mr. Duprez', plate 65 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph, with hand-coloring on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/79c86af2-0bc5-dbee-93a1-f2ad75f020cc/full/full/0/default.jpg.
SUMMARY. The disadvantage of having servants who have previously served at Mr. Duprez', plate 65 from Tout Ce Qu'on Voudra
CAPTION.
The disadvantage of shooting at young partridges with the new explosive bullets of Devisme, plate 17 from Émotions De Chasse

The disadvantage of shooting at young partridges with the new explosive bullets of Devisme, plate 17 from Émotions De Chasse

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The disadvantage of shooting at young partridges with the new explosive bullets of Devisme, plate 17 from Émotions De Chasse</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/310b7b46-f80b-61c3-1347-8875bca35679/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The disadvantage of shooting at young partridges with the new explosive bullets of Devisme, plate 17 from Émotions De Chasse</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/310b7b46-f80b-61c3-1347-8875bca35679/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The disadvantage of shooting at young partridges with the new explosive bullets of Devisme, plate 17 from Émotions De Chasse</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/310b7b46-f80b-61c3-1347-8875bca35679/full/full/0/default.jpg.
SUMMARY. The disadvantage of shooting at young partridges with the new explosive bullets of Devisme, plate 17 from Émotions De Chasse
CAPTION.
The hunted hunter, plate 4 from La Chasse

The hunted hunter, plate 4 from La Chasse

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The hunted hunter, plate 4 from La Chasse</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/9274c842-f5a3-8362-9854-4274347626b0/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The hunted hunter, plate 4 from La Chasse</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/9274c842-f5a3-8362-9854-4274347626b0/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The hunted hunter, plate 4 from La Chasse</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/9274c842-f5a3-8362-9854-4274347626b0/full/full/0/default.jpg.
SUMMARY. The hunted hunter, plate 4 from La Chasse
CAPTION.
The husband wants him to look at his hot-bed, the friend only dreams of seeing his wife, plate 3 from Les Amisa

The husband wants him to look at his hot-bed, the friend only dreams of seeing his wife, plate 3 from Les Amisa

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The husband wants him to look at his hot-bed, the friend only dreams of seeing his wife, plate 3 from Les Amisa</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/9ef33daf-3c99-3453-c481-1abd07de5576/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The husband wants him to look at his hot-bed, the friend only dreams of seeing his wife, plate 3 from Les Amisa</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/9ef33daf-3c99-3453-c481-1abd07de5576/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The husband wants him to look at his hot-bed, the friend only dreams of seeing his wife, plate 3 from Les Amisa</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/9ef33daf-3c99-3453-c481-1abd07de5576/full/full/0/default.jpg.
SUMMARY. The husband wants him to look at his hot-bed, the friend only dreams of seeing his wife, plate 3 from Les Amisa
CAPTION.
The pupils of the Institute Pascareau are trying their new school uniform which makes them look a little like the great Napoleon and a lot like little newspaper boys, plate 25 from Professeurs Et Moutards

The pupils of the Institute Pascareau are trying their new school uniform which makes them look a little like the great Napoleon and a lot like little newspaper boys, plate 25 from Professeurs Et Moutards

Lithograph in black on cream wove paper, with text added in another hand and letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The pupils of the Institute Pascareau are trying their new school uniform which makes them look a little like the great Napoleon and a lot like little newspaper boys, plate 25 from Professeurs Et Moutards</i> [Lithograph in black on cream wove paper, with text added in another hand and letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/01bcd4b8-4341-2df0-e332-7703941d52b1/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The pupils of the Institute Pascareau are trying their new school uniform which makes them look a little like the great Napoleon and a lot like little newspaper boys, plate 25 from Professeurs Et Moutards</i>." n.d.. Lithograph in black on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/01bcd4b8-4341-2df0-e332-7703941d52b1/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The pupils of the Institute Pascareau are trying their new school uniform which makes them look a little like the great Napoleon and a lot like little newspaper boys, plate 25 from Professeurs Et Moutards</i>," n.d.. Lithograph in black on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/01bcd4b8-4341-2df0-e332-7703941d52b1/full/full/0/default.jpg.
SUMMARY. The pupils of the Institute Pascareau are trying their new school uniform which makes them look a little like the great Napoleon and a lot like little newspaper boys, plate 25 from Professeurs Et Moutards
CAPTION.
The source of the Seine is the Cote d'Or, and it empties into the Channel. On its way it traverses Paris where the inhabitants escape the summer's heat and try to find freshness and purity in this river, plate 3 from Les Baigneurs

The source of the Seine is the Cote d'Or, and it empties into the Channel. On its way it traverses Paris where the inhabitants escape the summer's heat and try to find freshness and purity in this river, plate 3 from Les Baigneurs

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The source of the Seine is the Cote d'Or, and it empties into the Channel. On its way it traverses Paris where the inhabitants escape the summer's heat and try to find freshness and purity in this river, plate 3 from Les Baigneurs</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ef78c984-0aaf-9783-a88f-de02fc5ec5bc/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The source of the Seine is the Cote d'Or, and it empties into the Channel. On its way it traverses Paris where the inhabitants escape the summer's heat and try to find freshness and purity in this river, plate 3 from Les Baigneurs</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/ef78c984-0aaf-9783-a88f-de02fc5ec5bc/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The source of the Seine is the Cote d'Or, and it empties into the Channel. On its way it traverses Paris where the inhabitants escape the summer's heat and try to find freshness and purity in this river, plate 3 from Les Baigneurs</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/ef78c984-0aaf-9783-a88f-de02fc5ec5bc/full/full/0/default.jpg.
SUMMARY. The source of the Seine is the Cote d'Or, and it empties into the Channel. On its way it traverses Paris where the inhabitants escape the summer's heat and try to find freshness and purity in this river, plate 3 from Les Baigneurs
CAPTION.
The usefulness of the crinoline when cheating the customs, plate 414 from Actualités

The usefulness of the crinoline when cheating the customs, plate 414 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>The usefulness of the crinoline when cheating the customs, plate 414 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/19739d17-54b2-6f26-cd36-ff3634e82e0f/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>The usefulness of the crinoline when cheating the customs, plate 414 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/19739d17-54b2-6f26-cd36-ff3634e82e0f/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>The usefulness of the crinoline when cheating the customs, plate 414 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/19739d17-54b2-6f26-cd36-ff3634e82e0f/full/full/0/default.jpg.
SUMMARY. The usefulness of the crinoline when cheating the customs, plate 414 from Actualités
CAPTION.
They succeeded in acclimatizing the Indian potato to the French climate, but it is still a problem to acclimatize the French to the Indian potato!, plate 1 from La Société D'acclimatation

They succeeded in acclimatizing the Indian potato to the French climate, but it is still a problem to acclimatize the French to the Indian potato!, plate 1 from La Société D'acclimatation

Lithograph in black on buff wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>They succeeded in acclimatizing the Indian potato to the French climate, but it is still a problem to acclimatize the French to the Indian potato!, plate 1 from La Société D'acclimatation</i> [Lithograph in black on buff wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/3d62eace-ef90-eee5-f74e-fe058cbae40e/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>They succeeded in acclimatizing the Indian potato to the French climate, but it is still a problem to acclimatize the French to the Indian potato!, plate 1 from La Société D'acclimatation</i>." n.d.. Lithograph in black on buff wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/3d62eace-ef90-eee5-f74e-fe058cbae40e/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>They succeeded in acclimatizing the Indian potato to the French climate, but it is still a problem to acclimatize the French to the Indian potato!, plate 1 from La Société D'acclimatation</i>," n.d.. Lithograph in black on buff wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/3d62eace-ef90-eee5-f74e-fe058cbae40e/full/full/0/default.jpg.
SUMMARY. They succeeded in acclimatizing the Indian potato to the French climate, but it is still a problem to acclimatize the French to the Indian potato!, plate 1 from La Société D'acclimatation
CAPTION.
Thiers. Citizen Thiers Tries on the New Tail-Coat which Babin has Just Sent Him, plate 4 from Les Représentans Représentés

Thiers. Citizen Thiers Tries on the New Tail-Coat which Babin has Just Sent Him, plate 4 from Les Représentans Représentés

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Thiers. Citizen Thiers Tries on the New Tail-Coat which Babin has Just Sent Him, plate 4 from Les Représentans Représentés</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/dc5ea24c-1380-7b11-a70b-c85db65cc2e0/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Thiers. Citizen Thiers Tries on the New Tail-Coat which Babin has Just Sent Him, plate 4 from Les Représentans Représentés</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/dc5ea24c-1380-7b11-a70b-c85db65cc2e0/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Thiers. Citizen Thiers Tries on the New Tail-Coat which Babin has Just Sent Him, plate 4 from Les Représentans Représentés</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/dc5ea24c-1380-7b11-a70b-c85db65cc2e0/full/full/0/default.jpg.
SUMMARY. Thiers. Citizen Thiers Tries on the New Tail-Coat which Babin has Just Sent Him, plate 4 from Les Représentans Représentés
CAPTION.
This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears,” This is What the Royal Printer is Sending Us. “- What! I was told I would get some light documentation about the question in question. - That's right, monsieur, we'll bring you the rest right away,” plate 13 from Revue Caricaturale

This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears,” This is What the Royal Printer is Sending Us. “- What! I was told I would get some light documentation about the question in question. - That's right, monsieur, we'll bring you the rest right away,” plate 13 from Revue Caricaturale

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears,” This is What the Royal Printer is Sending Us. “- What! I was told I would get some light documentation about the question in question. - That's right, monsieur, we'll bring you the rest right away,” plate 13 from Revue Caricaturale</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/1383c84f-7fcd-4960-95d8-15cd5126c77a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears,” This is What the Royal Printer is Sending Us. “- What! I was told I would get some light documentation about the question in question. - That's right, monsieur, we'll bring you the rest right away,” plate 13 from Revue Caricaturale</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/1383c84f-7fcd-4960-95d8-15cd5126c77a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears,” This is What the Royal Printer is Sending Us. “- What! I was told I would get some light documentation about the question in question. - That's right, monsieur, we'll bring you the rest right away,” plate 13 from Revue Caricaturale</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/1383c84f-7fcd-4960-95d8-15cd5126c77a/full/full/0/default.jpg.
SUMMARY. This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears,” This is What the Royal Printer is Sending Us. “- What! I was told I would get some light documentation about the question in question. - That's right, monsieur, we'll bring you the rest right away,” plate 13 from Revue Caricaturale
CAPTION.
This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears.,” plate 13 from Revue Caricaturale

This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears.,” plate 13 from Revue Caricaturale

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears.,” plate 13 from Revue Caricaturale</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/2c61d313-a314-3314-f9b3-65d9ce4d2382/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears.,” plate 13 from Revue Caricaturale</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/2c61d313-a314-3314-f9b3-65d9ce4d2382/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears.,” plate 13 from Revue Caricaturale</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/2c61d313-a314-3314-f9b3-65d9ce4d2382/full/full/0/default.jpg.
SUMMARY. This is What Nowadays is Called a Light Work. “- My God, what's this!.... an encyclopaedia? “- No sir.... it is the novel 'the mysteries of Paris' that Madame bought at the bookshop of our Master. We will bring you the rest of the oeuvre as soon as it appears.,” plate 13 from Revue Caricaturale
CAPTION.
Three Gossips

Three Gossips

Black crayon and charcoal, on ivory laid paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Three Gossips</i> [Black crayon and charcoal, on ivory laid paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/e6193a35-3338-dac9-156f-e8c653e5e81b/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Three Gossips</i>." n.d.. Black crayon and charcoal, on ivory laid paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/e6193a35-3338-dac9-156f-e8c653e5e81b/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Three Gossips</i>," n.d.. Black crayon and charcoal, on ivory laid paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/e6193a35-3338-dac9-156f-e8c653e5e81b/full/full/0/default.jpg.
SUMMARY. Three Gossips
CAPTION.
Too Many Cooks Spoil the Broth, plate 129 from Actualités

Too Many Cooks Spoil the Broth, plate 129 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Too Many Cooks Spoil the Broth, plate 129 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/97a891c9-e3fc-71f5-059d-1ed3604da6ea/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Too Many Cooks Spoil the Broth, plate 129 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/97a891c9-e3fc-71f5-059d-1ed3604da6ea/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Too Many Cooks Spoil the Broth, plate 129 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/97a891c9-e3fc-71f5-059d-1ed3604da6ea/full/full/0/default.jpg.
SUMMARY. Too Many Cooks Spoil the Broth, plate 129 from Actualités
CAPTION.
Travel across the attentive population, plate 413

Travel across the attentive population, plate 413

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Travel across the attentive population, plate 413</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f9d09a0c-2268-275c-6520-b19c89808692/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Travel across the attentive population, plate 413</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/f9d09a0c-2268-275c-6520-b19c89808692/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Travel across the attentive population, plate 413</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/f9d09a0c-2268-275c-6520-b19c89808692/full/full/0/default.jpg.
SUMMARY. Travel across the attentive population, plate 413
CAPTION.
Two Grand Dukes Leaving for Sebastopol, plate 166 from Actualités

Two Grand Dukes Leaving for Sebastopol, plate 166 from Actualités

Lithograph in black on white wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Two Grand Dukes Leaving for Sebastopol, plate 166 from Actualités</i> [Lithograph in black on white wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/9e426468-96ab-2a07-888e-553d8f7ecf23/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Two Grand Dukes Leaving for Sebastopol, plate 166 from Actualités</i>." n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/9e426468-96ab-2a07-888e-553d8f7ecf23/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Two Grand Dukes Leaving for Sebastopol, plate 166 from Actualités</i>," n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/9e426468-96ab-2a07-888e-553d8f7ecf23/full/full/0/default.jpg.
SUMMARY. Two Grand Dukes Leaving for Sebastopol, plate 166 from Actualités
CAPTION.
Under the shade in the countryside, plate 11 from Croquis D'été

Under the shade in the countryside, plate 11 from Croquis D'été

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Under the shade in the countryside, plate 11 from Croquis D'été</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/bbc43c46-0b29-482d-a92b-76697251c73b/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Under the shade in the countryside, plate 11 from Croquis D'été</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/bbc43c46-0b29-482d-a92b-76697251c73b/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Under the shade in the countryside, plate 11 from Croquis D'été</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/bbc43c46-0b29-482d-a92b-76697251c73b/full/full/0/default.jpg.
SUMMARY. Under the shade in the countryside, plate 11 from Croquis D'été
CAPTION.
Very High and Mighty Legitimate Brats. Peoples, defend yourselves, tear yourselves to pieces, sacrifice yourselves for these royals, you belong to them, imbeciles, plate 19

Very High and Mighty Legitimate Brats. Peoples, defend yourselves, tear yourselves to pieces, sacrifice yourselves for these royals, you belong to them, imbeciles, plate 19

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Very High and Mighty Legitimate Brats. Peoples, defend yourselves, tear yourselves to pieces, sacrifice yourselves for these royals, you belong to them, imbeciles, plate 19</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/90714dd4-71cf-9ff9-741d-e35be6afdad7/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Very High and Mighty Legitimate Brats. Peoples, defend yourselves, tear yourselves to pieces, sacrifice yourselves for these royals, you belong to them, imbeciles, plate 19</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/90714dd4-71cf-9ff9-741d-e35be6afdad7/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Very High and Mighty Legitimate Brats. Peoples, defend yourselves, tear yourselves to pieces, sacrifice yourselves for these royals, you belong to them, imbeciles, plate 19</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/90714dd4-71cf-9ff9-741d-e35be6afdad7/full/full/0/default.jpg.
SUMMARY. Very High and Mighty Legitimate Brats. Peoples, defend yourselves, tear yourselves to pieces, sacrifice yourselves for these royals, you belong to them, imbeciles, plate 19
CAPTION.
Very humble, very obedient, very submissive, and most of all, very voracious subjects, plate 136

Very humble, very obedient, very submissive, and most of all, very voracious subjects, plate 136

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Very humble, very obedient, very submissive, and most of all, very voracious subjects, plate 136</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/2dc81b8c-8784-abf8-d992-a10bee7c4a6b/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Very humble, very obedient, very submissive, and most of all, very voracious subjects, plate 136</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/2dc81b8c-8784-abf8-d992-a10bee7c4a6b/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Very humble, very obedient, very submissive, and most of all, very voracious subjects, plate 136</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/2dc81b8c-8784-abf8-d992-a10bee7c4a6b/full/full/0/default.jpg.
SUMMARY. Very humble, very obedient, very submissive, and most of all, very voracious subjects, plate 136
CAPTION.
View Taken in a Studio a Few Ways before the Opening of the Exhibition, plate 3 from L'exposition Universelle

View Taken in a Studio a Few Ways before the Opening of the Exhibition, plate 3 from L'exposition Universelle

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>View Taken in a Studio a Few Ways before the Opening of the Exhibition, plate 3 from L'exposition Universelle</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/18b5ae7e-da3b-561b-d751-636eaaa31018/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>View Taken in a Studio a Few Ways before the Opening of the Exhibition, plate 3 from L'exposition Universelle</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/18b5ae7e-da3b-561b-d751-636eaaa31018/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>View Taken in a Studio a Few Ways before the Opening of the Exhibition, plate 3 from L'exposition Universelle</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/18b5ae7e-da3b-561b-d751-636eaaa31018/full/full/0/default.jpg.
SUMMARY. View Taken in a Studio a Few Ways before the Opening of the Exhibition, plate 3 from L'exposition Universelle
CAPTION.
View Taken of the Streets of Paris after the Performance of the Famous Moralistic Comedy "La Bourse,” plate 330 from Actualités

View Taken of the Streets of Paris after the Performance of the Famous Moralistic Comedy "La Bourse,” plate 330 from Actualités

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>View Taken of the Streets of Paris after the Performance of the Famous Moralistic Comedy "La Bourse,” plate 330 from Actualités</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/dbe57250-2793-3332-cc85-ce17106480df/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>View Taken of the Streets of Paris after the Performance of the Famous Moralistic Comedy "La Bourse,” plate 330 from Actualités</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/dbe57250-2793-3332-cc85-ce17106480df/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>View Taken of the Streets of Paris after the Performance of the Famous Moralistic Comedy "La Bourse,” plate 330 from Actualités</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/dbe57250-2793-3332-cc85-ce17106480df/full/full/0/default.jpg.
SUMMARY. View Taken of the Streets of Paris after the Performance of the Famous Moralistic Comedy "La Bourse,” plate 330 from Actualités
CAPTION.
View of the Grand Hall, plate 1 from Souvenirdu Grand Festival des Orphéonistes

View of the Grand Hall, plate 1 from Souvenirdu Grand Festival des Orphéonistes

Lithograph on buff wove paper, with letter press, verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>View of the Grand Hall, plate 1 from Souvenirdu Grand Festival des Orphéonistes</i> [Lithograph on buff wove paper, with letter press, verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/167568f3-738b-dfaf-d22d-fdfdb95211d7/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>View of the Grand Hall, plate 1 from Souvenirdu Grand Festival des Orphéonistes</i>." n.d.. Lithograph on buff wove paper, with letter press, verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/167568f3-738b-dfaf-d22d-fdfdb95211d7/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>View of the Grand Hall, plate 1 from Souvenirdu Grand Festival des Orphéonistes</i>," n.d.. Lithograph on buff wove paper, with letter press, verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/167568f3-738b-dfaf-d22d-fdfdb95211d7/full/full/0/default.jpg.
SUMMARY. View of the Grand Hall, plate 1 from Souvenirdu Grand Festival des Orphéonistes
CAPTION.
View of the Seine near Asnières during the dog days, plate 2 from Croquis D'été

View of the Seine near Asnières during the dog days, plate 2 from Croquis D'été

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>View of the Seine near Asnières during the dog days, plate 2 from Croquis D'été</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a9bb930c-71a9-983d-9d13-d87dac8ad55d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>View of the Seine near Asnières during the dog days, plate 2 from Croquis D'été</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a9bb930c-71a9-983d-9d13-d87dac8ad55d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>View of the Seine near Asnières during the dog days, plate 2 from Croquis D'été</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a9bb930c-71a9-983d-9d13-d87dac8ad55d/full/full/0/default.jpg.
SUMMARY. View of the Seine near Asnières during the dog days, plate 2 from Croquis D'été
CAPTION.
View of the grand hall. Map, height and view from front of the conductor. Grand alliance between telegraph and music, plate 1 from Souvenir Du Grand Festival Des Orphéonistes

View of the grand hall. Map, height and view from front of the conductor. Grand alliance between telegraph and music, plate 1 from Souvenir Du Grand Festival Des Orphéonistes

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>View of the grand hall. Map, height and view from front of the conductor. Grand alliance between telegraph and music, plate 1 from Souvenir Du Grand Festival Des Orphéonistes</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/db9c4211-85f2-2e48-283f-b2fdeb7db5f2/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>View of the grand hall. Map, height and view from front of the conductor. Grand alliance between telegraph and music, plate 1 from Souvenir Du Grand Festival Des Orphéonistes</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/db9c4211-85f2-2e48-283f-b2fdeb7db5f2/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>View of the grand hall. Map, height and view from front of the conductor. Grand alliance between telegraph and music, plate 1 from Souvenir Du Grand Festival Des Orphéonistes</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/db9c4211-85f2-2e48-283f-b2fdeb7db5f2/full/full/0/default.jpg.
SUMMARY. View of the grand hall. Map, height and view from front of the conductor. Grand alliance between telegraph and music, plate 1 from Souvenir Du Grand Festival Des Orphéonistes
CAPTION.
Which proves again that already since high school man supports himself on the shoulders of his kin in order to advance in life, plate 30 from Professeurs Et Moutards

Which proves again that already since high school man supports himself on the shoulders of his kin in order to advance in life, plate 30 from Professeurs Et Moutards

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Which proves again that already since high school man supports himself on the shoulders of his kin in order to advance in life, plate 30 from Professeurs Et Moutards</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/41b38f75-80ed-f621-067e-f5092a8fe840/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Which proves again that already since high school man supports himself on the shoulders of his kin in order to advance in life, plate 30 from Professeurs Et Moutards</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/41b38f75-80ed-f621-067e-f5092a8fe840/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Which proves again that already since high school man supports himself on the shoulders of his kin in order to advance in life, plate 30 from Professeurs Et Moutards</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/41b38f75-80ed-f621-067e-f5092a8fe840/full/full/0/default.jpg.
SUMMARY. Which proves again that already since high school man supports himself on the shoulders of his kin in order to advance in life, plate 30 from Professeurs Et Moutards
CAPTION.
Youthful Memories. “- You see our letters have not yet been erased... oh Sophie, it was here that I gained your heart. - Hold your tongue now, Théophile.... if someone should hear us!,” plate 49 from Married Life

Youthful Memories. “- You see our letters have not yet been erased... oh Sophie, it was here that I gained your heart. - Hold your tongue now, Théophile.... if someone should hear us!,” plate 49 from Married Life

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>Youthful Memories. “- You see our letters have not yet been erased... oh Sophie, it was here that I gained your heart. - Hold your tongue now, Théophile.... if someone should hear us!,” plate 49 from Married Life</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/853fbec5-c04b-8fe5-154a-876380a47a02/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>Youthful Memories. “- You see our letters have not yet been erased... oh Sophie, it was here that I gained your heart. - Hold your tongue now, Théophile.... if someone should hear us!,” plate 49 from Married Life</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/853fbec5-c04b-8fe5-154a-876380a47a02/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>Youthful Memories. “- You see our letters have not yet been erased... oh Sophie, it was here that I gained your heart. - Hold your tongue now, Théophile.... if someone should hear us!,” plate 49 from Married Life</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/853fbec5-c04b-8fe5-154a-876380a47a02/full/full/0/default.jpg.
SUMMARY. Youthful Memories. “- You see our letters have not yet been erased... oh Sophie, it was here that I gained your heart. - Hold your tongue now, Théophile.... if someone should hear us!,” plate 49 from Married Life
CAPTION.
“- Ah, Théophile, what ghastly things I am reading about you. According to the book by Mr. Desbarolles, I can tell that you have in your palm the lines of a libertinage!… - Oh, well…,” plate 1 from Ces Bons Parisiens

“- Ah, Théophile, what ghastly things I am reading about you. According to the book by Mr. Desbarolles, I can tell that you have in your palm the lines of a libertinage!… - Oh, well…,” plate 1 from Ces Bons Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Ah, Théophile, what ghastly things I am reading about you. According to the book by Mr. Desbarolles, I can tell that you have in your palm the lines of a libertinage!… - Oh, well…,” plate 1 from Ces Bons Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/291016d7-dffb-15aa-95b1-d9518188b279/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Ah, Théophile, what ghastly things I am reading about you. According to the book by Mr. Desbarolles, I can tell that you have in your palm the lines of a libertinage!… - Oh, well…,” plate 1 from Ces Bons Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/291016d7-dffb-15aa-95b1-d9518188b279/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Ah, Théophile, what ghastly things I am reading about you. According to the book by Mr. Desbarolles, I can tell that you have in your palm the lines of a libertinage!… - Oh, well…,” plate 1 from Ces Bons Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/291016d7-dffb-15aa-95b1-d9518188b279/full/full/0/default.jpg.
SUMMARY. “- Ah, Théophile, what ghastly things I am reading about you. According to the book by Mr. Desbarolles, I can tell that you have in your palm the lines of a libertinage!… - Oh, well…,” plate 1 from Ces Bons Parisiens
CAPTION.
“- And to think that Prudhon did not want us to attend the socialist banquets.... the poor man has never loved..... he totally ignores that it is the woman's presence which beautifies existence,” plate 184 from Actualités

“- And to think that Prudhon did not want us to attend the socialist banquets.... the poor man has never loved..... he totally ignores that it is the woman's presence which beautifies existence,” plate 184 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- And to think that Prudhon did not want us to attend the socialist banquets.... the poor man has never loved..... he totally ignores that it is the woman's presence which beautifies existence,” plate 184 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/dbf1ec07-72ce-116c-7e8d-dcef1f9cb33a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- And to think that Prudhon did not want us to attend the socialist banquets.... the poor man has never loved..... he totally ignores that it is the woman's presence which beautifies existence,” plate 184 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/dbf1ec07-72ce-116c-7e8d-dcef1f9cb33a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- And to think that Prudhon did not want us to attend the socialist banquets.... the poor man has never loved..... he totally ignores that it is the woman's presence which beautifies existence,” plate 184 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/dbf1ec07-72ce-116c-7e8d-dcef1f9cb33a/full/full/0/default.jpg.
SUMMARY. “- And to think that Prudhon did not want us to attend the socialist banquets.... the poor man has never loved..... he totally ignores that it is the woman's presence which beautifies existence,” plate 184 from Actualités
CAPTION.
“- And your bourgeois - is he for freedom of the butcher's trade?,” plate 464 from Actualités

“- And your bourgeois - is he for freedom of the butcher's trade?,” plate 464 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- And your bourgeois - is he for freedom of the butcher's trade?,” plate 464 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/53272617-b2e5-9ca8-08c8-ad35e497a0e7/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- And your bourgeois - is he for freedom of the butcher's trade?,” plate 464 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/53272617-b2e5-9ca8-08c8-ad35e497a0e7/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- And your bourgeois - is he for freedom of the butcher's trade?,” plate 464 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/53272617-b2e5-9ca8-08c8-ad35e497a0e7/full/full/0/default.jpg.
SUMMARY. “- And your bourgeois - is he for freedom of the butcher's trade?,” plate 464 from Actualités
CAPTION.
“- As you can see, Monsieur, I have enforced in my school perfectly good discipline. You cannot imagine to what extent I succeeded implanting in these young scholars a deep sentiment of respect towards their teacher,” plate 23 from Professeurs Et Moutards

“- As you can see, Monsieur, I have enforced in my school perfectly good discipline. You cannot imagine to what extent I succeeded implanting in these young scholars a deep sentiment of respect towards their teacher,” plate 23 from Professeurs Et Moutards

Lithograph on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- As you can see, Monsieur, I have enforced in my school perfectly good discipline. You cannot imagine to what extent I succeeded implanting in these young scholars a deep sentiment of respect towards their teacher,” plate 23 from Professeurs Et Moutards</i> [Lithograph on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/7d2ec1c4-1872-caea-bb86-7a73340c795b/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- As you can see, Monsieur, I have enforced in my school perfectly good discipline. You cannot imagine to what extent I succeeded implanting in these young scholars a deep sentiment of respect towards their teacher,” plate 23 from Professeurs Et Moutards</i>." n.d.. Lithograph on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/7d2ec1c4-1872-caea-bb86-7a73340c795b/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- As you can see, Monsieur, I have enforced in my school perfectly good discipline. You cannot imagine to what extent I succeeded implanting in these young scholars a deep sentiment of respect towards their teacher,” plate 23 from Professeurs Et Moutards</i>," n.d.. Lithograph on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/7d2ec1c4-1872-caea-bb86-7a73340c795b/full/full/0/default.jpg.
SUMMARY. “- As you can see, Monsieur, I have enforced in my school perfectly good discipline. You cannot imagine to what extent I succeeded implanting in these young scholars a deep sentiment of respect towards their teacher,” plate 23 from Professeurs Et Moutards
CAPTION.
“- Baron, I have the honor of introducing you to Mr. Mérouel, one of our biggest bankers… - Baron, I have the honor of introducing you to Mr. Cascaret, one of our biggest shareholders,” plate 31 from Croquis D'été

“- Baron, I have the honor of introducing you to Mr. Mérouel, one of our biggest bankers… - Baron, I have the honor of introducing you to Mr. Cascaret, one of our biggest shareholders,” plate 31 from Croquis D'été

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Baron, I have the honor of introducing you to Mr. Mérouel, one of our biggest bankers… - Baron, I have the honor of introducing you to Mr. Cascaret, one of our biggest shareholders,” plate 31 from Croquis D'été</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/8197c549-5358-a061-0595-c390739fc296/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Baron, I have the honor of introducing you to Mr. Mérouel, one of our biggest bankers… - Baron, I have the honor of introducing you to Mr. Cascaret, one of our biggest shareholders,” plate 31 from Croquis D'été</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/8197c549-5358-a061-0595-c390739fc296/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Baron, I have the honor of introducing you to Mr. Mérouel, one of our biggest bankers… - Baron, I have the honor of introducing you to Mr. Cascaret, one of our biggest shareholders,” plate 31 from Croquis D'été</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/8197c549-5358-a061-0595-c390739fc296/full/full/0/default.jpg.
SUMMARY. “- Baron, I have the honor of introducing you to Mr. Mérouel, one of our biggest bankers… - Baron, I have the honor of introducing you to Mr. Cascaret, one of our biggest shareholders,” plate 31 from Croquis D'été
CAPTION.
“- Beware my friend of the little baron... the more you dress him the less secured you will be,” plate 49 from Tout Ce Qu'on Voudra

“- Beware my friend of the little baron... the more you dress him the less secured you will be,” plate 49 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Beware my friend of the little baron... the more you dress him the less secured you will be,” plate 49 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a13122b4-84bb-8617-8f4e-3805d5d50079/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Beware my friend of the little baron... the more you dress him the less secured you will be,” plate 49 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a13122b4-84bb-8617-8f4e-3805d5d50079/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Beware my friend of the little baron... the more you dress him the less secured you will be,” plate 49 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a13122b4-84bb-8617-8f4e-3805d5d50079/full/full/0/default.jpg.
SUMMARY. “- Beware my friend of the little baron... the more you dress him the less secured you will be,” plate 49 from Tout Ce Qu'on Voudra
CAPTION.
“- Brrrr! I am furious that I came here to hunt in the St. Denis-Plain. It's just too cold!… - One of those days when you would love to catch a bear. His fur would be more than welcome right now!,” plate 3 from Croquis De Chasse

“- Brrrr! I am furious that I came here to hunt in the St. Denis-Plain. It's just too cold!… - One of those days when you would love to catch a bear. His fur would be more than welcome right now!,” plate 3 from Croquis De Chasse

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Brrrr! I am furious that I came here to hunt in the St. Denis-Plain. It's just too cold!… - One of those days when you would love to catch a bear. His fur would be more than welcome right now!,” plate 3 from Croquis De Chasse</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/1d5b674d-52ac-9e0f-ea2a-5d80e86b02e2/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Brrrr! I am furious that I came here to hunt in the St. Denis-Plain. It's just too cold!… - One of those days when you would love to catch a bear. His fur would be more than welcome right now!,” plate 3 from Croquis De Chasse</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/1d5b674d-52ac-9e0f-ea2a-5d80e86b02e2/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Brrrr! I am furious that I came here to hunt in the St. Denis-Plain. It's just too cold!… - One of those days when you would love to catch a bear. His fur would be more than welcome right now!,” plate 3 from Croquis De Chasse</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/1d5b674d-52ac-9e0f-ea2a-5d80e86b02e2/full/full/0/default.jpg.
SUMMARY. “- Brrrr! I am furious that I came here to hunt in the St. Denis-Plain. It's just too cold!… - One of those days when you would love to catch a bear. His fur would be more than welcome right now!,” plate 3 from Croquis De Chasse
CAPTION.
“- But I am telling you, they are friends.... they are just expressing themselves to each other,” plate 9 from Les Amis

“- But I am telling you, they are friends.... they are just expressing themselves to each other,” plate 9 from Les Amis

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- But I am telling you, they are friends.... they are just expressing themselves to each other,” plate 9 from Les Amis</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/12b91570-517e-e9fd-c703-8c2629bd4bb0/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- But I am telling you, they are friends.... they are just expressing themselves to each other,” plate 9 from Les Amis</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/12b91570-517e-e9fd-c703-8c2629bd4bb0/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- But I am telling you, they are friends.... they are just expressing themselves to each other,” plate 9 from Les Amis</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/12b91570-517e-e9fd-c703-8c2629bd4bb0/full/full/0/default.jpg.
SUMMARY. “- But I am telling you, they are friends.... they are just expressing themselves to each other,” plate 9 from Les Amis
CAPTION.
“- But I keep telling you that I cannot move my feet in these boots! - Don't worry, it'll come, it'll come...,” plate 8 from Tout Ce Qu'on Voudra

“- But I keep telling you that I cannot move my feet in these boots! - Don't worry, it'll come, it'll come...,” plate 8 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- But I keep telling you that I cannot move my feet in these boots! - Don't worry, it'll come, it'll come...,” plate 8 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/c03494fb-3e9f-58ff-7593-8bc8f0713b43/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- But I keep telling you that I cannot move my feet in these boots! - Don't worry, it'll come, it'll come...,” plate 8 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/c03494fb-3e9f-58ff-7593-8bc8f0713b43/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- But I keep telling you that I cannot move my feet in these boots! - Don't worry, it'll come, it'll come...,” plate 8 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/c03494fb-3e9f-58ff-7593-8bc8f0713b43/full/full/0/default.jpg.
SUMMARY. “- But I keep telling you that I cannot move my feet in these boots! - Don't worry, it'll come, it'll come...,” plate 8 from Tout Ce Qu'on Voudra
CAPTION.
“- Citizen, you owe me another five sous for your luggage, and I am even generous because if I wanted to I could count your wife as a second piece of luggage,” plate 457 from Actualités

“- Citizen, you owe me another five sous for your luggage, and I am even generous because if I wanted to I could count your wife as a second piece of luggage,” plate 457 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Citizen, you owe me another five sous for your luggage, and I am even generous because if I wanted to I could count your wife as a second piece of luggage,” plate 457 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/1f3aab2c-fa9c-b128-724b-fb0090d12c46/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Citizen, you owe me another five sous for your luggage, and I am even generous because if I wanted to I could count your wife as a second piece of luggage,” plate 457 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/1f3aab2c-fa9c-b128-724b-fb0090d12c46/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Citizen, you owe me another five sous for your luggage, and I am even generous because if I wanted to I could count your wife as a second piece of luggage,” plate 457 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/1f3aab2c-fa9c-b128-724b-fb0090d12c46/full/full/0/default.jpg.
SUMMARY. “- Citizen, you owe me another five sous for your luggage, and I am even generous because if I wanted to I could count your wife as a second piece of luggage,” plate 457 from Actualités
CAPTION.
“- Coachman, are you booked? - No, citizen. - Well then: 'you'd rather accept being advised than hired out?,'” plate 49 from Émotions Parisiennes

“- Coachman, are you booked? - No, citizen. - Well then: 'you'd rather accept being advised than hired out?,'” plate 49 from Émotions Parisiennes

Lithograph in black on white wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Coachman, are you booked? - No, citizen. - Well then: 'you'd rather accept being advised than hired out?,'” plate 49 from Émotions Parisiennes</i> [Lithograph in black on white wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/23c4bf29-1bd9-5492-dd06-b6c4f6753e24/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Coachman, are you booked? - No, citizen. - Well then: 'you'd rather accept being advised than hired out?,'” plate 49 from Émotions Parisiennes</i>." n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/23c4bf29-1bd9-5492-dd06-b6c4f6753e24/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Coachman, are you booked? - No, citizen. - Well then: 'you'd rather accept being advised than hired out?,'” plate 49 from Émotions Parisiennes</i>," n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/23c4bf29-1bd9-5492-dd06-b6c4f6753e24/full/full/0/default.jpg.
SUMMARY. “- Coachman, are you booked? - No, citizen. - Well then: 'you'd rather accept being advised than hired out?,'” plate 49 from Émotions Parisiennes
CAPTION.
“- Come, come, Mr. Pomard... keep your spirits up... only two more leagues and we can rest... - What a piece of luck, we didn't bag anything... I wouldn't even have the strength to carry a partridge,” plate 21 from Émotions De Chasse

“- Come, come, Mr. Pomard... keep your spirits up... only two more leagues and we can rest... - What a piece of luck, we didn't bag anything... I wouldn't even have the strength to carry a partridge,” plate 21 from Émotions De Chasse

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Come, come, Mr. Pomard... keep your spirits up... only two more leagues and we can rest... - What a piece of luck, we didn't bag anything... I wouldn't even have the strength to carry a partridge,” plate 21 from Émotions De Chasse</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/7648b545-6e8c-1388-a24a-d9f998071cfe/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Come, come, Mr. Pomard... keep your spirits up... only two more leagues and we can rest... - What a piece of luck, we didn't bag anything... I wouldn't even have the strength to carry a partridge,” plate 21 from Émotions De Chasse</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/7648b545-6e8c-1388-a24a-d9f998071cfe/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Come, come, Mr. Pomard... keep your spirits up... only two more leagues and we can rest... - What a piece of luck, we didn't bag anything... I wouldn't even have the strength to carry a partridge,” plate 21 from Émotions De Chasse</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/7648b545-6e8c-1388-a24a-d9f998071cfe/full/full/0/default.jpg.
SUMMARY. “- Come, come, Mr. Pomard... keep your spirits up... only two more leagues and we can rest... - What a piece of luck, we didn't bag anything... I wouldn't even have the strength to carry a partridge,” plate 21 from Émotions De Chasse
CAPTION.
“- Dire pourtant que mes dahlias continuent encore cette année à être du ponceau le plus vif . . . . malgré tous mes soins, je ne pourrai donc jamais parvenir à leur donner la nuance Boue de Paris !...,” plate 6 from Tout Ce Qu'on Voudra

“- Dire pourtant que mes dahlias continuent encore cette année à être du ponceau le plus vif . . . . malgré tous mes soins, je ne pourrai donc jamais parvenir à leur donner la nuance Boue de Paris !...,” plate 6 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Dire pourtant que mes dahlias continuent encore cette année à être du ponceau le plus vif . . . . malgré tous mes soins, je ne pourrai donc jamais parvenir à leur donner la nuance Boue de Paris !...,” plate 6 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a1040c5f-af51-892e-2d8e-9cd66d0cde92/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Dire pourtant que mes dahlias continuent encore cette année à être du ponceau le plus vif . . . . malgré tous mes soins, je ne pourrai donc jamais parvenir à leur donner la nuance Boue de Paris !...,” plate 6 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a1040c5f-af51-892e-2d8e-9cd66d0cde92/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Dire pourtant que mes dahlias continuent encore cette année à être du ponceau le plus vif . . . . malgré tous mes soins, je ne pourrai donc jamais parvenir à leur donner la nuance Boue de Paris !...,” plate 6 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a1040c5f-af51-892e-2d8e-9cd66d0cde92/full/full/0/default.jpg.
SUMMARY. “- Dire pourtant que mes dahlias continuent encore cette année à être du ponceau le plus vif . . . . malgré tous mes soins, je ne pourrai donc jamais parvenir à leur donner la nuance Boue de Paris !...,” plate 6 from Tout Ce Qu'on Voudra
CAPTION.
“- Don't worry, Eleonore... it's nothing, it's just a little wind announcing the arrival of spring,” plate 34 from Croquis Parisiens

“- Don't worry, Eleonore... it's nothing, it's just a little wind announcing the arrival of spring,” plate 34 from Croquis Parisiens

Lithograph in black on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Don't worry, Eleonore... it's nothing, it's just a little wind announcing the arrival of spring,” plate 34 from Croquis Parisiens</i> [Lithograph in black on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/e4edcfc3-3cee-5d03-6f3a-4a6888a0e512/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Don't worry, Eleonore... it's nothing, it's just a little wind announcing the arrival of spring,” plate 34 from Croquis Parisiens</i>." n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/e4edcfc3-3cee-5d03-6f3a-4a6888a0e512/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Don't worry, Eleonore... it's nothing, it's just a little wind announcing the arrival of spring,” plate 34 from Croquis Parisiens</i>," n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/e4edcfc3-3cee-5d03-6f3a-4a6888a0e512/full/full/0/default.jpg.
SUMMARY. “- Don't worry, Eleonore... it's nothing, it's just a little wind announcing the arrival of spring,” plate 34 from Croquis Parisiens
CAPTION.
“- Driver, driver, you cannot reject me, you have to save my life... bring me back to the races alive! - But come on, Spaniard… be reasonable… you don't have to fear the rain, since you are wearing a coat!…,” plate 2 from Le Carnaval De 1858

“- Driver, driver, you cannot reject me, you have to save my life... bring me back to the races alive! - But come on, Spaniard… be reasonable… you don't have to fear the rain, since you are wearing a coat!…,” plate 2 from Le Carnaval De 1858

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Driver, driver, you cannot reject me, you have to save my life... bring me back to the races alive! - But come on, Spaniard… be reasonable… you don't have to fear the rain, since you are wearing a coat!…,” plate 2 from Le Carnaval De 1858</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f6765230-1dc3-6208-22f5-944cd7b6d1cb/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Driver, driver, you cannot reject me, you have to save my life... bring me back to the races alive! - But come on, Spaniard… be reasonable… you don't have to fear the rain, since you are wearing a coat!…,” plate 2 from Le Carnaval De 1858</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/f6765230-1dc3-6208-22f5-944cd7b6d1cb/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Driver, driver, you cannot reject me, you have to save my life... bring me back to the races alive! - But come on, Spaniard… be reasonable… you don't have to fear the rain, since you are wearing a coat!…,” plate 2 from Le Carnaval De 1858</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/f6765230-1dc3-6208-22f5-944cd7b6d1cb/full/full/0/default.jpg.
SUMMARY. “- Driver, driver, you cannot reject me, you have to save my life... bring me back to the races alive! - But come on, Spaniard… be reasonable… you don't have to fear the rain, since you are wearing a coat!…,” plate 2 from Le Carnaval De 1858
CAPTION.
“- Eh! my Didine, have we danced enough? - Oh, don't mention it any more, I am completely worn out - Then take off your stockings and get to bed! - Good grief, no.. really, I'm just too tired!,” plate 56 from Moeurs Conjugales

“- Eh! my Didine, have we danced enough? - Oh, don't mention it any more, I am completely worn out - Then take off your stockings and get to bed! - Good grief, no.. really, I'm just too tired!,” plate 56 from Moeurs Conjugales

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Eh! my Didine, have we danced enough? - Oh, don't mention it any more, I am completely worn out - Then take off your stockings and get to bed! - Good grief, no.. really, I'm just too tired!,” plate 56 from Moeurs Conjugales</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/5ea045ab-7dc0-55b5-d07f-0f19d208c3d5/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Eh! my Didine, have we danced enough? - Oh, don't mention it any more, I am completely worn out - Then take off your stockings and get to bed! - Good grief, no.. really, I'm just too tired!,” plate 56 from Moeurs Conjugales</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/5ea045ab-7dc0-55b5-d07f-0f19d208c3d5/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Eh! my Didine, have we danced enough? - Oh, don't mention it any more, I am completely worn out - Then take off your stockings and get to bed! - Good grief, no.. really, I'm just too tired!,” plate 56 from Moeurs Conjugales</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/5ea045ab-7dc0-55b5-d07f-0f19d208c3d5/full/full/0/default.jpg.
SUMMARY. “- Eh! my Didine, have we danced enough? - Oh, don't mention it any more, I am completely worn out - Then take off your stockings and get to bed! - Good grief, no.. really, I'm just too tired!,” plate 56 from Moeurs Conjugales
CAPTION.
“- Enough, enough, it's much too tight!! - But not at all, Monsieur, this fabric suits you like a glove!”, plate 5 from Coquetterie

“- Enough, enough, it's much too tight!! - But not at all, Monsieur, this fabric suits you like a glove!”, plate 5 from Coquetterie

Lithograph in black on off-white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Enough, enough, it's much too tight!! - But not at all, Monsieur, this fabric suits you like a glove!”, plate 5 from Coquetterie</i> [Lithograph in black on off-white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/2ca080b1-0a49-3c1f-8193-28670b856051/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Enough, enough, it's much too tight!! - But not at all, Monsieur, this fabric suits you like a glove!”, plate 5 from Coquetterie</i>." n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/2ca080b1-0a49-3c1f-8193-28670b856051/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Enough, enough, it's much too tight!! - But not at all, Monsieur, this fabric suits you like a glove!”, plate 5 from Coquetterie</i>," n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/2ca080b1-0a49-3c1f-8193-28670b856051/full/full/0/default.jpg.
SUMMARY. “- Enough, enough, it's much too tight!! - But not at all, Monsieur, this fabric suits you like a glove!”, plate 5 from Coquetterie
CAPTION.
“- Finally we obtained the division of property between husband and wife... - about time, there was no more money left to divide,” plate 3 from Les Avocats Et Les Plaideurs

“- Finally we obtained the division of property between husband and wife... - about time, there was no more money left to divide,” plate 3 from Les Avocats Et Les Plaideurs

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Finally we obtained the division of property between husband and wife... - about time, there was no more money left to divide,” plate 3 from Les Avocats Et Les Plaideurs</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/5c7e34d8-2b88-3403-d46b-198f27ba252e/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Finally we obtained the division of property between husband and wife... - about time, there was no more money left to divide,” plate 3 from Les Avocats Et Les Plaideurs</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/5c7e34d8-2b88-3403-d46b-198f27ba252e/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Finally we obtained the division of property between husband and wife... - about time, there was no more money left to divide,” plate 3 from Les Avocats Et Les Plaideurs</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/5c7e34d8-2b88-3403-d46b-198f27ba252e/full/full/0/default.jpg.
SUMMARY. “- Finally we obtained the division of property between husband and wife... - about time, there was no more money left to divide,” plate 3 from Les Avocats Et Les Plaideurs
CAPTION.
“- Hard to imagine that one day I might have to trade my crown against a simple hat,” plate 249 from Actualités

“- Hard to imagine that one day I might have to trade my crown against a simple hat,” plate 249 from Actualités

Lithograph in black on white wove paper, with letterpress recto verso · Art Institute of Chicago

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Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Hard to imagine that one day I might have to trade my crown against a simple hat,” plate 249 from Actualités</i> [Lithograph in black on white wove paper, with letterpress recto verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/38eb8e94-c32f-8cd9-a3a3-9657ee90370e/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Hard to imagine that one day I might have to trade my crown against a simple hat,” plate 249 from Actualités</i>." n.d.. Lithograph in black on white wove paper, with letterpress recto verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/38eb8e94-c32f-8cd9-a3a3-9657ee90370e/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Hard to imagine that one day I might have to trade my crown against a simple hat,” plate 249 from Actualités</i>," n.d.. Lithograph in black on white wove paper, with letterpress recto verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/38eb8e94-c32f-8cd9-a3a3-9657ee90370e/full/full/0/default.jpg.
SUMMARY. “- Hard to imagine that one day I might have to trade my crown against a simple hat,” plate 249 from Actualités
CAPTION.
“- Hello, neighbour, are you like me? I start to believe we would do well returning to Paris,” plate 1 from La Campagne En Hiver

“- Hello, neighbour, are you like me? I start to believe we would do well returning to Paris,” plate 1 from La Campagne En Hiver

Lithograph in black on buff wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Hello, neighbour, are you like me? I start to believe we would do well returning to Paris,” plate 1 from La Campagne En Hiver</i> [Lithograph in black on buff wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/21747b06-992c-033c-e5d7-3a9e907225ce/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Hello, neighbour, are you like me? I start to believe we would do well returning to Paris,” plate 1 from La Campagne En Hiver</i>." n.d.. Lithograph in black on buff wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/21747b06-992c-033c-e5d7-3a9e907225ce/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Hello, neighbour, are you like me? I start to believe we would do well returning to Paris,” plate 1 from La Campagne En Hiver</i>," n.d.. Lithograph in black on buff wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/21747b06-992c-033c-e5d7-3a9e907225ce/full/full/0/default.jpg.
SUMMARY. “- Hello, neighbour, are you like me? I start to believe we would do well returning to Paris,” plate 1 from La Campagne En Hiver
CAPTION.
“- Here is the public minister who will say some very unpleasant things to you.... so try to cry a little from one eye at least.... it usually does some good!...,” plate 21 from Les Gens De Justice

“- Here is the public minister who will say some very unpleasant things to you.... so try to cry a little from one eye at least.... it usually does some good!...,” plate 21 from Les Gens De Justice

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Here is the public minister who will say some very unpleasant things to you.... so try to cry a little from one eye at least.... it usually does some good!...,” plate 21 from Les Gens De Justice</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/72ef0230-2ab1-f4a2-ad41-27f3191f46a7/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Here is the public minister who will say some very unpleasant things to you.... so try to cry a little from one eye at least.... it usually does some good!...,” plate 21 from Les Gens De Justice</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/72ef0230-2ab1-f4a2-ad41-27f3191f46a7/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Here is the public minister who will say some very unpleasant things to you.... so try to cry a little from one eye at least.... it usually does some good!...,” plate 21 from Les Gens De Justice</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/72ef0230-2ab1-f4a2-ad41-27f3191f46a7/full/full/0/default.jpg.
SUMMARY. “- Here is the public minister who will say some very unpleasant things to you.... so try to cry a little from one eye at least.... it usually does some good!...,” plate 21 from Les Gens De Justice
CAPTION.
“- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris... - Why didn't you have mine done while you were there... get lost, you egotist!,” plate 28 from Les Bons Bourgeois

“- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris... - Why didn't you have mine done while you were there... get lost, you egotist!,” plate 28 from Les Bons Bourgeois

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris... - Why didn't you have mine done while you were there... get lost, you egotist!,” plate 28 from Les Bons Bourgeois</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/76f6691e-455a-5eb7-5248-4379049530ed/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris... - Why didn't you have mine done while you were there... get lost, you egotist!,” plate 28 from Les Bons Bourgeois</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/76f6691e-455a-5eb7-5248-4379049530ed/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris... - Why didn't you have mine done while you were there... get lost, you egotist!,” plate 28 from Les Bons Bourgeois</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/76f6691e-455a-5eb7-5248-4379049530ed/full/full/0/default.jpg.
SUMMARY. “- Here, my wife, is my daguerreotype portrait which I brought back for you from Paris... - Why didn't you have mine done while you were there... get lost, you egotist!,” plate 28 from Les Bons Bourgeois
CAPTION.
“- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société

“- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/8a5d8170-5e65-afcc-c69e-025060e2bff2/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/8a5d8170-5e65-afcc-c69e-025060e2bff2/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/8a5d8170-5e65-afcc-c69e-025060e2bff2/full/full/0/default.jpg.
SUMMARY. “- Hey, Baptiste, what are these two shouting for the last hour… I am sure they are fighting! - Oh no, they make such funny movements, that's hilarious… I've got it: the are rehearsing a tragedy which they will perform at the party of Madame Follemèche… Lucky the bourgeois who can afford with his income to enjoy such entertainments… the man is almost as funny as the clown of the Folies-Nouvelles!,” plate 11 from Les Comédiens De Société
CAPTION.
“- How do you know that I am a widower? After twenty years of forced labour, not marriage, I am slowly starting to pull myself together again, and there you are, proposing me a second marriage! Ragoulet, would you please stop holding my hand!,” plate 10 from Vulgarités

“- How do you know that I am a widower? After twenty years of forced labour, not marriage, I am slowly starting to pull myself together again, and there you are, proposing me a second marriage! Ragoulet, would you please stop holding my hand!,” plate 10 from Vulgarités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- How do you know that I am a widower? After twenty years of forced labour, not marriage, I am slowly starting to pull myself together again, and there you are, proposing me a second marriage! Ragoulet, would you please stop holding my hand!,” plate 10 from Vulgarités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/95eb7749-e42a-947c-7b81-e83f8e45fc85/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- How do you know that I am a widower? After twenty years of forced labour, not marriage, I am slowly starting to pull myself together again, and there you are, proposing me a second marriage! Ragoulet, would you please stop holding my hand!,” plate 10 from Vulgarités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/95eb7749-e42a-947c-7b81-e83f8e45fc85/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- How do you know that I am a widower? After twenty years of forced labour, not marriage, I am slowly starting to pull myself together again, and there you are, proposing me a second marriage! Ragoulet, would you please stop holding my hand!,” plate 10 from Vulgarités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/95eb7749-e42a-947c-7b81-e83f8e45fc85/full/full/0/default.jpg.
SUMMARY. “- How do you know that I am a widower? After twenty years of forced labour, not marriage, I am slowly starting to pull myself together again, and there you are, proposing me a second marriage! Ragoulet, would you please stop holding my hand!,” plate 10 from Vulgarités
CAPTION.
“- I actually thought a crocodile soup would taste better than that,” plate 7 from La Sopciété D'acclimatation

“- I actually thought a crocodile soup would taste better than that,” plate 7 from La Sopciété D'acclimatation

Lithograph in black on cream wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- I actually thought a crocodile soup would taste better than that,” plate 7 from La Sopciété D'acclimatation</i> [Lithograph in black on cream wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/4300eaf4-da16-d55d-be24-f8bcaf455af1/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I actually thought a crocodile soup would taste better than that,” plate 7 from La Sopciété D'acclimatation</i>." n.d.. Lithograph in black on cream wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/4300eaf4-da16-d55d-be24-f8bcaf455af1/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I actually thought a crocodile soup would taste better than that,” plate 7 from La Sopciété D'acclimatation</i>," n.d.. Lithograph in black on cream wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/4300eaf4-da16-d55d-be24-f8bcaf455af1/full/full/0/default.jpg.
SUMMARY. “- I actually thought a crocodile soup would taste better than that,” plate 7 from La Sopciété D'acclimatation
CAPTION.
“- I am glad that we are not scientists, otherwise Monsieur would also invite us to taste this camel hump he ordered from Algeria… I'd rather enjoy a meal of veal hump!,” plate 8 from La Sopciété D'acclimatation

“- I am glad that we are not scientists, otherwise Monsieur would also invite us to taste this camel hump he ordered from Algeria… I'd rather enjoy a meal of veal hump!,” plate 8 from La Sopciété D'acclimatation

Lithograph in black on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- I am glad that we are not scientists, otherwise Monsieur would also invite us to taste this camel hump he ordered from Algeria… I'd rather enjoy a meal of veal hump!,” plate 8 from La Sopciété D'acclimatation</i> [Lithograph in black on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/2a3a69db-96a0-ff6d-c18d-25912e65b3f6/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I am glad that we are not scientists, otherwise Monsieur would also invite us to taste this camel hump he ordered from Algeria… I'd rather enjoy a meal of veal hump!,” plate 8 from La Sopciété D'acclimatation</i>." n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/2a3a69db-96a0-ff6d-c18d-25912e65b3f6/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I am glad that we are not scientists, otherwise Monsieur would also invite us to taste this camel hump he ordered from Algeria… I'd rather enjoy a meal of veal hump!,” plate 8 from La Sopciété D'acclimatation</i>," n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/2a3a69db-96a0-ff6d-c18d-25912e65b3f6/full/full/0/default.jpg.
SUMMARY. “- I am glad that we are not scientists, otherwise Monsieur would also invite us to taste this camel hump he ordered from Algeria… I'd rather enjoy a meal of veal hump!,” plate 8 from La Sopciété D'acclimatation
CAPTION.
“- I am not afraid for me, but if I think of poor Azor who will perish on the 13th of June... it simply breaks my heart,” plate 8 from La Cométe De 1857

“- I am not afraid for me, but if I think of poor Azor who will perish on the 13th of June... it simply breaks my heart,” plate 8 from La Cométe De 1857

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- I am not afraid for me, but if I think of poor Azor who will perish on the 13th of June... it simply breaks my heart,” plate 8 from La Cométe De 1857</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/248f711f-085e-0983-4728-385a25939e9a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I am not afraid for me, but if I think of poor Azor who will perish on the 13th of June... it simply breaks my heart,” plate 8 from La Cométe De 1857</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/248f711f-085e-0983-4728-385a25939e9a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I am not afraid for me, but if I think of poor Azor who will perish on the 13th of June... it simply breaks my heart,” plate 8 from La Cométe De 1857</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/248f711f-085e-0983-4728-385a25939e9a/full/full/0/default.jpg.
SUMMARY. “- I am not afraid for me, but if I think of poor Azor who will perish on the 13th of June... it simply breaks my heart,” plate 8 from La Cométe De 1857
CAPTION.
“- I am sorry that I did not recognize you right away. I could not distinguish you from all the other roses!,” plate 55 from Tout Ce Qu'on Voudra

“- I am sorry that I did not recognize you right away. I could not distinguish you from all the other roses!,” plate 55 from Tout Ce Qu'on Voudra

Lithograph in black on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- I am sorry that I did not recognize you right away. I could not distinguish you from all the other roses!,” plate 55 from Tout Ce Qu'on Voudra</i> [Lithograph in black on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/73781509-2b53-1769-c8b1-0c37ae46e3d8/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I am sorry that I did not recognize you right away. I could not distinguish you from all the other roses!,” plate 55 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/73781509-2b53-1769-c8b1-0c37ae46e3d8/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I am sorry that I did not recognize you right away. I could not distinguish you from all the other roses!,” plate 55 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/73781509-2b53-1769-c8b1-0c37ae46e3d8/full/full/0/default.jpg.
SUMMARY. “- I am sorry that I did not recognize you right away. I could not distinguish you from all the other roses!,” plate 55 from Tout Ce Qu'on Voudra
CAPTION.
“- I bought this ground at 1 franc per square meter, and I'll sell it again at 9 francs. - To whom? - The name does not matter as long as I make 8 francs on the square meter... after all, it's not excessive, a square meter on the Boulevard Montmartre costs 600 francs! - Yes, but this section here is uninhabited. - What do you mean, there are more than 20'000 rabbits living here,” plate 1 from Les Spéculateurs

“- I bought this ground at 1 franc per square meter, and I'll sell it again at 9 francs. - To whom? - The name does not matter as long as I make 8 francs on the square meter... after all, it's not excessive, a square meter on the Boulevard Montmartre costs 600 francs! - Yes, but this section here is uninhabited. - What do you mean, there are more than 20'000 rabbits living here,” plate 1 from Les Spéculateurs

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- I bought this ground at 1 franc per square meter, and I'll sell it again at 9 francs. - To whom? - The name does not matter as long as I make 8 francs on the square meter... after all, it's not excessive, a square meter on the Boulevard Montmartre costs 600 francs! - Yes, but this section here is uninhabited. - What do you mean, there are more than 20'000 rabbits living here,” plate 1 from Les Spéculateurs</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/cec0582b-b9f2-4d12-554c-44a9f631ffb4/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I bought this ground at 1 franc per square meter, and I'll sell it again at 9 francs. - To whom? - The name does not matter as long as I make 8 francs on the square meter... after all, it's not excessive, a square meter on the Boulevard Montmartre costs 600 francs! - Yes, but this section here is uninhabited. - What do you mean, there are more than 20'000 rabbits living here,” plate 1 from Les Spéculateurs</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/cec0582b-b9f2-4d12-554c-44a9f631ffb4/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I bought this ground at 1 franc per square meter, and I'll sell it again at 9 francs. - To whom? - The name does not matter as long as I make 8 francs on the square meter... after all, it's not excessive, a square meter on the Boulevard Montmartre costs 600 francs! - Yes, but this section here is uninhabited. - What do you mean, there are more than 20'000 rabbits living here,” plate 1 from Les Spéculateurs</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/cec0582b-b9f2-4d12-554c-44a9f631ffb4/full/full/0/default.jpg.
SUMMARY. “- I bought this ground at 1 franc per square meter, and I'll sell it again at 9 francs. - To whom? - The name does not matter as long as I make 8 francs on the square meter... after all, it's not excessive, a square meter on the Boulevard Montmartre costs 600 francs! - Yes, but this section here is uninhabited. - What do you mean, there are more than 20'000 rabbits living here,” plate 1 from Les Spéculateurs
CAPTION.
“- I never laughed so much as at the funeral of Bourdin's daughter.......” (Henri Monnier), plate 303 from Souvenirs d’artistes

“- I never laughed so much as at the funeral of Bourdin's daughter.......” (Henri Monnier), plate 303 from Souvenirs d’artistes

Lithograph in black on ivory China paper, laid down on white wove paper (chine collé) · Art Institute of Chicago

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Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- I never laughed so much as at the funeral of Bourdin's daughter.......” (Henri Monnier), plate 303 from Souvenirs d’artistes</i> [Lithograph in black on ivory China paper, laid down on white wove paper (chine collé)]. Art Institute of Chicago. https://www.artic.edu/iiif/2/3bb0c2a3-a840-d4a6-8180-41438d00e58c/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I never laughed so much as at the funeral of Bourdin's daughter.......” (Henri Monnier), plate 303 from Souvenirs d’artistes</i>." n.d.. Lithograph in black on ivory China paper, laid down on white wove paper (chine collé). Art Institute of Chicago, https://www.artic.edu/iiif/2/3bb0c2a3-a840-d4a6-8180-41438d00e58c/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I never laughed so much as at the funeral of Bourdin's daughter.......” (Henri Monnier), plate 303 from Souvenirs d’artistes</i>," n.d.. Lithograph in black on ivory China paper, laid down on white wove paper (chine collé). Art Institute of Chicago. https://www.artic.edu/iiif/2/3bb0c2a3-a840-d4a6-8180-41438d00e58c/full/full/0/default.jpg.
SUMMARY. “- I never laughed so much as at the funeral of Bourdin's daughter.......” (Henri Monnier), plate 303 from Souvenirs d’artistes
CAPTION.
“- I really don't see why we shouldn't be nominated members of the surveillance council one of these days..... after all it isn't that difficult to look dignified... how about a pose like this?,” plate 2 from Croquis Parisiens

“- I really don't see why we shouldn't be nominated members of the surveillance council one of these days..... after all it isn't that difficult to look dignified... how about a pose like this?,” plate 2 from Croquis Parisiens

Lithograph in black on buff wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- I really don't see why we shouldn't be nominated members of the surveillance council one of these days..... after all it isn't that difficult to look dignified... how about a pose like this?,” plate 2 from Croquis Parisiens</i> [Lithograph in black on buff wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/86f5ac36-73e9-5faf-1b08-7fda0053f4ed/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I really don't see why we shouldn't be nominated members of the surveillance council one of these days..... after all it isn't that difficult to look dignified... how about a pose like this?,” plate 2 from Croquis Parisiens</i>." n.d.. Lithograph in black on buff wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/86f5ac36-73e9-5faf-1b08-7fda0053f4ed/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I really don't see why we shouldn't be nominated members of the surveillance council one of these days..... after all it isn't that difficult to look dignified... how about a pose like this?,” plate 2 from Croquis Parisiens</i>," n.d.. Lithograph in black on buff wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/86f5ac36-73e9-5faf-1b08-7fda0053f4ed/full/full/0/default.jpg.
SUMMARY. “- I really don't see why we shouldn't be nominated members of the surveillance council one of these days..... after all it isn't that difficult to look dignified... how about a pose like this?,” plate 2 from Croquis Parisiens
CAPTION.
“- I was told to go to the cold batha to lose weight. - You don't say, I was just told the opposite. - Maybe they are good for everything this year! - True for everything, except cleanliness," plate 39 from Croquis D'été

“- I was told to go to the cold batha to lose weight. - You don't say, I was just told the opposite. - Maybe they are good for everything this year! - True for everything, except cleanliness," plate 39 from Croquis D'été

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- I was told to go to the cold batha to lose weight. - You don't say, I was just told the opposite. - Maybe they are good for everything this year! - True for everything, except cleanliness," plate 39 from Croquis D'été</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/780bcf06-5de5-7540-02d1-bf2d0d34f999/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I was told to go to the cold batha to lose weight. - You don't say, I was just told the opposite. - Maybe they are good for everything this year! - True for everything, except cleanliness," plate 39 from Croquis D'été</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/780bcf06-5de5-7540-02d1-bf2d0d34f999/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I was told to go to the cold batha to lose weight. - You don't say, I was just told the opposite. - Maybe they are good for everything this year! - True for everything, except cleanliness," plate 39 from Croquis D'été</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/780bcf06-5de5-7540-02d1-bf2d0d34f999/full/full/0/default.jpg.
SUMMARY. “- I was told to go to the cold batha to lose weight. - You don't say, I was just told the opposite. - Maybe they are good for everything this year! - True for everything, except cleanliness," plate 39 from Croquis D'été
CAPTION.
“- I would have bet on it… instead of taking him to see Séraphin you take him to a drama.... it's bad enough for adults already, poor little thing!... - Don't worry Madame, this is the way children are enjoying themselves,” plate 34 from Moeurs Conjugales

“- I would have bet on it… instead of taking him to see Séraphin you take him to a drama.... it's bad enough for adults already, poor little thing!... - Don't worry Madame, this is the way children are enjoying themselves,” plate 34 from Moeurs Conjugales

Lithograph in black on white wove paper · Art Institute of Chicago

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Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- I would have bet on it… instead of taking him to see Séraphin you take him to a drama.... it's bad enough for adults already, poor little thing!... - Don't worry Madame, this is the way children are enjoying themselves,” plate 34 from Moeurs Conjugales</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/9c7ff551-291d-19d1-bb19-6244cfc3488c/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I would have bet on it… instead of taking him to see Séraphin you take him to a drama.... it's bad enough for adults already, poor little thing!... - Don't worry Madame, this is the way children are enjoying themselves,” plate 34 from Moeurs Conjugales</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/9c7ff551-291d-19d1-bb19-6244cfc3488c/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I would have bet on it… instead of taking him to see Séraphin you take him to a drama.... it's bad enough for adults already, poor little thing!... - Don't worry Madame, this is the way children are enjoying themselves,” plate 34 from Moeurs Conjugales</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/9c7ff551-291d-19d1-bb19-6244cfc3488c/full/full/0/default.jpg.
SUMMARY. “- I would have bet on it… instead of taking him to see Séraphin you take him to a drama.... it's bad enough for adults already, poor little thing!... - Don't worry Madame, this is the way children are enjoying themselves,” plate 34 from Moeurs Conjugales
CAPTION.
“- I would have so much loved to make him a butcher too... now I am forced to make him a lawyer,” plate 467 from Actualités

“- I would have so much loved to make him a butcher too... now I am forced to make him a lawyer,” plate 467 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

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Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- I would have so much loved to make him a butcher too... now I am forced to make him a lawyer,” plate 467 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/050a3058-279e-653b-df30-7d75cd68e680/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I would have so much loved to make him a butcher too... now I am forced to make him a lawyer,” plate 467 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/050a3058-279e-653b-df30-7d75cd68e680/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I would have so much loved to make him a butcher too... now I am forced to make him a lawyer,” plate 467 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/050a3058-279e-653b-df30-7d75cd68e680/full/full/0/default.jpg.
SUMMARY. “- I would have so much loved to make him a butcher too... now I am forced to make him a lawyer,” plate 467 from Actualités
CAPTION.
“- I'd regret if this mode gets to be out of fashion one day... these ladies are doing half of my job!,” plate 438 from Actualités

“- I'd regret if this mode gets to be out of fashion one day... these ladies are doing half of my job!,” plate 438 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- I'd regret if this mode gets to be out of fashion one day... these ladies are doing half of my job!,” plate 438 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/b667efdb-d680-0974-4f39-11c7b8871fae/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I'd regret if this mode gets to be out of fashion one day... these ladies are doing half of my job!,” plate 438 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/b667efdb-d680-0974-4f39-11c7b8871fae/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I'd regret if this mode gets to be out of fashion one day... these ladies are doing half of my job!,” plate 438 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/b667efdb-d680-0974-4f39-11c7b8871fae/full/full/0/default.jpg.
SUMMARY. “- I'd regret if this mode gets to be out of fashion one day... these ladies are doing half of my job!,” plate 438 from Actualités
CAPTION.
“- I'll go public with my business.... this is the right moment... I form a company with a capital of 3 Million Francs..... for the production of artifical plums!.... - I can already see you coming, you will ask me for the kernels,” plate 1 from Les Faiseurs D'affaires

“- I'll go public with my business.... this is the right moment... I form a company with a capital of 3 Million Francs..... for the production of artifical plums!.... - I can already see you coming, you will ask me for the kernels,” plate 1 from Les Faiseurs D'affaires

Lithograph in black on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- I'll go public with my business.... this is the right moment... I form a company with a capital of 3 Million Francs..... for the production of artifical plums!.... - I can already see you coming, you will ask me for the kernels,” plate 1 from Les Faiseurs D'affaires</i> [Lithograph in black on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ad70796f-94df-14bb-9819-f4f93852512a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I'll go public with my business.... this is the right moment... I form a company with a capital of 3 Million Francs..... for the production of artifical plums!.... - I can already see you coming, you will ask me for the kernels,” plate 1 from Les Faiseurs D'affaires</i>." n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/ad70796f-94df-14bb-9819-f4f93852512a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I'll go public with my business.... this is the right moment... I form a company with a capital of 3 Million Francs..... for the production of artifical plums!.... - I can already see you coming, you will ask me for the kernels,” plate 1 from Les Faiseurs D'affaires</i>," n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/ad70796f-94df-14bb-9819-f4f93852512a/full/full/0/default.jpg.
SUMMARY. “- I'll go public with my business.... this is the right moment... I form a company with a capital of 3 Million Francs..... for the production of artifical plums!.... - I can already see you coming, you will ask me for the kernels,” plate 1 from Les Faiseurs D'affaires
CAPTION.
“- I'll never understand, how these exercises are supposed to ameliorate the condition of a horse..... the only thing that really counts is that the horseman feels good,” plate 1 from Croquis Équestres

“- I'll never understand, how these exercises are supposed to ameliorate the condition of a horse..... the only thing that really counts is that the horseman feels good,” plate 1 from Croquis Équestres

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- I'll never understand, how these exercises are supposed to ameliorate the condition of a horse..... the only thing that really counts is that the horseman feels good,” plate 1 from Croquis Équestres</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/eb705672-76df-8510-9f15-10daa4f257e2/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I'll never understand, how these exercises are supposed to ameliorate the condition of a horse..... the only thing that really counts is that the horseman feels good,” plate 1 from Croquis Équestres</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/eb705672-76df-8510-9f15-10daa4f257e2/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I'll never understand, how these exercises are supposed to ameliorate the condition of a horse..... the only thing that really counts is that the horseman feels good,” plate 1 from Croquis Équestres</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/eb705672-76df-8510-9f15-10daa4f257e2/full/full/0/default.jpg.
SUMMARY. “- I'll never understand, how these exercises are supposed to ameliorate the condition of a horse..... the only thing that really counts is that the horseman feels good,” plate 1 from Croquis Équestres
CAPTION.
“- I'm never calm when I see you go out like this... I am always afraid, Monsieur Moussard, that you may be infidel,” plate 67 from Les Bons Bourgeois

“- I'm never calm when I see you go out like this... I am always afraid, Monsieur Moussard, that you may be infidel,” plate 67 from Les Bons Bourgeois

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- I'm never calm when I see you go out like this... I am always afraid, Monsieur Moussard, that you may be infidel,” plate 67 from Les Bons Bourgeois</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/0ef433bb-5d1c-6ff9-f1e6-b06af81108b3/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I'm never calm when I see you go out like this... I am always afraid, Monsieur Moussard, that you may be infidel,” plate 67 from Les Bons Bourgeois</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/0ef433bb-5d1c-6ff9-f1e6-b06af81108b3/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- I'm never calm when I see you go out like this... I am always afraid, Monsieur Moussard, that you may be infidel,” plate 67 from Les Bons Bourgeois</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/0ef433bb-5d1c-6ff9-f1e6-b06af81108b3/full/full/0/default.jpg.
SUMMARY. “- I'm never calm when I see you go out like this... I am always afraid, Monsieur Moussard, that you may be infidel,” plate 67 from Les Bons Bourgeois
CAPTION.
“- If you only knew how pretty you are!... Pretend you are playing! - stop it.. DO - You don't love me!...SO - I'll' always be yours. ... MI,” plate 6 from Les Musiciens De Paris

“- If you only knew how pretty you are!... Pretend you are playing! - stop it.. DO - You don't love me!...SO - I'll' always be yours. ... MI,” plate 6 from Les Musiciens De Paris

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- If you only knew how pretty you are!... Pretend you are playing! - stop it.. DO - You don't love me!...SO - I'll' always be yours. ... MI,” plate 6 from Les Musiciens De Paris</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/94f7fbb6-3926-735f-4154-2e2dcc4b6e47/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- If you only knew how pretty you are!... Pretend you are playing! - stop it.. DO - You don't love me!...SO - I'll' always be yours. ... MI,” plate 6 from Les Musiciens De Paris</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/94f7fbb6-3926-735f-4154-2e2dcc4b6e47/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- If you only knew how pretty you are!... Pretend you are playing! - stop it.. DO - You don't love me!...SO - I'll' always be yours. ... MI,” plate 6 from Les Musiciens De Paris</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/94f7fbb6-3926-735f-4154-2e2dcc4b6e47/full/full/0/default.jpg.
SUMMARY. “- If you only knew how pretty you are!... Pretend you are playing! - stop it.. DO - You don't love me!...SO - I'll' always be yours. ... MI,” plate 6 from Les Musiciens De Paris
CAPTION.
“- In my opinion: as long as there are Indians populating India... - But what do you want to replace them with?… - With Auvergnats… they settle everywhere!,” plate 451 from Actualités

“- In my opinion: as long as there are Indians populating India... - But what do you want to replace them with?… - With Auvergnats… they settle everywhere!,” plate 451 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- In my opinion: as long as there are Indians populating India... - But what do you want to replace them with?… - With Auvergnats… they settle everywhere!,” plate 451 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/c2eb54fe-2877-8631-8d00-546966cc0032/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- In my opinion: as long as there are Indians populating India... - But what do you want to replace them with?… - With Auvergnats… they settle everywhere!,” plate 451 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/c2eb54fe-2877-8631-8d00-546966cc0032/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- In my opinion: as long as there are Indians populating India... - But what do you want to replace them with?… - With Auvergnats… they settle everywhere!,” plate 451 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/c2eb54fe-2877-8631-8d00-546966cc0032/full/full/0/default.jpg.
SUMMARY. “- In my opinion: as long as there are Indians populating India... - But what do you want to replace them with?… - With Auvergnats… they settle everywhere!,” plate 451 from Actualités
CAPTION.
“- Inspite of all their assertions that their guns are only loaded with small shots, it is nonetheless annoying to be aimed at the head like this for three consecutive hours... I tremble at the thought that they might dream of an encounter with a rabbit...,” plate 13 from Émotions De Chasse

“- Inspite of all their assertions that their guns are only loaded with small shots, it is nonetheless annoying to be aimed at the head like this for three consecutive hours... I tremble at the thought that they might dream of an encounter with a rabbit...,” plate 13 from Émotions De Chasse

Lithograph in black on white wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Inspite of all their assertions that their guns are only loaded with small shots, it is nonetheless annoying to be aimed at the head like this for three consecutive hours... I tremble at the thought that they might dream of an encounter with a rabbit...,” plate 13 from Émotions De Chasse</i> [Lithograph in black on white wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/19ed2c15-3445-d25c-dc71-be8203600846/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Inspite of all their assertions that their guns are only loaded with small shots, it is nonetheless annoying to be aimed at the head like this for three consecutive hours... I tremble at the thought that they might dream of an encounter with a rabbit...,” plate 13 from Émotions De Chasse</i>." n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/19ed2c15-3445-d25c-dc71-be8203600846/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Inspite of all their assertions that their guns are only loaded with small shots, it is nonetheless annoying to be aimed at the head like this for three consecutive hours... I tremble at the thought that they might dream of an encounter with a rabbit...,” plate 13 from Émotions De Chasse</i>," n.d.. Lithograph in black on white wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/19ed2c15-3445-d25c-dc71-be8203600846/full/full/0/default.jpg.
SUMMARY. “- Inspite of all their assertions that their guns are only loaded with small shots, it is nonetheless annoying to be aimed at the head like this for three consecutive hours... I tremble at the thought that they might dream of an encounter with a rabbit...,” plate 13 from Émotions De Chasse
CAPTION.
“- Isn't he cute like that, Dodore... with a little bit of cleaning up, he is just not the same child any more!...,” plate 37 from Les Bons Bourgeois

“- Isn't he cute like that, Dodore... with a little bit of cleaning up, he is just not the same child any more!...,” plate 37 from Les Bons Bourgeois

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Isn't he cute like that, Dodore... with a little bit of cleaning up, he is just not the same child any more!...,” plate 37 from Les Bons Bourgeois</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/4fd4088b-34bf-5df6-7256-9506e87c4dcc/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Isn't he cute like that, Dodore... with a little bit of cleaning up, he is just not the same child any more!...,” plate 37 from Les Bons Bourgeois</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/4fd4088b-34bf-5df6-7256-9506e87c4dcc/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Isn't he cute like that, Dodore... with a little bit of cleaning up, he is just not the same child any more!...,” plate 37 from Les Bons Bourgeois</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/4fd4088b-34bf-5df6-7256-9506e87c4dcc/full/full/0/default.jpg.
SUMMARY. “- Isn't he cute like that, Dodore... with a little bit of cleaning up, he is just not the same child any more!...,” plate 37 from Les Bons Bourgeois
CAPTION.
“- It really shouldn't be allowed to return from Bercy in a state like this.... an established man like you.... I am so unhappy, my God! - What's wrong?...after all, I like the water.... am I not allowed to like the water anymore?,” plate 4 from Les Canotiers Parisiens

“- It really shouldn't be allowed to return from Bercy in a state like this.... an established man like you.... I am so unhappy, my God! - What's wrong?...after all, I like the water.... am I not allowed to like the water anymore?,” plate 4 from Les Canotiers Parisiens

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- It really shouldn't be allowed to return from Bercy in a state like this.... an established man like you.... I am so unhappy, my God! - What's wrong?...after all, I like the water.... am I not allowed to like the water anymore?,” plate 4 from Les Canotiers Parisiens</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/3fbe8518-3ce5-0e3d-8715-a3349d35d659/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- It really shouldn't be allowed to return from Bercy in a state like this.... an established man like you.... I am so unhappy, my God! - What's wrong?...after all, I like the water.... am I not allowed to like the water anymore?,” plate 4 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/3fbe8518-3ce5-0e3d-8715-a3349d35d659/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- It really shouldn't be allowed to return from Bercy in a state like this.... an established man like you.... I am so unhappy, my God! - What's wrong?...after all, I like the water.... am I not allowed to like the water anymore?,” plate 4 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/3fbe8518-3ce5-0e3d-8715-a3349d35d659/full/full/0/default.jpg.
SUMMARY. “- It really shouldn't be allowed to return from Bercy in a state like this.... an established man like you.... I am so unhappy, my God! - What's wrong?...after all, I like the water.... am I not allowed to like the water anymore?,” plate 4 from Les Canotiers Parisiens
CAPTION.
“- It seems that the sea serpent has reappeared in the Indian Ocean!... - Oh, my God... is it possible!... - Of course it's possible if I tell you that it has been printed like that in the Constitutionnel!...,” plate 20 from Les Bons Bourgeois

“- It seems that the sea serpent has reappeared in the Indian Ocean!... - Oh, my God... is it possible!... - Of course it's possible if I tell you that it has been printed like that in the Constitutionnel!...,” plate 20 from Les Bons Bourgeois

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- It seems that the sea serpent has reappeared in the Indian Ocean!... - Oh, my God... is it possible!... - Of course it's possible if I tell you that it has been printed like that in the Constitutionnel!...,” plate 20 from Les Bons Bourgeois</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/eecd7508-d7ea-c8b1-9871-9ac6ef0d2a72/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- It seems that the sea serpent has reappeared in the Indian Ocean!... - Oh, my God... is it possible!... - Of course it's possible if I tell you that it has been printed like that in the Constitutionnel!...,” plate 20 from Les Bons Bourgeois</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/eecd7508-d7ea-c8b1-9871-9ac6ef0d2a72/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- It seems that the sea serpent has reappeared in the Indian Ocean!... - Oh, my God... is it possible!... - Of course it's possible if I tell you that it has been printed like that in the Constitutionnel!...,” plate 20 from Les Bons Bourgeois</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/eecd7508-d7ea-c8b1-9871-9ac6ef0d2a72/full/full/0/default.jpg.
SUMMARY. “- It seems that the sea serpent has reappeared in the Indian Ocean!... - Oh, my God... is it possible!... - Of course it's possible if I tell you that it has been printed like that in the Constitutionnel!...,” plate 20 from Les Bons Bourgeois
CAPTION.
“- It's just because he's your friend, and because he has been introduced to me by you that I will let him subscribe to the last 20 shares of my colossal newspaper the EUROPEAN.... it will be a gold mine, and one day, he will thank you properly for it,” plate 7 from Les Amis

“- It's just because he's your friend, and because he has been introduced to me by you that I will let him subscribe to the last 20 shares of my colossal newspaper the EUROPEAN.... it will be a gold mine, and one day, he will thank you properly for it,” plate 7 from Les Amis

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- It's just because he's your friend, and because he has been introduced to me by you that I will let him subscribe to the last 20 shares of my colossal newspaper the EUROPEAN.... it will be a gold mine, and one day, he will thank you properly for it,” plate 7 from Les Amis</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/b937d53d-c27e-f981-7290-85d4637a3cef/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- It's just because he's your friend, and because he has been introduced to me by you that I will let him subscribe to the last 20 shares of my colossal newspaper the EUROPEAN.... it will be a gold mine, and one day, he will thank you properly for it,” plate 7 from Les Amis</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/b937d53d-c27e-f981-7290-85d4637a3cef/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- It's just because he's your friend, and because he has been introduced to me by you that I will let him subscribe to the last 20 shares of my colossal newspaper the EUROPEAN.... it will be a gold mine, and one day, he will thank you properly for it,” plate 7 from Les Amis</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/b937d53d-c27e-f981-7290-85d4637a3cef/full/full/0/default.jpg.
SUMMARY. “- It's just because he's your friend, and because he has been introduced to me by you that I will let him subscribe to the last 20 shares of my colossal newspaper the EUROPEAN.... it will be a gold mine, and one day, he will thank you properly for it,” plate 7 from Les Amis
CAPTION.
“- It's nippy, Mr. Galimard, it's nippy!... - Allow me to say that at 8 degrees the rivers and the noses are frozen...,” plate 39 from Tout Ce Qu'on Voudra

“- It's nippy, Mr. Galimard, it's nippy!... - Allow me to say that at 8 degrees the rivers and the noses are frozen...,” plate 39 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- It's nippy, Mr. Galimard, it's nippy!... - Allow me to say that at 8 degrees the rivers and the noses are frozen...,” plate 39 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/80418afb-cd7a-382b-ccbd-7d35d8a1a9d5/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- It's nippy, Mr. Galimard, it's nippy!... - Allow me to say that at 8 degrees the rivers and the noses are frozen...,” plate 39 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/80418afb-cd7a-382b-ccbd-7d35d8a1a9d5/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- It's nippy, Mr. Galimard, it's nippy!... - Allow me to say that at 8 degrees the rivers and the noses are frozen...,” plate 39 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/80418afb-cd7a-382b-ccbd-7d35d8a1a9d5/full/full/0/default.jpg.
SUMMARY. “- It's nippy, Mr. Galimard, it's nippy!... - Allow me to say that at 8 degrees the rivers and the noses are frozen...,” plate 39 from Tout Ce Qu'on Voudra
CAPTION.
“- Just 15 cents for a full bath.... what a deal!,” plate 12 from Croquis Parisiens

“- Just 15 cents for a full bath.... what a deal!,” plate 12 from Croquis Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Just 15 cents for a full bath.... what a deal!,” plate 12 from Croquis Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/b198aadf-58f0-12bc-6e8c-9381b423e4c8/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Just 15 cents for a full bath.... what a deal!,” plate 12 from Croquis Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/b198aadf-58f0-12bc-6e8c-9381b423e4c8/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Just 15 cents for a full bath.... what a deal!,” plate 12 from Croquis Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/b198aadf-58f0-12bc-6e8c-9381b423e4c8/full/full/0/default.jpg.
SUMMARY. “- Just 15 cents for a full bath.... what a deal!,” plate 12 from Croquis Parisiens
CAPTION.
“- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse

“- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse

Lithograph in black on buff wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse</i> [Lithograph in black on buff wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/96421305-bb2a-b94e-f0da-f35a0376e49a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse</i>." n.d.. Lithograph in black on buff wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/96421305-bb2a-b94e-f0da-f35a0376e49a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse</i>," n.d.. Lithograph in black on buff wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/96421305-bb2a-b94e-f0da-f35a0376e49a/full/full/0/default.jpg.
SUMMARY. “- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse
CAPTION.
“- Madeleine, how could you ever accept a piece of meat like this one? - Madame, the butcher told me that the meat commerce will be free, therefore he took the liberty of giving me this piece,” plate 463 from Actualités

“- Madeleine, how could you ever accept a piece of meat like this one? - Madame, the butcher told me that the meat commerce will be free, therefore he took the liberty of giving me this piece,” plate 463 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Madeleine, how could you ever accept a piece of meat like this one? - Madame, the butcher told me that the meat commerce will be free, therefore he took the liberty of giving me this piece,” plate 463 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/9b367b09-4e25-1089-0ba4-8d2bdf466c48/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Madeleine, how could you ever accept a piece of meat like this one? - Madame, the butcher told me that the meat commerce will be free, therefore he took the liberty of giving me this piece,” plate 463 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/9b367b09-4e25-1089-0ba4-8d2bdf466c48/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Madeleine, how could you ever accept a piece of meat like this one? - Madame, the butcher told me that the meat commerce will be free, therefore he took the liberty of giving me this piece,” plate 463 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/9b367b09-4e25-1089-0ba4-8d2bdf466c48/full/full/0/default.jpg.
SUMMARY. “- Madeleine, how could you ever accept a piece of meat like this one? - Madame, the butcher told me that the meat commerce will be free, therefore he took the liberty of giving me this piece,” plate 463 from Actualités
CAPTION.
“- May the devil get the inventor of all these New Year's presents!” Reflection of a sensitive, generous but tormented Parisian father, plate 476 from Actualités

“- May the devil get the inventor of all these New Year's presents!” Reflection of a sensitive, generous but tormented Parisian father, plate 476 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- May the devil get the inventor of all these New Year's presents!” Reflection of a sensitive, generous but tormented Parisian father, plate 476 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/75f99e05-a34f-a7d6-418c-9e24dee2ee82/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- May the devil get the inventor of all these New Year's presents!” Reflection of a sensitive, generous but tormented Parisian father, plate 476 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/75f99e05-a34f-a7d6-418c-9e24dee2ee82/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- May the devil get the inventor of all these New Year's presents!” Reflection of a sensitive, generous but tormented Parisian father, plate 476 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/75f99e05-a34f-a7d6-418c-9e24dee2ee82/full/full/0/default.jpg.
SUMMARY. “- May the devil get the inventor of all these New Year's presents!” Reflection of a sensitive, generous but tormented Parisian father, plate 476 from Actualités
CAPTION.
“- Mister butcher, I wish you a happy and healthy New Year… - What? This is going to be a nice one, this 1858… every grocer around the corner will be able to sell my mutton!…,” plate 481 from Actualités

“- Mister butcher, I wish you a happy and healthy New Year… - What? This is going to be a nice one, this 1858… every grocer around the corner will be able to sell my mutton!…,” plate 481 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Mister butcher, I wish you a happy and healthy New Year… - What? This is going to be a nice one, this 1858… every grocer around the corner will be able to sell my mutton!…,” plate 481 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ecf44a2a-6a72-2706-d877-21889d52ad2a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Mister butcher, I wish you a happy and healthy New Year… - What? This is going to be a nice one, this 1858… every grocer around the corner will be able to sell my mutton!…,” plate 481 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/ecf44a2a-6a72-2706-d877-21889d52ad2a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Mister butcher, I wish you a happy and healthy New Year… - What? This is going to be a nice one, this 1858… every grocer around the corner will be able to sell my mutton!…,” plate 481 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/ecf44a2a-6a72-2706-d877-21889d52ad2a/full/full/0/default.jpg.
SUMMARY. “- Mister butcher, I wish you a happy and healthy New Year… - What? This is going to be a nice one, this 1858… every grocer around the corner will be able to sell my mutton!…,” plate 481 from Actualités
CAPTION.
“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier

“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/fc3f87f4-edab-53f0-9b67-6c29fe5e5650/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/fc3f87f4-edab-53f0-9b67-6c29fe5e5650/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/fc3f87f4-edab-53f0-9b67-6c29fe5e5650/full/full/0/default.jpg.
SUMMARY. “- Mr. Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier
CAPTION.
“- My dear friend, you really don't look very well this morning. I am not speaking to you as a doctor, but as a friend. I must insist in treating you.... better than I would treat myself. I am going to apply 30 leeches to your belly and if by tomorrow you have not improved, I'll apply another sixty,” plate 8 from Les Amis

“- My dear friend, you really don't look very well this morning. I am not speaking to you as a doctor, but as a friend. I must insist in treating you.... better than I would treat myself. I am going to apply 30 leeches to your belly and if by tomorrow you have not improved, I'll apply another sixty,” plate 8 from Les Amis

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- My dear friend, you really don't look very well this morning. I am not speaking to you as a doctor, but as a friend. I must insist in treating you.... better than I would treat myself. I am going to apply 30 leeches to your belly and if by tomorrow you have not improved, I'll apply another sixty,” plate 8 from Les Amis</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/eb86f1fa-abaa-99df-92be-61874ea7c1aa/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- My dear friend, you really don't look very well this morning. I am not speaking to you as a doctor, but as a friend. I must insist in treating you.... better than I would treat myself. I am going to apply 30 leeches to your belly and if by tomorrow you have not improved, I'll apply another sixty,” plate 8 from Les Amis</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/eb86f1fa-abaa-99df-92be-61874ea7c1aa/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- My dear friend, you really don't look very well this morning. I am not speaking to you as a doctor, but as a friend. I must insist in treating you.... better than I would treat myself. I am going to apply 30 leeches to your belly and if by tomorrow you have not improved, I'll apply another sixty,” plate 8 from Les Amis</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/eb86f1fa-abaa-99df-92be-61874ea7c1aa/full/full/0/default.jpg.
SUMMARY. “- My dear friend, you really don't look very well this morning. I am not speaking to you as a doctor, but as a friend. I must insist in treating you.... better than I would treat myself. I am going to apply 30 leeches to your belly and if by tomorrow you have not improved, I'll apply another sixty,” plate 8 from Les Amis
CAPTION.
“- My graft of a cherry slip on an apricot tree really didn't take.... strange, ... after all, I followed exactly the instructions in the 'Manual of Useful Knowledge,'” plate 7 from Pastorales

“- My graft of a cherry slip on an apricot tree really didn't take.... strange, ... after all, I followed exactly the instructions in the 'Manual of Useful Knowledge,'” plate 7 from Pastorales

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- My graft of a cherry slip on an apricot tree really didn't take.... strange, ... after all, I followed exactly the instructions in the 'Manual of Useful Knowledge,'” plate 7 from Pastorales</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/1123f0be-45f9-139e-9c88-22c2dc784d9a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- My graft of a cherry slip on an apricot tree really didn't take.... strange, ... after all, I followed exactly the instructions in the 'Manual of Useful Knowledge,'” plate 7 from Pastorales</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/1123f0be-45f9-139e-9c88-22c2dc784d9a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- My graft of a cherry slip on an apricot tree really didn't take.... strange, ... after all, I followed exactly the instructions in the 'Manual of Useful Knowledge,'” plate 7 from Pastorales</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/1123f0be-45f9-139e-9c88-22c2dc784d9a/full/full/0/default.jpg.
SUMMARY. “- My graft of a cherry slip on an apricot tree really didn't take.... strange, ... after all, I followed exactly the instructions in the 'Manual of Useful Knowledge,'” plate 7 from Pastorales
CAPTION.
“- Now I understand why this chap was so quiet all the time..... instead of reading quietly in his Greek dictionary, he was indulging in a novel...!!,” plate 22 from Professeurs and Moutards

“- Now I understand why this chap was so quiet all the time..... instead of reading quietly in his Greek dictionary, he was indulging in a novel...!!,” plate 22 from Professeurs and Moutards

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Now I understand why this chap was so quiet all the time..... instead of reading quietly in his Greek dictionary, he was indulging in a novel...!!,” plate 22 from Professeurs and Moutards</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/cf8d1d39-406a-2712-8ae3-4df617d48590/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Now I understand why this chap was so quiet all the time..... instead of reading quietly in his Greek dictionary, he was indulging in a novel...!!,” plate 22 from Professeurs and Moutards</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/cf8d1d39-406a-2712-8ae3-4df617d48590/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Now I understand why this chap was so quiet all the time..... instead of reading quietly in his Greek dictionary, he was indulging in a novel...!!,” plate 22 from Professeurs and Moutards</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/cf8d1d39-406a-2712-8ae3-4df617d48590/full/full/0/default.jpg.
SUMMARY. “- Now I understand why this chap was so quiet all the time..... instead of reading quietly in his Greek dictionary, he was indulging in a novel...!!,” plate 22 from Professeurs and Moutards
CAPTION.
“- Oh blast! .... it's again my own dog that I shot..... that's the third one in two years.... I'm really not very lucky at hunting!,” plate 6 from Croquis D'automne par Daumier

“- Oh blast! .... it's again my own dog that I shot..... that's the third one in two years.... I'm really not very lucky at hunting!,” plate 6 from Croquis D'automne par Daumier

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Oh blast! .... it's again my own dog that I shot..... that's the third one in two years.... I'm really not very lucky at hunting!,” plate 6 from Croquis D'automne par Daumier</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/e2866b54-1139-785f-bcf4-2cd99a9e52fb/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Oh blast! .... it's again my own dog that I shot..... that's the third one in two years.... I'm really not very lucky at hunting!,” plate 6 from Croquis D'automne par Daumier</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/e2866b54-1139-785f-bcf4-2cd99a9e52fb/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Oh blast! .... it's again my own dog that I shot..... that's the third one in two years.... I'm really not very lucky at hunting!,” plate 6 from Croquis D'automne par Daumier</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/e2866b54-1139-785f-bcf4-2cd99a9e52fb/full/full/0/default.jpg.
SUMMARY. “- Oh blast! .... it's again my own dog that I shot..... that's the third one in two years.... I'm really not very lucky at hunting!,” plate 6 from Croquis D'automne par Daumier
CAPTION.
“- Oh, Madame Chaboulard, I wonder what will happen in the twelve months to come... the New Year starts on a Friday! … - I don't care, I am not superstitious… I only believe in the number 13 and in spiders!,” plate 477 from Actualités

“- Oh, Madame Chaboulard, I wonder what will happen in the twelve months to come... the New Year starts on a Friday! … - I don't care, I am not superstitious… I only believe in the number 13 and in spiders!,” plate 477 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Oh, Madame Chaboulard, I wonder what will happen in the twelve months to come... the New Year starts on a Friday! … - I don't care, I am not superstitious… I only believe in the number 13 and in spiders!,” plate 477 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/c4bc2354-1333-3205-3428-373db2d0e025/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Oh, Madame Chaboulard, I wonder what will happen in the twelve months to come... the New Year starts on a Friday! … - I don't care, I am not superstitious… I only believe in the number 13 and in spiders!,” plate 477 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/c4bc2354-1333-3205-3428-373db2d0e025/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Oh, Madame Chaboulard, I wonder what will happen in the twelve months to come... the New Year starts on a Friday! … - I don't care, I am not superstitious… I only believe in the number 13 and in spiders!,” plate 477 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/c4bc2354-1333-3205-3428-373db2d0e025/full/full/0/default.jpg.
SUMMARY. “- Oh, Madame Chaboulard, I wonder what will happen in the twelve months to come... the New Year starts on a Friday! … - I don't care, I am not superstitious… I only believe in the number 13 and in spiders!,” plate 477 from Actualités
CAPTION.
“- Oh, here you are..... what do you have there?..... - Let's not talk about it.... we are having guests, and I just did my shopping,” plate 6 from Types Parisiens

“- Oh, here you are..... what do you have there?..... - Let's not talk about it.... we are having guests, and I just did my shopping,” plate 6 from Types Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Oh, here you are..... what do you have there?..... - Let's not talk about it.... we are having guests, and I just did my shopping,” plate 6 from Types Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a42c0861-154e-88cd-004d-1c74efd280d4/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Oh, here you are..... what do you have there?..... - Let's not talk about it.... we are having guests, and I just did my shopping,” plate 6 from Types Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a42c0861-154e-88cd-004d-1c74efd280d4/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Oh, here you are..... what do you have there?..... - Let's not talk about it.... we are having guests, and I just did my shopping,” plate 6 from Types Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a42c0861-154e-88cd-004d-1c74efd280d4/full/full/0/default.jpg.
SUMMARY. “- Oh, here you are..... what do you have there?..... - Let's not talk about it.... we are having guests, and I just did my shopping,” plate 6 from Types Parisiens
CAPTION.
“- Oh, my friend... I am afraid of these people there. - And rightly so... they are quite vicious, they beat their women and make them have black children!,” plate 101 from Actualités

“- Oh, my friend... I am afraid of these people there. - And rightly so... they are quite vicious, they beat their women and make them have black children!,” plate 101 from Actualités

Lithograph in black on buff wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Oh, my friend... I am afraid of these people there. - And rightly so... they are quite vicious, they beat their women and make them have black children!,” plate 101 from Actualités</i> [Lithograph in black on buff wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/cec4a2cc-e026-5e4f-9ad3-0f909737f788/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Oh, my friend... I am afraid of these people there. - And rightly so... they are quite vicious, they beat their women and make them have black children!,” plate 101 from Actualités</i>." n.d.. Lithograph in black on buff wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/cec4a2cc-e026-5e4f-9ad3-0f909737f788/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Oh, my friend... I am afraid of these people there. - And rightly so... they are quite vicious, they beat their women and make them have black children!,” plate 101 from Actualités</i>," n.d.. Lithograph in black on buff wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/cec4a2cc-e026-5e4f-9ad3-0f909737f788/full/full/0/default.jpg.
SUMMARY. “- Oh, my friend... I am afraid of these people there. - And rightly so... they are quite vicious, they beat their women and make them have black children!,” plate 101 from Actualités
CAPTION.
“- Open up..... it's me.... the veal-stew!,” plate 17 from Tout Ce Qu'on Voudra

“- Open up..... it's me.... the veal-stew!,” plate 17 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Open up..... it's me.... the veal-stew!,” plate 17 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/b77204de-c12a-381e-3ca6-559d0b00c1d2/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Open up..... it's me.... the veal-stew!,” plate 17 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/b77204de-c12a-381e-3ca6-559d0b00c1d2/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Open up..... it's me.... the veal-stew!,” plate 17 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/b77204de-c12a-381e-3ca6-559d0b00c1d2/full/full/0/default.jpg.
SUMMARY. “- Open up..... it's me.... the veal-stew!,” plate 17 from Tout Ce Qu'on Voudra
CAPTION.
“- Our boat let go the anchor and has drifted away.... we're stuck on this lonely island like Robinson Crusoe... and without anything to eat and no parrot... - That's true.... and I really don't know what to eat, once I have devoured you, poor Cabassol!,” plate 5 from Les Canotiers Parisiens

“- Our boat let go the anchor and has drifted away.... we're stuck on this lonely island like Robinson Crusoe... and without anything to eat and no parrot... - That's true.... and I really don't know what to eat, once I have devoured you, poor Cabassol!,” plate 5 from Les Canotiers Parisiens

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Our boat let go the anchor and has drifted away.... we're stuck on this lonely island like Robinson Crusoe... and without anything to eat and no parrot... - That's true.... and I really don't know what to eat, once I have devoured you, poor Cabassol!,” plate 5 from Les Canotiers Parisiens</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/27c5fcdd-f369-f585-9a6f-83a1c8068f87/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Our boat let go the anchor and has drifted away.... we're stuck on this lonely island like Robinson Crusoe... and without anything to eat and no parrot... - That's true.... and I really don't know what to eat, once I have devoured you, poor Cabassol!,” plate 5 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/27c5fcdd-f369-f585-9a6f-83a1c8068f87/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Our boat let go the anchor and has drifted away.... we're stuck on this lonely island like Robinson Crusoe... and without anything to eat and no parrot... - That's true.... and I really don't know what to eat, once I have devoured you, poor Cabassol!,” plate 5 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/27c5fcdd-f369-f585-9a6f-83a1c8068f87/full/full/0/default.jpg.
SUMMARY. “- Our boat let go the anchor and has drifted away.... we're stuck on this lonely island like Robinson Crusoe... and without anything to eat and no parrot... - That's true.... and I really don't know what to eat, once I have devoured you, poor Cabassol!,” plate 5 from Les Canotiers Parisiens
CAPTION.
“- Please no exaggerations in this article which goes to all the newspapers. Write only that our pupil Greluchot has received fourteen prizes and that there is no doubt that the Institute Bilboquet is the finest in all of Paris!,” plate 27 from Professeurs Et Moutards

“- Please no exaggerations in this article which goes to all the newspapers. Write only that our pupil Greluchot has received fourteen prizes and that there is no doubt that the Institute Bilboquet is the finest in all of Paris!,” plate 27 from Professeurs Et Moutards

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Please no exaggerations in this article which goes to all the newspapers. Write only that our pupil Greluchot has received fourteen prizes and that there is no doubt that the Institute Bilboquet is the finest in all of Paris!,” plate 27 from Professeurs Et Moutards</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/e4970126-7058-da68-989a-141946df3e2c/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Please no exaggerations in this article which goes to all the newspapers. Write only that our pupil Greluchot has received fourteen prizes and that there is no doubt that the Institute Bilboquet is the finest in all of Paris!,” plate 27 from Professeurs Et Moutards</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/e4970126-7058-da68-989a-141946df3e2c/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Please no exaggerations in this article which goes to all the newspapers. Write only that our pupil Greluchot has received fourteen prizes and that there is no doubt that the Institute Bilboquet is the finest in all of Paris!,” plate 27 from Professeurs Et Moutards</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/e4970126-7058-da68-989a-141946df3e2c/full/full/0/default.jpg.
SUMMARY. “- Please no exaggerations in this article which goes to all the newspapers. Write only that our pupil Greluchot has received fourteen prizes and that there is no doubt that the Institute Bilboquet is the finest in all of Paris!,” plate 27 from Professeurs Et Moutards
CAPTION.
“- Say then, Madme. Giboulard … don't you agree that it is not very pleasant for women of our gender, to come down like this everyday, cleaning the gutters of St. Honoré … - That's true, Madame Chaffarou, but we can also praise ourselves of being the only ones to embellish Paris!,” plate 75 from Caricatures Du Jour

“- Say then, Madme. Giboulard … don't you agree that it is not very pleasant for women of our gender, to come down like this everyday, cleaning the gutters of St. Honoré … - That's true, Madame Chaffarou, but we can also praise ourselves of being the only ones to embellish Paris!,” plate 75 from Caricatures Du Jour

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Say then, Madme. Giboulard … don't you agree that it is not very pleasant for women of our gender, to come down like this everyday, cleaning the gutters of St. Honoré … - That's true, Madame Chaffarou, but we can also praise ourselves of being the only ones to embellish Paris!,” plate 75 from Caricatures Du Jour</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/b4188b4c-a16b-50d7-c0c8-1d6813e5dced/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Say then, Madme. Giboulard … don't you agree that it is not very pleasant for women of our gender, to come down like this everyday, cleaning the gutters of St. Honoré … - That's true, Madame Chaffarou, but we can also praise ourselves of being the only ones to embellish Paris!,” plate 75 from Caricatures Du Jour</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/b4188b4c-a16b-50d7-c0c8-1d6813e5dced/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Say then, Madme. Giboulard … don't you agree that it is not very pleasant for women of our gender, to come down like this everyday, cleaning the gutters of St. Honoré … - That's true, Madame Chaffarou, but we can also praise ourselves of being the only ones to embellish Paris!,” plate 75 from Caricatures Du Jour</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/b4188b4c-a16b-50d7-c0c8-1d6813e5dced/full/full/0/default.jpg.
SUMMARY. “- Say then, Madme. Giboulard … don't you agree that it is not very pleasant for women of our gender, to come down like this everyday, cleaning the gutters of St. Honoré … - That's true, Madame Chaffarou, but we can also praise ourselves of being the only ones to embellish Paris!,” plate 75 from Caricatures Du Jour
CAPTION.
“- Sir, I would like to subscribe for the earth quake at Batignolles..... here are two Francs.... but put in properly my name and address in your newspaper, Rigolard - Philanthropist, stationer at rue St. Honoré 345, offering clocks and statues by Dantan, Bohemian glass, English riding sticks, German chemical matches and generally everything that does not really concern this matter,” plate 6 from Les Philantropes Du Jour

“- Sir, I would like to subscribe for the earth quake at Batignolles..... here are two Francs.... but put in properly my name and address in your newspaper, Rigolard - Philanthropist, stationer at rue St. Honoré 345, offering clocks and statues by Dantan, Bohemian glass, English riding sticks, German chemical matches and generally everything that does not really concern this matter,” plate 6 from Les Philantropes Du Jour

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Sir, I would like to subscribe for the earth quake at Batignolles..... here are two Francs.... but put in properly my name and address in your newspaper, Rigolard - Philanthropist, stationer at rue St. Honoré 345, offering clocks and statues by Dantan, Bohemian glass, English riding sticks, German chemical matches and generally everything that does not really concern this matter,” plate 6 from Les Philantropes Du Jour</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/da144f65-aa39-4d41-75f0-512b29eb253f/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Sir, I would like to subscribe for the earth quake at Batignolles..... here are two Francs.... but put in properly my name and address in your newspaper, Rigolard - Philanthropist, stationer at rue St. Honoré 345, offering clocks and statues by Dantan, Bohemian glass, English riding sticks, German chemical matches and generally everything that does not really concern this matter,” plate 6 from Les Philantropes Du Jour</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/da144f65-aa39-4d41-75f0-512b29eb253f/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Sir, I would like to subscribe for the earth quake at Batignolles..... here are two Francs.... but put in properly my name and address in your newspaper, Rigolard - Philanthropist, stationer at rue St. Honoré 345, offering clocks and statues by Dantan, Bohemian glass, English riding sticks, German chemical matches and generally everything that does not really concern this matter,” plate 6 from Les Philantropes Du Jour</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/da144f65-aa39-4d41-75f0-512b29eb253f/full/full/0/default.jpg.
SUMMARY. “- Sir, I would like to subscribe for the earth quake at Batignolles..... here are two Francs.... but put in properly my name and address in your newspaper, Rigolard - Philanthropist, stationer at rue St. Honoré 345, offering clocks and statues by Dantan, Bohemian glass, English riding sticks, German chemical matches and generally everything that does not really concern this matter,” plate 6 from Les Philantropes Du Jour
CAPTION.
“- Sir, you who are so good, can't you get me small position?.... I am able to furnish you the best references on my honesty.... - You have always remained honest?... But in that case, my worthy man, why the devil have you come to me? You ought to know that I concentrate all my business and all my charities on this highly interesting class of freed convicts! Why don't you go and steal something or at least kill a bit... and once you are out of Toulon-prison, come and see me... I'll be delighted to offer you a helping hand!,” plate 19 from Les Philantropes Du Jour

“- Sir, you who are so good, can't you get me small position?.... I am able to furnish you the best references on my honesty.... - You have always remained honest?... But in that case, my worthy man, why the devil have you come to me? You ought to know that I concentrate all my business and all my charities on this highly interesting class of freed convicts! Why don't you go and steal something or at least kill a bit... and once you are out of Toulon-prison, come and see me... I'll be delighted to offer you a helping hand!,” plate 19 from Les Philantropes Du Jour

Lithograph in black on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Sir, you who are so good, can't you get me small position?.... I am able to furnish you the best references on my honesty.... - You have always remained honest?... But in that case, my worthy man, why the devil have you come to me? You ought to know that I concentrate all my business and all my charities on this highly interesting class of freed convicts! Why don't you go and steal something or at least kill a bit... and once you are out of Toulon-prison, come and see me... I'll be delighted to offer you a helping hand!,” plate 19 from Les Philantropes Du Jour</i> [Lithograph in black on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/15e141a2-9358-f02c-b079-1c68e9c0c5e5/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Sir, you who are so good, can't you get me small position?.... I am able to furnish you the best references on my honesty.... - You have always remained honest?... But in that case, my worthy man, why the devil have you come to me? You ought to know that I concentrate all my business and all my charities on this highly interesting class of freed convicts! Why don't you go and steal something or at least kill a bit... and once you are out of Toulon-prison, come and see me... I'll be delighted to offer you a helping hand!,” plate 19 from Les Philantropes Du Jour</i>." n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/15e141a2-9358-f02c-b079-1c68e9c0c5e5/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Sir, you who are so good, can't you get me small position?.... I am able to furnish you the best references on my honesty.... - You have always remained honest?... But in that case, my worthy man, why the devil have you come to me? You ought to know that I concentrate all my business and all my charities on this highly interesting class of freed convicts! Why don't you go and steal something or at least kill a bit... and once you are out of Toulon-prison, come and see me... I'll be delighted to offer you a helping hand!,” plate 19 from Les Philantropes Du Jour</i>," n.d.. Lithograph in black on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/15e141a2-9358-f02c-b079-1c68e9c0c5e5/full/full/0/default.jpg.
SUMMARY. “- Sir, you who are so good, can't you get me small position?.... I am able to furnish you the best references on my honesty.... - You have always remained honest?... But in that case, my worthy man, why the devil have you come to me? You ought to know that I concentrate all my business and all my charities on this highly interesting class of freed convicts! Why don't you go and steal something or at least kill a bit... and once you are out of Toulon-prison, come and see me... I'll be delighted to offer you a helping hand!,” plate 19 from Les Philantropes Du Jour
CAPTION.
“- Sire! Lisbon has been captured. - aaaah!!... and I dreamt that I had fought courageously!,” plate 304

“- Sire! Lisbon has been captured. - aaaah!!... and I dreamt that I had fought courageously!,” plate 304

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Sire! Lisbon has been captured. - aaaah!!... and I dreamt that I had fought courageously!,” plate 304</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/1612dc6f-d5d0-8ad7-49f6-daf65cef68e5/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Sire! Lisbon has been captured. - aaaah!!... and I dreamt that I had fought courageously!,” plate 304</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/1612dc6f-d5d0-8ad7-49f6-daf65cef68e5/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Sire! Lisbon has been captured. - aaaah!!... and I dreamt that I had fought courageously!,” plate 304</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/1612dc6f-d5d0-8ad7-49f6-daf65cef68e5/full/full/0/default.jpg.
SUMMARY. “- Sire! Lisbon has been captured. - aaaah!!... and I dreamt that I had fought courageously!,” plate 304
CAPTION.
“- So we have stolen the balloon of Mr. Green?,” plate 31 from Tout Ce Qu'on Voudra

“- So we have stolen the balloon of Mr. Green?,” plate 31 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- So we have stolen the balloon of Mr. Green?,” plate 31 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/702d2833-5348-bc5d-03ae-cbf6bb3fe78c/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- So we have stolen the balloon of Mr. Green?,” plate 31 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/702d2833-5348-bc5d-03ae-cbf6bb3fe78c/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- So we have stolen the balloon of Mr. Green?,” plate 31 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/702d2833-5348-bc5d-03ae-cbf6bb3fe78c/full/full/0/default.jpg.
SUMMARY. “- So we have stolen the balloon of Mr. Green?,” plate 31 from Tout Ce Qu'on Voudra
CAPTION.
“- Still more Venuses this year... always Venuses!... as if there were any women built like that!,” plate 2 from Croquis Pris Au Salon par Daumier

“- Still more Venuses this year... always Venuses!... as if there were any women built like that!,” plate 2 from Croquis Pris Au Salon par Daumier

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Still more Venuses this year... always Venuses!... as if there were any women built like that!,” plate 2 from Croquis Pris Au Salon par Daumier</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/b4d75e0b-e33c-ff5d-9466-9ea99cad3da0/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Still more Venuses this year... always Venuses!... as if there were any women built like that!,” plate 2 from Croquis Pris Au Salon par Daumier</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/b4d75e0b-e33c-ff5d-9466-9ea99cad3da0/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Still more Venuses this year... always Venuses!... as if there were any women built like that!,” plate 2 from Croquis Pris Au Salon par Daumier</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/b4d75e0b-e33c-ff5d-9466-9ea99cad3da0/full/full/0/default.jpg.
SUMMARY. “- Still more Venuses this year... always Venuses!... as if there were any women built like that!,” plate 2 from Croquis Pris Au Salon par Daumier
CAPTION.
“- Taxi Monsieur? Taxi? - I don't even have enough to walk,” plate 8 from Émotions De Parisiens

“- Taxi Monsieur? Taxi? - I don't even have enough to walk,” plate 8 from Émotions De Parisiens

Lithograph, with scraping on stone on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Taxi Monsieur? Taxi? - I don't even have enough to walk,” plate 8 from Émotions De Parisiens</i> [Lithograph, with scraping on stone on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f53195c0-f8cf-ca2a-3eb1-58ab3ddac1d4/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Taxi Monsieur? Taxi? - I don't even have enough to walk,” plate 8 from Émotions De Parisiens</i>." n.d.. Lithograph, with scraping on stone on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/f53195c0-f8cf-ca2a-3eb1-58ab3ddac1d4/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Taxi Monsieur? Taxi? - I don't even have enough to walk,” plate 8 from Émotions De Parisiens</i>," n.d.. Lithograph, with scraping on stone on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/f53195c0-f8cf-ca2a-3eb1-58ab3ddac1d4/full/full/0/default.jpg.
SUMMARY. “- Taxi Monsieur? Taxi? - I don't even have enough to walk,” plate 8 from Émotions De Parisiens
CAPTION.
“- Tell me, mayor, what are communists? - You know, Pierre, communists are people who want to have everything in common with every Frenchman: the money, the work, and the land. - Well, in my opinion there is one thing they seem to be lacking: common sense,” plate 42 from Tout Ce Qu'on Voudra

“- Tell me, mayor, what are communists? - You know, Pierre, communists are people who want to have everything in common with every Frenchman: the money, the work, and the land. - Well, in my opinion there is one thing they seem to be lacking: common sense,” plate 42 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Tell me, mayor, what are communists? - You know, Pierre, communists are people who want to have everything in common with every Frenchman: the money, the work, and the land. - Well, in my opinion there is one thing they seem to be lacking: common sense,” plate 42 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/8b438e30-4b69-4fe3-79cd-5719dd4806f5/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Tell me, mayor, what are communists? - You know, Pierre, communists are people who want to have everything in common with every Frenchman: the money, the work, and the land. - Well, in my opinion there is one thing they seem to be lacking: common sense,” plate 42 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/8b438e30-4b69-4fe3-79cd-5719dd4806f5/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Tell me, mayor, what are communists? - You know, Pierre, communists are people who want to have everything in common with every Frenchman: the money, the work, and the land. - Well, in my opinion there is one thing they seem to be lacking: common sense,” plate 42 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/8b438e30-4b69-4fe3-79cd-5719dd4806f5/full/full/0/default.jpg.
SUMMARY. “- Tell me, mayor, what are communists? - You know, Pierre, communists are people who want to have everything in common with every Frenchman: the money, the work, and the land. - Well, in my opinion there is one thing they seem to be lacking: common sense,” plate 42 from Tout Ce Qu'on Voudra
CAPTION.
“- That's quite alright... isn't asphalt a marvellous invention?,” plate 1 from Paris L'hiver

“- That's quite alright... isn't asphalt a marvellous invention?,” plate 1 from Paris L'hiver

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- That's quite alright... isn't asphalt a marvellous invention?,” plate 1 from Paris L'hiver</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/58fe5a6d-09d2-da97-ab07-c814e65f0faf/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- That's quite alright... isn't asphalt a marvellous invention?,” plate 1 from Paris L'hiver</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/58fe5a6d-09d2-da97-ab07-c814e65f0faf/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- That's quite alright... isn't asphalt a marvellous invention?,” plate 1 from Paris L'hiver</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/58fe5a6d-09d2-da97-ab07-c814e65f0faf/full/full/0/default.jpg.
SUMMARY. “- That's quite alright... isn't asphalt a marvellous invention?,” plate 1 from Paris L'hiver
CAPTION.
“- Three months ago, the Count sat model like that.... nowadays there is no more similarity..... everything seems to be wrong,” plate 40 from Tout Ce Qu'on Voudra

“- Three months ago, the Count sat model like that.... nowadays there is no more similarity..... everything seems to be wrong,” plate 40 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Three months ago, the Count sat model like that.... nowadays there is no more similarity..... everything seems to be wrong,” plate 40 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/beb4fe79-d481-ab6a-dd8e-9811160f871a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Three months ago, the Count sat model like that.... nowadays there is no more similarity..... everything seems to be wrong,” plate 40 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/beb4fe79-d481-ab6a-dd8e-9811160f871a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Three months ago, the Count sat model like that.... nowadays there is no more similarity..... everything seems to be wrong,” plate 40 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/beb4fe79-d481-ab6a-dd8e-9811160f871a/full/full/0/default.jpg.
SUMMARY. “- Three months ago, the Count sat model like that.... nowadays there is no more similarity..... everything seems to be wrong,” plate 40 from Tout Ce Qu'on Voudra
CAPTION.
“- Times are difficult; this year we must learn to be more modest... - Don't tell me, my dear Ducorneau.... as far as I am concerned, every time I go to the theatre I now deny myself the company of my wife....,” plate 2 from Tout Ce Qu'on Voudra

“- Times are difficult; this year we must learn to be more modest... - Don't tell me, my dear Ducorneau.... as far as I am concerned, every time I go to the theatre I now deny myself the company of my wife....,” plate 2 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Times are difficult; this year we must learn to be more modest... - Don't tell me, my dear Ducorneau.... as far as I am concerned, every time I go to the theatre I now deny myself the company of my wife....,” plate 2 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/eb1213a5-bf46-b967-cb56-add8cf0739f1/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Times are difficult; this year we must learn to be more modest... - Don't tell me, my dear Ducorneau.... as far as I am concerned, every time I go to the theatre I now deny myself the company of my wife....,” plate 2 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/eb1213a5-bf46-b967-cb56-add8cf0739f1/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Times are difficult; this year we must learn to be more modest... - Don't tell me, my dear Ducorneau.... as far as I am concerned, every time I go to the theatre I now deny myself the company of my wife....,” plate 2 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/eb1213a5-bf46-b967-cb56-add8cf0739f1/full/full/0/default.jpg.
SUMMARY. “- Times are difficult; this year we must learn to be more modest... - Don't tell me, my dear Ducorneau.... as far as I am concerned, every time I go to the theatre I now deny myself the company of my wife....,” plate 2 from Tout Ce Qu'on Voudra
CAPTION.
“- We really look like Papa, don't we... little Cherub!,” plate 14 from Les Papas

“- We really look like Papa, don't we... little Cherub!,” plate 14 from Les Papas

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- We really look like Papa, don't we... little Cherub!,” plate 14 from Les Papas</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/01e94be8-003d-ba62-d061-172d35d5132d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- We really look like Papa, don't we... little Cherub!,” plate 14 from Les Papas</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/01e94be8-003d-ba62-d061-172d35d5132d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- We really look like Papa, don't we... little Cherub!,” plate 14 from Les Papas</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/01e94be8-003d-ba62-d061-172d35d5132d/full/full/0/default.jpg.
SUMMARY. “- We really look like Papa, don't we... little Cherub!,” plate 14 from Les Papas
CAPTION.
“- Well, are you finally finished?... after all it's tiring to relax for such a long time,” plate 1 from Les Artistes A La Campagne

“- Well, are you finally finished?... after all it's tiring to relax for such a long time,” plate 1 from Les Artistes A La Campagne

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Well, are you finally finished?... after all it's tiring to relax for such a long time,” plate 1 from Les Artistes A La Campagne</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/e5df4990-4bb0-66a3-969f-65851e5f6f7f/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Well, are you finally finished?... after all it's tiring to relax for such a long time,” plate 1 from Les Artistes A La Campagne</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/e5df4990-4bb0-66a3-969f-65851e5f6f7f/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Well, are you finally finished?... after all it's tiring to relax for such a long time,” plate 1 from Les Artistes A La Campagne</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/e5df4990-4bb0-66a3-969f-65851e5f6f7f/full/full/0/default.jpg.
SUMMARY. “- Well, are you finally finished?... after all it's tiring to relax for such a long time,” plate 1 from Les Artistes A La Campagne
CAPTION.
“- Well, fancy that! I thought that we had just discovered a deserted island or at least a country inhabited by cannibals. - No, Sir.... and the proof is that, if you want, I am going to make you eat an excellent fricassee of game in a white wine sauce. - A fricassee of game ....oh, then it's different..... we are with the Chatophages. (note:cat-eaters),” plate 2 from Les Canotiers Parisiens

“- Well, fancy that! I thought that we had just discovered a deserted island or at least a country inhabited by cannibals. - No, Sir.... and the proof is that, if you want, I am going to make you eat an excellent fricassee of game in a white wine sauce. - A fricassee of game ....oh, then it's different..... we are with the Chatophages. (note:cat-eaters),” plate 2 from Les Canotiers Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Well, fancy that! I thought that we had just discovered a deserted island or at least a country inhabited by cannibals. - No, Sir.... and the proof is that, if you want, I am going to make you eat an excellent fricassee of game in a white wine sauce. - A fricassee of game ....oh, then it's different..... we are with the Chatophages. (note:cat-eaters),” plate 2 from Les Canotiers Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/15b66265-b2e1-9ce7-2e2c-9b60ccecdf5c/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Well, fancy that! I thought that we had just discovered a deserted island or at least a country inhabited by cannibals. - No, Sir.... and the proof is that, if you want, I am going to make you eat an excellent fricassee of game in a white wine sauce. - A fricassee of game ....oh, then it's different..... we are with the Chatophages. (note:cat-eaters),” plate 2 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/15b66265-b2e1-9ce7-2e2c-9b60ccecdf5c/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Well, fancy that! I thought that we had just discovered a deserted island or at least a country inhabited by cannibals. - No, Sir.... and the proof is that, if you want, I am going to make you eat an excellent fricassee of game in a white wine sauce. - A fricassee of game ....oh, then it's different..... we are with the Chatophages. (note:cat-eaters),” plate 2 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/15b66265-b2e1-9ce7-2e2c-9b60ccecdf5c/full/full/0/default.jpg.
SUMMARY. “- Well, fancy that! I thought that we had just discovered a deserted island or at least a country inhabited by cannibals. - No, Sir.... and the proof is that, if you want, I am going to make you eat an excellent fricassee of game in a white wine sauce. - A fricassee of game ....oh, then it's different..... we are with the Chatophages. (note:cat-eaters),” plate 2 from Les Canotiers Parisiens
CAPTION.
“- Well, if you want to liberate the butchers' commerce, why are you against my weighing a few bones with the meat?… you are really strange, same as ever!,” plate 472 from Actualités

“- Well, if you want to liberate the butchers' commerce, why are you against my weighing a few bones with the meat?… you are really strange, same as ever!,” plate 472 from Actualités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Well, if you want to liberate the butchers' commerce, why are you against my weighing a few bones with the meat?… you are really strange, same as ever!,” plate 472 from Actualités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d16985bc-8779-de84-5a50-c92b34a425c0/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Well, if you want to liberate the butchers' commerce, why are you against my weighing a few bones with the meat?… you are really strange, same as ever!,” plate 472 from Actualités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/d16985bc-8779-de84-5a50-c92b34a425c0/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Well, if you want to liberate the butchers' commerce, why are you against my weighing a few bones with the meat?… you are really strange, same as ever!,” plate 472 from Actualités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/d16985bc-8779-de84-5a50-c92b34a425c0/full/full/0/default.jpg.
SUMMARY. “- Well, if you want to liberate the butchers' commerce, why are you against my weighing a few bones with the meat?… you are really strange, same as ever!,” plate 472 from Actualités
CAPTION.
“- What a fortunate encounter! It's my dear Stanislaus whom I haven't seen since we were in the sixth class together at Landernau.... in these times we used to share everything.... Things should be the same again, could you lend me 20 or 25 Francs?,” plate 2 from Les Amis

“- What a fortunate encounter! It's my dear Stanislaus whom I haven't seen since we were in the sixth class together at Landernau.... in these times we used to share everything.... Things should be the same again, could you lend me 20 or 25 Francs?,” plate 2 from Les Amis

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- What a fortunate encounter! It's my dear Stanislaus whom I haven't seen since we were in the sixth class together at Landernau.... in these times we used to share everything.... Things should be the same again, could you lend me 20 or 25 Francs?,” plate 2 from Les Amis</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/3243e59c-3334-0e8c-9d6b-3ecba20df6d2/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- What a fortunate encounter! It's my dear Stanislaus whom I haven't seen since we were in the sixth class together at Landernau.... in these times we used to share everything.... Things should be the same again, could you lend me 20 or 25 Francs?,” plate 2 from Les Amis</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/3243e59c-3334-0e8c-9d6b-3ecba20df6d2/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- What a fortunate encounter! It's my dear Stanislaus whom I haven't seen since we were in the sixth class together at Landernau.... in these times we used to share everything.... Things should be the same again, could you lend me 20 or 25 Francs?,” plate 2 from Les Amis</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/3243e59c-3334-0e8c-9d6b-3ecba20df6d2/full/full/0/default.jpg.
SUMMARY. “- What a fortunate encounter! It's my dear Stanislaus whom I haven't seen since we were in the sixth class together at Landernau.... in these times we used to share everything.... Things should be the same again, could you lend me 20 or 25 Francs?,” plate 2 from Les Amis
CAPTION.
“- What a shame that I don't speak Chinese... I would love to say something real nice to her and something rather nasty to her husband,” plate 4 from En Chine

“- What a shame that I don't speak Chinese... I would love to say something real nice to her and something rather nasty to her husband,” plate 4 from En Chine

Lithograph on buff wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- What a shame that I don't speak Chinese... I would love to say something real nice to her and something rather nasty to her husband,” plate 4 from En Chine</i> [Lithograph on buff wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/6bc60049-c815-9c72-9249-562243b2b170/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- What a shame that I don't speak Chinese... I would love to say something real nice to her and something rather nasty to her husband,” plate 4 from En Chine</i>." n.d.. Lithograph on buff wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/6bc60049-c815-9c72-9249-562243b2b170/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- What a shame that I don't speak Chinese... I would love to say something real nice to her and something rather nasty to her husband,” plate 4 from En Chine</i>," n.d.. Lithograph on buff wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/6bc60049-c815-9c72-9249-562243b2b170/full/full/0/default.jpg.
SUMMARY. “- What a shame that I don't speak Chinese... I would love to say something real nice to her and something rather nasty to her husband,” plate 4 from En Chine
CAPTION.
“- What do you mean, there are soon going to be air trains? - But of course, Monsieur... you see, it will then be very easy to establish a connection between Dover and Calais... but of course, the project is still suspended in air,” plate 14 from The Railroad

“- What do you mean, there are soon going to be air trains? - But of course, Monsieur... you see, it will then be very easy to establish a connection between Dover and Calais... but of course, the project is still suspended in air,” plate 14 from The Railroad

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- What do you mean, there are soon going to be air trains? - But of course, Monsieur... you see, it will then be very easy to establish a connection between Dover and Calais... but of course, the project is still suspended in air,” plate 14 from The Railroad</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/c2c27ec5-14cb-40ec-8e29-02ea1880275d/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- What do you mean, there are soon going to be air trains? - But of course, Monsieur... you see, it will then be very easy to establish a connection between Dover and Calais... but of course, the project is still suspended in air,” plate 14 from The Railroad</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/c2c27ec5-14cb-40ec-8e29-02ea1880275d/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- What do you mean, there are soon going to be air trains? - But of course, Monsieur... you see, it will then be very easy to establish a connection between Dover and Calais... but of course, the project is still suspended in air,” plate 14 from The Railroad</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/c2c27ec5-14cb-40ec-8e29-02ea1880275d/full/full/0/default.jpg.
SUMMARY. “- What do you mean, there are soon going to be air trains? - But of course, Monsieur... you see, it will then be very easy to establish a connection between Dover and Calais... but of course, the project is still suspended in air,” plate 14 from The Railroad
CAPTION.
“- Whatever became of you, Mr. Brown? - I became an unlicensed broker at the Stock Exchange...,” plate 29 from Tout Ce Qu'on Voudra

“- Whatever became of you, Mr. Brown? - I became an unlicensed broker at the Stock Exchange...,” plate 29 from Tout Ce Qu'on Voudra

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Whatever became of you, Mr. Brown? - I became an unlicensed broker at the Stock Exchange...,” plate 29 from Tout Ce Qu'on Voudra</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f6bbcc9d-8201-7aea-dc10-35d7e29e0d0f/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Whatever became of you, Mr. Brown? - I became an unlicensed broker at the Stock Exchange...,” plate 29 from Tout Ce Qu'on Voudra</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/f6bbcc9d-8201-7aea-dc10-35d7e29e0d0f/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Whatever became of you, Mr. Brown? - I became an unlicensed broker at the Stock Exchange...,” plate 29 from Tout Ce Qu'on Voudra</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/f6bbcc9d-8201-7aea-dc10-35d7e29e0d0f/full/full/0/default.jpg.
SUMMARY. “- Whatever became of you, Mr. Brown? - I became an unlicensed broker at the Stock Exchange...,” plate 29 from Tout Ce Qu'on Voudra
CAPTION.
“- Would you please come back immediately... I do not allow my tenants to receive visitors once I have cleaned the staircase,” plate 1 from Messieurs Les Concierges

“- Would you please come back immediately... I do not allow my tenants to receive visitors once I have cleaned the staircase,” plate 1 from Messieurs Les Concierges

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Would you please come back immediately... I do not allow my tenants to receive visitors once I have cleaned the staircase,” plate 1 from Messieurs Les Concierges</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/5911f714-fdd3-8d75-8ef5-9c51fd0629e9/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Would you please come back immediately... I do not allow my tenants to receive visitors once I have cleaned the staircase,” plate 1 from Messieurs Les Concierges</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/5911f714-fdd3-8d75-8ef5-9c51fd0629e9/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Would you please come back immediately... I do not allow my tenants to receive visitors once I have cleaned the staircase,” plate 1 from Messieurs Les Concierges</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/5911f714-fdd3-8d75-8ef5-9c51fd0629e9/full/full/0/default.jpg.
SUMMARY. “- Would you please come back immediately... I do not allow my tenants to receive visitors once I have cleaned the staircase,” plate 1 from Messieurs Les Concierges
CAPTION.
“- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier

“- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ec5d030f-72a7-753f-4263-4e55aa2691be/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/ec5d030f-72a7-753f-4263-4e55aa2691be/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/ec5d030f-72a7-753f-4263-4e55aa2691be/full/full/0/default.jpg.
SUMMARY. “- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier
CAPTION.
“- Yes alright, but the poor boy's belly is hurting,” plate 13 from Les Papas

“- Yes alright, but the poor boy's belly is hurting,” plate 13 from Les Papas

Lithograph in black on cream wove paper, with text added in another hand and letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Yes alright, but the poor boy's belly is hurting,” plate 13 from Les Papas</i> [Lithograph in black on cream wove paper, with text added in another hand and letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/253f8798-bddb-fe9e-6ffa-c03d66fc4902/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Yes alright, but the poor boy's belly is hurting,” plate 13 from Les Papas</i>." n.d.. Lithograph in black on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/253f8798-bddb-fe9e-6ffa-c03d66fc4902/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Yes alright, but the poor boy's belly is hurting,” plate 13 from Les Papas</i>," n.d.. Lithograph in black on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/253f8798-bddb-fe9e-6ffa-c03d66fc4902/full/full/0/default.jpg.
SUMMARY. “- Yes alright, but the poor boy's belly is hurting,” plate 13 from Les Papas
CAPTION.
“- Yes, my dear Badoulard... I will open a department store even more philanthropic and greater than anything that existed up to now.... it will carry the complete set of articles at half price... someone can come in as naked as a new born baby and leave fully dressed, including cane, umbrella and cigarette lighter! - But then you will ruin all the small little shops in the neighborhood! - What do I care, as long as its all done in the name of humanity!, plate 27 from Les Philantropes Du Jour

“- Yes, my dear Badoulard... I will open a department store even more philanthropic and greater than anything that existed up to now.... it will carry the complete set of articles at half price... someone can come in as naked as a new born baby and leave fully dressed, including cane, umbrella and cigarette lighter! - But then you will ruin all the small little shops in the neighborhood! - What do I care, as long as its all done in the name of humanity!, plate 27 from Les Philantropes Du Jour

Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded) · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Yes, my dear Badoulard... I will open a department store even more philanthropic and greater than anything that existed up to now.... it will carry the complete set of articles at half price... someone can come in as naked as a new born baby and leave fully dressed, including cane, umbrella and cigarette lighter! - But then you will ruin all the small little shops in the neighborhood! - What do I care, as long as its all done in the name of humanity!, plate 27 from Les Philantropes Du Jour</i> [Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded)]. Art Institute of Chicago. https://www.artic.edu/iiif/2/144f286e-4f7f-f6cf-3f4a-43e590124fce/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Yes, my dear Badoulard... I will open a department store even more philanthropic and greater than anything that existed up to now.... it will carry the complete set of articles at half price... someone can come in as naked as a new born baby and leave fully dressed, including cane, umbrella and cigarette lighter! - But then you will ruin all the small little shops in the neighborhood! - What do I care, as long as its all done in the name of humanity!, plate 27 from Les Philantropes Du Jour</i>." n.d.. Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded). Art Institute of Chicago, https://www.artic.edu/iiif/2/144f286e-4f7f-f6cf-3f4a-43e590124fce/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Yes, my dear Badoulard... I will open a department store even more philanthropic and greater than anything that existed up to now.... it will carry the complete set of articles at half price... someone can come in as naked as a new born baby and leave fully dressed, including cane, umbrella and cigarette lighter! - But then you will ruin all the small little shops in the neighborhood! - What do I care, as long as its all done in the name of humanity!, plate 27 from Les Philantropes Du Jour</i>," n.d.. Lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded). Art Institute of Chicago. https://www.artic.edu/iiif/2/144f286e-4f7f-f6cf-3f4a-43e590124fce/full/full/0/default.jpg.
SUMMARY. “- Yes, my dear Badoulard... I will open a department store even more philanthropic and greater than anything that existed up to now.... it will carry the complete set of articles at half price... someone can come in as naked as a new born baby and leave fully dressed, including cane, umbrella and cigarette lighter! - But then you will ruin all the small little shops in the neighborhood! - What do I care, as long as its all done in the name of humanity!, plate 27 from Les Philantropes Du Jour
CAPTION.
“- You are not wearing a Talma yet? - No, I remain loyal to the overcoat, it's more flattering to my waistline,” plate 1 from Les Bons Parisiens

“- You are not wearing a Talma yet? - No, I remain loyal to the overcoat, it's more flattering to my waistline,” plate 1 from Les Bons Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- You are not wearing a Talma yet? - No, I remain loyal to the overcoat, it's more flattering to my waistline,” plate 1 from Les Bons Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ff1692a8-2287-bfa3-7192-40346848353c/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- You are not wearing a Talma yet? - No, I remain loyal to the overcoat, it's more flattering to my waistline,” plate 1 from Les Bons Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/ff1692a8-2287-bfa3-7192-40346848353c/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- You are not wearing a Talma yet? - No, I remain loyal to the overcoat, it's more flattering to my waistline,” plate 1 from Les Bons Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/ff1692a8-2287-bfa3-7192-40346848353c/full/full/0/default.jpg.
SUMMARY. “- You are not wearing a Talma yet? - No, I remain loyal to the overcoat, it's more flattering to my waistline,” plate 1 from Les Bons Parisiens
CAPTION.
“- You must come to have dinner, my wife will eat in town.. it is just us two men! - Ah, the Devil! I have a terrible headache (aside) and his wife is waiting for me!,” plate 7 from Vulgarités

“- You must come to have dinner, my wife will eat in town.. it is just us two men! - Ah, the Devil! I have a terrible headache (aside) and his wife is waiting for me!,” plate 7 from Vulgarités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- You must come to have dinner, my wife will eat in town.. it is just us two men! - Ah, the Devil! I have a terrible headache (aside) and his wife is waiting for me!,” plate 7 from Vulgarités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/32a69ecf-60dd-abd1-8750-0a56c7a273ef/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- You must come to have dinner, my wife will eat in town.. it is just us two men! - Ah, the Devil! I have a terrible headache (aside) and his wife is waiting for me!,” plate 7 from Vulgarités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/32a69ecf-60dd-abd1-8750-0a56c7a273ef/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- You must come to have dinner, my wife will eat in town.. it is just us two men! - Ah, the Devil! I have a terrible headache (aside) and his wife is waiting for me!,” plate 7 from Vulgarités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/32a69ecf-60dd-abd1-8750-0a56c7a273ef/full/full/0/default.jpg.
SUMMARY. “- You must come to have dinner, my wife will eat in town.. it is just us two men! - Ah, the Devil! I have a terrible headache (aside) and his wife is waiting for me!,” plate 7 from Vulgarités
CAPTION.
“- You see, my friend Durand.... there are only two important components of happiness for a man: water and wine... but they must never be mixed, otherwise they lose their charm. - Quite right, Cabassol.... let's drink another glass of wine in honour of water!,” plate 12 from Les Canotiers Parisiens

“- You see, my friend Durand.... there are only two important components of happiness for a man: water and wine... but they must never be mixed, otherwise they lose their charm. - Quite right, Cabassol.... let's drink another glass of wine in honour of water!,” plate 12 from Les Canotiers Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- You see, my friend Durand.... there are only two important components of happiness for a man: water and wine... but they must never be mixed, otherwise they lose their charm. - Quite right, Cabassol.... let's drink another glass of wine in honour of water!,” plate 12 from Les Canotiers Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ef218f3b-45b6-b3c3-4458-298b2b467c03/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- You see, my friend Durand.... there are only two important components of happiness for a man: water and wine... but they must never be mixed, otherwise they lose their charm. - Quite right, Cabassol.... let's drink another glass of wine in honour of water!,” plate 12 from Les Canotiers Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/ef218f3b-45b6-b3c3-4458-298b2b467c03/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- You see, my friend Durand.... there are only two important components of happiness for a man: water and wine... but they must never be mixed, otherwise they lose their charm. - Quite right, Cabassol.... let's drink another glass of wine in honour of water!,” plate 12 from Les Canotiers Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/ef218f3b-45b6-b3c3-4458-298b2b467c03/full/full/0/default.jpg.
SUMMARY. “- You see, my friend Durand.... there are only two important components of happiness for a man: water and wine... but they must never be mixed, otherwise they lose their charm. - Quite right, Cabassol.... let's drink another glass of wine in honour of water!,” plate 12 from Les Canotiers Parisiens
CAPTION.
“- Your suit fits.... I'll borrow it from you... only, please close the door, I can feel a draft on my back. - Oh blast, the door is shut,..... but you just opened the only suit I have,” plate 5 from Les Amis

“- Your suit fits.... I'll borrow it from you... only, please close the door, I can feel a draft on my back. - Oh blast, the door is shut,..... but you just opened the only suit I have,” plate 5 from Les Amis

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“- Your suit fits.... I'll borrow it from you... only, please close the door, I can feel a draft on my back. - Oh blast, the door is shut,..... but you just opened the only suit I have,” plate 5 from Les Amis</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d9ca57df-c56c-d764-0750-4ec733e7e838/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Your suit fits.... I'll borrow it from you... only, please close the door, I can feel a draft on my back. - Oh blast, the door is shut,..... but you just opened the only suit I have,” plate 5 from Les Amis</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/d9ca57df-c56c-d764-0750-4ec733e7e838/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“- Your suit fits.... I'll borrow it from you... only, please close the door, I can feel a draft on my back. - Oh blast, the door is shut,..... but you just opened the only suit I have,” plate 5 from Les Amis</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/d9ca57df-c56c-d764-0750-4ec733e7e838/full/full/0/default.jpg.
SUMMARY. “- Your suit fits.... I'll borrow it from you... only, please close the door, I can feel a draft on my back. - Oh blast, the door is shut,..... but you just opened the only suit I have,” plate 5 from Les Amis
CAPTION.
“-What a shame that I am not allowed go hunting,” plate 180 from Actualitiés

“-What a shame that I am not allowed go hunting,” plate 180 from Actualitiés

Lithograph in black on buff wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“-What a shame that I am not allowed go hunting,” plate 180 from Actualitiés</i> [Lithograph in black on buff wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/3776cda9-b947-6f03-b454-b5d9040bed39/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“-What a shame that I am not allowed go hunting,” plate 180 from Actualitiés</i>." n.d.. Lithograph in black on buff wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/3776cda9-b947-6f03-b454-b5d9040bed39/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“-What a shame that I am not allowed go hunting,” plate 180 from Actualitiés</i>," n.d.. Lithograph in black on buff wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/3776cda9-b947-6f03-b454-b5d9040bed39/full/full/0/default.jpg.
SUMMARY. “-What a shame that I am not allowed go hunting,” plate 180 from Actualitiés
CAPTION.
“A protest on New Year's Day! What luck! ...........,” plate 42 from Croquis Parisiens

“A protest on New Year's Day! What luck! ...........,” plate 42 from Croquis Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“A protest on New Year's Day! What luck! ...........,” plate 42 from Croquis Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/6ae1cb3a-5492-6a43-8dc7-8c79e7ef0548/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“A protest on New Year's Day! What luck! ...........,” plate 42 from Croquis Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/6ae1cb3a-5492-6a43-8dc7-8c79e7ef0548/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“A protest on New Year's Day! What luck! ...........,” plate 42 from Croquis Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/6ae1cb3a-5492-6a43-8dc7-8c79e7ef0548/full/full/0/default.jpg.
SUMMARY. “A protest on New Year's Day! What luck! ...........,” plate 42 from Croquis Parisiens
CAPTION.
“All is lost - save the cashbox”

“All is lost - save the cashbox”

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“All is lost - save the cashbox”</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/0f88f79b-4d33-da28-34ba-7d4abf53152c/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“All is lost - save the cashbox”</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/0f88f79b-4d33-da28-34ba-7d4abf53152c/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“All is lost - save the cashbox”</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/0f88f79b-4d33-da28-34ba-7d4abf53152c/full/full/0/default.jpg.
SUMMARY. “All is lost - save the cashbox”
CAPTION.
“Brigand of a may-bug... it's you who devours all my property. You shall perish through my hand!,” plate 32 from Pastorales

“Brigand of a may-bug... it's you who devours all my property. You shall perish through my hand!,” plate 32 from Pastorales

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Brigand of a may-bug... it's you who devours all my property. You shall perish through my hand!,” plate 32 from Pastorales</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/38bbab18-d5dd-8458-77d4-27b054371cc9/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Brigand of a may-bug... it's you who devours all my property. You shall perish through my hand!,” plate 32 from Pastorales</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/38bbab18-d5dd-8458-77d4-27b054371cc9/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Brigand of a may-bug... it's you who devours all my property. You shall perish through my hand!,” plate 32 from Pastorales</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/38bbab18-d5dd-8458-77d4-27b054371cc9/full/full/0/default.jpg.
SUMMARY. “Brigand of a may-bug... it's you who devours all my property. You shall perish through my hand!,” plate 32 from Pastorales
CAPTION.
“Damn country! I only shoot sparrows.... and just females... and this ingenious guard insisted the place is full of rabbits,” plate 5 from La Chasse

“Damn country! I only shoot sparrows.... and just females... and this ingenious guard insisted the place is full of rabbits,” plate 5 from La Chasse

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Damn country! I only shoot sparrows.... and just females... and this ingenious guard insisted the place is full of rabbits,” plate 5 from La Chasse</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f1cdc64a-f4ad-9dc3-5618-a795a1daf406/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Damn country! I only shoot sparrows.... and just females... and this ingenious guard insisted the place is full of rabbits,” plate 5 from La Chasse</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/f1cdc64a-f4ad-9dc3-5618-a795a1daf406/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Damn country! I only shoot sparrows.... and just females... and this ingenious guard insisted the place is full of rabbits,” plate 5 from La Chasse</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/f1cdc64a-f4ad-9dc3-5618-a795a1daf406/full/full/0/default.jpg.
SUMMARY. “Damn country! I only shoot sparrows.... and just females... and this ingenious guard insisted the place is full of rabbits,” plate 5 from La Chasse
CAPTION.
“Damn! They are happier than their master.... these bitches of boots... they drink!,” plate 2 from Vulgarités

“Damn! They are happier than their master.... these bitches of boots... they drink!,” plate 2 from Vulgarités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Damn! They are happier than their master.... these bitches of boots... they drink!,” plate 2 from Vulgarités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/9353f42f-bd57-ef91-8e39-edee7ab3f377/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Damn! They are happier than their master.... these bitches of boots... they drink!,” plate 2 from Vulgarités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/9353f42f-bd57-ef91-8e39-edee7ab3f377/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Damn! They are happier than their master.... these bitches of boots... they drink!,” plate 2 from Vulgarités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/9353f42f-bd57-ef91-8e39-edee7ab3f377/full/full/0/default.jpg.
SUMMARY. “Damn! They are happier than their master.... these bitches of boots... they drink!,” plate 2 from Vulgarités
CAPTION.
“Eleven degrees centigrade! Look at how it makes you look! And this is called the year of grace!,” plate 1 from Vulgarités

“Eleven degrees centigrade! Look at how it makes you look! And this is called the year of grace!,” plate 1 from Vulgarités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Eleven degrees centigrade! Look at how it makes you look! And this is called the year of grace!,” plate 1 from Vulgarités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/c3484994-3057-241e-60ab-cbe7025ac59a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Eleven degrees centigrade! Look at how it makes you look! And this is called the year of grace!,” plate 1 from Vulgarités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/c3484994-3057-241e-60ab-cbe7025ac59a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Eleven degrees centigrade! Look at how it makes you look! And this is called the year of grace!,” plate 1 from Vulgarités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/c3484994-3057-241e-60ab-cbe7025ac59a/full/full/0/default.jpg.
SUMMARY. “Eleven degrees centigrade! Look at how it makes you look! And this is called the year of grace!,” plate 1 from Vulgarités
CAPTION.
“Everything is Paid for? And We Didn't Insult Anyone… Bye,” plate 31 from Types Parisiens

“Everything is Paid for? And We Didn't Insult Anyone… Bye,” plate 31 from Types Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Everything is Paid for? And We Didn't Insult Anyone… Bye,” plate 31 from Types Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/5cb20e97-e277-ace4-16ec-dd211d6de06b/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Everything is Paid for? And We Didn't Insult Anyone… Bye,” plate 31 from Types Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/5cb20e97-e277-ace4-16ec-dd211d6de06b/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Everything is Paid for? And We Didn't Insult Anyone… Bye,” plate 31 from Types Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/5cb20e97-e277-ace4-16ec-dd211d6de06b/full/full/0/default.jpg.
SUMMARY. “Everything is Paid for? And We Didn't Insult Anyone… Bye,” plate 31 from Types Parisiens
CAPTION.
“God! How I loved that fellow there!,” plate 16 from Caricatures Politiques

“God! How I loved that fellow there!,” plate 16 from Caricatures Politiques

Lithograph, with hand-coloring on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“God! How I loved that fellow there!,” plate 16 from Caricatures Politiques</i> [Lithograph, with hand-coloring on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f2e51aed-bd8e-7328-5647-b49e4c5864be/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“God! How I loved that fellow there!,” plate 16 from Caricatures Politiques</i>." n.d.. Lithograph, with hand-coloring on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/f2e51aed-bd8e-7328-5647-b49e4c5864be/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“God! How I loved that fellow there!,” plate 16 from Caricatures Politiques</i>," n.d.. Lithograph, with hand-coloring on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/f2e51aed-bd8e-7328-5647-b49e4c5864be/full/full/0/default.jpg.
SUMMARY. “God! How I loved that fellow there!,” plate 16 from Caricatures Politiques
CAPTION.
“Ha! Dammmmmnit wife... how much funnn we had when we were eighteen.... no men no women..... just us people from Auvergne,” plate 5 from Vulgarités

“Ha! Dammmmmnit wife... how much funnn we had when we were eighteen.... no men no women..... just us people from Auvergne,” plate 5 from Vulgarités

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Ha! Dammmmmnit wife... how much funnn we had when we were eighteen.... no men no women..... just us people from Auvergne,” plate 5 from Vulgarités</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a31de2c0-02fd-4c4c-3fb5-f2468ed364bc/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Ha! Dammmmmnit wife... how much funnn we had when we were eighteen.... no men no women..... just us people from Auvergne,” plate 5 from Vulgarités</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a31de2c0-02fd-4c4c-3fb5-f2468ed364bc/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Ha! Dammmmmnit wife... how much funnn we had when we were eighteen.... no men no women..... just us people from Auvergne,” plate 5 from Vulgarités</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a31de2c0-02fd-4c4c-3fb5-f2468ed364bc/full/full/0/default.jpg.
SUMMARY. “Ha! Dammmmmnit wife... how much funnn we had when we were eighteen.... no men no women..... just us people from Auvergne,” plate 5 from Vulgarités
CAPTION.
“Heave-ho!..Heave-ho! Heave-ho!,” plate 179

“Heave-ho!..Heave-ho! Heave-ho!,” plate 179

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Heave-ho!..Heave-ho! Heave-ho!,” plate 179</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d4dd4603-891b-e574-c055-e4b6faaba513/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Heave-ho!..Heave-ho! Heave-ho!,” plate 179</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/d4dd4603-891b-e574-c055-e4b6faaba513/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Heave-ho!..Heave-ho! Heave-ho!,” plate 179</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/d4dd4603-891b-e574-c055-e4b6faaba513/full/full/0/default.jpg.
SUMMARY. “Heave-ho!..Heave-ho! Heave-ho!,” plate 179
CAPTION.
“Hello, Angel, always pretty...,” plate 3 from Coquetterie

“Hello, Angel, always pretty...,” plate 3 from Coquetterie

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Hello, Angel, always pretty...,” plate 3 from Coquetterie</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/8794f95e-03f7-0938-7592-1153601d627a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Hello, Angel, always pretty...,” plate 3 from Coquetterie</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/8794f95e-03f7-0938-7592-1153601d627a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Hello, Angel, always pretty...,” plate 3 from Coquetterie</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/8794f95e-03f7-0938-7592-1153601d627a/full/full/0/default.jpg.
SUMMARY. “Hello, Angel, always pretty...,” plate 3 from Coquetterie
CAPTION.
“I am living a little high up... but at least I am enjoying a beautiful view,” plate 8 from Les Bons Bourgeois

“I am living a little high up... but at least I am enjoying a beautiful view,” plate 8 from Les Bons Bourgeois

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“I am living a little high up... but at least I am enjoying a beautiful view,” plate 8 from Les Bons Bourgeois</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/e205cd0c-1a9e-bf3a-6055-853bd4726afb/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“I am living a little high up... but at least I am enjoying a beautiful view,” plate 8 from Les Bons Bourgeois</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/e205cd0c-1a9e-bf3a-6055-853bd4726afb/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“I am living a little high up... but at least I am enjoying a beautiful view,” plate 8 from Les Bons Bourgeois</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/e205cd0c-1a9e-bf3a-6055-853bd4726afb/full/full/0/default.jpg.
SUMMARY. “I am living a little high up... but at least I am enjoying a beautiful view,” plate 8 from Les Bons Bourgeois
CAPTION.
“I don't give a damn about your Miss Sand who prevents women from mending pants and darning socks! ... We must re-establish divorce or suppress those authors!,” plate 6 from Moeurs Conjugales

“I don't give a damn about your Miss Sand who prevents women from mending pants and darning socks! ... We must re-establish divorce or suppress those authors!,” plate 6 from Moeurs Conjugales

Lithograph in black, with handcoloring on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“I don't give a damn about your Miss Sand who prevents women from mending pants and darning socks! ... We must re-establish divorce or suppress those authors!,” plate 6 from Moeurs Conjugales</i> [Lithograph in black, with handcoloring on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/92b58de2-8ea2-2a0c-9224-bcda5080a513/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“I don't give a damn about your Miss Sand who prevents women from mending pants and darning socks! ... We must re-establish divorce or suppress those authors!,” plate 6 from Moeurs Conjugales</i>." n.d.. Lithograph in black, with handcoloring on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/92b58de2-8ea2-2a0c-9224-bcda5080a513/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“I don't give a damn about your Miss Sand who prevents women from mending pants and darning socks! ... We must re-establish divorce or suppress those authors!,” plate 6 from Moeurs Conjugales</i>," n.d.. Lithograph in black, with handcoloring on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/92b58de2-8ea2-2a0c-9224-bcda5080a513/full/full/0/default.jpg.
SUMMARY. “I don't give a damn about your Miss Sand who prevents women from mending pants and darning socks! ... We must re-establish divorce or suppress those authors!,” plate 6 from Moeurs Conjugales
CAPTION.
“I don't want to go into such a deep water...... there are surely big fish in there!,” plate 1 from Enfantillages

“I don't want to go into such a deep water...... there are surely big fish in there!,” plate 1 from Enfantillages

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“I don't want to go into such a deep water...... there are surely big fish in there!,” plate 1 from Enfantillages</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/1b97a566-a202-2603-d624-c795ee2a727e/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“I don't want to go into such a deep water...... there are surely big fish in there!,” plate 1 from Enfantillages</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/1b97a566-a202-2603-d624-c795ee2a727e/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“I don't want to go into such a deep water...... there are surely big fish in there!,” plate 1 from Enfantillages</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/1b97a566-a202-2603-d624-c795ee2a727e/full/full/0/default.jpg.
SUMMARY. “I don't want to go into such a deep water...... there are surely big fish in there!,” plate 1 from Enfantillages
CAPTION.
“I say to myself: would anybody imagine that we are coming from the Rue des Lombards?... We really don't look like confectioners at all,” plate 2 from Coquetry

“I say to myself: would anybody imagine that we are coming from the Rue des Lombards?... We really don't look like confectioners at all,” plate 2 from Coquetry

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“I say to myself: would anybody imagine that we are coming from the Rue des Lombards?... We really don't look like confectioners at all,” plate 2 from Coquetry</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/98501788-7674-09a5-8078-63601417edab/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“I say to myself: would anybody imagine that we are coming from the Rue des Lombards?... We really don't look like confectioners at all,” plate 2 from Coquetry</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/98501788-7674-09a5-8078-63601417edab/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“I say to myself: would anybody imagine that we are coming from the Rue des Lombards?... We really don't look like confectioners at all,” plate 2 from Coquetry</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/98501788-7674-09a5-8078-63601417edab/full/full/0/default.jpg.
SUMMARY. “I say to myself: would anybody imagine that we are coming from the Rue des Lombards?... We really don't look like confectioners at all,” plate 2 from Coquetry
CAPTION.
“I'm guarding city hall”

“I'm guarding city hall”

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“I'm guarding city hall”</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/9c742925-7bf4-a502-7375-9b67183688d4/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“I'm guarding city hall”</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/9c742925-7bf4-a502-7375-9b67183688d4/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“I'm guarding city hall”</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/9c742925-7bf4-a502-7375-9b67183688d4/full/full/0/default.jpg.
SUMMARY. “I'm guarding city hall”
CAPTION.
“Indeed, I don't know what they looked like at Austerlitz, but they could hardly have looked any better,” plate 7 from Coquetterie

“Indeed, I don't know what they looked like at Austerlitz, but they could hardly have looked any better,” plate 7 from Coquetterie

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Indeed, I don't know what they looked like at Austerlitz, but they could hardly have looked any better,” plate 7 from Coquetterie</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/7ae0349f-4283-590a-b02e-f775bda5188e/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Indeed, I don't know what they looked like at Austerlitz, but they could hardly have looked any better,” plate 7 from Coquetterie</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/7ae0349f-4283-590a-b02e-f775bda5188e/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Indeed, I don't know what they looked like at Austerlitz, but they could hardly have looked any better,” plate 7 from Coquetterie</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/7ae0349f-4283-590a-b02e-f775bda5188e/full/full/0/default.jpg.
SUMMARY. “Indeed, I don't know what they looked like at Austerlitz, but they could hardly have looked any better,” plate 7 from Coquetterie
CAPTION.
“It is war! ...Everyone for himself!,” plate 460

“It is war! ...Everyone for himself!,” plate 460

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“It is war! ...Everyone for himself!,” plate 460</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d4bc5451-7600-dc1e-1ff7-a1ff87fb8efb/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“It is war! ...Everyone for himself!,” plate 460</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/d4bc5451-7600-dc1e-1ff7-a1ff87fb8efb/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“It is war! ...Everyone for himself!,” plate 460</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/d4bc5451-7600-dc1e-1ff7-a1ff87fb8efb/full/full/0/default.jpg.
SUMMARY. “It is war! ...Everyone for himself!,” plate 460
CAPTION.
“It's important for a man to know how to swim. He is not doing so badly for a start. You could think it's a fish, at least while he is attached to the cord. But he'll learn it… he is still young!,” plate 5 from Les Baigneurs

“It's important for a man to know how to swim. He is not doing so badly for a start. You could think it's a fish, at least while he is attached to the cord. But he'll learn it… he is still young!,” plate 5 from Les Baigneurs

Lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“It's important for a man to know how to swim. He is not doing so badly for a start. You could think it's a fish, at least while he is attached to the cord. But he'll learn it… he is still young!,” plate 5 from Les Baigneurs</i> [Lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/fce64749-addf-1852-e32c-c8f31de03453/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“It's important for a man to know how to swim. He is not doing so badly for a start. You could think it's a fish, at least while he is attached to the cord. But he'll learn it… he is still young!,” plate 5 from Les Baigneurs</i>." n.d.. Lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/fce64749-addf-1852-e32c-c8f31de03453/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“It's important for a man to know how to swim. He is not doing so badly for a start. You could think it's a fish, at least while he is attached to the cord. But he'll learn it… he is still young!,” plate 5 from Les Baigneurs</i>," n.d.. Lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/fce64749-addf-1852-e32c-c8f31de03453/full/full/0/default.jpg.
SUMMARY. “It's important for a man to know how to swim. He is not doing so badly for a start. You could think it's a fish, at least while he is attached to the cord. But he'll learn it… he is still young!,” plate 5 from Les Baigneurs
CAPTION.
“Just you wait, I'm going to show you who is the teacher here...,” plate 11 from Professeurs Et Moutards

“Just you wait, I'm going to show you who is the teacher here...,” plate 11 from Professeurs Et Moutards

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Just you wait, I'm going to show you who is the teacher here...,” plate 11 from Professeurs Et Moutards</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/3ed1d87e-ee68-e6a4-77d4-d031ed82baee/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Just you wait, I'm going to show you who is the teacher here...,” plate 11 from Professeurs Et Moutards</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/3ed1d87e-ee68-e6a4-77d4-d031ed82baee/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Just you wait, I'm going to show you who is the teacher here...,” plate 11 from Professeurs Et Moutards</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/3ed1d87e-ee68-e6a4-77d4-d031ed82baee/full/full/0/default.jpg.
SUMMARY. “Just you wait, I'm going to show you who is the teacher here...,” plate 11 from Professeurs Et Moutards
CAPTION.
“Monsieur, Monsieur, here's your handkerchief. Madame has put some Eau de Cologne on it and she said you should ask at the Guard whether you might get a foot warmer,” plate 47 from Moeurs Conjugales

“Monsieur, Monsieur, here's your handkerchief. Madame has put some Eau de Cologne on it and she said you should ask at the Guard whether you might get a foot warmer,” plate 47 from Moeurs Conjugales

Lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Monsieur, Monsieur, here's your handkerchief. Madame has put some Eau de Cologne on it and she said you should ask at the Guard whether you might get a foot warmer,” plate 47 from Moeurs Conjugales</i> [Lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/11b52a83-d198-68bc-95e8-cff0e0de12c2/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Monsieur, Monsieur, here's your handkerchief. Madame has put some Eau de Cologne on it and she said you should ask at the Guard whether you might get a foot warmer,” plate 47 from Moeurs Conjugales</i>." n.d.. Lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/11b52a83-d198-68bc-95e8-cff0e0de12c2/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Monsieur, Monsieur, here's your handkerchief. Madame has put some Eau de Cologne on it and she said you should ask at the Guard whether you might get a foot warmer,” plate 47 from Moeurs Conjugales</i>," n.d.. Lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/11b52a83-d198-68bc-95e8-cff0e0de12c2/full/full/0/default.jpg.
SUMMARY. “Monsieur, Monsieur, here's your handkerchief. Madame has put some Eau de Cologne on it and she said you should ask at the Guard whether you might get a foot warmer,” plate 47 from Moeurs Conjugales
CAPTION.
“My sister was saying yesterday, she thinks you are just too ugly!,” plate 37 from Croquis D 'expressions

“My sister was saying yesterday, she thinks you are just too ugly!,” plate 37 from Croquis D 'expressions

Lithograph in black on cream wove paper, with text added in another hand and letterpress verso, laid down on tan wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“My sister was saying yesterday, she thinks you are just too ugly!,” plate 37 from Croquis D 'expressions</i> [Lithograph in black on cream wove paper, with text added in another hand and letterpress verso, laid down on tan wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/45e9eff7-7ae0-b970-15ef-35504c6cdd32/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“My sister was saying yesterday, she thinks you are just too ugly!,” plate 37 from Croquis D 'expressions</i>." n.d.. Lithograph in black on cream wove paper, with text added in another hand and letterpress verso, laid down on tan wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/45e9eff7-7ae0-b970-15ef-35504c6cdd32/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“My sister was saying yesterday, she thinks you are just too ugly!,” plate 37 from Croquis D 'expressions</i>," n.d.. Lithograph in black on cream wove paper, with text added in another hand and letterpress verso, laid down on tan wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/45e9eff7-7ae0-b970-15ef-35504c6cdd32/full/full/0/default.jpg.
SUMMARY. “My sister was saying yesterday, she thinks you are just too ugly!,” plate 37 from Croquis D 'expressions
CAPTION.
“Oh blast! I don't seem to be able to tie a knot!” plate 4 from Coquetterie

“Oh blast! I don't seem to be able to tie a knot!” plate 4 from Coquetterie

Lithograph in black on ivory wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Oh blast! I don't seem to be able to tie a knot!” plate 4 from Coquetterie</i> [Lithograph in black on ivory wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/9d3c0b9d-9e9f-b54c-14ad-e5ac442c45e8/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Oh blast! I don't seem to be able to tie a knot!” plate 4 from Coquetterie</i>." n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/9d3c0b9d-9e9f-b54c-14ad-e5ac442c45e8/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Oh blast! I don't seem to be able to tie a knot!” plate 4 from Coquetterie</i>," n.d.. Lithograph in black on ivory wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/9d3c0b9d-9e9f-b54c-14ad-e5ac442c45e8/full/full/0/default.jpg.
SUMMARY. “Oh blast! I don't seem to be able to tie a knot!” plate 4 from Coquetterie
CAPTION.
“Regular little drunk, he is!... he swallows it down like milk! Poor little darling... he is just like his father!,” plate 42 from Moeurs Conjugales

“Regular little drunk, he is!... he swallows it down like milk! Poor little darling... he is just like his father!,” plate 42 from Moeurs Conjugales

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Regular little drunk, he is!... he swallows it down like milk! Poor little darling... he is just like his father!,” plate 42 from Moeurs Conjugales</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/321d1810-f880-b377-445b-639a3b801085/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Regular little drunk, he is!... he swallows it down like milk! Poor little darling... he is just like his father!,” plate 42 from Moeurs Conjugales</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/321d1810-f880-b377-445b-639a3b801085/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Regular little drunk, he is!... he swallows it down like milk! Poor little darling... he is just like his father!,” plate 42 from Moeurs Conjugales</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/321d1810-f880-b377-445b-639a3b801085/full/full/0/default.jpg.
SUMMARY. “Regular little drunk, he is!... he swallows it down like milk! Poor little darling... he is just like his father!,” plate 42 from Moeurs Conjugales
CAPTION.
“Sir . . . Sir . . . Siiir . . . Christ, it’s annoying to have the runs when the supervisor is supervising!,” plate 13 from Professors and Rascals

“Sir . . . Sir . . . Siiir . . . Christ, it’s annoying to have the runs when the supervisor is supervising!,” plate 13 from Professors and Rascals

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Sir . . . Sir . . . Siiir . . . Christ, it’s annoying to have the runs when the supervisor is supervising!,” plate 13 from Professors and Rascals</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/71224979-94a6-de56-3add-cddf78945e68/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Sir . . . Sir . . . Siiir . . . Christ, it’s annoying to have the runs when the supervisor is supervising!,” plate 13 from Professors and Rascals</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/71224979-94a6-de56-3add-cddf78945e68/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Sir . . . Sir . . . Siiir . . . Christ, it’s annoying to have the runs when the supervisor is supervising!,” plate 13 from Professors and Rascals</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/71224979-94a6-de56-3add-cddf78945e68/full/full/0/default.jpg.
SUMMARY. “Sir . . . Sir . . . Siiir . . . Christ, it’s annoying to have the runs when the supervisor is supervising!,” plate 13 from Professors and Rascals
CAPTION.
“So this is what's called following the stream of life..... to be compelled to march lockstep with such a fool!,” plate 52 from Moeurs Conjugales

“So this is what's called following the stream of life..... to be compelled to march lockstep with such a fool!,” plate 52 from Moeurs Conjugales

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“So this is what's called following the stream of life..... to be compelled to march lockstep with such a fool!,” plate 52 from Moeurs Conjugales</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/488d33fe-82fb-9a76-e954-0a8e93e2b954/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“So this is what's called following the stream of life..... to be compelled to march lockstep with such a fool!,” plate 52 from Moeurs Conjugales</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/488d33fe-82fb-9a76-e954-0a8e93e2b954/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“So this is what's called following the stream of life..... to be compelled to march lockstep with such a fool!,” plate 52 from Moeurs Conjugales</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/488d33fe-82fb-9a76-e954-0a8e93e2b954/full/full/0/default.jpg.
SUMMARY. “So this is what's called following the stream of life..... to be compelled to march lockstep with such a fool!,” plate 52 from Moeurs Conjugales
CAPTION.
“There goes my wife!! Oh, the wretch, while I'm having a shave she's making a cuckold of me!,” plate 22 from Moeurs Conjugales

“There goes my wife!! Oh, the wretch, while I'm having a shave she's making a cuckold of me!,” plate 22 from Moeurs Conjugales

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“There goes my wife!! Oh, the wretch, while I'm having a shave she's making a cuckold of me!,” plate 22 from Moeurs Conjugales</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/93ca882e-98a2-35c7-69e7-09c7c6bf51b1/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“There goes my wife!! Oh, the wretch, while I'm having a shave she's making a cuckold of me!,” plate 22 from Moeurs Conjugales</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/93ca882e-98a2-35c7-69e7-09c7c6bf51b1/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“There goes my wife!! Oh, the wretch, while I'm having a shave she's making a cuckold of me!,” plate 22 from Moeurs Conjugales</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/93ca882e-98a2-35c7-69e7-09c7c6bf51b1/full/full/0/default.jpg.
SUMMARY. “There goes my wife!! Oh, the wretch, while I'm having a shave she's making a cuckold of me!,” plate 22 from Moeurs Conjugales
CAPTION.
“There you are, my dear.... and now I bet you'll be going after other girls....,” plate 1 from Coquetterie

“There you are, my dear.... and now I bet you'll be going after other girls....,” plate 1 from Coquetterie

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“There you are, my dear.... and now I bet you'll be going after other girls....,” plate 1 from Coquetterie</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/ec0564a3-eab9-e6c9-fff0-fc83a409b683/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“There you are, my dear.... and now I bet you'll be going after other girls....,” plate 1 from Coquetterie</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/ec0564a3-eab9-e6c9-fff0-fc83a409b683/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“There you are, my dear.... and now I bet you'll be going after other girls....,” plate 1 from Coquetterie</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/ec0564a3-eab9-e6c9-fff0-fc83a409b683/full/full/0/default.jpg.
SUMMARY. “There you are, my dear.... and now I bet you'll be going after other girls....,” plate 1 from Coquetterie
CAPTION.
“Thy hand cometh to slay Britannicus, thy brother. I foresee thy blows will soon hit thy mother,” plate 7 from Physionomies Tragico-Classiques

“Thy hand cometh to slay Britannicus, thy brother. I foresee thy blows will soon hit thy mother,” plate 7 from Physionomies Tragico-Classiques

Lithograph in black on cream wove paper, with text added in another hand and letterpress verso · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Thy hand cometh to slay Britannicus, thy brother. I foresee thy blows will soon hit thy mother,” plate 7 from Physionomies Tragico-Classiques</i> [Lithograph in black on cream wove paper, with text added in another hand and letterpress verso]. Art Institute of Chicago. https://www.artic.edu/iiif/2/f5b4ed33-9270-797a-62fa-14fe06733cb4/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Thy hand cometh to slay Britannicus, thy brother. I foresee thy blows will soon hit thy mother,” plate 7 from Physionomies Tragico-Classiques</i>." n.d.. Lithograph in black on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago, https://www.artic.edu/iiif/2/f5b4ed33-9270-797a-62fa-14fe06733cb4/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Thy hand cometh to slay Britannicus, thy brother. I foresee thy blows will soon hit thy mother,” plate 7 from Physionomies Tragico-Classiques</i>," n.d.. Lithograph in black on cream wove paper, with text added in another hand and letterpress verso. Art Institute of Chicago. https://www.artic.edu/iiif/2/f5b4ed33-9270-797a-62fa-14fe06733cb4/full/full/0/default.jpg.
SUMMARY. “Thy hand cometh to slay Britannicus, thy brother. I foresee thy blows will soon hit thy mother,” plate 7 from Physionomies Tragico-Classiques
CAPTION.
“Well...as the saying goes, like a genuine string of pearls, .... only some of them have become unthreaded, that's all!,” plate 9 from Coquetterie

“Well...as the saying goes, like a genuine string of pearls, .... only some of them have become unthreaded, that's all!,” plate 9 from Coquetterie

Lithograph in black on off-white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Well...as the saying goes, like a genuine string of pearls, .... only some of them have become unthreaded, that's all!,” plate 9 from Coquetterie</i> [Lithograph in black on off-white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/85ceaa1a-f02e-f987-ec57-56c2857f1629/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Well...as the saying goes, like a genuine string of pearls, .... only some of them have become unthreaded, that's all!,” plate 9 from Coquetterie</i>." n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/85ceaa1a-f02e-f987-ec57-56c2857f1629/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Well...as the saying goes, like a genuine string of pearls, .... only some of them have become unthreaded, that's all!,” plate 9 from Coquetterie</i>," n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/85ceaa1a-f02e-f987-ec57-56c2857f1629/full/full/0/default.jpg.
SUMMARY. “Well...as the saying goes, like a genuine string of pearls, .... only some of them have become unthreaded, that's all!,” plate 9 from Coquetterie
CAPTION.
“What idiots! You paint a religious picture for them and they laugh.... they don't even have a devotion to art!...,” plate 4 from Croquis Pris Au Salon par Daumier

“What idiots! You paint a religious picture for them and they laugh.... they don't even have a devotion to art!...,” plate 4 from Croquis Pris Au Salon par Daumier

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“What idiots! You paint a religious picture for them and they laugh.... they don't even have a devotion to art!...,” plate 4 from Croquis Pris Au Salon par Daumier</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/a0830def-d5f6-9568-6a57-63dfffb758d2/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“What idiots! You paint a religious picture for them and they laugh.... they don't even have a devotion to art!...,” plate 4 from Croquis Pris Au Salon par Daumier</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/a0830def-d5f6-9568-6a57-63dfffb758d2/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“What idiots! You paint a religious picture for them and they laugh.... they don't even have a devotion to art!...,” plate 4 from Croquis Pris Au Salon par Daumier</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/a0830def-d5f6-9568-6a57-63dfffb758d2/full/full/0/default.jpg.
SUMMARY. “What idiots! You paint a religious picture for them and they laugh.... they don't even have a devotion to art!...,” plate 4 from Croquis Pris Au Salon par Daumier
CAPTION.
“Yes, it is Leonidas...... No Question, it is Leonidas!” (The happy father deems it appropriate to be moved by recognizing Leonidas), plate 100 from Les Beaux Jours De La Vie

“Yes, it is Leonidas...... No Question, it is Leonidas!” (The happy father deems it appropriate to be moved by recognizing Leonidas), plate 100 from Les Beaux Jours De La Vie

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“Yes, it is Leonidas...... No Question, it is Leonidas!” (The happy father deems it appropriate to be moved by recognizing Leonidas), plate 100 from Les Beaux Jours De La Vie</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/3e291bc0-2c12-9210-bc84-21b0ea99995a/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Yes, it is Leonidas...... No Question, it is Leonidas!” (The happy father deems it appropriate to be moved by recognizing Leonidas), plate 100 from Les Beaux Jours De La Vie</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/3e291bc0-2c12-9210-bc84-21b0ea99995a/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“Yes, it is Leonidas...... No Question, it is Leonidas!” (The happy father deems it appropriate to be moved by recognizing Leonidas), plate 100 from Les Beaux Jours De La Vie</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/3e291bc0-2c12-9210-bc84-21b0ea99995a/full/full/0/default.jpg.
SUMMARY. “Yes, it is Leonidas...... No Question, it is Leonidas!” (The happy father deems it appropriate to be moved by recognizing Leonidas), plate 100 from Les Beaux Jours De La Vie
CAPTION.
“You Sniff the Merchandise… Before Buying It,” plate 32 from Types Parisiens

“You Sniff the Merchandise… Before Buying It,” plate 32 from Types Parisiens

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“You Sniff the Merchandise… Before Buying It,” plate 32 from Types Parisiens</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/1cdc99d6-df9a-809b-7eb9-277d66e34765/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“You Sniff the Merchandise… Before Buying It,” plate 32 from Types Parisiens</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/1cdc99d6-df9a-809b-7eb9-277d66e34765/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“You Sniff the Merchandise… Before Buying It,” plate 32 from Types Parisiens</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/1cdc99d6-df9a-809b-7eb9-277d66e34765/full/full/0/default.jpg.
SUMMARY. “You Sniff the Merchandise… Before Buying It,” plate 32 from Types Parisiens
CAPTION.
“You remember now that young Cabassol is far too good in translation that I would allow anyone in this class to molest him... he is under my immediate protection! At the final exams it is he who will hold up the honour of Bilboquet High school,” plate 32 from Professeurs Et Moutards

“You remember now that young Cabassol is far too good in translation that I would allow anyone in this class to molest him... he is under my immediate protection! At the final exams it is he who will hold up the honour of Bilboquet High school,” plate 32 from Professeurs Et Moutards

Lithograph in black on white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“You remember now that young Cabassol is far too good in translation that I would allow anyone in this class to molest him... he is under my immediate protection! At the final exams it is he who will hold up the honour of Bilboquet High school,” plate 32 from Professeurs Et Moutards</i> [Lithograph in black on white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/fedd06f9-6bc4-e73b-b4e0-a2868e92548f/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“You remember now that young Cabassol is far too good in translation that I would allow anyone in this class to molest him... he is under my immediate protection! At the final exams it is he who will hold up the honour of Bilboquet High school,” plate 32 from Professeurs Et Moutards</i>." n.d.. Lithograph in black on white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/fedd06f9-6bc4-e73b-b4e0-a2868e92548f/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“You remember now that young Cabassol is far too good in translation that I would allow anyone in this class to molest him... he is under my immediate protection! At the final exams it is he who will hold up the honour of Bilboquet High school,” plate 32 from Professeurs Et Moutards</i>," n.d.. Lithograph in black on white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/fedd06f9-6bc4-e73b-b4e0-a2868e92548f/full/full/0/default.jpg.
SUMMARY. “You remember now that young Cabassol is far too good in translation that I would allow anyone in this class to molest him... he is under my immediate protection! At the final exams it is he who will hold up the honour of Bilboquet High school,” plate 32 from Professeurs Et Moutards
CAPTION.
“You tramp! I would like to see you drown in your beer! Leaving me alone like that with my three children, he gives me twelve sous, and when he comes back in the evening, he asks for his change!,” plate 48 from Moeurs Conjugales

“You tramp! I would like to see you drown in your beer! Leaving me alone like that with my three children, he gives me twelve sous, and when he comes back in the evening, he asks for his change!,” plate 48 from Moeurs Conjugales

Lithograph in black on off-white wove paper · Art Institute of Chicago

Original source image

Citations (APA · MLA · Chicago)
<b>APA:</b><br>honoré victorin daumier french, 1808-1879 (n.d.). <i>“You tramp! I would like to see you drown in your beer! Leaving me alone like that with my three children, he gives me twelve sous, and when he comes back in the evening, he asks for his change!,” plate 48 from Moeurs Conjugales</i> [Lithograph in black on off-white wove paper]. Art Institute of Chicago. https://www.artic.edu/iiif/2/d5c3078f-fd37-911b-0c8b-0004ab06af44/full/full/0/default.jpg<br><br><b>MLA:</b><br>honoré victorin daumier french, 1808-1879. "<i>“You tramp! I would like to see you drown in your beer! Leaving me alone like that with my three children, he gives me twelve sous, and when he comes back in the evening, he asks for his change!,” plate 48 from Moeurs Conjugales</i>." n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago, https://www.artic.edu/iiif/2/d5c3078f-fd37-911b-0c8b-0004ab06af44/full/full/0/default.jpg.<br><br><b>Chicago:</b><br>honoré victorin daumier french, 1808-1879. "<i>“You tramp! I would like to see you drown in your beer! Leaving me alone like that with my three children, he gives me twelve sous, and when he comes back in the evening, he asks for his change!,” plate 48 from Moeurs Conjugales</i>," n.d.. Lithograph in black on off-white wove paper. Art Institute of Chicago. https://www.artic.edu/iiif/2/d5c3078f-fd37-911b-0c8b-0004ab06af44/full/full/0/default.jpg.
SUMMARY. “You tramp! I would like to see you drown in your beer! Leaving me alone like that with my three children, he gives me twelve sous, and when he comes back in the evening, he asks for his change!,” plate 48 from Moeurs Conjugales
CAPTION.
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