window

In the afternoon I masked myself again, and at the appointed time I repaired to the house of the countess who was waiting for me. We went in a two-oared gondola, and reached the convent without having spoken of anything but the weather. When we arrived at the gate, the countess asked for M---- M----. I was surprised by that name, for the woman to whom it belonged was celebrated. We were shewn into a small parlour, and a few minutes afterwards a nun came in, went straight to the grating, touched a spring, and made four squares of the grating revolve, which left an opening sufficiently large to enable the two friends to embrace. The ingenious window was afterwards carefully closed. The opening was at least eighteen inches wide, and a man of my size could easily have got through it. The countess sat opposite the nun, and I took my seat a little on one side so as to be able to observe quietly and at my ease one of the most beautiful women that it was possible to see. I had no doubt whatever of her being the person mentioned by my dear C---- C---- as teaching her French. Admiration kept me in a sort of ecstacy, and I never heard one word of their conversation; the beautiful nun, far from speaking to me, did not even condescend to honour me with one look. She was about twenty-two or twenty-three years of age, and the shape of her face was most beautiful. Her figure was much above the ordinary height, her complexion rather pale, her appearance noble, full of energy, but at the same time reserved and modest; her eyes, large and full, were of a lovely blue; her countenance was soft and cheerful; her fine lips seemed to breathe the most heavenly voluptuousness, and her teeth were two rows of the most brilliant enamel. Her head-dress did not allow me to see her hair, but if she had any I knew by the colour of her eyebrows that it was of a beautiful light brown. Her hand and her arm, which I could see as far as the elbow, were magnificent; the chisel of Praxiteles never carved anything more grace fully rounded and plump, I was not sorry to have refused the two rendezvous which had been offered to me by the beauty, for I was sure of possessing her in a few days, and it was a pleasure for me to lay my desires at her feet. I longed to find myself alone with her near that grating, and I would have considered it an insult to her if, the very next day, I had not come to tell her how fully I rendered to her charms the justice they deserved. She was faithful to her determination not to look at me once, but after all I was pleased with her reserve. All at once the two friends lowered their voices, and out of delicacy I withdrew further. Their private conversation lasted about a quarter of an hour, during which I pretended to be intently looking at a painting; then they kissed one another again by the same process as at the beginning of the interview; the nun closed the opening, turned her back on us, and disappeared without casting one glance in my direction.

Jacques Casanova de Seingalt
The Memoires of Casanova

By this time Hildegarde had reached the cottage; and after a moment's hesitation she knocked softly at the green-painted door. No one came to open the door, but presently she heard a clear, pleasant voice from within saying, "Open the door and come in, please!" Following this injunction, she entered the cottage and found herself directly in the sitting-room, and face to face with its occupant. This was a girl of her own age, or perhaps a year older, who sat in a wheeled chair by the window. She was very fair, with almost flaxen hair, and frank, pleasant blue eyes. She was very pale, very thin; the hands that lay on her lap were almost transparent; but--she wore a pink calico dress and a blue checked apron. Who could this be? and whoever it was, why did she sit still when a visitor and a stranger came in? The pale girl made no attempt to rise, but she met Hilda's look of surprise and inquiry with a smile which broke like sunshine over her face, making it for the moment positively beautiful. "How do you do?" she said, holding out her thin hand. "I am sure you must be Miss Hilda Graham, and I am Bubble's sister Pink.

Laura Elizabeth Howe Richards
Queen Hildegarde

On the wall-paper were bouquets of corn, cornflowers, and poppies, and the ceiling was painted with clouds, fresh-looking and vapoury. Between the door and window a carved wood praying-chair with a tapestry cushion looked quite at home in its corner; above it, against the light, was a holy-water vessel of brass-work, representing St. John baptizing Christ. In the opposite corner, hanging on the wall with silk cords, was a small bracket with some French books leaning against each other, and a few English works in cloth bindings. In front of the window, which was framed with creeping plants joining each other over the top and with the leaves that hung over bathed in light, was a dressing-table, covered with silk and guipure lace, with a blue velvet mirror and silver-mounted toilet bottles. The shaped mantel-shelf surmounted with a carved panel, had its glass framed with the same light shade of velvet as that on the dressing-table. On each side of the glass were miniatures of Renee's mother, one when quite young and wearing a string of pearls round her neck, and a daguerrotype representing her much older. Above this was a portrait of her father in his uniform, painted by herself, the frame of which, leaning forward, caused the picture to dominate the whole room. On a rosewood dinner-wagon, in front of the chimney-piece, were one or two knick-knacks, the sick girl's latest fancies--the little jug and the Saxony bowl that she had wanted. A little farther away, by the second window, all the souvenirs that Renee had collected in her riding

Edmond de Goncourt and Jules de Goncourt
Rene Mauperin

Let us now draw a few of the direct parallels thus suggested. Consider first how a fairy is said to appear, how it is described, and how it vanishes, and then compare the facts stated in the following case of a phantom reported by Sir William Crookes[603]:--'In the dusk of the evening' (just the time when fairies are most easily seen) 'during a _seance_ with Mr. Home at my house, the curtains of a window about eight feet from Mr. Home were seen to move. A dark, shadowy, semi-transparent form, like that of a man, was then seen by all present standing near the window, waving the curtain with his hand. As we looked, the form faded away and the curtain ceased to move.' The following--Mr. Home as in the former case being the 'medium'--is a still more striking instance:--'A phantom form came from a corner of the room, took an accordion in its hand, and then glided about the room playing the instrument. The form was visible to all present for many minutes, Mr. Home also being seen at the same time. On its coming rather close to a lady who was sitting apart from the rest of the company, she gave a slight cry, upon which it vanished.' Compare the following types of observed phenomena by the same authority with what our Welsh witness from the Pentre Evan country said about death-candles (p. 155):--'I have seen a luminous cloud floating upwards to a picture.' Or, 'I have more than once had a solid self-luminous body placed in my hand by a hand which did not belong to any person in the room. In the light I have seen a luminous cloud hover

W. Y. Evans Wentz
The Fairy-Faith in Celtic Countries

They found themselves in an ample room extending the full depth of the house; and partly because the light was dim and partly in sheer amazement they involuntarily paused as the door clicked behind them. The room's contrast to the squalid neighbourhood was complete. The apartment was carpeted in soft rugs laid one upon another so that footfalls were silenced. The walls and ceiling were smoothly covered with a neutral-tinted silk, patterned in dim figures; and from a fluted pillar of exceeding lightness an enormous candelabrum shed clear radiance upon the objects in the room. The couches and divans were woven of some light reed, made with high fantastic backs, in perfect purity of line however, and laid with white mattresses. A little reed table showed slender pipes above its surface and these, at a touch from the boy, sent to a great height tiny columns of water that tinkled back to the square of metal upon which the table was set. A huge fan of blanched grasses automatically swayed from above. On a side-table were decanters and cups and platters of a material frail and transparent. Before the shuttered window stood an observable plant with coloured leaves. On a great table in the room's centre were scattered objects which confused the eye. A light curtain stirring in the fan's faint breeze hung at the far end of the room.

Sylvia felt like Carmen on the arm of the Toreador when she and her protector walked out of the cabaret. He was a youngish man, wearing a blue serge suit and high-heeled shoes half buckskin, half patent-leather, tied with white silk laces, so excessively American in shape that one looked twice to be sure he was not wearing them on the wrong feet. His trousers, after exhausting the ordinary number of buttons in front, prolonged themselves into a kind of corselet that drew attention to the slimness of his waist. He wore a frilled white shirt sown with blue hearts and a white silk tie with a large diamond pin. The back of his neck was shaved, which gave his curly black hair the look of a wig. He was the Latin dandy after being operated upon in an American barber shop, and his name was Carlos Morera.

Compton Mackenzie
The Early Life and Adventures of Sylvia Scarlett

It is a May morning, two years later, and cheerily does the sun shine upon the village of ----. The pine forest at a little distance, sheds forth after the last night's rain that fragrance which is so delicious, the fields are gay with dandelions, the brooks yellow with the American cowslip, close beside which peeps forth the lovely veronica, while yonder slope is enameled with bright blue violets, and the little white Mayflower. But no children are seen plucking them. The very herds in the field low in a subdued manner, and the birds warble their gladsome spring song with a depth which belongs only to sacred music. None are moving about the streets. The church doors are open, however, for it is the Sabbath. Come with me to yonder mansion--the tasteful shrubbery, the vine-covered window, the well arranged garden bespeak for its possessor wealth and luxury. Enter with me, but tread lightly as we ascend the staircase. Upon that white curtained bed, raised by pillows, reposes one who has numbered more than sixty summers. His brow is scarcely furrowed, though his face is thin. His clasped hands are emaciated, but he does not look old. The fever spot burns in his cheeks, and his eye is lighted up with a heavenly ray, which shows that now at least the soul is triumphing over the body.

Various
Mrs Whittelsey's Magazine for Mothers and Daughters

The saal doors closed, the little door leading into the hall became the centre of Miriam's attention. Before long, sometimes at the end of ten minutes, this door would open and the day become eventful. She had already taken Clara, with Emma, to make a third, three times to her masseuse, sitting for half an hour in a room above a chemist's shop so stuffy beyond anything in her experience that she had carried away nothing but the sense of its closely-interwoven odours, a dim picture of Clara in a saffron-coloured wrapper and the shocked impression of the resounding thwackings undergone by her. Emma was paying a series of visits to the dentist and might appear at the schoolroom door with frightened eyes, holding it open--"Hendchen! Ich muss zum Zahnarzt." Miriam dreaded these excursions. The first time Miriam had accompanied her Emma had had "gas." Miriam, assailed by a loud scream followed by the peremptory voices of two white-coated, fiercely moustached operators, one of whom seemed to be holding Emma in the chair, had started from her sofa in the background. "Brutes!" she had declared and reached the chair-side voluble in unintelligible German to find Emma serenely emerging from unconsciousness. Once she had taken Gertrude to the dentist--another dentist, an elderly man, practising in a frock-coat in a heavily-furnished room with high sash windows, the lower sashes filled with stained glass. There had been a driving March wind and Gertrude with a shawl round her face had battled gallantly along

Dorothy M. Richardson
Pointed Roofs

The openings in the basement wall somehow get out of place, an inch or two too high or too low, or at one side, then the windows over them will look askew. The air-spaces in the wall will be filled up where they ought not to be, or left out where they ought to be filled; then the frost will go through one and the rats the other. If he uses colored mortar, it will be too dark or too light, or too something,--then he'll be obliged to paint the whole wall. The drains won't be put in the right place, or they'll pitch the wrong way; then he'll have to dig out new ones. The receivers for the stove-pipes will be forgotten or set in the ventilating-flues; then he might as well have no chimney. The masons will drop bricks and mortar and trowels down the flues; then he'll have to climb upon the roof with a brick tied to a rope and try to churn them out. Just at the place where the flues ought to be plastered outside and in, against the floor and roof timbers, the masons can't reach, and like as not they'll turn a brick up edgewise if a joist happens to crowd; then his house will burn up and never give him any more trouble.

The men of science had long before analyzed the sunlight. They had broken it up into the rays of different color that together make the white light we see. Any boy can do it with a prism, and in the band or spectrum of red, yellow, green, blue, and violet that then appears, he has before him the cipher that holds the key to the secrets of the universe if we but knew how to read it aright; for the sunlight is the physical source of all life and of all power. The different colors represent rays with different wave-lengths; that is, they vibrate with different speed and do different work. The red vibrate only half as fast as the violet, at the other end of the spectrum, and, roughly speaking, they are the heat carriers. The blue and violet are cold by comparison. They are the force carriers. They have power to cause chemical changes, hence are known as the chemical or actinic rays. It is these the photographer shuts out of his dark room, where he intrenches himself behind a ruby-colored window. The chemical ray cannot pass that; if it did it would spoil his plate.

Jacob A. Riis
Hero Tales of the Far North

The last picture (fig. 155) in this series of illustrations represents what I like to call a scholar's room, at the beginning of the fifteenth century[545]. The owner of the apartment is busily writing at a desk supported on a trestle-table. He holds a _stylus_ in his left hand, and a pen in his right. The ink-horn he is using is inserted into the desk. Above it are holes for two others, in case he should require ink of different colours. Above the inkstand is a pen stuck in a hole, with vacant holes beside it. The page on the desk is kept flat by a weight. Above this desk is a second desk, of nearly equal size, on which lies an open book, kept open by a large weight, extending over two-thirds of the open pages. Behind the writer's chair is his book-chest. The background represents a well-appointed chamber. The floor is paved with encaustic tiles; a bright fire is burning on the hearth; the window, on the same plan as that described in the last picture, is open; a comfortable--not to say luxurious--bed invites repose. The walls are unplastered, but there is a hanging under the window and over the head of the bed.

John Willis Clark
The Care of Books

Round the skirts of the valley (which is quite level, and paved throughout with flat tiles), extends a continuous row of sixty little houses. These, having their backs on the hills, must look, of course, to the centre of the plain, which is just sixty yards from the front door of each dwelling. Every house has a small garden before it, with a circular path, a sun-dial, and twenty-four cabbages. The buildings themselves are so precisely alike, that one can in no manner be distinguished from the other. Owing to the vast antiquity, the style of architecture is somewhat odd, but it is not for that reason the less strikingly picturesque. They are fashioned of hard-burned little bricks, red, with black ends, so that the walls look like a chess-board upon a great scale. The gables are turned to the front, and there are cornices, as big as all the rest of the house, over the eaves and over the main doors. The windows are narrow and deep, with very tiny panes and a great deal of sash. On the roof is a vast quantity of tiles with long curly ears. The woodwork, throughout, is of a dark hue and there is much carving about it, with but a trifling variety of pattern for, time out of mind, the carvers of Vondervotteimittiss have never been able to carve more than two objects--a time-piece and a cabbage. But these they do exceedingly well, and intersperse them, with singular ingenuity, wherever they find room for the chisel.

Edgar Allan Poe
The Works of Edgar Allan Poe

The architect drew three sets of plans on a transparent bluish sort of paper that smelt abominably. He painted them very nicely; brick red and ginger, and arsenic green and a leaden sort of blue, and brought them over to show our young people. The first set were very simple, with practically no External Features--"a plain style," he said it was--but it looked a big sort of house nevertheless; the second had such extras as a conservatory, bow windows of various sorts, one rough-cast gable and one half-timbered ditto in plaster, and a sort of overhung verandah, and was much more imposing; and the third was quite fungoid with External Features, and honeycombed with Internal ones; it was, he said, "practically a mansion," and altogether a very noble fruit of the creative mind of man. It was, he admitted, perhaps almost too good for Hythe; his art had run away with him and produced a modern mansion in the "best Folkestone style"; it had a central hall with a staircase, a Moorish gallery, and Tudor stained glass window, crenelated battlements to the leading over the portico, an octagonal bulge with octagonal bay windows, surmounted by an oriental dome of metal, lines of yellow bricks to break up the red and many other richnesses and attractions. It was the sort of house, ornate and in its dignified way voluptuous, that a city magnate might build, but it seemed excessive to the Kippses. The first plan had seven bedrooms, the second eight, the third eleven; that had, the architect explained, "worked in" as if they were pebbles in a

H. G. Wells
Kipps

He rose stiffly and threw open the door. Dawn was flushing behind the eastern range; the tops of the mountains were thinly visible on the brightening sky. His dwelling, with every window closed, was silvery with dew. He walked slowly, but without faltering, to the porch, and mounted the steps from the sod; the ascent seemed surprisingly steep, long. The door to the dining room was unlocked and he entered; in the thinning gloom he could distinguish the table set as usual, the coffee pot at Lettice's place glimmering faintly. He turned to the left and passed into their bedroom. The details of the chamber were growing clear: the bed was placed against the farther wall, projecting into the room, its low footboard held between posts that rose slimly dark against the white counterpane beyond; on the right were a window and high chest of drawers, on the left a stand with a china toilet service and a couch covered with sheep skins, roughly tanned and untrimmed. A chair by the bed bore Lettice's clothes, another at the foot awaited his own. By his side a curtain hung out from the wall, forming a wardrobe.

Joseph Hergesheimer
Mountain Blood

So saying, she moves on quickly; and yet with the dance gone out of her feet. It never quite comes back. They look into an Arab club, where men are squatting, playing with odd-looking cards and drinking muddy coffee. Then a loud noise of jabbering young voices makes them peep in upon an Arab school, where a circle of little Moslems is sitting on the ground, scribbling Arabic on slates; while between the knees of the turbaned master a tiny baby scholar, of three or four, is standing in a lovely dull green coatlet. Elizabeth strokes the baby-learner's coppery cheek with her light hand, and says, with a laugh, that it seems odd to see little street-boys writing Arabic; but her laughter is no longer the bubbling, irrepressible joy-drunk thing it was before he had indulged in his tactless reminiscences; it is the well-bred, civil, grown-up sound that so often has no inside gladness to match it. In his vexation with himself for the clouding over of his little heaven that he himself has effected, he tries to persuade himself that it is caused by bodily fatigue.

Rhoda Broughton
Alas!

He dressed quickly.  Hannah helped him hitch the old mare to the buggy and found him nervous and unfamiliar with his task.  Kenny drove off down the lane, oppressed by the bleak wind and the bare black tangle of branches ahead of him.  The tragic effort of Adam's wasted legs had left him startled and uneasy.  For the life of him he could not put out of his mind the tale of the old Irish woman and the chair she had left by the fire on the Eve of All Souls for the visit of her dead son.  It had bothered Adam Craig and made him shudder.  It bothered Kenny now. He wished he hadn't remembered it last night or to-day.  But the sound of Nellie's hoofs plodding along the soft dirt road was no more recurrent than his own foreboding.  It filled him with sadness and guilt.  Adam perhaps had dragged himself to the sitting room fire in a drunken fit of superstition.  Seeking what?  Someone he had _wronged_? The sinister spark inflamed his fancy.  His brain whirled. Inexplicably the tale of the fairy mill and the rascal who stole the widow's bag of meal linked itself with the mishap of the night before. Then too Adam had fallen forward in his chair unconscious.

Leona Dalrymple
Kenny

It was into one of these rooms that she was taken first. On all sides of it were high glass cases reaching up to the ceiling, and filled with gowns and mantles and laces and jewels; everything a woman could wear was there, and all of the very finest. What satins, what velvets, what feathers and flowers! Even down to shoes and stockings,--every shade and color of stockings of the daintiest silk. The Little Sweetheart gazed breathless at them all. But she did not have time to wonder, for in a moment more she was met by attendants, some young, some old, all dressed gayly. She did not dream at first that they were servants, till they began, all together, asking her what she would like to put on. Would she have a lace gown, or a satin? Would she like feathers or flowers? And one ran this way, and one that; and among them all, the Little Sweetheart was so flustered she did not know if she were really alive and on the earth, or had been transported to some fairy land. And before she fairly realized what was being done, they had her clad in the most beautiful gown that was ever seen,--white satin with gold butterflies on it, and a white lace mantle embroidered in gold butterflies. All white and gold she was, from top to toe, all but one foot; and there was something very odd about that. She heard one of the women whispering to the other, behind her back: "It is too bad there isn't any mate to this slipper! Well, she will have to wear this pink one. It is too big; but if we pin it up at the heel she can keep it on. The Prince really must

Along the broad, lighted corridor was gliding a very stately and beautiful lady, tall, graceful, and exceedingly haughty.  She was richly clad in a bodice of gold-coloured camlet and a skirt of gray silk trimmed with gold and silver lace.  A handkerchief of priceless Genoa point half hid and half revealed her beautiful throat, and was fastened in front by a cluster of pearls, while a rope of the same, each one worth a bourgeois' income, was coiled in and out through her luxuriant hair.  The lady was past her first youth, it is true, but the magnificent curves of her queenly figure, the purity of her complexion, the brightness of her deep-lashed blue eyes and the clear regularity of her features enabled her still to claim to be the most handsome as well as the most sharp-tongued woman in the court of France.  So beautiful was her bearing, the carriage of her dainty head upon her proud white neck, and the sweep of her stately walk, that the young officer's fears were overpowered in his admiration, and he found it hard, as he raised his hand in salute, to retain the firm countenance which his duties demanded.

What do these plays really teach us? I think I have seen almost all of them, and the composite picture in my mind is one of an absurdly distorted, exaggerated, and misleading view of actual social surroundings, suggesting wrong problems, wrong complaints, and wrong remedies. When I studied the reports of the vice commissions of the large American and European cities, the combined image in my consciousness was surely a stirring and alarming one, but it had no similarity with the character of those melodramatic vagaries. Even the best and most famous of these fabrications throw wrong sidelights on the social problems, and by a false emphasis inhibit the feeling for the proportions of life. If in “The Fight” the father, a senator, visits a disorderly house, unlocks the room in which the freshest fruit is promised him, and finds there his young daughter who has just been abducted by force, the facts themselves are just as absurd as the following scenes, in which this father shows that the little episode did not make the slightest impression on him. He coolly continues to fight against those politicians who want to remove such places from the town. In “Bought and Paid For” marriage itself is presented as white slavery. The woman has to tolerate the caresses of her husband, even when he has drunk more champagne than is wise for him. The play makes us believe that she must suffer his love because she was poor before she married and he has paid her with a life of luxury. Where are we to end if such logic in questions of sexual intercourse is to

Hugo Münsterberg
Psychology and Social Sanity

At about half-past eleven last night Semyonov and I went up to our bedroom to sleep, Nikitin being on duty. There was not much noise, the cannon sounding a considerable distance away, but the flashlights and rockets against the night-sky were wonderful, and when we had blown out the candle our dark little room leapt up and down or turned round and round, the window flashing into vision and out again. Semyonov was almost immediately asleep, but I lay on my back and, of course, as usual, thought of Marie. My headache of the evening still raged furiously and I was in desperately low spirits. I had been able to eat nothing during the preceding day. I lay there half asleep, half awake, for, I suppose, a long time, hearing the window rattle sometimes when the cannon was noisy and feeling under the jerky reflections on the wall as though I were in an old shambling cab driving along a dark road, I thought a good deal about that talk with Semyonov that I had. What a strange man! But then I do not understand him at all. I don't think I understand any Russian, such a mixture of hardness and softness as they are, kind and then indifferent, cruel and then sentimental. But I understand people very little, and in all my years at Polchester there was never one single person whom I knew. Semyonov is perfectly right, I suppose, from his point of view to think me a fool. I lay there thinking of Semyonov. He was sleeping on his back, looking very big under the clothes, his beard square and stiff, lit up

Hugh Walpole
The Dark Forest

The human brain is an elaborate organ, exceedingly complicated in its convolutions. We can not, indeed, describe it as the most convoluted, for the brain of the elephant is at least as distinguished for the beauty and complication of its folding, and the brain of the whale is far more minute and detailed, presenting quite a multitude of minute convolutions. For descriptive purposes, the human brain is divided into four superficial areas, known as lobes, and pretty clearly defined by certain natural boundaries. From the lower part of the organ, entering at a point scarcely half way back is a fissure or cutting running up into the mass in a direction uniformly inclining towards the rear, known as the Sylvian fissure; while coming over the summit, at a point near the middle, and inclining down towards that just described, is another fissure, known as the fissure of Rolando. By these two deeply cut hollows, the brain is marked off into four separate areas superficially, a front and a rear lobe; and two central lobes, the one upper and the other under. Besides this there is a concealed and isolated lobe, described on account of its situation as an island, which is covered from view by the overlapping of the two sides of the Sylvian fissure. Such is a description in outline of the configuration of the human brain, to which must be added the statement that each lobe is filled in with its own special arrangement of convolutions, each one having at least three well defined lines of convolution. Each of the hemispheres

Henry Calderwood
The Relations of Science and Religion

You will notice, for instance, if you are up in such things, that the sergeants of the 13th Light Infantry wear their sashes from the left shoulder to the right hip, as officers do, and not from the right shoulder, as sergeants should. This means that once in a great battle every officer of the 13th was killed, and the sergeants, finding this out, and that they were now in command, changed their sashes to the other shoulder. And the officers ever after allowed them to do this, as a tribute to their brothers in command who had so conspicuously obliterated themselves and distinguished their regiment. There are other traditions, such as that no one must mention a woman's name at mess, except the title of one woman, to which they rise and drink at the end of the dinner, when the sergeant gives the signal to the band-master outside, and his men play the national anthem, while the bandmaster comes in, as Mr. Kipling describes him in "The Drums of the Fore and Aft," and "takes his glass of port-wine with the orfficers." The Sixtieth, or the Royal Rifles, for instance, wear no marks of rank at the mess, in order to express the idea that there they are all equal. This regiment had once for its name the King's American Rifles, and under that name it took Quebec and Montreal, and I had placed in front of me at mess one night a little silver statuette in the equipment of a Continental soldier, except that his coat, if it had been colored, would have been red, and not blue. He was dated 1768. In the mess-room

Richard Harding Davis
The Rulers of the Mediterranean

The Court accordingly slept at St. Denis on the night of the 12th, in order to be in readiness for the ceremony of the morrow; and the morning of the eventful day which was to witness the crowning triumph of Marie de Medicis at length dawned. A brilliant spring sun robed the earth in brightness; but nowhere did it light up a scene of greater magnificence than when, filtered through the windows of stained glass, it poured itself in a living mosaic over the marble pavement of the cathedral, and flashed upon the sumptuous hangings and golden draperies which were distributed over the spacious area of the edifice. Immediately in front of the high altar a platform had been erected eleven feet in height, and upwards of twenty feet square, in the centre of which was a dais richly carpeted, supporting the throne of the Queen, covered with crimson velvet embroidered with _fleurs-de-lis_ in gold, and overshadowed by a canopy of the same material. On either side of this throne two other platforms were appropriated to the Princes of the Blood, the Knights of the several Orders, the Gentlemen of the Bedchamber, the great nobles, the foreign ambassadors, and the ladies of the Queen's household. Within the altar-rail on the left hand, a bench draped with cloth of gold was prepared for the cardinals; and behind this was a second bench reserved for the archbishops, bishops, and other ecclesiastics who were to assist at the ceremony; while on the same side of the shrine stood a table overlaid by a costly drapery, upon which were to be deposited the

Julia Pardoe
The Life of Marie de Medicis, Vol. 2 (of 3)

Like his brother before him the duke was very fond of dancing, and kept many a reluctant senior and many a tired-out chaperone up till all hours at the grand ball given in honour of his twenty-fourth birthday. Also like his brother he was inclined to reduce his duty dances to a minimum, much to Lady Dorchester's dismay. She had gone home with her husband for two years shortly after the duke's arrival. But she had seen enough of him, and was to see enough again on her return, to make her regret the good old times of more exacting ceremony. To her dying day, half a century later, she kept up a prodigious stateliness of manner. Before meals she expected the whole company to assemble and remain standing till she had made her royal progress through the room. She was a living anachronism for many years before her death, with her high-heeled, gold-buttoned, scarlet-coloured shoes, her Marie-Antoinette _coiffure_ raised high above her head and interlaced with ribbons, her elaborately gorgeous dress, her intricate array of ornaments, and her long, jet-black, official-looking cane. But she was no anachronism to herself; for she still lived in the light of other days, in the fondly remembered times when, as the vice-reine of the Chateau St Louis, she helped her consort to settle nice points of etiquette and maintain a dignity befitting His Majesty's chosen representative. How did the seigneurs rank among themselves and with the leading English-speaking people? Who were to dance in the state minuet? Should

No one replied. We passed as though in a dream, meeting no one, hearing no sound, the light dancing and flickering on our path. I nodded on my seat. I was half asleep when we arrived at our destination. This was the accustomed white deserted house standing in a desolate tangled garden. There was no one there on our arrival. All the doors were open, the sun blazing along the dusty passages. It was inhabited, just then, I believe, by some artillery officers, but I saw none of them. Semyonov went off to find the Colonel of the regiment to whom we were to give tea; Marie Ivanovna and I remained in one of the empty rooms, the only sound the buzzing flies. Every detail of that room will remain in my heart and brain until I die. Marie Ivanovna, looking very white and cool, with the happiness shining in her large clear eyes, sat on an old worn sofa near the window. In the glass of the window there were bullet holes, and beyond the window a piece of blazing golden garden. The room was very dirty, dust lay thick upon everything. Some one had eaten a meal there, and there was a plate, a knife, also egg-shells, an empty sardine-tin, and a hunk of black bread. There was a book which I picked up, attracted by the English lettering on the faded red cover. It was a "Report on the Condition of New Mexico in 1904"--a heavy fat volume with the usual photographs of water-falls, cornfields and enormous sheep. On the walls there was only one picture, a torn supplement from some German magazine showing

Hugh Walpole
The Dark Forest

Proceeding three quarters of a mile further southward, and passing Martin Hall, we turn up a lane to the right and find the church of Martin, St. Michael’s, in a secluded spot, like many a flower born to blush unseen. Yet it is worthy of a visit, having features of more than ordinary interest, which were well preserved on its partial restoration in 1869, and again by the late W. J. Gilliatt, of the Hall, and his sisters, in 1877.  For many years it was a thatched edifice, but now has a slated roof.  The south doorway is Early Norman, with broad, receding semi-circular arch, with a double band of zigzag moulding; on each side, Norman columns, with, quaint heads as capitals.  The church is entered by two descending steps.  The font is modern, Norman in style, the bowl having eight semi-circular fluttings, being supported by eight columns raised on a stone pediment.  The west window is filled with good modern glass from Munich.  The central subject is the Saviour’s body being taken down from the Cross; the left subject is the Saviour bearing His Cross; the right, the body being borne away.  This was a memorial, placed in the church by Miss Spalding, of Lincoln, commemorative of the Rev. J. B. Smith, D.D., the rector, who, in returning from paying her a visit at Lincoln, fell out of his railway carriage at Kirkstead and broke his neck, although, strange to say, he lived for several weeks afterwards. {204}  In the north wall of the nave is a plain arched Easter sepulchre, which was probably the founder’s tomb.  The pulpit is of Caen stone,

J. Conway Walter
Records of Woodhall Spa and Neighbourhood

Pain was so new to her, sorrow so new! Incapable of enduring (this was what Dolly had hoped), many times during the last ten days she had revolted against her suffering, and to-night she was revolting anew. "I _will_ not care for him; it makes me too wretched!" Leaving the couch, she strode angrily to and fro. The three windows of the large room--it was her dressing-room--stood open to the warm sea-air; she had put out the candles, but the moonlight, entering in a flood, reflected her white figure in the long mirrors as she came and went. Flicit had braided her hair for the night, but the strands had become loosened, and the thick, waving mass flowed over her shoulders. "I will not think of him; I will _not_!" And to emphasize it, she struck her clinched hand with all her force on the stone window-seat. "It is cut. I'm glad! It will make me remember that I am _not_ to think of him." She was intensely in earnest in her resolve, and, to help herself towards other thoughts, she began to look feverishly at the landscape outside, as though it was absolutely necessary that she should now resee and recount each point and line. "There is the top of the light-house--and there is the ocean--and there are the bushes near the quarry." She leaned out of the window so as to see farther. "There is the North Beach; there is the fort and the lookout tower." Thus for a few minutes her weary mind followed the guidance of her will. "There is the bathing-house. And there is the dock and the club-house; and there is the Basin. Down there

Constance Fenimore Woolson
Horace Chase

At the present moment Athanase, leaning pensively on his elbow at the breakfast table, was twirling his spoon in his empty cup and contemplating with a preoccupied eye the poor room with its red brick floor, its straw chairs, its painted wooden buffet, its pink and white curtains chequered like a backgammon board, which communicated with the kitchen through a glass door. As his back was to the chimney which his mother faced, and as the chimney was opposite to the door, his pallid face, strongly lighted from the window, framed in beautiful black hair, the eyes gleaming with despair and fiery with morning thoughts, was the first object which met the eyes of the incoming Suzanne. The grisette, who belonged to a class which certainly has the instinct of misery and the sufferings of the heart, suddenly felt that electric spark, darting from Heaven knows where, which can never be explained, which some strong minds deny, but the sympathetic stroke of which has been felt by many men and many women. It is at once a light which lightens the darkness of the future, a presentiment of the sacred joys of a shared love, the certainty of mutual comprehension. Above all, it is like the touch of a firm and able hand on the keyboard of the senses. The eyes are fascinated by an irresistible attraction; the heart is stirred; the melodies of happiness echo in the soul and in the ears; a voice cries out, "It is he!" Often reflection casts a douche of cold water on this boiling emotion, and all is over.

Honore de Balzac
An Old Maid

I had not been there more than a minute when a light shot from the window again, and I was enabled to see the interior of the room. But this was of no great use to me, even although I saw on a table many things which were strange to me, and which even now I cannot describe. What was of interest to me was an old man carrying a candle. I could not see his face as plainly as I desired, for the panes of glass were small, while in the centre of each one was a large lump which wellnigh blurred any object which lay behind. Presently, however, I saw that one of the panes had been broken, and by means of this I was able to see clearly. But my range of vision was narrowed. As I have said the panes of glass were small, and so I could not see the whole of the room; still, by means of supporting myself by holding the trunk of the tree and stretching as far as I could in each direction, I was able to obtain a view of a large part of the room.

James Hocking
The Coming of the King

He opened the door, and Vronsky went into the horse-box, dimly lighted by one little window. In the horse-box stood a dark bay mare, with a muzzle on, picking at the fresh straw with her hoofs. Looking round him in the twilight of the horse-box, Vronsky unconsciously took in once more in a comprehensive glance all the points of his favorite mare. Frou-Frou was a beast of medium size, not altogether free from reproach, from a breeder’s point of view. She was small-boned all over; though her chest was extremely prominent in front, it was narrow. Her hind-quarters were a little drooping, and in her fore-legs, and still more in her hind-legs, there was a noticeable curvature. The muscles of both hind- and fore-legs were not very thick; but across her shoulders the mare was exceptionally broad, a peculiarity specially striking now that she was lean from training. The bones of her legs below the knees looked no thicker than a finger from in front, but were extraordinarily thick seen from the side. She looked altogether, except across the shoulders, as it were, pinched in at the sides and pressed out in depth. But she had in the highest degree the quality that makes all defects forgotten: that quality was _blood_, the blood _that tells_, as the English expression has it. The muscles stood up sharply under the network of sinews, covered with the delicate, mobile skin, soft as satin, and they were hard as bone. Her clean-cut head, with prominent, bright, spirited eyes, broadened out at the open nostrils, that showed

The whole of this part of the church is Perpendicular, the choir aisle windows are very low, and the curvature of the sides of the arches is so slight that they almost appear to be straight lines. The choir roof is flat, and is invisible from the exterior of the church. It is probable that at one time a parapet ran along the top of the clerestory walls, similar to that on the aisle walls, but if so it has disappeared, giving this portion of the choir a somewhat bare appearance. The Lady Chapel is to the east of the choir and presbytery, and contains three large Perpendicular windows on each side; part of the central window on the north side is blocked by an octagonal turret containing a staircase leading to St. Michael's Loft, a large room above the Chapel. The large eastern window of five lights is Perpendicular. The original purpose of the loft above the Chapel is uncertain, and it has been used for a variety of purposes. It was described as "St. Michael's Loft" in 1617, and in 1666 the parishioners petitioned Bishop Morley for permission to use it as a school, describing it as having been "heretofore a chapter-house". The loft is lighted by five two-light windows having square heads and with the lights divided by transoms. The eastern wall has a window of three lights. Very curious are the corbels of the dripstones and the grotesquely carved gargoyles. The south sides of the Lady Chapel and choir correspond very closely with the north. This portion of the church is not so well known as the north side, as

Sidney Heath
Bournemouth, Poole & Christchurch

She came in here "with the lath and plaster," as Sin Saxon had said. She had gathered little comforts and embellishments about her from summer to summer, until the room had a home-cheeriness, and even a look of luxury, contrasted with the bare dormitories around it. Over the straw matting, that soon grows shabby in a hotel, she had laid a large, nicely-bound square of soft, green carpet, in a little mossy pattern, that covered the middle of the floor, and was held tidily in place by a foot of the bedstead and two forward ones each of the table and washstand. On this little green stood her Shaker rocking-chair and a round white-pine light-stand with her work-basket and a few books. Against the wall hung some white-pine shelves with more books,--quite a little circulating library they were for invalids and read-out people, who came to the mountains, like foolish virgins, with scant supply of the oil of literature for the feeding of their brain-lamps. Besides these, there were engravings and photographs in _passe-partout_ frames, that journeyed with her safely in the bottoms of her trunks. Also, the wall itself had been papered, at her own cost and providing, with a pretty pale-green hanging; and there were striped muslin curtains to the window, over which were caught the sprays of some light, wandering vine that sprung from a low-suspended terra-cotta vase between.

This was, indeed, reasonable, and I was invited to enter, which I did, and found myself in a scene which would have charmed Callot or Goya. There was no door or window to the black tent; what light there was came through a few rifts and rents and mingled with the dull gleam of a smoldering fire, producing a perfect Rembrandt blending of rosy-red with dreamy half-darkness.  It was a real witch-aura, and the denizens were worthy of it.  As my eyes gradually grew to the gloom, I saw that on one side four brown old Romany sorceresses were "_beshing apre ye pus_" (sitting on the straw), as the song has it, with deeper masses of darkness behind them, in which other forms were barely visible.  Their black eyes all flashed up together at me, like those of a row of eagles in a cage; and I saw in a second that, with men and all I was in a party who were anything but milksops; in fact, with as regularly determined a lot of hard old Romanys as ever battered a policeman.  I confess that a feeling like a thrill of joy came over me--a memory of old days and by-gone scenes over the sea--when I saw this, and knew they were not _diddikais_, or half-breed mumpers.  On the other side, several young people, among them three or four good-looking girls, were eating their four-o'clock meal from a canvas spread on the ground.  There were perhaps twenty persons in the place, including the children who swarmed about.

Charles G. Leland
The Gypsies

That a thief should be "operating" in Minoók on somebody who wasn't dead yet, was a matter that came home to the business and the bosoms of all the men in the camp. In the midst of the babel of speculation and excitement, Maudie, still crying and talking incoherently about skunks, opened the door. The men crowded after her. Nobody suggested it, but the entire Miners' Meeting with one accord adjourned to the scene of the crime. Only a portion could be accommodated under Maudie's roof, but the rest crowded in front of her door or went and examined the window. Maudie's log-cabin was a cheerful place, its one room, neatly kept, lined throughout with red and white drill, hung with marten and fox, carpeted with wolf and caribou. The single sign of disorder was that the bed was pulled out a little from its place in the angle of the wall above the patent condenser stove. Behind the oil-tank, where the patent condensation of oil into gas went on, tiers of shelves, enamelled pots and pans ranged below, dishes and glasses above. On the very top, like a frieze, gaily labelled ranks of "tinned goods." On the table under the window a pair of gold scales. A fire burned in the stove. The long-lingering sunlight poured through the "turkey-red" that she had tacked up for a half-curtain, and over this, one saw the slouch-hats and fur caps of the outside crowd.

“He's quite conscious,” she whispered; “he can still speak a little. He's such a dear.” A tear rolled down her cheek, and she passed out behind the screens. Pierson looked down at the boy; perhaps he was twenty, but the unshaven down on his cheeks was soft and almost colourless. His eyes were closed. He breathed regularly, and did not seem in pain; but there was about him that which told he was going; something resigned, already of the grave. The window was wide open, covered by mosquito-netting, and a tiny line of sunlight, slanting through across the foot of the cot, crept slowly backwards over the sheets and the boy's body, shortening as it crept. In the grey whiteness of the walls; the bed, the boy's face, just that pale yellow bar of sunlight, and one splash of red and blue from a little flag on the wall glowed out. At this cooler hour, the ward behind the screens was almost empty, and few sounds broke the stillness; but from without came that intermittent rustle of dry palm-leaves. Pierson waited in silence, watching the sun sink. If the boy might pass like this, it would be God's mercy. Then he saw the boy's eyes open, wonderfully clear eyes of the lighted grey which has dark rims; his lips moved, and Pierson bent down to hear.

John Galsworthy
Saint's Progress

"I was out last evening, and it was after midnight when I got back to the Burlingame. My apartment is on the third floor front. Instead of going to bed at once, I sat down at the open window to enjoy the gentle breeze. I must have dozed, for I was aroused by a cab coming up Eighteenth and stopping before the large, grey-stone house opposite--the rest of the houses are brick--which was unoccupied until two days ago, when it was rented furnished. I live just across the street and hence I notice these things--casually of course, as one does. I watched the cab with languid interest; saw the driver descend from the box, which seemed a bit peculiar; but when, instead of going to the door of the cab, he went up the front steps and into the house--the door of which he opened with a key that he took from his pocket--my curiosity was aroused. A moment later, a man in evening dress came leisurely out and sauntered to the carriage. It seemed to me he was interested in looking around him, and at the houses opposite, rather than at the cab. He remained at the cab, presumably in talk with those within, for several minutes. Presently the door clicked and a woman stepped out, followed by a man. The woman disappeared into the house. The two men drew in so close to the cab that they were hidden from me; when they reappeared, they were carrying a woman--or her body--between them. They hurriedly crossed the sidewalk mounted the steps, and the house-door closed behind them instantly. The noise of the door seemed to arouse the horse, doubtless

John Reed Scott
The Cab of the Sleeping Horse

Up to a few years ago, it was commonly taken for granted by authorities on diet that what the average man actually eats must be the normal thing for him to eat. Governments which were employing men in armies, and at road building, and had to feed them and keep them in health, made large scale observations as to what the men ate, and thus were established the old fashioned "diet standards." They are expressed in calories, which is a heat unit representing the quantity of fuel required to heat a certain small quantity of water a certain number of degrees. In order that you may know what I am talking about, I will give a rough idea of the quantity of the more common foods which it takes to make 100 calories: one medium sized slice of bread, a piece of lean cooked steak the size of two fingers, one large apple, three medium tablespoonfuls of cooked rice or potatoes, one large banana, a tablespoonful of raisins, five dates, one large fig, a teaspoonful of sugar, a ball of butter the size of your thumbnail, a very large head of lettuce, three medium sized tomatoes, two-thirds of a glass of milk, a tablespoonful of oil. You observe, if you compare these various items, how little guidance concerning food is given by its bulk. You may eat a whole head of lettuce, weighing nearly a pound, and get no more food value than from a half ounce of olive oil which you pour over it. You may eat enough lean beefsteak to cover your plate, and you will not have eaten so much as a generous helping of butter. A big bowl of strawberries will not count

Upton Sinclair
The Book of Life: Vol. I Mind and Body; Vol. II Love and Society

Reynolds lighted a cigar and began to pace up and down on the opposite side of the deck.  Others were doing the same, so no one paid any heed to his presence.  A casual observer might have thought that the silent young man took no interest in anything around him.  But Reynolds missed hardly a movement of the girl but a few feet away.  He always kept a short distance behind and was thus able to study her closely without attracting attention.  She wore a raincoat, of a soft light material, and her head was bare.  The wind played with her dark-brown hair, and occasionally she lifted her hand and brushed back a wayward tress that had drifted over her forehead.  At times he caught a glimpse of her face as she swung around at the end of the beat, and it was always a happy, animated face he beheld.

H. A. Cody
Glen of the High North

Even poor delicate Mrs. Haselford made a supreme effort and went to church on Sunday evening. It was a beautiful service, and the old Minster looked lovely with the late sunshine streaming through its gorgeous west window. Some of the congregation went away after the sermon and concluding hymn were over, but a large number stayed to hear the recital. Bess, horribly nervous, went with Ingred to the choir, where she had left her violin. There were to be two organ solos, and her piece was to separate them. She was thankful she had not to play first. She sat on one of the old carved Miserere seats, and listened as Dr. Linton's subtle fingers touched the keys, and flooded the church with the rich tones of Bach's Toccata in F Major. She wished it had been five times as long, so as to delay her own turn. But a solo cannot last for ever, and much too soon the last notes died away. There was a pause while the verger fetched a music stand and placed it close to the chancel steps. Dr. Linton was looking in her direction, and sounding the A for her. With her usually rosy face almost pale, Bess walked to the organ, tuned her violin, then took her place at the music stand. It was seldom that so young a girl had played in the Abbey, and everybody looked sympathetically at the palpably frightened little figure. It was the feeling of standing there facing all eyes that unnerved poor Bess. For a second or two her hand trembled so greatly that she could scarcely hold her bow. Then by a sudden inspiration she looked over the heads of

Angela Brazil
A Popular Schoolgirl

The next morning she kissed her MF at the breakfast table in front of the others without inhibitions, massaged the nape of his neck, and then sat there holding his hand under the table as she bobbed on some type of cloud. Betty's frying of bacon did not seem nauseating; the mustard Michael put on his eggs radiated warmly like the sun god, Aten; and the flatulence of one or more males at the breakfast table seemed aromatic. Convinced of her mission to be a teacher, she was suddenly the indispensable cue ball setting others in motion but being banged along with them. Her busy new life often involved the search of the right books to purchase; the readings, the making of handouts and worksheets; her impatient lectures, enforced homework, and administered tests; her punishment for recesses of savagery when Mr. Placid's head of hair was often pulled out of the sink like a fisherman's trophy; more lectures; taking Mr. Placid--never Mr. Petulant-- with her grocery shopping or searching for acceptable amateur art for the school lounge (a Gabriele Sangfroid deemed not tame enough); sending another one of Mr. Phlegmatic's suits to the dry cleaner; and then driving the boys to baseball practice, boy scouts meetings, or swimming lessons. Her only contemplation during the first week of this teacher act was to sit on the toilet to urinate and defecate. It brought not only to her a physical catharsis but, from the bathroom window a view of Betty burning raked grass and leaves in the yard. Smoke hovered over the tree limbs like a

The merchants of the Muscovy Company were disappointed, but they still believed that the passage to China could be found, and in 1608 Hudson set sail again, determined this time to find the great waterway that would make his name and fortune. But again he was doomed to failure and returned with even less to show than on the previous voyage. He did, however, bring back a curious tale that added to the superstitious sea lore of those times, for two of his sailors one morning when looking over the side of the vessel beheld what they declared was a mermaid--with a white skin and a tail like a mackerel, long, black hair, and a back and breast like a woman's. For a long time, these mendacious mariners insisted, the mermaid (who is believed to have been a seal) swam beside the vessel looking earnestly into their eyes, but at last a sea overturned her and she dove deep and disappeared from view.

Clayton Edwards
A Treasury of Heroes and Heroines

Baron Robert von Linden was standing between the panels of his triple mirror.  The sunlight of a bright May morning was streaming upon him through the lofty window so brilliantly that it made the places which it illumined almost transparent.  He put his face very close to the crystal surface, so that it nearly touched and he was obliged to hold his breath in order not to dim it, examining his reflected image a long time, with a scrutiny which at once seeks and fears discoveries, looked at himself in front, then from the side, changed the light, sometimes bringing his face under the full radiance of the sunshine, sometimes receiving it at different angles or shading himself slightly with his hand.  At last, sighing heavily, he stepped back, laid the tortoise-shell comb and ivory brush on the marble washstand, sank into the arm-chair standing in the corner, and bowed his head on his breast, while his arms hung at full length as if nerveless.

Max Simon Nordau
How Women Love

One day late in the month, when, for a wonder, the sun was shining brightly, there was a strange group gathered near one of the open windows on the top floor of Prison No. 5. Propped up by blankets, so as to get as much of the sunshine that came in at the grated window as possible, was Harvey Rich. Beside him sat the young seaman, and squatted on the floor near by was a remarkable-looking human being. His face was black, his dark hair was shorn close to his head, and a bandage made of a torn bandanna handkerchief was pushed up on his forehead. At first glance, one would have taken him for a negro, although his features showed no trace of African descent. The torn shirt that he wore was unloosed and open at the bosom. The skin which showed through from underneath was fair and white. Every now and then he would give a nervous start and look back over his shoulder.

James Barnes
Yankee Ships and Yankee Sailors: Tales of 1812

The Superior spoke to her. "Only a few steps more, and it will be done; we shall be at the top directly--in a moment." But the steps seemed to grow before her, and her guide's "directly" was half an eternity to the poor frightened soul. At last she almost hit her head against some wooden beams and rafters; she was under the roof, and before her was a small low door covered with curious iron-work; this was the turret-chamber which she was to inhabit. She stood despondingly in front of the door, but her guide opened it, stooped and went in before her--she too had to stoop in order not to hit her head as she entered the room. However, she was used to low doorways, that did not scare her, and inside the room it was not so inhospitable as on the dark, stone, spiral stairs. A first glimmer of day-light shone in through the lens-shaped panes of the turret window; it was only a narrow opening, high up in a deep niche in the wall, but three stone steps led up to it and a stone seat was built at the top of them so that one could look out at the distance or down into the valley according to fancy. A homely bedstead, brown with age, stood by the wall with a heavy wooden sort of roof, like a little house by itself, and curtains of faded Byzantine silk. Old and clumsy as it was, to the poor woman who was accustomed to sleep on nothing but straw, it appeared strangely magnificent, and she felt as if some one must be hidden in it--some grand personage, before whom she must bow low and speak softly so as

Wilhelmine von Hillern
The Hour Will Come: Volumes I and II