silhouette of a woman in mid-air performing a dance.
The image depicts a silhouette of a person performing a dance move against a vibrant pink and purple background. The person is in mid-air, with one arm extended upwards and the other bent at the elbow, suggesting a dynamic and energetic dance. The background is filled with a mix of pink and purple hues, creating a visually striking contrast.
“As for that,” said the old man, “yes, and no. The good woman is well set-up, but--she is not living. You young men think you have done all when you have drawn the form correctly, and put everything in place according to the laws of anatomy. You color the features with flesh-tones, mixed beforehand on your palette,--taking very good care to shade one side of the face darker than the other; and because you draw now and then from a nude woman standing on a table, you think you can copy nature; you fancy yourselves painters, and imagine that you have got at the secret of God’s creations! Pr-r-r-r!--To be a great poet it is not enough to know the rules of syntax and write faultless grammar. Look at your saint, Porbus. At first sight she is admirable; but at the very next glance we perceive that she is glued to the canvas, and that we cannot walk round her. She is a silhouette with only one side, a semblance cut in outline, an image that can’t turn nor change her position. I feel no air between this arm and the background of the picture; space and depth are wanting. All is in good perspective; the atmospheric gradations are carefully observed, and yet in spite of your conscientious labor I cannot believe that this beautiful body has the warm breath of life. If I put my hand on that firm, round throat I shall find it cold as marble. No, no, my friend, blood does not run beneath that ivory skin; the purple tide of life does not swell those veins, nor stir those fibres which interlace like net-work below the translucent
two silhouettes of women performing a handstand in the night sky.
The image depicts a silhouette of two individuals engaged in a dance pose against a backdrop of a starry night sky. The person on the left is in a crouched position, with their arms extended forward, while the person on the right is in a high-flying position, with their arms extended upwards.
Adler, who has studied masturbation in women with more care than any previous writer, has recorded in detail the auto-erotic manifestations involved in the case of an intelligent and unprejudiced woman, aged 30, who had begun masturbating when twenty, and practiced it at intervals of a few weeks. She experienced the desire for sexual gratification under the following circumstances: (1) spontaneously, directly before or after menstruation; (2) as a method to cure sleeplessness; (3) after washing the parts with warm (but not cold) water; (4) after erotic dreams; (5) quite suddenly, without definite cause. The phenomena of the masturbatory process fell into two stages: (1) incomplete excitement, (2) the highest pleasurable gratification. It only took place in the evening, or at night, and a special position was necessary, with the right knee bent, and the right foot against the knee of the extended left leg. The bent index and middle fingers of the right hand were then applied firmly to the lower third of the left labium minus, which was rubbed against the underlying parts. At this stage, the manifestations sometimes stopped, either from an effort of self-control or from fatigue of the arm. There was no emission of mucus, or general perspiration, but some degree of satisfaction and of fatigue, followed by sleep. If, however, the manipulation was continued, the second stage was reached, and the middle finger sank into the vagina, while the index finger remained on the labium, the rest