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cowboy

SUMMARY

three silhouetted figures in cowboy hats perform a synchronized dance in a vibrant, colorful explosion of light and smoke.

CAPTION

The image depicts a vibrant scene of three silhouetted figures performing a dance in a colorful, fiery background. The figures are dressed in traditional cowboy attire, complete with cowboy hats and boots, and are holding long sticks in their hands.

MONOLOGUE
The court or hall to which this gate gave access was decorated with bas-reliefs, which exhibit a glaring imitation of Babylonian art; we can still see on these the king, vested in his long flowing robes, praying before an altar, while further on is a procession of dignitaries following a troop of rams led by a priest to be sacrificed; another scene represents two individuals in the attitude of worship, wearing short loin-cloths, and climbing a ladder whose upper end has an uncertain termination, while a third person applies his hands to his mouth in the performance of some mysterious ceremony; beyond these are priests and priestesses moving in solemn file as if in the measured tread of some sacred dance, while in one corner we find the figure of a woman, probably a goddess, seated, holding in one hand a flower, perhaps the full-blown lotus, and in the other a cup from which she is about to drink. The costume of all these figures is that which Chaldan fashion had imposed upon the whole of Western Asia, and consisted of the long heavy robe, falling from the shoulders to the feet, drawn in at the waist by a girdle; but it is to be noted that both sexes are shod with the turned-up shoes of the Hittites, and that the women wear high peaked caps.

G. Maspero
History Of Egypt, Chalda, Syria, Babylonia, and Assyria, Volume 6 (of 12)

SUMMARY

two cowboys on horseback ride down a foggy road at night with a full moon in the background.

CAPTION

The image depicts a serene night scene featuring two cowboys on horseback, riding down a winding road in a forest. The moon is full and bright, casting a glow over the scene. The cowboys are dressed in traditional cowboy attire, including hats and bandanas, and are positioned on the left side of the image.

MONOLOGUE
To return to our road. The forest is on both sides of the Sierra; but it is on the southern slope, over which we look down from the pass, that the pines attain their fullest size and beauty; for here they are as grand as in the Scandinavian forests, with all the beauty of the pine-trees on the Italian hills. The pass, with its deep forest skirting the road, has been a resort of robbers for many years; and the driver pointed out to my companion a little grassy dell by the road-side, from which forty men had rushed out and plundered the Diligence just ten days before. With his mind just prepared, one may imagine his feelings when he caught sight of some twenty wild-looking fellows in all sorts of strange garments, with the bright sunshine gleaming on the barrels of their muskets. A man was riding a little in front of us, and as he approached the others they descended, and ranged themselves by the side of the road. They were only the guard, after all, and such a guard! Their thick matted black hair hung about over their low foreheads and wild brown faces. Some had shoes, some had none, and some had sandals. They had straw hats, glazed hats, no hats, leather jackets and trousers, cotton shirts and drawers, or drawers without any shirt at all; and—what looked worst of all—some had ragged old uniforms on, like deserters from the army, and there are no worse robbers than they. When the Diligence reached them, the guard joined us; some galloping on before, some following behind, whooping and


SUMMARY

a man and a horse are riding in a field at sunset

CAPTION

The image depicts a scene of two cowboys on horseback, riding through a field of tall grass under a dramatic sunset. The sky is ablaze with hues of red and orange, creating a striking contrast with the dark silhouettes of the cowboys and their horses.

MONOLOGUE
It was a little before sunset upon a pleasant day in the month of green-corn, that a young man riding upon a noble white horse was seen entering the great village of the Ottoes. He appeared to be very young, but he was tall and straight as the hickory-tree. He was clothed as our brother is clothed, only his garments were scarlet, and our brother's are black. His hair, which was not so dark as that of the Indians, was smooth and sleek as the hair on the head of a child, or the feathers on the breast of the humming-bird. His head was encircled with a chaplet made of the feathers of the song-sparrow and the red-headed-woodpecker. He rode slowly through the village without stopping till he came to the lodge of Wasabajinga, when he alighted, leaving his good horse to feed upon the grass which grew around the cabin. He entered the lodge of the chief. The stern old warrior, without rising from his bed of skins, asked him who he was, and whence he came. He answered that he was the son of the great Wahconda, and had come from the lodge of his father(4), which lay among the high mountains towards the setting-sun.

James Athearn Jones
Traditions of the North American Indians, Vol. 1 (of 3)

SUMMARY

a cowboy on a horse in a field with a large fire in the background

CAPTION

The image depicts a scene from a historical period, likely the American West, where a cowboy is riding a horse in a vast, open field. The cowboy, dressed in a cowboy hat, a brown jacket, and a bandana around his neck, is holding the reins of the horse, which is adorned with a saddle and a bridle.

MONOLOGUE
"There," said our guide, "the Highland regiments lay down on their faces waiting for the moment to spring upon the foe. In that orchard twenty-five hundred men were cut to pieces. Here stood Wellington with white lips, and up that knoll rode Marshal Ney on his sixth horse, five having been shot under him. Here the ranks of the French broke, and Marshal Ney, with his boot slashed of a sword, and his hat off, and his face covered with powder and blood, tried to rally his troops as he cried: 'Come and see how a marshal of French dies on the battle-field.' From yonder direction Grouchy was expected for the French re-enforcement, but he came not. Around those woods Blucher was looked for to re-enforce the English, and just in time he came up. Yonder is the field where Napoleon stood, his arm through the reins of the horse's bridle, dazed and insane, trying to go back." Scene of a battle that went on from twenty-five minutes to twelve o'clock, on the eighteenth of June, until four o'clock, when the English seemed defeated, and their commander cried out; "Boys, can you think of giving way? Remember old England!" and the tides turned, and at eight o'clock in the evening the man of destiny, who was called by his troops Old Two Hundred Thousand, turned away with broken heart, and the fate of centuries was decided.


SUMMARY

a cowboy on a horse in a desert with a large rock formation in the background.

CAPTION

The image depicts a scene of a cowboy on horseback riding through a desert landscape. The cowboy, dressed in a red shirt and a cowboy hat, is holding the reins of a brown horse. The horse is galloping along a dirt path, which is surrounded by a range of red and orange-hued rocks and shrubs.

MONOLOGUE
Now for the lake. Everybody in a hurry falls into his place the best way he can--Wakungu leading, and women behind. They rattle along, through plantains and shrubs, under large trees, seven, eight, and nine feet in diameter, till the beautiful waters are reached--a picture of the Rio scenery, barring that of the higher mountains in the background of that lovely place, which are here represented by the most beautiful little hills. A band of fifteen drums of all sizes, called the Mazaguzo, playing with the regularity of a lot of factory engines at work, announced the king's arrival, and brought all the boats to the shore--but not as in England, where Jack, with all the consequence of a lord at home, invites the ladies to be seated, and enjoys the sight of so many pretty faces. Here every poor fellow, with his apprehensions written in his face, leaps over the gunwale into the water--ducking his head for fear of being accused of gazing on the fair sex, which is death--and bides patiently his time. They were dressed in plantain leaves, looking like grotesque Neptunes. The king, in his red coat and wideawake, conducted the arrangements, ordering all to their proper places--the women, in certain boats, the Wakungu and Wanguana in others, whilst I sat in the same boat with him at his feet, three women holding mbugus of pombe behind. The king's Kisuahali now came into play, and he was prompt in carrying out the directions he got from myself to approach the hippopotami. But the waters were too large and the animals too shy,

John Hanning Speke
The Discovery of the Source of the Nile

SUMMARY

two cowboys on horseback are riding in the desert at sunset.

CAPTION

The image depicts two cowboys on horseback, riding through a desert landscape under a dramatic sunset. The sky is filled with vibrant hues of orange and pink, indicating the setting sun. The cowboys are equipped with lassos, suggesting they are engaged in a cattle drive or cattle herding.

MONOLOGUE
Over the joyous feast the sudden darkness descended. All was silent without, and, illuming the landscape with silver, Fair rose the dewy moon and the myriad stars; but within doors, Brighter than these, shone the faces of friends in the glimmering lamplight. Then from his station aloft, at the head of the table, the herdsman Poured forth his heart and his wine together in endless profusion. Lighting his pipe, that was filled with sweet Natchitoches tobacco, Thus he spake to his guests, who listened, and smiled as they listened:-- "Welcome once more, my friends, who long have been friendless and homeless, Welcome once more to a home, that is better perchance than the old one! Here no hungry winter congeals our blood like the rivers; Here no stony ground provokes the wrath of the farmer. Smoothly the ploughshare runs through the soil, as a keel through the water. All the year round the orange-groves are in blossom; and grass grows More in a single night than a whole Canadian summer. Here, too, numberless herds run wild and unclaimed in the prairies; Here, too, lands may be had for the asking, and forests of timber With a few blows of the axe are hewn and framed into houses. After your houses are built, and your fields are yellow with harvests, No King George of England shall drive you away from your homesteads, Burning your dwellings and barns, and stealing your farms and your cattle." Speaking these words, he blew a wrathful cloud from his nostrils, While his huge, brown hand came thundering down on the table,

Henry Wadsworth Longfellow
Evangeline

SUMMARY

cowboy riding a longhorn bull in a desert landscape with a full moon in the background.

CAPTION

The image depicts a cowboy riding a large brown bull in a vast, open field. The cowboy, dressed in a cowboy hat, shirt, and jeans, is holding onto the bull's horns with one hand and the reins with the other.

MONOLOGUE
Late the following afternoon, some five miles from the Mexican settlement, on a small tableland high above a black ravine which was thickly timbered with the giant trees of the Sierras, Ramerrez' band was awaiting the coming of the _Maestro_. It was not to be a long wait and they stood around smoking and talking in low tones. Suddenly, the sound of horses climbing was heard, and soon a horseman came in sight whose appearance had the effect of throwing them instantly into a state of excitement, one and all drawing their guns and making a dash for their horses, which were tied to trees. A moment later, however, another horseman appeared, and laughing boisterously at themselves they slid their guns back into their belts and retied their horses, for the man whom they recognised so quickly, the individual who saved the situation, as it were, was none other than Jose Castro, an ex-_padrona_ of the bull-fights and the second in command to Ramerrez. He was a wiry, hard-faced and shifty-eyed Mexican, but was as thoroughly devoted to Ramerrez as he had been to the young leader's father. On the other hand, the man who had caused them to fear that a stranger had surprised them, and that they had been trapped, was Ramerrez or Johnson--the name that he had assumed for the dangerous work he was about to engage in--and they had failed to know him, dressed as he was in the very latest fashion prevailing among the Americans in Sacramento in '49. Nor was it to be wondered at, for on his head was a soft, brown hat--large, but not

David Belasco
The Girl of the Golden West

SUMMARY

a cowboy is riding a horse in a desert with a lot of dust.

CAPTION

The image depicts a man riding a horse in a desert-like environment. The man is dressed in a cowboy hat, a dark jacket, and blue jeans. He is holding a gun in his hand, suggesting he might be a cowboy or a lawman.

MONOLOGUE
MY DEAREST BARBARA ALEXIEVNA,--To think that a day like this should have fallen to my miserable lot! Surely you are making fun of an old man?... However, it was my own fault--my own fault entirely. One ought not to grow old holding a lock of Cupid's hair in one's hand. Naturally one is misunderstood.... Yet man is sometimes a very strange being. By all the Saints, he will talk of doing things, yet leave them undone, and remain looking the kind of fool from whom may the Lord preserve us!... Nay, I am not angry, my beloved; I am only vexed to think that I should have written to you in such stupid, flowery phraseology. Today I went hopping and skipping to the office, for my heart was under your influence, and my soul was keeping holiday, as it were. Yes, everything seemed to be going well with me. Then I betook myself to my work. But with what result? I gazed around at the old familiar objects, at the old familiar grey and gloomy objects. They looked just the same as before. Yet WERE those the same inkstains, the same tables and chairs, that I had hitherto known? Yes, they WERE the same, exactly the same; so why should I have gone off riding on Pegasus' back? Whence had that mood arisen? It had arisen from the fact that a certain sun had beamed upon me, and turned the sky to blue. But why so? Why is it, sometimes, that sweet odours seem to be blowing through a courtyard where nothing of the sort can be? They must be born of my foolish fancy, for a man may stray so far into sentiment as to forget his immediate surroundings, and to give

Fyodor Dostoyevsky
Poor Folk

SUMMARY

a cowboy on a horse in a field with a starry sky and a full moon

CAPTION

The image depicts a scene of a cowboy on horseback, riding through a vast, golden field under a starry sky. The cowboy, dressed in a cowboy hat and a plaid shirt, is holding the reins of the horse, which is in motion, suggesting a sense of freedom and adventure.

MONOLOGUE
As Lancelot went his way through the forest he met with many hermits who dwelled therein, and had adventure with the Knight who stole his horse and his helm, and got them back again. And he learned from one of the hermits that Sir Galahad was his son, and that it was he who at the Feast of Pentecost had sat in the Siege Perilous, which it was ordained by Merlin that none should sit in save the best Knight in the world. All that night Sir Lancelot abode with the hermit and laid him to rest, a hair shirt always on his body, and it pricked him sorely, but he bore it meekly and suffered the pain. When the day dawned he bade the hermit farewell. As he rode he came to a fair plain, in which was a great castle set about with tents and pavilions of divers hues. Here were full five hundred Knights riding on horseback, and those near the castle were mounted on black horses with black trappings, and they that were without were on white horses and their trappings white. And the two sides fought together, and Sir Lancelot looked on.

Various
The Book of Romance

SUMMARY

cowboy riding a horse in front of a full moon.

CAPTION

The image depicts a cowboy riding a horse in a dramatic, night-time setting. The cowboy is dressed in a cowboy hat, a blue shirt, and a red bandana. The horse, which is the central figure in the image, is black and has a long, flowing mane.

MONOLOGUE
"The first time I met Pierre Cellois--`Klein Pierre' we used to call him--I was about a day east of our camp, shooting water-buck for _velschoens_.  We had worn out our foot-gear, and wanted fresh supplies of skin.  Never shall I forget the little Frenchman's appearance.  He was tricked out in a big slouch hat smothered with great white ostrich feathers--enough to frighten half the game of the country away.  Then he had a bright blue jacket with gilt buttons, a pink flannel shirt, a red silk sash round his waist--something like what your officers wore across their shoulders at Boom Plaats, when we fought Sir Harry Smith--white breeches, and long, shiny, black English hunting-boots.  In his sash he had stuck a long knife and a pair of pistols.  At his side he wore a wonderful powder-horn, decked with silver, and over his back a brown leather bag, smothered with steel mountings, the flash of which you might see a mile off.  He carried a good English rifle.  His Hottentot boy, besides a fowling-piece, carried a green net and a lot of boxes. The little Frenchman collected butterflies and bird-skins, and he never went abroad without his full paraphernalia.  I have seen some funny sights in the veldt, but never have I seen such a figure of a sportsman as Pierre Cellois.

H.A. Bryden
Tales of South Africa

SUMMARY

cowboy riding a white horse in a starry night sky.

CAPTION

The image depicts a cowboy riding a white horse in a field at sunset. The cowboy, dressed in a blue denim shirt and a cowboy hat, is holding the reins of the horse, which is positioned in the center of the image. The horse is facing the left side of the image, with its head turned slightly to the right.

MONOLOGUE
Another witch story. One night a gentleman in the west, riding home, was suddenly stopped by an unseen hand seizing his horse's bridle rein. Having a sword, he first struck at one side of his horse's head, and then at the other. The animal, now unrestrained, galloped home, when, on putting the horse into the stable, the gentleman found a hand cut off at the wrist, hanging to the bridle reins. Suspecting he had been waylaid by Janet Wood (a reputed witch in the neighbourhood), he called on her next day, and found her in bed. She complained of being ill. After conversing with her for a short time, he rose to take his leave, and held out his hand to shake hands with her. She offered him her left hand; but he refused to take it, saying it was unfriendly to use the left hand for such a friendly purpose. After a good deal of hesitation, she admitted that she had lost her right hand in an encounter she had the previous night when out on witch business. The gentleman produced the hand, and, on it being compared with her stump, it fitted exactly. The question then came to be, how the stroke took effect, for no ordinary sword could have injured the witch; and it turned out that it had been charmed by the owner's grandmother, a sensible old woman.

James Grant
The Mysteries of All Nations

SUMMARY

a cowboy on a horse rides through a field at sunset

CAPTION

The image depicts a scene of a cowboy on horseback riding through a vast, open field under a setting sun. The cowboy, dressed in a red shirt and a black cowboy hat, is positioned on the left side of the image, facing away from the camera. The horse, a dark brown color, is in the center of the image, with its head turned slightly to the right.

MONOLOGUE
When he came into the village it was about half-past two o'clock, and the long, narrow main street was deserted. The owners of some of the antiquity shops had already put up their shutters for the summer. Other shops, still open, showed gaping doorways, through which no travellers passed. Inside, the proprietors were dozing among their red brocades, their pottery, their Sicilian jewelry and obscure pictures thick with dust, guarded by squadrons of large, black flies, which droned on walls and ceilings, crept over the tiled floors, and clung to the draperies and laces which lay upon the cabinets. In the shady little rooms of the barbers small boys in linen jackets kept a drowsy vigil for the proprietors, who were sleeping in some dark corner of bedchamber or wine-shop. But no customer came to send them flying. The sun made the beards push on the brown Sicilian faces, but no one wanted to be shaved before the evening fell. Two or three lads lounged by on their way to the sea with towels and bathing-drawers over their arms. A few women were spinning flax on the door-lintels, or filling buckets of water from the fountain. A few children were trying to play mysterious games in the narrow alleys that led downward to the sea and upward to the mountains on the left and right of the street. A donkey brayed under an archway as if to summon its master from his siesta. A cat stole along the gutter, and vanished into a hole beneath a shut door. But the village was almost like a dead village, slain by the sun in his carelessness of pride.

Robert Smythe Hichens
The Call of the Blood

SUMMARY

a cowboy girl riding a bull in a sunset sky

CAPTION

The image depicts a cowboy riding a large brown bull in a dramatic, fiery landscape. The cowboy, dressed in a white shirt and blue jeans, is holding the reins of the bull with both hands. The bull, with its horns pointing upwards, is positioned in the center of the image, facing the viewer.

MONOLOGUE
When he was gone she went on to the verandah quickly and looked over the parapet. She saw him come out from beneath the arcade and walk slowly across the road to the little gate of the enclosure before the house of the priest. As he lifted his hands to open the gate there was the sound of a bark, and she saw Bous-Bous run out with a manner of stern inquiry, which quickly changed to joyful welcome as he recognised an old acquaintance. Androvsky bent down, took up the little dog in his arms, and, holding him, walked to the house door. In a moment it was opened and he went in. Then Domini set out towards the garden, avoiding the village street, and taking a byway which skirted the desert. She walked quickly. She longed to be within the shadows of the garden behind the white wall. She did not feel much, think much, as she walked. Without self-consciously knowing it she was holding all her nature, the whole of herself, fiercely in check. She did not look about her, did not see the sunlit reaches of the desert, or the walls of the houses of Beni-Mora, or the palm trees. Only when she had passed the hotel and the negro village and turned to the left, to the track at the edge of which the villa of Count Anteoni stood, did she lift her eyes from the ground. They rested on the white arcade framing the fierce blue of the cloudless sky. She stopped short. Her nature seemed to escape from the leash by which she had held it in with a rush, to leap forward, to be in the garden and in the past, in the past with its passion and its fiery

Robert Hichens
The Garden Of Allah

SUMMARY

a cowboy on a horse is riding in the desert with a large sun in the background.

CAPTION

The image depicts a cowboy riding a horse in a desert landscape. The cowboy, dressed in a cowboy hat, shirt, and jeans, is holding a whip in his right hand and appears to be in motion, suggesting a dynamic action.

MONOLOGUE
Very gorgeous descriptions are given of the pomp and magnificence of the army of Darius, as he commenced his march from the Euphrates to the Mediterranean. The Persians worship the sun and fire. Over the king's tent there was an image of the sun in crystal, and supported in such a manner as to be in the view of the whole army. They had also silver altars, on which they kept constantly burning what they called the sacred fire. These altars were borne by persons appointed for the purpose, who were clothed in magnificent costumes. Then came a long procession of priests and magi, who were dressed also in very splendid robes. They performed the services of public worship. Following them came a chariot consecrated to the sun. It was drawn by white horses, and was followed by a single white horse of large size and noble form, which was a sacred animal, being called the horse of the sun. The equerries, that is, the attendants who had charge of this horse, were also all dressed in white, and each carried a golden rod in his hand.

Jacob Abbott
Alexander the Great

SUMMARY

couple in cowboy attire posing for a photo in the desert

CAPTION

The image depicts a man and a woman standing side by side, facing each other, with the man wearing a cowboy hat and the woman wearing a cowboy hat. They are both dressed in traditional cowboy attire, with the man wearing a blue shirt and the woman wearing a red shirt with a floral pattern. The background is a blurred sunset, suggesting a serene and picturesque setting.

MONOLOGUE
On the eve of St. John, the cereal vase, ornamented with ribbons, is exposed on a balcony, decorated with garlands and flags. Formerly, also, a little image in female attire, or phallic emblems moulded in clay, such as were exhibited in the feasts of Hermes, were placed among the blades of corn; but these representations have been so severely denounced by the Church, that they are fallen into disuse. The young men flock in crowds to witness the spectacle and attend the maidens who come out to grace the feast. A great fire is lit on the _piazza_, round which they leap and gambol, the couple who have agreed to be St. John's _compare_ completing the ceremony in this manner:—the man is placed on one side of the fire, the woman on the other, each holding opposite ends of a stick extended over the burning embers, which they pass rapidly backwards and forward. This is repeated three times, so that the hand of each party passes thrice through the flames. The union being thus sealed, the _comparatico_, or spiritual alliance, is considered perfect.[57] After that, the music strikes up, and the festival is concluded by dances, prolonged to a late hour of the night.

Thomas Forester
Rambles in the Islands of Corsica and Sardinia

SUMMARY

a cowboy on a horse in front of a large orange moon with stars in the sky.

CAPTION

The image depicts a scene of a cowboy on horseback, riding through a landscape with a large, fiery moon in the background. The cowboy is dressed in a cowboy hat and a brown jacket, and is holding a rifle.

MONOLOGUE
Nor was this fellowship vouchsafed to me                15 With stinted kindness. In November days, When vapours rolling down the valleys [3] made A lonely scene more lonesome; among woods At noon; and 'mid the calm of summer nights, When, by the margin of the trembling lake,                20 Beneath the gloomy hills, homeward I went [4] In solitude, such intercourse was mine: Mine was it in the fields [5] both day and night, And by the waters, all the summer long. And in the frosty season, when the sun                    25 Was set, and, visible for many a mile, The cottage-windows through the twilight blazed, [6] I heeded not the summons: happy time It was indeed for all of us; for me [7] It was a time of rapture! Clear and loud                  30 The village-clock tolled six--I wheeled about, Proud and exulting like an untired horse That cares not for his home. [8]--All shod with steel We hissed along the polished ice, in games Confederate, imitative of the chase                       35 And woodland pleasures,--the resounding horn, The pack loud-chiming, [9] and the hunted hare. So through the darkness and the cold we flew, And not a voice was idle: with the din Smitten, [10] the precipices rang aloud;                  40 The leafless trees and every icy crag Tinkled like iron; while far-distant hills [11] Into the tumult sent an alien sound Of melancholy, not unnoticed while the stars, Eastward, were sparkling clear, and in the west           45 The orange sky of evening died away.


SUMMARY

A cowboy is riding a horse in a foggy environment.

CAPTION

The image depicts a silhouette of a person riding a horse in a foggy, green-tinted environment. The rider is dressed in a cowboy hat and a cowboy shirt, suggesting a Western or cowboy theme. The horse, which appears to be a dark brown or black horse, is galloping with its mane and tail flowing in the wind.

MONOLOGUE
Colonel Victor d'Aiglemont, barely thirty years of age, was tall, slender, and well made. His well-proportioned figure never showed to better advantage than now as he exerted his strength to hold in the restive animal, whose back seemed to curve gracefully to the rider's weight. His brown masculine face possessed the indefinable charm of perfectly regular features combined with youth. The fiery eyes under the broad forehead, shaded by thick eyebrows and long lashes, looked like white ovals bordered by an outline of black. His nose had the delicate curve of an eagle's beak; the sinuous lines of the inevitable black moustache enhanced the crimson of the lips. The brown and tawny shades which overspread the wide high-colored cheeks told a tale of unusual vigor, and his whole face bore the impress of dashing courage. He was the very model which French artists seek to-day for the typical hero of Imperial France. The horse which he rode was covered with sweat, the animal's quivering head denoted the last degree of restiveness; his hind hoofs were set down wide apart and exactly in a line, he shook his long thick tail to the wind; in his fidelity to his master he seemed to be a visible presentment of that master's devotion to the Emperor.

Honore de Balzac
A Woman of Thirty

SUMMARY

cowboy riding a horse in a desert landscape with a mountain in the background.

CAPTION

The image depicts a cowboy on a horse, riding through a desert landscape under a dramatic sky filled with clouds. The cowboy is dressed in a cowboy hat, a red bandana, and a blue shirt, and is holding a rifle. The horse, a brown horse, is galloping with its mane and tail flowing in the wind.

MONOLOGUE
The pace was brisker when the two horses, bending their strength sturdily to the task, had pressed up the massive slope from the deep cleft of the gorge. As the road curved about the outer verge of the mountain, the valley far beneath came into view, with intersecting valleys and transverse ranges, dense with the growths of primeval wildernesses, and rugged with the tilted strata of great upheavals, and with chasms cut in the solid rock by centuries of erosion, traces of some remote cataclysmal period, registering thus its throes and turmoils. The blue sky, seen beyond a gaunt profile of one of the farther summits that defined its craggy serrated edge against the ultimate distances of the western heavens, seemed of a singularly suave tint, incongruous with the savagery of the scene, which clouds and portents of storm might better have befitted. The little graveyard, which John Dundas discerned with recognizing eyes, albeit they had never before rested upon it, was revealed suddenly, lying high on the opposite side of the gorge. No frost glimmered now on the lowly mounds; the flickering autumnal sunshine loitered unafraid among them, according to its languid wont for many a year. Shadows of the gray unpainted head-boards lay on the withered grass, brown and crisp, with never a cicada left to break the deathlike silence. A tuft of red leaves, vagrant in the wind, had been caught on one of the primitive monuments, and swayed there with a decorative effect. The enclosure seemed, to

Charles Egbert Craddock
The Phantoms of the Foot-Bridge and Other Stories

SUMMARY

cowboy riding a horse in the middle of a sunset.

CAPTION

The image depicts a cowboy riding a horse in a field under a dramatic sunset. The cowboy, dressed in a cowboy hat and a long-sleeved shirt, is holding the reins of the horse, which is galloping towards the right side of the image.

MONOLOGUE
On they rushed, through blinding clouds of dust--on--towards the brow of the steep hill. Mansana could just manage to hold up the foaming horses' heads, so that their long manes fluttered like black wings behind them, but that was all. He clutched the right rein fiercely with both hands, in an effort to direct their headlong course towards the middle of the road, preferring to take this course even at the risk of a collision; which, however, would inevitably have given a dramatic termination to the lives of the whole party. In this effort he was successful, but still he could do nothing to check the furious pace. He looked up, and in the far distance fancied that he saw moving objects--more and still more--drawing nearer and still nearer towards them. On they came--the whole road seemed blocked with them. The distance between them lessened rapidly, and Mansana realised that what they were approaching was one of those interminable droves of cattle, making their way, as usual in the autumn, towards the sea. He jumped up from his seat and threw the reins in front of him. A sharp cry from behind rang through the air, followed by a still more piercing shriek as Mansana took a mighty leap, alighting on the back of the off horse, while he firmly grasped the bridle of the other. The horse he rode gave a wild leap into the air, and the other, thus violently thrown off his balance fell, was then dragged along for a space upon the outer shaft, till this snapped under the heavy strain, when finally the yoke strap

Bjrnstjerne Bjrnson
Captain Mansana and Mother's Hands

SUMMARY

a woman dressed as a cowboy with a gun in her hand.

CAPTION

The image depicts a woman dressed in a cowboy outfit, complete with a cowboy hat, a green shirt adorned with various accessories, and a pair of black gloves. She is holding a gun in her right hand, suggesting she might be a law enforcement officer or a sheriff. The background is a gradient of green and brown tones, providing a stark contrast to the woman's attire.

MONOLOGUE
My engagements were few, and I was glad to accept.  When I arrived, a little late, because in my fear of being too early I had walked three times round the cathedral, I found the party already complete.  Miss Waterford was there and Mrs. Jay, Richard Twining and George Road.  We were all writers. It was a fine day, early in spring, and we were in a good humour. We talked about a hundred things.  Miss Waterford, torn between the aestheticism of her early youth, when she used to go to parties in sage green, holding a daffodil, and the flippancy of her maturer years, which tended to high heels and Paris frocks, wore a new hat.  It put her in high spirits. I had never heard her more malicious about our common friends. Mrs. Jay, aware that impropriety is the soul of wit, made observations in tones hardly above a whisper that might well have tinged the snowy tablecloth with a rosy hue. Richard Twining bubbled over with quaint absurdities, and George Road, conscious that he need not exhibit a brilliancy which was almost a by-word, opened his mouth only to put food into it. Mrs. Strickland did not talk much, but she had a pleasant gift for keeping the conversation general; and when there was a pause she threw in just the right remark to set it going once more. She was a woman of thirty-seven, rather tall and plump, without being fat; she was not pretty, but her face was pleasing, chiefly, perhaps, on account of her kind brown eyes. Her skin was rather sallow.  Her dark hair was elaborately dressed.

W. Somerset Maugham
The Moon and Sixpence

SUMMARY

the man is shirtless and has a large beard and is wearing a cowboy hat and a belt with a gold buckle and a holster with a gun in it. he is standing in front of a gold halo and is holding a gun in his hand.

CAPTION

The image depicts a muscular man with a long, curly beard, wearing a cowboy hat and a bandolier of gold. He is positioned against a backdrop of a golden halo and a blue sky, suggesting a desert or desert-like environment. The man's attire includes a bandolier of gold and a cowboy hat, which is adorned with a gold buckle.

MONOLOGUE
scourge of her tongue.  Heaven rest their souls, and swiftly send a sixth!  She wears a hat large as a targe or buckler, brings the artillery of her eyes to bear on the young Squire, and jokes him about his sweetheart.  Beside her is a worthy Parson, who delivers faithfully the message of his Master.  Although he is poor, he gives away the half of his tithes in charity.  His parish is waste and wide, yet if sickness or misfortune should befall one of his flock, he rides, in spite of wind, or rain, or thunder, to administer consolation.  Among the crowd rides a rich Franklin, who sits in the Guildhall on the dais. He is profuse and hospitable as summer.  All day his table stands in the hall covered with meats and drinks, and every one who enters is welcome.  There is a Ship-man, whose beard has been shaken by many a tempest, whose cheek knows the kiss of the salt sea spray; a Merchant, with a grave look, clean and neat in his attire, and with plenty of gold in his purse.  There is a Doctor of Physic, who has killed more men than the Knight, talking to a Clerk of Laws.  There is a merry Friar, a lover of good cheer; and when seated in a tavern among his companions, singing songs it would be scarcely decorous to repeat, you may see his eyes twinkling in his head for joy, like stars on a frosty night.  Beside him is a ruby-faced Sompnour, whose breath stinks of garlic and onions, who is ever roaring for wine,--strong wine, wine red as blood; and when drunk, he disdains English,--nothing but Latin will

Alexander Smith
Dreamthorp

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